Posts Tagged ‘Wizard Rifle’

Abrasive Audio – The Year in Review

clothing-optional

C’mon, even seals love the sun.

Part the Third

Half the year has disappeared already and one might be wondering where, as it certainly doesn’t move that fast when one wishes it to. The lawn is demanding attention as it’s sprouting faster than a leopard after a potential mate and clothing is apparently optional (which isn’t always a bad thing). The world of extreme audio is still chugging along and the intensity only seems to be building. Now if only the kids could find something to do (for more than five minutes at a time) I might be able to fully immerse myself within all that the metal universe has to offer. (“…but, Dad!”) Onward.

(As is traditional my absolute favorites are marked with an *)

July

abominism

Abominism – s/t

https://abominism.bandcamp.com/album/abominism

Occasionally, albums and artists come from out of nowhere to kick one on their ass. And this did just that! Only six tracks on offer here but they are more than enough with their epic qualities to whet the appetite and leave the listener wanting more. Atmosphere is rampant as too dissonant rhythms, technical passages and progressive elements concocted and woven with such creativity and professionalism as too only draw the listener into the album’s entrancing spell the deeper in the listener gets. There’s a great deal for everyone to enjoy here as the style blankets a wide radius of the extreme metal spectrum all balanced delicately with absolute precision.

Baleful abyss

Baleful Abyss (F.K.A Zombieslut) – Death Propaganda

https://balefulabyss.bandcamp.com/

Dirge driven groove that’s highly nostalgic of the 90’s which demands respect and makes a fantastic addition to any collection bursting at the seams with death/doom laden dirge and death bordering on grindcore.

Beastmaker – Eye of the Storm

beastmaker

https://beastmaker.bandcamp.com/

Think traditional heavy metal with speed metal tendencies draped in a fine shroud of occult doom. This flows so damn well it should be criminal, and that voice. And although it’s short, barely four tracks I can honestly say this is dangerously infectious audio.

desecresyDesecresy – Towards Nebulae

 

https://xtreemmusic.bandcamp.com/album/towards-nebulae

Crushing, heavy machinery, sonic barbarity with unmistakable influences aided by a suffocating atmosphere and an occasional cavernous doom presence which teases dragging the listener through grindcore waters. Highly effective and evocative audio with a vast cosmos conflict type narrative.

disowning human cattle

Disowning -Human Cattle

https://xenokorp.bandcamp.com/album/human-cattle

A myriad concoction of styles assaults the listener herein add a splash of technical expertise, undeniably excellent production and the album offers ten tracks any fan of the genre can readily consume without complaint and each with their own identity. Add vocals which fit perfectly and the album rockets into unforgettable realms. This album begs to be played again and again. Jump on this at your next earliest convenience!

 

ecliptic visionEcliptic Vision – s/t

https://eclipticvision.bandcamp.com/album/ecliptic-vision

Far from the typical brutal/progressive death affair this is an effort which delivers throughout and demands multiple listens to fully appreciate. Progressive themes knit tightly, and flirt constantly, with technical passages injected with nuance, varying pace and abrupt transforming rhythms. Ambient interludes add to the albums overall effect; the combination is bathed in other-worldly themes resulting in an album which thankfully stays this side of the gone too far to be saved cosmic tech-wizardry fence.

freighter the den.jpg

Freighter – The Den

https://freighter.bandcamp.com/album/the-den

Hard to describe, even harder not to instantly like. There’s truly something unique and utterly mesmerizing about the style, or rather the mixture of styles here. The lyrics are comic book-esque and fantastical in their scope with a style that’s somewhat comical and the audio is a hodge-podge of styles which are familiar yet hard to instantly place. Riffs here and there leer at the listener with an air of arrogance as if to say I dare you to pair me with an act, track and album. I dare you to tackle the quest.

gates to the morning

Gates to the Morning – Return to Earth

https://gatestothemorning.bandcamp.com/album/return-to-earth-ep

Odd how Jazz and Metal are two genres so vastly separate from each other yet they come together so amazingly well. Close to an hour in length this is so much more than merely an album, it’s far from traditional in any senses, more a journey through an audioscape which offers an experience demanding the undivided attention. A sojourn through a wilderness fraught with melancholy, bliss and exhilaration. Melody intertwines with majesty; brutality cavorts with the innocence of beauty accompanied by rhythms which are soothing yet shot through with an undeniable sinister air.

pathetic

Pathetic – Rat King

https://pathetic666.bandcamp.com/

A glorious mixture of influences keeps this album rolling. D-beat rhythms cavort with old school values and plodding riffs akin to that of the earliest Grave material. Lyrics often reek of a deliciously jaded Pungent Stench vibe, add this to an occasionally wicked soundbite, a dirge-laden tone ripped straight from the basement of the underground 90’s (think Bolt Thrower, Terrorizer) and a pace which often picks up frequently offering groove one cannot sit still to and you have all the right ingredients for an album which feels like it might have been released twenty-something years too late.

shades of deep water

Shades of Deep Water – Death’s Threshold

https://dunkelheitprod.bandcamp.com/album/deaths-threshold

Although this doesn’t seem that complex in rhythm or composition (at times it appears to dive deep into drone waters) it has a certain undeniable quality, a power, a captivating quality which is difficult to ignore. The album is only made even more impressive based on the fact that it was composed, mixed, recorded and mixed by a single soul, a talented individual indeed, J.H. A Fantastic mood accompaniment!

Thy_Art_Is_Murder

Thy Art is Murder – Human Target *

https://open.spotify.com/album/6P55RLLgax6WruBMdKWlvf

The partnership of Djent, Slam, melodic, brutal death and one of the finest voices in the industry is stunning; mixed to genius levels and appreciatively differing ratios within each track. Atmosphere, brutality, melody and a caliber of production only elevates the albums grandiose nature. It’s all here, in spades, making for a release which demands respect and the senses upon it.

vagrant

Vagrant – The Rise of Norn

https://vagrantblacklion.bandcamp.com/album/the-rise-of-norn

Weaving a masterful combination of melodies and atmosphere with lyrics based around warriors, folklore, fate and superstition Vagrant have managed to create an album which flows exquisitely. Rhythms intertwine with galloping and heavy riffs forging a release which is far from the run of the mill melodic death or even blackened death album. Offering symphonic death, melodic death exquisite acoustic elements, doom, folk and Viking metal this has the potential to appeal to a wide audience.

August

abysmalist.jpg

Abysmalist – Reflections of Horror

https://caligarirecords.bandcamp.com/album/reflections-of-horror

Only four tracks on offer here but as an introduction to what the band offer this is stunning, an outstanding example of how death and doom realms can be manipulated to great effect. A delicate balance of atmosphere and brutality presented by considerable oomph to grab and hold the attention rapt. With this as a debut the future is blinding!

anticosm call of the void

Anticosm – The Call of the Void

https://anticosm.bandcamp.com/

Dynamic, ever evolving, melodic, passionate and draped in atmosphere yet miles from what could be termed traditional, both in rhythm and vocal departments. For those who aren’t quite willing to fully immerse themselves fully in any one genre this is great location to start a life-long exploration drenched with realms of amazement and wonder which is guaranteed to set the senses on fire.

