Posts Tagged ‘Void King’

Abrasive Audio – The Year in Review


C’mon, even seals love the sun.

Part the Third

Half the year has disappeared already and one might be wondering where, as it certainly doesn’t move that fast when one wishes it to. The lawn is demanding attention as it’s sprouting faster than a leopard after a potential mate and clothing is apparently optional (which isn’t always a bad thing). The world of extreme audio is still chugging along and the intensity only seems to be building. Now if only the kids could find something to do (for more than five minutes at a time) I might be able to fully immerse myself within all that the metal universe has to offer. (“…but, Dad!”) Onward.

(As is traditional my absolute favorites are marked with an *)



Abominism – s/t

Occasionally, albums and artists come from out of nowhere to kick one on their ass. And this did just that! Only six tracks on offer here but they are more than enough with their epic qualities to whet the appetite and leave the listener wanting more. Atmosphere is rampant as too dissonant rhythms, technical passages and progressive elements concocted and woven with such creativity and professionalism as too only draw the listener into the album’s entrancing spell the deeper in the listener gets. There’s a great deal for everyone to enjoy here as the style blankets a wide radius of the extreme metal spectrum all balanced delicately with absolute precision.

Baleful abyss

Baleful Abyss (F.K.A Zombieslut) – Death Propaganda

Dirge driven groove that’s highly nostalgic of the 90’s which demands respect and makes a fantastic addition to any collection bursting at the seams with death/doom laden dirge and death bordering on grindcore.

Beastmaker – Eye of the Storm


Think traditional heavy metal with speed metal tendencies draped in a fine shroud of occult doom. This flows so damn well it should be criminal, and that voice. And although it’s short, barely four tracks I can honestly say this is dangerously infectious audio.

desecresyDesecresy – Towards Nebulae

Crushing, heavy machinery, sonic barbarity with unmistakable influences aided by a suffocating atmosphere and an occasional cavernous doom presence which teases dragging the listener through grindcore waters. Highly effective and evocative audio with a vast cosmos conflict type narrative.

disowning human cattle

Disowning -Human Cattle

A myriad concoction of styles assaults the listener herein add a splash of technical expertise, undeniably excellent production and the album offers ten tracks any fan of the genre can readily consume without complaint and each with their own identity. Add vocals which fit perfectly and the album rockets into unforgettable realms. This album begs to be played again and again. Jump on this at your next earliest convenience!


ecliptic visionEcliptic Vision – s/t

Far from the typical brutal/progressive death affair this is an effort which delivers throughout and demands multiple listens to fully appreciate. Progressive themes knit tightly, and flirt constantly, with technical passages injected with nuance, varying pace and abrupt transforming rhythms. Ambient interludes add to the albums overall effect; the combination is bathed in other-worldly themes resulting in an album which thankfully stays this side of the gone too far to be saved cosmic tech-wizardry fence.

freighter the den.jpg

Freighter – The Den

Hard to describe, even harder not to instantly like. There’s truly something unique and utterly mesmerizing about the style, or rather the mixture of styles here. The lyrics are comic book-esque and fantastical in their scope with a style that’s somewhat comical and the audio is a hodge-podge of styles which are familiar yet hard to instantly place. Riffs here and there leer at the listener with an air of arrogance as if to say I dare you to pair me with an act, track and album. I dare you to tackle the quest.

gates to the morning

Gates to the Morning – Return to Earth

Odd how Jazz and Metal are two genres so vastly separate from each other yet they come together so amazingly well. Close to an hour in length this is so much more than merely an album, it’s far from traditional in any senses, more a journey through an audioscape which offers an experience demanding the undivided attention. A sojourn through a wilderness fraught with melancholy, bliss and exhilaration. Melody intertwines with majesty; brutality cavorts with the innocence of beauty accompanied by rhythms which are soothing yet shot through with an undeniable sinister air.


