Posts Tagged ‘thrash metal’

Attack of the Compilation – Fckn’ Slayer!

a tribute to Slayer Antichrist mag
Antichrist Magazine and Ground Sounds Promotion presents A Tribute to Slayer

https://www.youtube.com/watch?v=YCBierffU-4

Well, Well. Cult has apparently left his laptop open again. But this time rather than setting eyes upon all manner of naked flesh writhing in ecstasy the main screen displays a Bandcamp address with the words “Slayer” front and center. Suffice to say I can’t ignore such a sight. Apparently, he’s been struggling getting this off the ground. Family, work and assorted other things are warranting his attention at present. In actuality he struggles with a bunch of things. But that’s another story. And my penchant for chasing four-legged delicacies will have to wait. So, what is it exactly that we have here? In short; Twenty -six bands from around the world giving their audio tribute to tracks which have undoubtably formed the extreme world of audio as we know it today. Fair enough. I’m curious. What say we dive in?

Slayer-Original-Logo

Expect to see this word more than a few times in the near future

What grabs the attention first is the fact that there are twenty-six acts (and tracks) on offer here. That’s huge and so is this. This runs close to a whopping two hours in length. If it weren’t for the fact that Slayer is what’s on offer here, and there’s somewhat of a supposed Pandeamonic (yea, I know I spelt it wrong but it sounds infinitely better this way) spreading across the globe I‘d say sod this and go back to the mischievous activities I so love to take part in. But fck it, I’m curious and always up for a bit of Slayer. Perusing the track listing (which again “is huge”. Imagine a nubile youth saying that on her knees. Sorry, I got distracted) it appears that the material on offer is somewhat in chronological order, that is to say in the same order as the originals were released (I could be mistaken so don’t quote me). But enough of such details I’m imagining you’re as curious as I to get this thing started. However, Before I impart my thoughts, I’d like to drop the track listing along with the countries each act is from (this is truly a global affair much like the current Black Plague sweeping its way past Kanye West in Google searches. Notice how the majority of the acts are relatively unknown (is this just me? Do I have to swat up on my knowledge of the scene some before I continue?) With this in mind I’m considering this an ‘underground compilation’ a fact which only makes me more curious still.

tankist logo

1 – Tankist (Estonia) Evil Has no Boundaries

2 – Aeons Abyss (Australia) Die by the Sword

3 – Hateful Agony (Germany) Black Magic

4 – Serpents Kiss (United Kingdom) Tormentor

5 – Lone Hunter (Brazil) Crionics

Intrepid logo

6 – Intrepid (Estonia) Chemical Warfare

7 – Myrholt – (Norway) Kill Again

8 – Hamvak (Germany) At Dawn They Sleep

9 – Beltane (New Zealand) Angel of Death

10 – EigenstateZero (Sweden) Piece by Piece

11 – Grand Demise of Civilization (USA) Raining Blood

12 – Mindwars (International) Criminally Insane

Frijgard

13 – Frijgard (Switzerland) South of Heaven

14 – Unto the Wolves (USA) Silent Scream

15 – Hellming (Brazil) Mandatory Suicide

16 – Day 40 (United Kingdom) Ghosts of War

17 – Zvijer (Bosnia and Herzegovina) Cleanse the Soul

18 – SavageZ (Brazil) War Ensemble

19 – Macabre Decay (Sweden) Expendable Youth

20 – Hicsos (Brazil) Dead Skin Mask

Imminent Reaper

21 – Imminent Reaper (Mexico) Skeletons of Society

22 – Killrape (Brazil) Born of Fire

23 – Injector (Spain) Dittohead

24 – Domination Inc. (Greece) Disciple

25 – Jumpscare (Italy) Bloodline

26 – Outis (Ireland) Jihad

(Damn, it’s a long list, my digits are tired!)

Hitting play, it’s easy to decipher that each act has their own spin on the track they’ve chosen to ‘tackle’, some more so and often times even a little experimental in tone than others. Styles are diverse and range across the metal spectrum obviously Black, Death and Thrash take the lead (is this even a race?) whilst Power, Epic, Symphonic, Atmospheric and Speed are tossed in to show the transition in another genre (sometimes using a few in one track) can actually be pulled off to good effect. And boy can it, in some instances I’m literally bouncing off the walls with excitement. As is customary in times like these I have a ratings system designed for such this purpose (note that it’s a tad spicier than Cult’s attempt at the same);

confued Orc

Abysmal.