Book of wyrms album

Book of Wyrms – Remythologizer *

https://bookofwyrmsrva.bandcamp.com/

A true celebration of epic heavy metal and traditional doom with NWOBHM stylings, cantering and galloping rhythms, swaying melodies and wicked leads topped off with ethereal vocals. Overall a fantastic achievement which thankfully never wanders too far into psychedelic waters, though on occasion dips more than a toe into its murky depths. Now this is Doom I can subscribe too!! Tear me away from this now, it’s fast becoming an addiction.

Cruickshank

Cruickshank – s/t

https://crckshnk.bandcamp.com/album/cruickshank-s-t

Driving rhythms, which often fight for supremacy in chaotic standoffs, traipse through a slew of styles offering the listener a great deal to discover. Overall a release which will please fans of Kyuss, Olde, Tool, EyeHateGod, Acid Bath and a slew of others acts who refuse to conform to a style that defined by any one genre. Someone is going to have to pull me away from this with considerable force, it’s growing on me like a ravenous parasite.

darkened

Darkened – Into the Blackness

https://edgedcircleproductions.bandcamp.com/music

Although the familiarity is undeniable there is also something else which makes this stand apart. Presence, subtle atmosphere or the audios leaning toward death/doom territories. Whatever it is it works and I’m eager for more.

detherousDetherous – Hacked to Death

https://redefiningdarknessrecords.bandcamp.com/album/detherous-hacked-to-death

Channeling Malevolent Creation, Death and Asphyx, Detherous have managed to create a style that’s exuberant, furious (boasting exquisite time changes and abrupt mosh frenzy changes in pace) and technical. This is audio which unceremoniously pulls one back to the old school (both European and American) and does a great job of doing so. Call it homage, call it what you will but there’s no doubt this is executed with passion, flair and precision.

graveview.jpg

Graveview – Demos 18-19’

https://graveview-us.bandcamp.com/album/graveview-demos-18-19

Influences are undeniable but it’s what the band does with the tone and the myriad of other factors and how they incorporate it into their style which makes this special. Abrupt pace shifts and breakdowns executed with precision, know-how, flair, the fact that this is stunningly fluid, will incite grins aplenty and will delight long-time fans of the scene.

lllvilja livet

lllvilja -Livet *

https://phobiarecords.bandcamp.com/album/illvilja-livet-lp

A primitive, mysterious, spice heats up that which is already incendiary, both in its nature and infectiousness. Touches of stylistic diversity, and appreciative breaks from the same old, same old (which could well be expected based on this albums categorization, hailed as “Dbeat/Blackened-Crust”) propel this to refreshing heights making this a release set to be the bar which others in the genre will struggle to reach. This came out of nowhere to catapult me to the nearest medical facility on account of my abrupt skyrocketing excitement levels, it’s that damn impressive!

nomas last laugh

No/Mas – Last Laugh

https://hpgd.bandcamp.com/album/last-laugh

I can honestly say I believe this to be their best work to date, as it makes an instant impression and is criminally infectious/inciteful from its nuclear-powered launch. Six tracks and perilously close to eight minutes in length. Yep, this is grindcore! And these fellows have an axe to sharpen and senses to obliterate.

 

overt enemy possessionOvert Enemy – Possession

https://overtenemy.bandcamp.com/

Slayer worship through and through (there’s even a ripping cover of “At Dawn They Sleep” and the bassists name even has a decidedly “Slayer” slant to it) of that there’s no doubt but Overt Enemy execute the style so damn well that odds are they’ll take the vacated throne without a qualm and little complaint.

wraith

Wraith – Absolute Power *

https://wraith-us.bandcamp.com/album/absolute-power

Like an adrenaline shot to a form weary of hype this awakens immediately the same feeling one had when first introduced to the scene. With splashes of punk, a style which rarely lets up pounding maniacally at blackened thrash/speed gates and a myriad of influence which vomits from near every track this is an album not to be missed. Add a double billed Hellripper, Wraith show to my bucket-list and I’ll leave this plane a happy fellow.

wizard rifle self titled

Wizard Rifle – s/t

https://wizardrifle.bandcamp.com/

The sound is altogether mesmerizing, even from the albums first notes, while wholly unclassifiable. The exuberance and energy are undeniable and infectious whilst the rhythms and tempo are ever evolving, shifting like an amorphous beast the likes of which you’d kindly invite in from the cold for a spot by the fire. Dense riffs collide with sacrificial drum salvos and plodding rhythms transform into galloping frenzied moments all accented by a diverse vocal tirade which incorporates melody, shouting and angst in equal measures. An epic feel underscores the whole shebang though its hardly given much heed as the music whisks the listener away to undiscovered realms, vistas and valleys frequented by constructs which are nonsensical yet accepted as easily as a birthday check, in the mailbox, from a long lost relative.

September

arctos.jpg

Arctos – Beyond the Grasp of Mortal Hands *

https://arctos-northernsilence.bandcamp.com/album/beyond-the-grasp-of-mortal-hands

I’m not normally a fan of the Black Metal genre but this blows me away with its diversity and delivery in every way. Enthralling, hypnotic and stunning from start to finish, a must visit genre experience!!

alcoholocaust.jpg
Alcoholocaust – Necro Apocalipse Bestial

https://brigadantiposers.bandcamp.com/releases

Aggressive speed metal with the occasional splash of punk accompanied by maniacal and archaic heavily accented vocals. This could well be the foreign long-lost twin to Whiplash’s “Power and Pain” release. Criminally addictive and requires limbering up before hitting the play button. Prepare to have this reside in your audio equipment for an extended duration of time.

algebra

Algebra – Pulse?

https://unspeakableaxerecords.bandcamp.com/album/pulse

There’s an undeniable fluid nature here. Timing changes are exquisite, rhythms infectious and dynamic. Melodies are plentiful and change enough to keep a listener on their toes. A sense of familiarity abounds, leaves one scratching their heads as to which band or album this or that part sounds like, but it doesn’t take away from the listening experience in the slightest. Oftentimes an epic narrative unfolds by way of the music alone complementing the thought-provoking lyrical content. In short, a winning combination which if someone could bottle it would most probably be titled something along the lines of ‘Excuse me for a second while I blow your mind’, or” Forget the Remainder of your day you’re about to be Unfathomably Distracted”. Naturally words, as they often do, fail me as I attempt to imprint my appreciation upon the flashing screen beneath my hands. Don’t, DON’T, don’t, allow this to go unnoticed.