Pathetic – Rat King

A glorious mixture of influences keeps this album rolling. D-beat rhythms cavort with old school values and plodding riffs akin to that of the earliest Grave material. Lyrics often reek of a deliciously jaded Pungent Stench vibe, add this to an occasionally wicked soundbite, a dirge-laden tone ripped straight from the basement of the underground 90’s (think Bolt Thrower, Terrorizer) and a pace which often picks up frequently offering groove one cannot sit still to and you have all the right ingredients for an album which feels like it might have been released twenty-something years too late.

shades of deep water

Shades of Deep Water – Death’s Threshold

Although this doesn’t seem that complex in rhythm or composition (at times it appears to dive deep into drone waters) it has a certain undeniable quality, a power, a captivating quality which is difficult to ignore. The album is only made even more impressive based on the fact that it was composed, mixed, recorded and mixed by a single soul, a talented individual indeed, J.H. A Fantastic mood accompaniment!


Thy Art is Murder – Human Target *

The partnership of Djent, Slam, melodic, brutal death and one of the finest voices in the industry is stunning; mixed to genius levels and appreciatively differing ratios within each track. Atmosphere, brutality, melody and a caliber of production only elevates the albums grandiose nature. It’s all here, in spades, making for a release which demands respect and the senses upon it.


Vagrant – The Rise of Norn

Weaving a masterful combination of melodies and atmosphere with lyrics based around warriors, folklore, fate and superstition Vagrant have managed to create an album which flows exquisitely. Rhythms intertwine with galloping and heavy riffs forging a release which is far from the run of the mill melodic death or even blackened death album. Offering symphonic death, melodic death exquisite acoustic elements, doom, folk and Viking metal this has the potential to appeal to a wide audience.



Abysmalist – Reflections of Horror

Only four tracks on offer here but as an introduction to what the band offer this is stunning, an outstanding example of how death and doom realms can be manipulated to great effect. A delicate balance of atmosphere and brutality presented by considerable oomph to grab and hold the attention rapt. With this as a debut the future is blinding!

anticosm call of the void

Anticosm – The Call of the Void

Dynamic, ever evolving, melodic, passionate and draped in atmosphere yet miles from what could be termed traditional, both in rhythm and vocal departments. For those who aren’t quite willing to fully immerse themselves fully in any one genre this is great location to start a life-long exploration drenched with realms of amazement and wonder which is guaranteed to set the senses on fire.

Book of wyrms album

Book of Wyrms – Remythologizer *

A true celebration of epic heavy metal and traditional doom with NWOBHM stylings, cantering and galloping rhythms, swaying melodies and wicked leads topped off with ethereal vocals. Overall a fantastic achievement which thankfully never wanders too far into psychedelic waters, though on occasion dips more than a toe into its murky depths. Now this is Doom I can subscribe too!! Tear me away from this now, it’s fast becoming an addiction.


Cruickshank – s/t

Driving rhythms, which often fight for supremacy in chaotic standoffs, traipse through a slew of styles offering the listener a great deal to discover. Overall a release which will please fans of Kyuss, Olde, Tool, EyeHateGod, Acid Bath and a slew of others acts who refuse to conform to a style that defined by any one genre. Someone is going to have to pull me away from this with considerable force, it’s growing on me like a ravenous parasite.


Darkened – Into the Blackness

Although the familiarity is undeniable there is also something else which makes this stand apart. Presence, subtle atmosphere or the audios leaning toward death/doom territories. Whatever it is it works and I’m eager for more.

detherousDetherous – Hacked to Death

Channeling Malevolent Creation, Death and Asphyx, Detherous have managed to create a style that’s exuberant, furious (boasting exquisite time changes and abrupt mosh frenzy changes in pace) and technical. This is audio which unceremoniously pulls one back to the old school (both European and American) and does a great job of doing so. Call it homage, call it what you will but there’s no doubt this is executed with passion, flair and precision.