Not in the good way. Toss this in the ocean and punch the nearest passerby to let out the frustration of spending money on schiite such as this. Jesus might like this. But I still believe it has the potential to do naught but line the birds cage. Jesus loves everything, which in my opinion is rather silly. Jesus you’re a prat!

Hrrrrrhhhhh-!

Better, this shows potential. Much like, I’d imagine, your mother on a first date. But it still leaves me wanting. And she needs more training; those French fries weren’t free dammit!

The Goblin are going crazy!

Admittedly the annoying green bastid’ like most things and get excited at the drop of a turd but occasionally they have a suggestion which turns heads. And if the whole collective, much like an obnoxious stench-ridden green tide, agrees there must be something worth giving, at least, a cursory glance towards.

Time for a Crimson Splattered Moshpit!

Now this is worth sharing, break out the goblets, the fiery liquid, the unwilling, let’s break some limbs and party till the Dark Lord yells at us to get back to work!

All Mine!

I’m a selfish bastid’. And this is too fkn’ good to share. It’s all mine. Just try to take it!!

Slayer - Show No Mercy

Where it all began

To sate the curious types, those who have zero patience, I’d give this a “Time for a Crimson Splattered Moshpit“ rating. This collection shines with blistering pace, boils over with talent and offers a myriad of alternate visions of tracks which should already be ingrained upon the senses for those willing to open the mind. But for those who have yet to set ears upon the almighty Slayer (I can’t for the life of me wonder why this is the case) I seriously have no words. Before you continue please set your ears upon the classics, then if you wish to return please do so in order to discover a slew of acts with a great deal of passion on offer. Within such a compilation such as this they are naturally a number of tracks and acts (and styles) which garnered my attention to a dangerous degree, there are some which I could do without (but taking into account differing tastes… Nope not doing it! I’m not pandering to the easily offended, fuck this. This is my article and I won’t apologize for my preferences) and others which had such an effect on me that makes me wish I could bottle their very essence. Without further preamble and in order of appearance (as sometimes I’m OCD like that!)…

here are a few which especially perked my interests
tankist
Tankist – Evil Has no Boundaries

https://tankist.bandcamp.com/

A fantastic start. Raw, blunt and thrashy. Slayer I believe would approve! This is Just what one needs to get into the mood. Surprisingly good production aids this in spiking the adrenaline levels.

Aeons Abyss – Die by the Sword

https://aeonsabyss.bandcamp.com/

This track lends an early brutal edge to this compilation. Although the sound is a tad off (turn this track up for full effect) this still manages to deliver. Rasping vocals accompany a sludgy blackened feel bursting with subterranean groove elements. Heavy drums accentuate the allure of this one although it might take a few listens to fully appreciate.

EigenstateZero

EigenstateZero – Piece by Piece

https://eigenstatezero.com/

This is one of those experimental tracks of which I was talking. A tad industrial, a little progressive and a whole lot different but it all somehow comes together and works. There’s enough atmosphere in here to make a fanatic of the fantasy realm sit up and take note. Buried in the mix it takes a little while to decipher but it there’s and adds another layer to a track which is beyond intriguing. Did I mention this was silly fast? Nope. Well it is. An odd track for sure with its fair fare of unique brutal but it grows on you like the most lovable of enigmatic fungi.

Grand Demise of Civilization- Raining Blood

https://granddemiseofcivilization.bandcamp.com/

A fantastic twist on a true classic. Adding significant Gothic elements, pitch darkness and varied tempo transformations works wonders. There’s just enough uniqueness here for it to become memorable though not an abundance as to make the track far from instantly recognizable as homage. The maniacal elements are top notch as well the atmospheric into and outro.

mindwars

Mindwars – Criminally Insane

https://dissonanceproductions.bandcamp.com/album/do-unto-others

It’s hard to ignore this track. It isn’t far off the tone and feel of the original but with the added emphasis on the drums and a tad more oomph in the percussion its infectious to dangerous levels. I’m keeping an eye out for these guys in the future.

Day 40 – Ghosts of War

https://www.facebook.com/dayforty/

This is an excellent rendition of admittedly one of my fave Slayer tracks. An intriguing introduction, very Thrash metal circa late 80’s, leads into heavily accented vocals, head nodding Thrash with hints of Hardcore. Nuff said but simply put this is a banger!

zvijer

Zvijer – Cleanse the Soul

https://zvijer.bandcamp.com/

Blistering, precise and often raw with a gravelly vocal approach which fits perfectly. This track seethes with a remarkable quality and gets to the point quick.