ankhara

Ankhara – Sinergia

https://fighter-records.bandcamp.com/album/sinergia

Showcasing passionate rhythms, galloping riffs and dynamic, high energy, percussion there are zero dull moments here to be discovered. The style varies and brings to mind a plethora of acts some more distinct than others as the album unfolds. If your interests lay more in hard rock more so than the darker end of the metal/rock universe this is where you’ll want to rest your ears for a while.

coldclaw.jpg

ColdClaw – Anti Martyr: Decades to Suffer

https://ritualsoundrecords.bandcamp.com/album/anti-martyr-decadess-to-suffer

Coldclaw’s is a style which captures the essence of black metal. Crust as experienced throughout the album in various passages featuring dominant drum salvos; which are difficult not to move to and death metal as heard within various chugging riff approaches and the brutality which is displayed dominantly throughout. The result is a collection of tracks which has the potential to appeal to a wide audience, some who are curious about arenas they perhaps haven’t discovered before and others whose interests lay within the styles mixed with such passionate precision here

come back from the dead album

Come Back from the Dead – Rise of the Blind Ones

https://comebackfromthedead.bandcamp.com/

With melody and groove throughout this rarely let’s up in the infectious department. Think a hybrid of 90’s European death, old school British grind/death with a complementary sprinkle of doom and a maniacal essence. A mixture no doubt which has been perpetrated before but, in this case, somehow it feels fresh and leaves quite an impression.

cult of sorrow.jpg

Cult of Sorrow – Invocation of the Lucifer

 https://cultofsorrow.bandcamp.com/

Traditional, melodic, riff heavy with just the right amount of fuzz, keyboard laden, passionate doom with heavy metal leanings. Think The Obsessed with vocals of an Ozzy era Black Sabbath slant. This has undeniable staying power, shows experience beyond only being a second full-length and is extremely difficult not to instantly appreciate. And this only gets better with repeated listens.

ethereal riffian.jpg

Ethereal Riffian – Legends

https://robustfellow.bandcamp.com/album/legends

A varied smorgasbord of doom, wall to wall melody and influence ranging from across the metal spectrum. Vocal inflections channeling Mike Muir (Suicidal Tendencies) a musical style often akin to that of early Faith no More, and unpredictable, driving rhythms with occasional strangely soothing qualities. Highly entertaining audio that’s dangerously infectious and pleasingly varied throughout.

high command

High Command – Beyond the Walls of Desolation *

https://highcommandsl.bandcamp.com/album/beyond-the-wall-of-desolation

Every once in a while, there comes an album which has a buzz surrounding it. This is one such example. Often this buzz has much to do with unique qualities; a quality which has the potential to take genres in new and exciting directions. This is hardly another run of the mill, dime-a-dozen thrash album although it bears the ingredients which most exhibit if only in part, and all wish to master. Is this the thrash album of the year for me? It’s certainly up there in the mix and unashamedly guilty of rekindling my interest in the genre.

Horror God

Horror God – Cursed Seeds

https://lavadome.bandcamp.com/album/cursed-seeds

Melody and groove take a backseat to the menace and ferocity on display though it’s still apparent albeit in frenetic doses. The constant timing and rhythm shift as well the musicianship on offer and the booming vocal cadence elevate this above the herd. A dark nightmarish, punishing, narrative is what’s on offer here and I’m taking the trip again.

 

IATT
IATT – Nomenclature

https://iattblacklion.bandcamp.com/album/nomenclature

Once over the initial foreign aura the album’s foreign nature grows on the listener, starting its enthralling conquest of the senses. In short, this will appeal to those with an open mind whose penchants run to blackened realms as well arenas which are often referred to as a tad experimental. Be prepared for you’ll want to lose yourself in its grandeur again and again.

netherbird.jpg

Netherbird – Into the Vast Uncharted

https://netherbird.bandcamp.com/album/into-the-vast-uncharted

A remarkable invocation of the blackened death style crafted with precision showcasing passionate guitar leads, acoustic brilliance and sweeping evocative melodies. A veil of doom, a definite well-executed presence, accentuates the palpable emotion throughout making for a release one will only want to experience repeatedly.

Sempiternal Dusk

Sempiternal Dusk – Cenotaph of Defectuous Creation

https://darkdescentrecords.bandcamp.com/album/cenotaph-of-defectuous-creation-2

Catacomb-esque mid-tempo rhythms with subtle nuance and oodles of archaic, cinematic quality, atmosphere in the form of an unmerciful steamroller assault. Suffocating audio with a slight funeral doom aura, dense yet also flirting with a blackened vibe, a myriad of tempo and time changes under epic skies offers the listener plenty to chew upon. This might take a second listen to fully embrace but it’s worth the effort!

void king

Void King – Barren Dominion

https://voidking.bandcamp.com/

Took me a while but now I’m thinking the raw, unbridled, emotion-laden vocal style is a hybrid of Staind Channel Zero (although my only experience is the album “Unsafe”) and Danzig it’s highly effective against the slow to mid-tempo rhythms and presence, the combination is nothing short of powerful and utterly mesmerizing. The fact that this is radio friendly should not deter one from giving it a fair few spins. An altogether brilliant slab of doom/stoner rock with Southern rock touches. Highly recommended!

wintercrown

Wintercrown – Northern Lights

https://cultofosiris.bandcamp.com/album/northern-lights

I can’t pinpoint it, perhaps it’s the fact that Wintercrown aren’t afraid to branch out (ever so slightly) to encompass elements from other genres both musically and vocally. Or the fact that the combination works so ungodly well. Whatever it is, it’s executed excellently, I’m sold! And this has been one of the most impactful Black Metal experiences I’ve heard in recent memory. Bravo!

mix tape action

Keep it up, you maniac!

Well, there’s another couple of months’ worth of releases to dive into. Naturally, I haven’t heard everything within these three months, not even close in fact. I was slightly distracted with the summer holidays and the kiddos not being in school. However, I did make an attempt which often resulted in virtually sleepless nights and varied exciting moments of zoning out at work the following day. And all in the name of metal! (What a trooper). Due to the sheer volume of releases unleashed during the final three months of the year I’ve come to the conclusion that what I believed to be an initial four-part endeavor will now transpire into what I’d like to think of as a five-part opus. Don’t say I didn’t warn ya!

Cult (a certifiable slave to audio extreme)

 

 

 

Wizard-Rifle band

Abrasive Audio – Another Interview.

A few words with Wizard Rifle

Recently I had the pleasure of laying ears upon audio which is diverse to say the very least, familiar yet stunningly different and warranting of at least a few dozen spins to be able to fully digest. Wizard Rifles newest is the type of album one can’t easily forget, it leaves an impression, an instant glorious appreciation which led me to this, and honestly my words cannot come close to explaining the audio, perhaps the band can help. Without further ado…

Howdy Guys,

First off, thanks for the consideration and taking the time to ponder over what I’m hoping are a few questions which will serve to introduce your unique brand of audio to those who are otherwise ignorant of its captivating qualities.