Graveview – Demos 18-19’

Influences are undeniable but it’s what the band does with the tone and the myriad of other factors and how they incorporate it into their style which makes this special. Abrupt pace shifts and breakdowns executed with precision, know-how, flair, the fact that this is stunningly fluid, will incite grins aplenty and will delight long-time fans of the scene.

lllvilja livet

lllvilja -Livet *

A primitive, mysterious, spice heats up that which is already incendiary, both in its nature and infectiousness. Touches of stylistic diversity, and appreciative breaks from the same old, same old (which could well be expected based on this albums categorization, hailed as “Dbeat/Blackened-Crust”) propel this to refreshing heights making this a release set to be the bar which others in the genre will struggle to reach. This came out of nowhere to catapult me to the nearest medical facility on account of my abrupt skyrocketing excitement levels, it’s that damn impressive!

nomas last laugh

No/Mas – Last Laugh

I can honestly say I believe this to be their best work to date, as it makes an instant impression and is criminally infectious/inciteful from its nuclear-powered launch. Six tracks and perilously close to eight minutes in length. Yep, this is grindcore! And these fellows have an axe to sharpen and senses to obliterate.


overt enemy possessionOvert Enemy – Possession

Slayer worship through and through (there’s even a ripping cover of “At Dawn They Sleep” and the bassists name even has a decidedly “Slayer” slant to it) of that there’s no doubt but Overt Enemy execute the style so damn well that odds are they’ll take the vacated throne without a qualm and little complaint.


Wraith – Absolute Power *

Like an adrenaline shot to a form weary of hype this awakens immediately the same feeling one had when first introduced to the scene. With splashes of punk, a style which rarely lets up pounding maniacally at blackened thrash/speed gates and a myriad of influence which vomits from near every track this is an album not to be missed. Add a double billed Hellripper, Wraith show to my bucket-list and I’ll leave this plane a happy fellow.

wizard rifle self titled

Wizard Rifle – s/t

The sound is altogether mesmerizing, even from the albums first notes, while wholly unclassifiable. The exuberance and energy are undeniable and infectious whilst the rhythms and tempo are ever evolving, shifting like an amorphous beast the likes of which you’d kindly invite in from the cold for a spot by the fire. Dense riffs collide with sacrificial drum salvos and plodding rhythms transform into galloping frenzied moments all accented by a diverse vocal tirade which incorporates melody, shouting and angst in equal measures. An epic feel underscores the whole shebang though its hardly given much heed as the music whisks the listener away to undiscovered realms, vistas and valleys frequented by constructs which are nonsensical yet accepted as easily as a birthday check, in the mailbox, from a long lost relative.



Arctos – Beyond the Grasp of Mortal Hands *

I’m not normally a fan of the Black Metal genre but this blows me away with its diversity and delivery in every way. Enthralling, hypnotic and stunning from start to finish, a must visit genre experience!!

Alcoholocaust – Necro Apocalipse Bestial

Aggressive speed metal with the occasional splash of punk accompanied by maniacal and archaic heavily accented vocals. This could well be the foreign long-lost twin to Whiplash’s “Power and Pain” release. Criminally addictive and requires limbering up before hitting the play button. Prepare to have this reside in your audio equipment for an extended duration of time.


Algebra – Pulse?

There’s an undeniable fluid nature here. Timing changes are exquisite, rhythms infectious and dynamic. Melodies are plentiful and change enough to keep a listener on their toes. A sense of familiarity abounds, leaves one scratching their heads as to which band or album this or that part sounds like, but it doesn’t take away from the listening experience in the slightest. Oftentimes an epic narrative unfolds by way of the music alone complementing the thought-provoking lyrical content. In short, a winning combination which if someone could bottle it would most probably be titled something along the lines of ‘Excuse me for a second while I blow your mind’, or” Forget the Remainder of your day you’re about to be Unfathomably Distracted”. Naturally words, as they often do, fail me as I attempt to imprint my appreciation upon the flashing screen beneath my hands. Don’t, DON’T, don’t, allow this to go unnoticed.


Ankhara – Sinergia

Showcasing passionate rhythms, galloping riffs and dynamic, high energy, percussion there are zero dull moments here to be discovered. The style varies and brings to mind a plethora of acts some more distinct than others as the album unfolds. If your interests lay more in hard rock more so than the darker end of the metal/rock universe this is where you’ll want to rest your ears for a while.