Savagez – War Ensemble

https://savagez.bandcamp.com/releases

I’m a sucker for feral female vox (it appears Cult is too, which explains his recent obsession with Asarhaddon). Although this track takes liberties with the original’s arrangement, and wavers from brutal Thrash to more a more relaxed tone, it still manages to hit the spot. Admittedly not on its first try but it gets closer each time it’s played.

Imminent Reaper – Skeletons of Society

https://www.facebook.com/ImminentReaperGDL/

Another heavily accented Thrash attack. Not sure what it is about accents, they often add another level of viciousness to the accompanied percussion, in this case that’s the case (did I say “case” enough here?) There’s a little more passion here than in the original but it works. Another great addition to a collection which is fast becoming damn impressive!

Domination Inc.

Domination Inc. – Disciple

https://dominationinc.bandcamp.com/

I’m not sure what it is about this track. At first it didn’t do a damn thing for me. Somehow that changed. This isn’t traditional Thrash, this isn’t traditional Hardcore, it isn’t truly Crossover but a mix of all three topped off with East Coast angst (which is strange as this isn’t from New York, rather Greece better known for its Black and Thrash).

And the following are those which had me twitching spastically, like one possessed.
Intrepid – Chemical Warfare

https://intrepidest.bandcamp.com/

Old school groove, old school brutality, growls of the variety to entice a smirk to alight across the chops and a production tone to match. Clear the floor, if this doesn’t make you want to bounce from one wall to the next there’s something certainly amiss. I could play this all day and not get bored of it, reminds me of the good ole days I used to attend concerts in dank cavernous dive bars.

Myrholt

Myrholt – Kill Again

https://www.facebook.com/olealexandermyrholt/

Vocals with venomous spite, an archaic rawness, but also effective atmosphere tossed in to mess with how one might assume this will play out. The aura fits, what more can I say this has me nodding my head and thinking of all manner of glorious diabolical acts.

Hamvak – At Dawn They Sleep

https://hamvak.bandcamp.com/releases

This has a Speckmann/Master vibe thing going for it. A primitive nature combined with a thick dirge quality which is highly effective. Huge bass adds a tribal feel of sorts and it works!

Beltane

Beltane – Angel of Death

https://beltane.bandcamp.com/

What can I say about this track? It’s another example of if it wasn’t executed to a certain degree, I would have tossed this whole comp no matter the remainder of the quality on offer admittedly. Seriously, Slayer’s most infamous track. It has to be treated with respect and given justice. In this case. Fuck! Be prepared. The percussion is tight, on point. The tracks maniacal nature is added to with a wicked somewhat psychedelic twist. But it’s the vocals which tear the flesh from the bone. Feral female vox are my weakness (I’ve said that before) but this is ridiculous! It’s as if the owner of the throat in this instance is possessed. Like openly urinating whilst explaining the virtues of good parenting at church type behavior. I’m adding seeing a rendition of this in a live setting to my bucket list. Who am I kidding, making it to the land of Peter Jackson (New Zealand) is high up there too. One day, one day. I only wonder if they’d mind if I took along a four-legged friend as a travelling companion?  I hate peanuts and pretzels only make me wish I had mustard.

Frijgard – South of Heaven

https://frijgard.bandcamp.com/

There’s a strangeness to this track. Much like the original it has an undeniable sinister tone, though in this case the percussion has an added eeriness and the vocals an edge as if a Viking is in cahoots with a band tinkering with Post properties. This is a little different and I’m of the belief this is a controversial take but I’m loving the shit outta it. It could well perhaps be my choice for the ‘pallet cleanser’ of this collection.

untothewolves

Unto the Wolves – Silent Scream

https://www.facebook.com/untothewolves/

Define industrial vibes on display here. Machine gun riffs coupled with inhumanely tight drums. But it has a wickedness which is hard to pinpoint and I’m liking the chaos which abruptly breaks the precise nature. Turn this up and introduce the neighbors to the pleasures of Slayer!

Killrape – Born of Fire

https://www.facebook.com/killrapeband/

Raw and blistering. This is straight for the jugular, no nonsense, Thrash with production values which add to its malicious intent. Need I say more? Nope, this is a winner, crank it!

injector

Injector – Dittohead

https://injector.bandcamp.com/

I’m incredibly thankful that someone did this track justice. Admittedly, it’s a riot starter and I would’ve left pissed if it was included and not up to standards. Thankfully it is and it appears I have to complain elsewhere. Kudos Injector for pulling this off!