Let’s start at the beginning, for it seems like as good a place as any, from where did the name, “Wizard Rifle”, and the bands origins stem?

Sam and myself (Max) were both going to school in Portland, and were both trying to start a band, and we were both finding it hard to get people to commit and keep a practice schedule. We were introduced by our mutual friend, and we quickly started jamming together for hours a day, every day we possibly could. Having just one person to coordinate with made it easy to stay on the same page and just spend a lot of time writing and developing our style. The name was something my roommate said while I was playing Super Mario World on SNES.

the SNES

for all those wondering this is the SNES

How would you describe the style which characterizes the audio for which Wizard Rifle is renowned?

We both developed playing styles to fill up the audio spectrum that normally is divided into 3+ people. My riffs and gear are set up to sound big. Having just one guitar allows Sam to play really busy at times which is exciting.
Our songs go through a whole roller-coaster of different styles and ideas and we try to make it like a journey with different distinct movements or whatever. Basically, we just write to keep people on their toes and surprise them.

wizard rifle in the woods

Wizard Rifle chillin’ in the woods

I’ve seen the terms ‘Art fuck scrap metal’ and ‘Scuzzy spaz rock’ used for those who might be confused (including myself) could you better explain these terms?

I think those are some tags we just came up with on our Bandcamp back in the day. We’ve never been able to properly categorize our music, so I guess those are just combinations of words that somehow capture our feeling of what the music is like, and also that we think are funny. “Art fuck scrap metal”: like a welded together sculpture of garbage and scraps made by some wierdo paying 50k a year to express themselves in some dumb-ass BFA program.

Within your newest audio collection, I detect a number of, what I can only presume to be, influences. In instances a certain familiarity, in others passages which bring to mind acts who are also not easily genre categorized, defined by a willingness to experiment somewhat with that which fans already know but have never thought/expected to have grace the ears in such a well-choreographed ensemble. Are there any acts or albums in particular (an example which immediately leaps to mind is “Mutilation Makes Identification Difficult” by Brutal Juice) which have helped shape how the sound and style of the album came to be?

We pull from everything we listen to, and never are like “okay for this track we’re only doing Sleep and E.Wizard”. We find tropey bands boring. Yes Black Sabbath are the greatest band to exist probably. No I don’t wanna hear your direct Iommi ripoff set.
People are always coming up to us like, “Oh you guys obviously love this album or band” and often neither of us have ever even heard it, and that is very pleasing to us that people hear different things. For instance I have never heard Brutal Juice. There have been some very pivotal bands, albums, shows that we have experienced which set us off. Far too many to mention.

WizardRifle

The newest release in all of its seafaring, trash laden collage glory

The image on “Speak Load, Say Nothing” may suggest what to expect from the album (though it doesn’t even begin to hint at its unpredictable exuberance). What did/do you wish to portray/convey with the upcoming (self-titled) albums art?

Well all our album covers (aside from the EP) are photographed sculptures and collages. This cover is a collage of trash and plants and sea creature parts sam put together. We never want our covers to look like a run of the mill metal cover, so we always try to make something that grabs your eye and isn’t as expected. I think the cover Sam did is just really pretty and abstract and has awesome colors. I liked it right away.

Staying on topic of release related queries; It’s been a while since your last album (2014’s “Here in the Deadlights”) with two years separating that from (2014’s) “Speak Loudly, Say Nothing” following on from (2010’s) “Kitties and Pie” were you ever at any point concerned that the new record might not ‘see the light of day’?

It was a long process to finish up the album for many reasons, one of which being that we didn’t want to half-ass it at all. We wanted the songs to be precisely composed and practiced and we wanted it recorded really well. The finished product sounds exactly as I have imagined it should for these past few years so that is pretty cool.
We are always figuring it out along the way in terms of how the band operates, and so there were periods where it took some perseverance to not fall into a hopeless state of mind. Ultimately if our support network fell apart and no one was interested in putting out the record we would have made it happen anyway just because we put the work into the songs and want them out there no matter what. Even if we had to sell our plasma for the next decade or something

The new album is out (August 30th) via Svart Records, a move which might make many wonder – why the split with Seventh Rule Recordings? Can you tell us more?

Scott Flaster over at Seventh Rule was an awesome guy to work with and took a chance putting out our first records. After “Here in the Deadlights” he had a lot going on and just wasn’t putting out new records for a while, so there wasn’t further discussion about the 3rd record.

The first single, and track, (“Rocket from Hell”) from the new album recently premiered on Decibel Magazine (August 30th can’t come fast enough!) and has gotten quite the reaction. Following a brief recording hiatus was it more than expected?

It is hard for me to quantify the magnitude of reaction to content on the internet, maybe because I suck at internet and mostly just try and figure it out for the band. Seems like it’s been pretty amazing thus far, and we definitely have really good people working on it who are killing it. The true barometer will be if people come out to the shows, and if people buy the record.

Acid king wizard rifle tour

 

A US tour is currently underway supporting Acid King (I’m hoping to catch you as you pass through the heartland). Are there any past dates/cities which have stood out for any particular reason?

I mean Portland is always an amazing amazing time, full of old friends and hugs. Sometimes the smaller cities go off and its rad. I feel like it’d be unfair to shout out specific places too much because we’ve met super cool people who have really taken care of us and showed us a good time all over this dang country!

If given ‘free rein’ and choice from artists past or present/living or not who would you wish to tour alongside? For any particular reason?

The Stooges back in the day.

Thanks!

 

And with that the interview comes to an end, my thanks again go out to Curtis (Dewar PR) and Wizard Rifle for responding.

The bands discography is as follows;
Kitties and Pie!!!! (2010) EP

https://wizardrifle.bandcamp.com/album/kitties-and-pie

Speak Loud, Say Nothing (Seventh Rule Recordings) 2012

https://wizardrifle.bandcamp.com/album/speak-loud-say-nothing

alternatively

https://releases.seventhrule.com/album/speak-loud-say-nothing

Here in the Deadlights (Seventh Rule Recordings) 2014

https://releases.seventhrule.com/album/here-in-the-deadlights

Their latest, self titled opus, will drop on August 30th via Svart Records

my review of which is here (please excuse the pool of drool that comes with)

https://cultmetalflix.wordpress.com/2019/06/13/abrasive-audio-to-soothe-the-senses-part-16/

Cult

Abrasive Audio (Part Sixteen)

black metal burgers

Could these be considered Black metal sandwiches?