ColdClaw – Anti Martyr: Decades to Suffer

Coldclaw’s is a style which captures the essence of black metal. Crust as experienced throughout the album in various passages featuring dominant drum salvos; which are difficult not to move to and death metal as heard within various chugging riff approaches and the brutality which is displayed dominantly throughout. The result is a collection of tracks which has the potential to appeal to a wide audience, some who are curious about arenas they perhaps haven’t discovered before and others whose interests lay within the styles mixed with such passionate precision here

come back from the dead album

Come Back from the Dead – Rise of the Blind Ones

With melody and groove throughout this rarely let’s up in the infectious department. Think a hybrid of 90’s European death, old school British grind/death with a complementary sprinkle of doom and a maniacal essence. A mixture no doubt which has been perpetrated before but, in this case, somehow it feels fresh and leaves quite an impression.

cult of sorrow.jpg

Cult of Sorrow – Invocation of the Lucifer

Traditional, melodic, riff heavy with just the right amount of fuzz, keyboard laden, passionate doom with heavy metal leanings. Think The Obsessed with vocals of an Ozzy era Black Sabbath slant. This has undeniable staying power, shows experience beyond only being a second full-length and is extremely difficult not to instantly appreciate. And this only gets better with repeated listens.

ethereal riffian.jpg

Ethereal Riffian – Legends

A varied smorgasbord of doom, wall to wall melody and influence ranging from across the metal spectrum. Vocal inflections channeling Mike Muir (Suicidal Tendencies) a musical style often akin to that of early Faith no More, and unpredictable, driving rhythms with occasional strangely soothing qualities. Highly entertaining audio that’s dangerously infectious and pleasingly varied throughout.

high command

High Command – Beyond the Walls of Desolation *

Every once in a while, there comes an album which has a buzz surrounding it. This is one such example. Often this buzz has much to do with unique qualities; a quality which has the potential to take genres in new and exciting directions. This is hardly another run of the mill, dime-a-dozen thrash album although it bears the ingredients which most exhibit if only in part, and all wish to master. Is this the thrash album of the year for me? It’s certainly up there in the mix and unashamedly guilty of rekindling my interest in the genre.

Horror God

Horror God – Cursed Seeds

Melody and groove take a backseat to the menace and ferocity on display though it’s still apparent albeit in frenetic doses. The constant timing and rhythm shift as well the musicianship on offer and the booming vocal cadence elevate this above the herd. A dark nightmarish, punishing, narrative is what’s on offer here and I’m taking the trip again.


IATT – Nomenclature

Once over the initial foreign aura the album’s foreign nature grows on the listener, starting its enthralling conquest of the senses. In short, this will appeal to those with an open mind whose penchants run to blackened realms as well arenas which are often referred to as a tad experimental. Be prepared for you’ll want to lose yourself in its grandeur again and again.


Netherbird – Into the Vast Uncharted

A remarkable invocation of the blackened death style crafted with precision showcasing passionate guitar leads, acoustic brilliance and sweeping evocative melodies. A veil of doom, a definite well-executed presence, accentuates the palpable emotion throughout making for a release one will only want to experience repeatedly.

Sempiternal Dusk

Sempiternal Dusk – Cenotaph of Defectuous Creation

Catacomb-esque mid-tempo rhythms with subtle nuance and oodles of archaic, cinematic quality, atmosphere in the form of an unmerciful steamroller assault. Suffocating audio with a slight funeral doom aura, dense yet also flirting with a blackened vibe, a myriad of tempo and time changes under epic skies offers the listener plenty to chew upon. This might take a second listen to fully embrace but it’s worth the effort!

void king

Void King – Barren Dominion

Took me a while but now I’m thinking the raw, unbridled, emotion-laden vocal style is a hybrid of Staind Channel Zero (although my only experience is the album “Unsafe”) and Danzig it’s highly effective against the slow to mid-tempo rhythms and presence, the combination is nothing short of powerful and utterly mesmerizing. The fact that this is radio friendly should not deter one from giving it a fair few spins. An altogether brilliant slab of doom/stoner rock with Southern rock touches. Highly recommended!