And this is cut and pasted from the article which accompanies the audio on YouTube, it seems appropriate.

Prepared and released by Antichrist magazine.

Follow SLAYER: https://www.facebook.com/slayer/

Follow Nuclear Blast: https://www.facebook.com/nuclearblast

Follow Grand Sounds PR: https://www.facebook.com/grandsounds/

Follow Brave Words: https://www.facebook.com/bravewords/

Subscribe to Antichrist magazine for latest updates: http://bit.ly/2hNi0gr

Visit our magazine: http://antichristmagazine.com

Visit us on Facebook: https://www.facebook.com/antichristmag/

Visit us on Twitter: https://twitter.com/Antichristmag

Antichrist mag tribute to Slayer

And that’s it. This is a fantastic slab of worship which demands ears upon it (though I can’t say I’m not disappointed that “Necrophiliac” wasn’t covered). Perhaps one day this collection will appear on Bandcamp? Until then flood the YouTube channel in which it appears and be sure to thank the minds and talent behind it.

Support the artists, support the genre and hell, why not support me? I’m always up for spending money on crap.

Your loyal misshapen acolyte of most things extreme,

B

Abrasive Audio – Part Twenty -Nine

Drowning in an avalanche of metal and there’s no end in sight.

A special edition because sometimes you just have to…

The Scourge.jpg

The Scourge – Warrant for Execution
(USA)
Release – October/25/2019
Seeing Red Records
https://thescourge-us.bandcamp.com/album/warrant-for-execution
ARTWORK – 92

I’m a sucker for black and white imagery, and this is no exception. Call this blatant homage to the Giallo genre, 80’s slasher movies or something else, there’s no doubt that it’s rendered with style, sports intricate details giving the image depth, has an instant effect and grabs the attention immediately.     Can you see me? I’m camouflaged in curious nature.

FIRST TRACK – 93

What initially caresses the ears as progressive soon transpires into snap the neck thrash. Rhythms of a galloping transformative nature are complemented by perhaps some of the finest vocals, sporting quite the impressive range, that I’ve heard grace the arena in quite some time. This isn’t fast for the sake of speed either; graced by intricate rhythms though isn’t overly technical rhythms weave their way through passages draped in melody and then back again hinting at influences (hard rock and NWOBHM) which aren’t normally invoked in this genre or even this early on in an album giving any new listener a chance to warm to a new acts style. Regardless this works, I’m all ears and about to plunge face first into a realm, which admittedly, I don’t frequent that often anymore. It took me a while but now I can say this reminds me, in part, of early Flotsam and Jetsam.

INITIAL LISTEN – 95

Rare is it that a release from outside of my comfort zone (currently black, death and atmospheric dark metal) will pierce my ears and grab my attention as much as this has. And it happened instantly! Between the albums delicate balance and masterful combination of a slew of styles (namely hard rock, NWOBHM, Southern groove and thrash among others) there lies utter undeniable brilliance. Swift pace cavorts hand in hand with melodies which would otherwise seem foreign, though somehow The Scourge have managed to syndicate the two much like PB n Jelly (who woulda’ thunk it?) and then topped the concoction off with stunning musicianship, creative genius and a vocalist whose skills I can’t believe haven’t been discovered and utilized up until this point. Naturally there are tracks which will appeal more to thrash fans and others more so to fans of vintage metal, more specifically NWOBHM, though overall the meshing and molding of the styles is exquisite bearing a fluidity which is erratic and rarely witnessed across the metal cosmos. Don’t let your friends tell you about this, be the first on the block to preach!!

This will top a myriad of best of lists if there’s any justice. I certainly have it bookmarked to do so!!

exhausted animal

This will leave you exhausted but more than willing to hit play again and again!

Favorite Tracks; Put a high velocity projectile launcher against my head and I still wouldn’t be able to pick a few out above others, this album shreds at a stellar level from start to finish!

FFO; vintage Flotsam and Jetsam, Iron Maiden, Annihilator, Anthrax, Forbidden, Exciter (at a stretch; vintage Wolfsbane).

Why the special edition? Well this knocked me on my arse that’s why and I couldn’t wait to preach!