Introducing the sites first “Black Metal Split” sandwich

(Aka; sandwiching my usual diverse content between two split releases I should have gotten to much earlier (my apologies to those concerned)

Nihtwintre/Albanach ar Dheis (split)
Cassette/Digital format
Release – May/14/2019
Epicurus Records

nihtwintre split

https://nihtwintre.bandcamp.com/

(Note – this is the running order of the cassette, the digital order is reversed)

ARTWORK – 7

Strangely this image reminds me of the movie Trollhunter. Is this an ice giant or merely a perturbed mature gent awoken from a night’s rest to realize someone has trodden all over his freshly planted vegetable garden?

Side A; Albanach ar Dheis (Canada)
(Tracks 1,2)

Epic values drench the first track (as if its length didn’t give it away?) alongside a narrative lyrical approach, dualistic male and female vocals, keyboard atmosphere and undeniable melodic qualities, the effect makes for an overall pleasing introduction. The second track is longer still (coming in at close to eleven minutes) and boasts atmosphere aplenty, a synth folk vibe as well a slew of somewhat traditional (genre) majestic riffs. Managing to hold the attention throughout with its undeniable fluid and mesmerizing qualities it has the attention of a fan who usually doesn’t dwell in black metal (realms) enrapt.

Symphonic black metal which invokes images of epic battles, forests and melancholy, all in all, audio I can subscribe to without reservation or regret. A quite brilliant slice of audio which could well provoke abrupt exploration into audio realms enigmatic and undiscovered.

9
Side B; Nihtwintre (USA)
(Tracks 3,4 and 5)

Stabbing riffs, with an ice-cold aura, accent a drumming salvo to incite vivid imagery of an unforgiving realm draped in antiquity and menace. Narrated by a snarling vocal accompaniment the overall effect is a promising introduction. The second track is the highlight of Nihtwintre’s trio. Complete with groove (yes, groove) and majestic qualities its rhythms strangely invoke chilling atmosphere, a stunning combination. The trio climaxes in much the same manner, an undisputable frigid aura complemented by underlying groove (though not as pronounced as the track before) and riffs that tell of both medieval ancestry and eternal conflict (the harsh element of nature as well the nature of man).  A stunning trio which rounds out a mesmerizing split, showcasing how diverse the genre of atmospheric black metal is, which is deserved of much attention.

8.5

pathetic

OVERALL INITIAL LISTEN – 9
Pathetic – Rat King
(Canada)
Release – July/12/2019
Independent
Qabar PR
https://pathetic666.bandcamp.com/
 ARTWORK – 8

An intriguing image (a creature of sorts compiled of those it’s ‘consumed’, some albeit partially) which offers a myriad of intricate details and grotesqueries. Warranting closer inspection this image hints at brutality, menace and activities of similar ilk therefore I imagine audio of the same variety. Color me intrigued!

FIRST TRACK – 8.5

A distortion laden introduction recalls Acid Bath while the music itself, once it gets started, is accompanied by a soundbite, reeks of the old school with a touch of southern melody, and mid-tempo groove

INITIAL LISTEN – 9

A glorious mixture of influences keeps this album rolling. D-beat rhythms cavort with old school values and plodding riffs akin to that of the earliest Grave material. The word even comes to mind from time to time. Lyrics often reek of a deliciously jaded Pungent Stench vibe, add this to an occasionally wicked soundbite, a dirge-laden tone ripped straight from the basement of the underground 90’s (think Bolt Thrower, Terrorizer) and a pace which often picks up frequently offering groove one cannot sit still to and you have all the right ingredients for an album which feels like it might have been released twenty-something years too late though manages to offer an aura that’s instantly enjoyable and so damn easy to appreciate it borders on criminal. A sublime combination in short which pleases the senses and demands constant attention.

Highly recommended and sure to please those with a penchant for the extreme and values deeply rooted in the old school death/grind department.

Favorite Tracks; The Fatal Charade, Going Postal, Shetani, Defecating Upon the Grave of the Grand Wizard, Empty Threat.

WizardRifle

Wizard Rifle – s/t
(USA)
Release – August/30/2019
Svart Records
Dewar PR
https://wizardrifle.bandcamp.com/
ARTWORK – 7.5

Newsflash; Reports claim that a bright bold logo is seen rising from the earth at an alarming rate alert the authorities, call the National Guard but most of all prepare thyself…

FIRST TRACK – 9.5

Its been awhile but I do believe I’ve found an act who can finally compare to the overall indescribable nature of Brutal Juice. For those who aren’t in the know they boast a sound that’s a wicked mixture of others styles much like what Wizard Rifle offer. A fantastic track I could scribble upon at length though shall refrain from doing so until the release has reached its climax.

INITIAL LISTEN – 9.5

Every once in a while, a promo lands in the email with a description so wild that it demands attention, as promos tend to do. This is another such instance. And being the ever-curious type I pounced. And was not disappointed in the slightest. The sound is altogether mesmerizing, even from the albums first notes, while wholly unclassifiable. The exuberance and energy are undeniable and infectious whilst the rhythms and tempo are ever evolving, shifting like an amorphous beast the likes of which you’d kindly invite in from the cold for a spot by the fire. Brutality and menace are far from what’s on offer here. Doom values meld with punk attitude while the word alternate is bounced around like a circular blur in a championship hockey finale (you were expecting a nod to a certain team? Not here, mate!) Dense riffs collide with sacrificial drum salvos and plodding rhythms transform into galloping frenzied moments all accented by a diverse vocal tirade which incorporates melody, shouting and angst in equal measures. An epic feel underscores the whole shebang though its hardly given much heed as the music whisks the listener away to undiscovered realms, vistas and valleys frequented by constructs which are non-sensical yet accepted as easily as a birthday check, in the mailbox, from a long lost relative.  An atmosphere permeates this same location, a thick smoke hazy with indistinct, fleeting, influence which is familiar yet hard to pinpoint as another replaces its spot within seconds. The album does however have its share of trance/drone moments, instances in which the style doesn’t flutter like the wings of a butterfly, the conclusion to “Funeral of the Sun” is a fantastic example. Fitting is the final tracks moniker, the fifth track known as “V”. The tempo within this is decidedly upbeat bringing to mind Slayer in the first few bars but then late dwindling to a tempo which could best be described as adrenaline infused stoner rock which later changes again to bring to mind Jesus Lizard albeit with a pace that’s not associated with them in the slightest.

Album of the year contender right here, folks. And this is purely based on a first listen basis, I’m of the mind that this will only get better with age.  My only gripe is that this has a street date of late-August, sure I can enjoy it courtesy of the promo package which came my way but I want others to be able to also. The wait is killing me. In the meantime, I’ll let this parade its way through my senses again and do my best to let the smile which is contorting my features not take total control of my faculties.