Wintercrown – Northern Lights

I can’t pinpoint it, perhaps it’s the fact that Wintercrown aren’t afraid to branch out (ever so slightly) to encompass elements from other genres both musically and vocally. Or the fact that the combination works so ungodly well. Whatever it is, it’s executed excellently, I’m sold! And this has been one of the most impactful Black Metal experiences I’ve heard in recent memory. Bravo!

mix tape action

Keep it up, you maniac!

Well, there’s another couple of months’ worth of releases to dive into. Naturally, I haven’t heard everything within these three months, not even close in fact. I was slightly distracted with the summer holidays and the kiddos not being in school. However, I did make an attempt which often resulted in virtually sleepless nights and varied exciting moments of zoning out at work the following day. And all in the name of metal! (What a trooper). Due to the sheer volume of releases unleashed during the final three months of the year I’ve come to the conclusion that what I believed to be an initial four-part endeavor will now transpire into what I’d like to think of as a five-part opus. Don’t say I didn’t warn ya!

Cult (a certifiable slave to audio extreme)


Abrasive Audio – Part Twenty – two

head explosion abrasive audio header

Not much clever to say or add this week, other than I wish I had more time to offer up in support of those worthy of recognition. (Ever feel like you wanted to add a few words on metal releases and or genre themed cinema? Drop me a line). Onwards, to that which has graced my ears in the past few days.

Void King – Barren Dominion
Release – September/13/2019
Off the Record
Clawhammer PR

void king

Vivid and a little chilling. The Grim Reaper against a crescent moon, and those piercing eyes.


Huge riffs, drums and a voice that pierces the soul with its range and power. A splash of Danzig and something else against a distortion amplified doom/stoner rock backdrop. I didn’t know what to expect to be honest, but I’m diggin’ this more than I thought I would.


Took me a while but now I’m thinking the raw, unbridled, emotion-laden vocal style is a hybrid of Staind (Aaron something or other) Channel Zero (although my only experience is the album “Unsafe”) and Danzig it’s highly effective against the slow to mid-tempo rhythms (which change direction more than one might assume) presence, the combination is nothing short of powerful and utterly mesmerizing. The fact that this is radio friendly should not deter one from giving it a fair few spins. An altogether brilliant slab of doom/stoner rock with Southern rock touches. Highly recommended!

Favorite Tracks; A Lucid Omega, Burnt at Both Ends, The Longest Winter.

FFO; Danzig, Staind, Soundgarden, Corrosion of Conformity.

dead sould alliance

Dead Soul Alliance – Slaves to the Apocalypse (cassette)
Release – August/16/2019
Dawning Septic Productions
Dewar PR

Raw black and white DIY imagery (with a dystopian, Sci-fi, oppressive societal, edge) reminiscent of art from the earliest days of the scene. I’m detecting a grind/crust vibe here, anyone else?


Intriguing pace (which adds presence) combining death and doom and stylistic elements (old school European in nature) with an initial soundbite that grabs the attention makes for a track which bodes well for the album ahead. This is far from mere chuggery and blast beat mania.


Only six tracks here but that’s more than enough to comprehend that these guys know what they’re doing. Combining ‘Meat & Potatoes’ (I can’t claim that, the phrase is courtesy of Void but probably isn’t trademarked) styled death, mid pace, maniacal passages and a death doom aura rather than all out brutality. DSA (an obvious abr.) have created audio which manages to toss the listener gleefully back to when death was simpler, sans progressive and technical elements complete with nods to vintage Skinless in regards to the effective utilization of soundbites. Obvious is the bands disdain for religion but rather than simply state such they have inserted thought-provoking snippets in effect adding another level to an audio collective which is a fantastic introduction to the band.

Favorite Tracks; Act of the Sycophant, Forged in Forfeit, Slaves to the Apocalypse, Formula Misanthropia.

FFO; Benediction, Gorguts, Deeds of Flesh, Morgoth.

Casket Robbery-The-Ascension-rerelease

Casket Robbery – The Ascension (EP) (expanded edition; signed, hand numbered. Tour/online only) (USA)
Release – September/6/2019
Dewar PR

This looks like a freshly plowed field. However, with that in mind it also has an undeniable menacing aura about it too.