As an added bonus a few thoughts on this release from my sometimes ‘partner in crime’ Drew
When I wade into the waters of any act unfamiliar to me, the first thing I tend to think of is who they remind me of. And at first listen, Wizard Rifle immediately remind me of Brutal Juice. In fact, I’m blown away be the some of the similarities. From the loud – yet clean – vocals, Wizard Rifle breathes psychedelic rock and breathe it well. They do tend to veer off into other thrashy sounds, but somehow it all seems to circle back to that familiar psychedelic feel. Wizard Rifle is a two-piece act proving that sometimes, less is more.
With all the tempo and fury of a four-piece act, this collage of trippy guitar solos and vacillating drum blasts is one I can fully get behind.

 

katechon

Katechon – Sanger Fra Auschwitz
(Norway)
Release – March/1/2019
Saturnal Records
Qabar PR
https://katechon.bandcamp.com/
ARTWORK – 6

Dark, depressive and dreary. Is this an indication of that which I’m about to hear, I can but only wonder?

FIRST TRACK – 7

I’m getting (mid-era) Satyricon vibes again (and this appears to be a constant throughout this piece) this track plods along complete with an ominous tone, unmistakable menace and a familiar traditional vocal style which isn’t at all out of place within its surroundings.

INITIAL LISTEN – 7.5

From early on I deciphered that I wouldn’t be able to understand a bloody word and I was correct, regardless this is intriguing audio indeed, given more an enigmatic/archaic feel based on the fact (that again) I can’t understand the lyrics and their context ( I seriously need to find time to do some research). Furious paced yet moody. Traditional black yet doom laden. Melodic yet vicious. This typifies the variety within the genre which most people still continue to shun. Much like the genre this has a great deal to offer, over and above what those with closed minds, who continue to spawn ignorance, assume. Rhythms are varied as too are the moods and atmosphere making for a release which most fans of the scene will be able to appreciate and easily consume, perhaps even a few who have little knowledge of the scene but who are steadily becoming more accustomed to it, like myself.

Favorite Tracks; Eloi, Ankomst, Davids Skjold.

overt enemy possession

Overt Enemy – Possession
(USA)
Release – August/9/2019
Confused Records
Dewar PR
https://overtenemy.bandcamp.com/
 ARTWORK – 7

Lady, lady. Hey lady. I wouldn’t swallow that if I were you.

We’ll I guess it’s too late, I’m outta’ here before this broad starts to spray the town in split pea soup, a vomitous odor and utilize a crucifix in an unsettling, though deviantly erotic, manner.

FIRST TRACK – 9

Aggressive thrash in a style that’s criminally addictive, infectious, movement inducing but most of all eerily recognizable. This tosses me back to when I first laid ears upon ‘Hell Awaits’ and it’s that far off of the same caliber.

INITIAL LISTEN – 9

Slayer worship through and through (there’s even a ripping cover of ‘At Dawn They Sleep’ and the bassists name even has a decidedly “Slayer” slant to it) of that there’s no doubt but Overt Enemy execute the style so damn well that odds are they’ll take the vacated throne without a qualm and little complaint. My only issue with this is that’s it’s too damn short, I want more!! I guess I’ll be forced to spin this again, again and again (or even ‘piece by piece’).

This is the type of thrash which I can subscribe to, it’s vicious, fluid, fast but most of all wicked Fn’ great!

I’m eager for a full length!

portada

Concilivm – The Veiled Enigma (EP)
(Chile)
Release – January/18/2018 (limited edition cassette)
Von Frost Records
(reissue on CD; May/31/2019 via Dawning Septic Productions)
https://concilivm.bandcamp.com/album/the-veiled-enigma
ARTWORK – 7

Classical in tone; St George and the Dragon shenanigans I’m thinking, though it could be anything, a preying mantis lighting a torch perhaps, or is he/she balancing a spear on their nose? Do they even have a nose…? I give up!

FIRST TRACK – 8

An effective introduction leads into a bout of old school riffing ala vintage Gorguts tinged by diabolical melody and vocals of the death doom variety. This is tight and executed with flair. So why is it that I haven’t heard of this until now?

INITIAL LISTEN – 8.5

I honestly have no idea how it is that I haven’t heard this until now (I seem to have stated that before) this is impressive audio showcasing a mid-pace with death doom sensibilities, groove and enough menace to incite nightmares for an entire kindergarten class, including the teacher. Influence is varied from the above mentioned to Gorefest, Divine Eve, Bolt Thrower and a slew of other European acts around the explosion of the death scene circa the early 90’s. Dirge cavorts with a diabolical nature with often intriguing rhythms, the vocals fit like a tailor made suit for the icing on the cake.

Give this a moment of your time and I believe you’ll be impressed also.

Favorite Tracks; Dark Zenith, Breaking of the Return, Epistemology of Darkness (bonus track).

goregang

Goregäng – Neon Graves
(USA)
Release – May/20/2019
Transcending Obscurity Records
https://goregangband.bandcamp.com/album/neon-graves-death-metal-crust
ARTWORK – 8

Vivid and eye opening, much as the title suggests. I’m left to wonder what’s leaking from the grave and will the resulting malformation find itself walking down main street in search of a signed copy of the first season of “Keeping Up with the Kardashians”. Yuck, stay away, keep back! Stay away!

FIRST TRACK – 7

The introduction has a definite ominous edge boding towards one would imagine (based on the law of averages) audio of brutal death/atmospheric nature. The first track however has undeniable hardcore leanings, gang vocals and a stabbing approach bordering at times on a style Fear Factory are known for. A diverse mixture for sure which although I’m not totally falling ‘ass over tit’ for, still makes me curious as to what’s to follow.

INITIAL LISTEN – 7.5

Considerable oomph and surprising production values give this release eye-opening appeal. The style herein is varied, though familiar throughout, spanning a wide radius of the extreme metal arena tipping its hat from one track to the next to a slew of ground-breaking acts including Entombed, Grave and Bolt Thrower. A thick style Dirge frolics hand in hand with the “buzzsaw” HM2 sound and groove often jumps into the fold to join in on the fun to play a huge part in the overall mix. Rhythms are predominantly mid-paced and occasional atmosphere is used effectively (especially in the case of “Neon Graves”) keeping the predictability level at a minimum. Overall this is a release which will have listeners reminiscing on a slew of albums (the type everyone should revisit on a regular basis) albeit injected with the production values and exuberant tone which sets this apart from the hordes of others also vying for attention in much the same manner.

Favorite Tracks; Silence is Consent, Neon Graves, Plague of Hammers, The Era of Human.

vokonis

Vokonis – Grasping Time
(Sweden)
Release – September/6/2019
The Sign Records
Dewar PR
https://vokonis.bandcamp.com/album/grasping-time
 ARTWORK – 7

Nice kitchen. But, oh dear. I believe you got shafted on the vaulted ceiling request.

FIRST TRACK – 8

There’s zero introduction with this track, the listener is immediately whisked away to epic doomsville. An unscheduled stop on the outskirts brings them to a dusty location where sludge and melodic rock values converse over coffee, edibles and a raspberry filled ‘Danish’.