I’m getting a Slipknot mixed with Gossow era Arch Enemy vibe with more than a liberal splash of Djent, with a sprinkle of atmosphere. The whole shebang is a little less heavy on the skin pounding (this term sounds darkly erotic, right?) action than the aforementioned style but not by much. An intriguing start.


Bouncy, energetic and exciting the rhythms here are crushing, bordering at times on Slam sensibilities. Accompanied by surprising atmosphere and slightly abrasive vocals this is one which’ll get the listener moving though isn’t quite brutal enough to be far from the interest of thrash/death enthusiasts.

Favorite Tracks; The Ascension, Lillith.

FFO; Suicide Silence, Arch Enemy, Meshuggah, Slipknot.

Horror God

Horror God – Cursed Seeds
Release – September/27/2019
Lavadome Productions
Mind Eraser PR

Influence and pressure come in many forms and this image depicts many of those. From a loving matriarch (who seems to be hiding something behind her thinly veiled guise) through horrific demons spiked with weaponry and spite. An exquisite image which hints at audio with intricacy and many facets. I’m intrigued!


Dissonant, spiraling, riffs lead the listener gently into an engulfing storm, a full-on assault of the senses. Brutal though controlled the nature swirls with technical elements yet never delves too far into wizardry depths for the sake of it or gets away from the main theme. Infernal audio with plenty of directional changes which instantly grabs ahold and keeps it. An amazing introduction.


Brutal with just the right amount of black elements, atmosphere to spare and chaotic technical passages to keep the listener enthralled. Melody and groove take a backseat to the menace and furiosity on display though it’s still apparent albeit in frenetic doses. The constant timing and rhythm shift as well the musicianship on offer and the booming vocal cadence elevate this above the herd. A dark nightmarish, punishing, narrative is what’s on offer here and I’m taking the trip again.

Highly Recommended!

Favorite Tracks; Cursed Seeds, Age of Madness, Sunset, Face of War.

FFO; Gorguts, Nile, Origin, Vital Remains, Deathspell Omega.

apokalyptic raids

Apokalyptic Raids – The Pentagram
Release – October/11/2019 (re-release)
Hell’s Headbangers

A goat’s skull entwined around a pentagram with a pair of swords spiking the whole shebang in (not quite so) perfect symmetry. Simplistic yet vivid.


Celtic Frost worship is obvious, front and center. This seethes with a wickedness, a raunchy nature, part NWOBHM (obviously Venom in tone) and part old school roots of the black scene (though this should come as no surprise to those who have knowledge of this band), overall this is criminally infectious. And it’s hitting the spot!


Undeniable groove runs rampant throughout alongside a mid-tempo which hints at doom sensibilities, a playful mischievous nature and undeniable homage. The inclusion of atmosphere and breaks from an all-out assault (which one might expect) are surprising though work well to add to that which the album offers. CF and HH worship yes but there’s something else to be found here amidst the album’s raw nature A maturity? Probably not, perhaps more an exploration. Incorporating the same rock-solid foundation (a raw dirge vibe) only adding to it with a smorgasbord of other influence, a radius that blankets Bestial, War, traditional heavy metal, thrash and speed metal realms, molded to the bands specification. It works!! But I can’t shake the feeling that Paul Speckmann (Master, Death Strike) is pulling vocal duties.

If you’ve yet to submit your senses to Apokalyptic Raids this is an ideal place to start.

Favorite Tracks; Necromaniac (is back), Victory Beyond Imagination, My Triumph, Keep my Grave Open, The Story of Pope Joan.

FFO; Celtic Frost, Hellhammer, Whipstriker.

ingested filth album cover

Mutilatred – Ingested Filth (EP)
Release – August/30/2019
Redefining Darkness Records

A medieval grotesquery image depicting an unlucky gent literally losing more than merely his shirt. Poor fellow. I’m left wondering if those angel types are Govt. tax agents or something entirely more sinister altogether.