A great start which effectively introduces Vokonis and their specific brand of non- traditional down tuned audio.

INITIAL LISTEN – 8.5

Amazingly enough Vokonis have created audio which bridges the gap between Kyuss and Mastodon, liberal sprinklings of psychedelia and a myriad of progressive passages are gleefully companions along for the ride. Featuring riffs with enough distort to shake the Great Wall to dust and an epic nature boasting melodic yet always heavy undertones, the album makes for quite the multi layered audio journey which many might be initially skeptical about. However, somehow, Vokonis manage to pull this mammoth feat off without a hitch. In a seamless manner that’s both entertaining and enthralling (often hypnotic) the band utilize an assortment of brilliantly executed moods aided by shifting rhythms and several vocal styles to keep the senses alight with intrigue. The result is an album which garners the attention instantly though somehow still demands several listens to fully appreciate.

Favorite Tracks; Sunless Hymnal, I Hear the Siren, Embers, Fading Lights.

Darkhorse_OldStar

Dark Throne – Old Star
(Norway)
Release – May/31/2019
Peaceville Records
http://peaceville.com/bands/darkthrone/
ARTWORK – 9.5

Intricate black and white imagery with a definite medieval style. The more one looks closer the more details become apparent. Demons cavorting with nature or an orgy of grotesqueries? Whatever it is this is mesmerizing!

FIRST TRACK – 8.5

Please note that this Is my first full album experience with Dark Throne. Admittedly black metal was never my thing but now I’m finding myself warming up to all it has to offer due in most part to continued prods and “Reccs” from Void (whom I continue to curse and thank continuously, and often at the same time).

Whoa, this Is not entirely what I was expecting. This is melodic, mid -tempo and it has rhythm to spare. I’ve heard dissent among long-time fans that this isn’t what they were expecting and reviews are split down the middle, but I’m finding myself liking this…a lot! The production isn’t what I as expecting either based on I guess my own assumptions, this is clean, far from primitive. The instruments are distinct and the sound, if truth be told, reminds me in part of Sartyricon (newer material not the older, faster audio) mixed with groove tinged Celtic Frost. A fantastic start which leaves me intrigued for what surprises and the remainder of the album will bring to my ears.  

INITIAL LISTEN – 8.5

This continues to enthrall me from track to track. From the first to the epic and traditional heavy metal riff polluted (though not in a horrid sense) and doom laden second through to its final track; a groove infested doom opus “The Key is Inside the Wall”. This isn’t in the slightest what I was expecting (think I’ve mentioned that before) it’s slower, moody and powerful. But this is something I will definitely spin again, and often if given the chance. I’d suggest keeping the mind open, and the preconceived notions at bay before you spin this especially if you’re at all familiar with their past discography.

Favorite Tracks; I Muffle Your Inner Choir, The Hardship of The Scots, The Key is Inside the Wall.

detherous

Detherous – Hacked to Death
(Canada)
Release – August/16/2019
Redefining Darkness Records
https://redefiningdarknessrecords.bandcamp.com/album/detherous-hacked-to-death
ARTWORK – 9

I’m a little bias here, I’ll admit. As a ‘gorehound’ this image hits all the right notes, recalls VHS covers from the “Video Nasty” era (even puts me in mind of Cancer’s ‘The Gory End’) but is likely an image plucked from the Hatchet franchise. Admittedly I’m more than a little excited, and the music hasn’t even started yet!

FIRST TRACK – 8.5

If the immediate influence which comes to mind isn’t the obvious (and the first word in the genre in which this resides) then I’m honestly not sure what to say. A fantastic track that grabs the attention and gets the adrenaline spiking. I have a sneaking suspicion this is going to be a ‘banger’ (whatever that means!)

INITIAL LISTEN – 9

Channeling Malevolent Creation, Death and Asphyx, Detherous have managed to create a style that’s exuberant, furious (boasting exquisite time changes and abrupt mosh frenzy changes in pace) and technical. Familiar, with nods to the fury of early Kreator and the rhythm transformations of Slayer, easily appreciated and nostalgic yet a breath of fresh air to a scene that’s recently become overcrowded with atmosphere. This is audio which unceremoniously pulls one back to the old school (both European and American) and does a great job of doing so. Call it homage, call it what you will but there’s no doubt this is executed with passion, flair and precision. This is an album which will be in heavy rotation, mark my words!

Keep an eye out for these folks for if this is any indication, they’re going places!

Favorite Tracks; Smoldering Ashes, Ridden, Monstrosity, Brain Death.

vault dweller

Vault Dweller – Existence at a Distance (EP)
(USA)
Release – June/7/2019
Horror Pain Gore Death Productions
https://hpgd.bandcamp.com/album/existence-at-a-distance
ARTWORK – 8.5

A vicious knife assault from all corners, who’s the assailant? A Poltergeist, and for what reason? This is obviously up for discussion but there’s no doubt that this is a wicked image.

FIRST TRACK – 7.5

An ‘old timey’ soundbite as an introduction, it works brilliantly to set the scene telling of spilling blood for all manner of things, however trivial. The audio soon transforms into grinding whirlwind riffage with distinct punk leanings added to by howling vocals.

A decent introduction to the band and their version of the grind style.

INITIAL LISTEN – 7.5

An Ep which lasts barely more ten minutes, one would immediately think of audio in a grind realm and they wouldn’t be far wrong for have no doubts this is what this is.

Brutal, to the point salvos (though running epic lengths for tracks under the grindcore moniker) completed by surprising melody and gale-force vocals make for a foray that’s a tad different than most in the same genre. Add to that a variety of 60’s movie sci-fi synth explorations and you have a release that’s a refreshing step (albeit a small one!) away from the norm.

Favorite Tracks; Ego Beast, Somebody Blow me Up, Bad Gateway.

ov lustra

Ov Lustra – Tempestas
(USA)
Release – June/7/2019
Black Lion Records
Qabar PR
https://ovlustrablacklion.bandcamp.com/album/tempestas
ARTWORK – 8

A definite fantasy edge is prevalent here. With the lone figure in the center one could also imagine a quest of sorts, which leads one to believe this might be a concept album.

FIRST TRACK – 9

Symphonic, though not overly so, with an undeniable blackened death aura of the technical/melodic variety. An overall concoction/effect which works brilliantly, aided to by way of top-notch production values, adding depth and a cinematic aura.

INITIAL LISTEN – 8.5

A concept album (which hardly feels like such) based on fantastical narrative aided by orchestral brilliance originating from Francesco Ferrini (Fleshgod Apocalypse) and technical leanings with melodic undertones sounds like an intriguing premise, right? In this case the premise is so much more than merely that… the idea has paid off. Showcasing exquisite musicianship, a powerful symphonic backdrop, rhythms which constantly shift and a vocal accompaniment which fits the style Ov Lustra have managed to capture the delicate balance needed to keep the listener intrigued and the audio far from being overwhelming in its intensity. The overall audio is fluid, seamless in its approach and bears unmistakable cinematic scope which only aids in its appeal and invokes vivid imagery along with the sinuous fantastical narrative.