Dense and filthy. This isn’t crisp and clear but rather dirty and “gutteriffic” (I do believe I just invented a word). A tone which is suffocating with drums that add a grindcore bounce of sorts and well-suited vocals which add to the fun. A great package!


Pummeling, punishing, obliterating death is what’s on offer here. Whirling dervish in intensity and uncompromising in assault these six tracks deliver with an axe to grind to leave the listener dazed and the genre reignited. Barely short of fourteen minutes of ferocity to carve a smile on any (old school) fans face who’s left furious by the invasion of “melodic” into a realm which by moniker alone should be, by nature, far from it.

Favorite Tracks; Fuck Everything, Ingested Filth, Tortured, Scooping out the Brains.

FFO; Suffocation, Skinless, Defeated Sanity, Immolation.


Superterrestrial – The Void That Exists
(United Kingdom)
Release – August/16/2019
Green Flaw Productions
Dewar PR

A cold stark landscape with two moons… wait what-? It looks familiar, yet not so much. There’s definitely something going on here, and I’m about to investigate.


Majestic yet tinged with a foreign nature of a definite bleak, yet epic, cosmos leaning. The riffs here are striking with instant effect, infectious, unforgiving, intense, yet frigid. The vocals are low in the mix, a howling effect which strangely suits the audio. A fantastic start and introduction.


Familiar, yet not so much. “The Void That Exists” exhibits a certain fluidity about it which is captivating. Varied dark synth interludes add stunning atmosphere to the mix (an industrial audio landscape breathing with alien menace) and serve to break up that which might turn monotonous; rhythms which are unforgiving, often suffocating, yet seethe with undeniable primal nature. Not being a huge fan of the genre, an opinion that’s changing the more I’m allowing my senses entry, I can honestly say this held my attention rapt throughout, although I will mention it felt like some of the same riffs and rhythms were a tad over-utilized.

Favorite Tracks; Collapsar, Tidal Disruption Event, The Morton Wave.

FFO; Emperor, Dissection, Satyricon.


IATT – Nomenclature
Release – September/27/2019
Black Lion Records
Qabar PR

This overflows with an ancient ritualistic vibe. The awesome use of colors give this a bronzed effect as well lend it leathery textures to give off an aged persona.


IATT lay it all out in the line within no time whatsoever, within the first minute in fact. Theirs is a blackened style shrouded by progressive elements, which the cover art might not suggest, spoken word elements and frequent rhythm transformations oozing in melody are plentiful here. An epic track to start things off one that’s draped in raw emotion and ferociousness.


Truthfully, it’s taken me several listens to get into this one. It wasn’t what I expected. But once over the initial foreign aura its nature has grown on me, starting its enthralling conquest of my senses. ‘Progressive Black’ isn’t honestly a genre I hear that much of, usually more black or blackened death/speed though this is a fantastic amalgamation of both combining the unbridled ferocity of black and the sweeping emotional qualities of progressive. Epic tracks are to be expected with the genre moniker in mind and this album doesn’t disappoint in that regard. Nor does the style; taking the listener through landscapes both sweeping majestic and horrifying. An unpredictable journey with a great deal to delight the senses, a tableau showcasing a myriad of vistas one might not expect, passages flirting with folk and heritage rhythms as well traditional heavy metal stylings and naturally the obvious; a darkness which glues it all together. Classical elements are a fantastic part of this release too, Gothic and synth natures can’t be ignored and fit the albums narrative perfectly. In short, this will appeal to those with an open mind whose penchants run to blackened realms as well arenas which are often referred to as a tad experimental. Though fear not as this stays this side of ‘too much’ and offers that which will delight though warrant several spins in order to fully digest. With over an hour of audio on offer this is far from what one might have initially assumed, but be prepared for you’ll want to lose yourself in its grandeur again and again. Highly recommended!

Favorite Tracks; Realm of Dysthymia, Molynexus Problem, Osteogenesis Imperfecta, Yersenia Pestis, Blade of Trepanation.

FFO; The Faceless, later era Death, Between the Buried and Me, Atheist, The Odious.

That’s it for yet another extreme drenched audio installment. Until our paths of audio interest cross again, keep those ears open