The inclusion of orchestral editions of the first four tracks lends an edge which is not typically seen, a fantastic touch and nod, appreciation, to fan support. The reissue of four tracks (‘I’, ‘Felle’, ‘Ov Lustra’ and ‘Arrival’) serves to spark interest in the bands past work and shows maturity, precision and development from past to present material.

Favorite Tracks; Tempestas, Ov Delicate Rage, Felle, Ov Lustra.

Highly recommended for fans of Inferis, Vale of Pnath, Fleshgod Apocalypse, Septic Flesh and Cradle of Filth.

Recc from Fistful of Doom (@flatulentfuzz on Twitter)

fistful of doom

Archaic Tomb – Persecution Paraphenalia/ / Cryptworm – Putrefactive Regurgitation (7” split EP/Tape)
Release – April/19/2019
Cassette/Digital
Blood Harvest Records
https://bloodharvestrecords.bandcamp.com/album/persecution-paraphrenalia-putrefactive-regurgitation

 

ARTWORK – 8.5

blood harvest split

Gnashing teeth, a demon, wings and sublime archaic black and white imagery, nuff said!

Archaic Tomb (Portugal)

Cavernous, dense and sporting intricate rhythm nuance. Hardly melodious and yet there is definite rhythm to be found amidst the dirt-laden brutality and a certain diabolical nature, the smoldering, sizzling finale is a great touch. Overall, an intriguing track which has me salivating for a more definite illustration of what the band can spawn.

8  
Cryptworm (UK)

Gargling, guttural, vocals accompany a sickening tone which has me tumbling back to the brutality I first encountered when discovering the scene many moons ago (around the early 90’s in fact) within a Peaceville, “Deaf Metal”, sampler (which if one is unfamiliar with should check into immediately).

Groove-laden madness slathered in vintage death values, the influence is easy to see (for those paying attention) and tracks title about says it all in regards to what tom expect though doesn’t describe how infectious this is if one’s past is checkered with much the same audio. I’m grinning from ear to ear, though I understand I‘m of the minority who remember music stores, vinyl, compilations rather than YouTube for discovering new tunage and Tipper Gore’s attempts at censoring music.

8
Overall Initial Listen – 8

If brutality and down tuned sickness with melody, rather than noise, is your thing wrap your ears around this!

Plucked from Metal Past

witchburner

Witchburner – Bloodthirsty Eyes
(Germany)
Release – February/22/2013
High Roller Records
https://www.discogs.com/Witchburner-Bloodthirsty-Eyes/release/5349624
Thoughts –

Occasionally I’ll dip into metals past. Often, I’ll reflect upon an album I have fond memories upon, in this instance I’m going to drop a few thoughts upon an album and a release I stumbled upon quite by accident. Recently I went to a show (the first in a few years) and happened to set eyes on a band entitled WitchRipper. For some reason however, I referred to them as Witchburner and this ladies and gents is where my quest began. Is there a band with such a name, indeed there is, and what do they have to offer? Here are my thoughts…

‘Bloodthirsty Eyes’ is the bands seventh full-length, and their most recent, in over a twenty-year span, if the album art (a collective of undead types clamoring for attention from a hooded mysterious type seated upon a throne) doesn’t make you want to spin it you’re obviously not into everything undead in theme as much as yours truly. The album is quick to make an impression with both its wicked pace and venom-fueled vocal attack. The beats are incendiary in nature and often quick to get to the point. If you’re not moving when “Possession” caresses the senses odds are you have little, to zero, appreciation for frantic head bangin’ mayhem and the finest the genre has to offer. Naturally it’s a high point in the album alongside the albums stunning acoustic introduction and opener, “Sermon of Profanity” which sports somewhat of an Exodus vibe albeit ‘Tempo of the Damned’ era in feel. Other standouts come fast, furious and often and include the frantic paced “The Path of the Sinner”, “Apocalyptic Visions” which boasts a Master and Slayer vibe, “Never Surrender” with an undeniable foot tapping vibe, “Bloody Countess” (bonus track) after all who can’t appreciate a track about a blood thirsty, pasty faced, beauty stuck in a castle sans the glory of the internet to waste away those rainy days (*wot another? I don’t care!) and a classic from their first LP “Possessed by Hellfire”.

Stick some ears on this and discover what you’ve been missing. Unless you already have, in which case why didn’t you tell me about it?

cult of osiris split

Daemonibus Inita Vigilia (3-way split)
Release – June/10/2019
Digital
Cult of Osiris
https://cultofosiris.bandcamp.com/album/daemonibus-inita-vigilia
ARTWORK – 8

I’m intrigued by this primitive wicked imagery. Naturally black and white art is one my weaknesses and this immediately puts me in mind of underground old school values.

Apothecary (USA) – Insect Vigil

A swift, spiraling, descent into madness. An experimental outing which combines elements of grindcore, black metal, ambient and avant Garde’ for an overall dizzying experience. Chaotic, archaic, primal, often confusing but always disorienting there appears to be no semblance of order. Non-traditional in its construct and absolutely non-conforming this is recommended for the brave, for those who can see past what is often perceived as normalcy, and what’s easily accepted by the senses.

6
Crossburner (Spain) – Guland I

Unforgiving and primal, this track strangely sports a smidgen of punk influence within its pitch sensibilities. Assaulting the senses with a whirlwind of industrial grade riffage it bears more a traditional black metal approach albeit one that’s basted in archaic production values. A wickedness, a menace that’s melodic though malicious in intent heralded by rasped vocals which only adds to the effect.

7
Uten Håp (Svalbard) – Inner Demons

Cacophonous and blasting in intensity, the rhythm herein is unrelenting and soon builds to a hypnotic state. Snarled vocals add to an effect akin to being in the eye of a storm. A furious slab of pitch darkness delivered on a bed of menacing pace sure to alight the intrigue of the more traditional black metal community. A fitting finale to split which shows Cult of Osiris sticking to his guns and the label showcasing talent which depicts the genre as it was always meant to be, extreme, far from popular with only the darkest of audio intentions, not monetary reward, in mind. Musical expression which cares not for cultural constructs or borders but rather freedom of expression through audio tainted by pitch values and an often DIY primitive nature.

7.5
OVERALL INITIAL LISTEN – 7

 Well there you have it, the sites first ‘sandwich review’ piece!

As always feel free to tell me your thoughts, comment, recommend and please share. Let’s keep the word of metal, in all of its various disguises, alive and thriving for the next generation to enjoy no matter its ‘form’ at that point in time.

Cult