Cult

Abrasive Audio (Part twenty – eight)

headbangin gif

The juggernaut of metal rolls on, unstoppable, crushing everything and everyone in its path. In other news my Inbox is overflowing and I’ve just returned from a vacation. I guess it’s about time to don the suggested attire in order that I dive right back in. Damn, this suit is tight! I’m guessing gaining weight and vacations go hand in hand. Sans further, obvious, observations which have very little to do with the audio under scrutiny…

torpor

Torpor – Rhetoric of the Image
(UK)
Release – September/20/2019
Truthseeker Music/Sludgelord Records/ Moment of Collapse Records/Smith’s Food Group/Medusa Crush Recordings
Dewar PR
https://thesludgelord.bandcamp.com/album/rhetoric-of-the-image
ARTWORK – 72

Unless one had knowledge of what this image is or what it may mean they might be confused, I am. But after learning of a Japanese art which restores beauty to the broken through a process which includes materials one might not expect one might have an idea of where the music might lead. Or one can only assume. Hitting play…

FIRST TRACK – 82

Here’s one hell of an opener! Both brutally crushing yet shot through with passages of undeniable beauty. An audio journey which drags the listener from mammoth distortion saturated riff sludge laden depths through cinematic plains drenched in minimalistic tones and then back under again. An epic trip to say the least. Wholly unpredictable and quite unlike what one might initially expect. I’m impressed and eager for more!

INITIAL LISTEN – 83

Ambient, nuanced and soundtrack-esque in scope though utterly absorbing and captivating this is hardly what one could/would or should consider ‘run-of-the-mill’ but rather an immersive experience. A bass driven doom/sludge hybrid, a temperamental beast against a dystopian, apocalyptic soundscape which demands respect and attention. Suffocating in times, harsh in others, yet wholly enveloping throughout this runs varied depths of sparked emotion leaving the listener dazed, enlightened, bludgeoned and overwhelmed but yet strangely, in moments, oddly relaxed. Dive in and discover for yourself why this album is not to be missed!

Favorite Tracks; Benign Circle, Enigmatic Demand, Mourning the Real.

FFO; Nuerosis, Isis, Boris, The Ocean.

profanation

Profanation – Into Cascades of Blood and Burning Soil
(Germany)
Release -April/26/2019
Hostile Media
https://profanation.bandcamp.com/album/into-cascades-of-blood-and-burning-soil
Against PR
ARTWORK – 84

The Pope, “Jesus” with a demonical look upon his visage (who yields a hatchet rather than a fish), a sacrificial offering, demons in the smoke and a city burning to the ground, is that Hitler in the background? Awesome art which leaves little to the imagination regarding what to expect. There’s no sparkles and unicorns to be found here folks!

FIRST TRACK – 80

A spoken word introduction alongside ominous, powerful, riffs open the scene. A prophecy talking of an Apocalypse and rebirth. Fading to black this is replaced by a Cannibal Corpse-esque approach (hints of technicality) and tone aided by a wicked thrash aura the stage is set for an album which should invoke a few grins, incite impressive ‘pit’ activity and snap a fair few necks as it plays out (if this is any indication of what’s to follow).

INITIAL LISTEN – 75

Showcasing breakdowns, groove, galloping thrash pacing and an approach hinting at technical leaning and influence the nine tracks here show definite promise and a delicate balance which works well. Undeniable is that Profanation are an act who know how to compose and create tracks with a proven formula and an air of familiarity to garner interest. My only qualms are that a few tracks could be shorter, for much the same effect, and that although commendable and pleasing to most, this unfortunately isn’t a style which breaks any new ground.

Favorite Tracks; Into Cascades of Blood and Burning Soil, Bloodbath in Heaven, Unholy Brutality Unleashed, A Place to Pray.

FFO; Suffocation, Cannibal Corpse, Malevolent Creation.

Byzanthian Neckbeard

Byzanthian Neckbeard – Extinction (EP)
(Guernsey)
Release – September/27/2019
Independent
Dewar PR
https://byzanthianneckbeard.bandcamp.com/album/extinction
ARTWORK – 60

Primitive yet blunt and to the point. An image which showcases what I can only assume to be a large mass/rock (?) colliding with ‘something’ resulting in obvious devastating effect.

FIRST TRACK – 73

Doom with considerable pace and weight complemented by growling vox and significant groove. I could move to this!

INITIAL LISTEN – 73

Nothing here in the way of technical rhythms or anything complex in the slightest but these tunes are so seductively addictive that one cares not one iota. Death/doom, groove/doom call this what you will, but there’s no doubt whatsoever that this is infectious audio. Three tracks are way too short; this only leave me wanting more (which thankfully comes by way of “Minator” on November/1st and it can’t come fast enough!)

Favorite Tracks; Coffin Bomb, Extinction.

FFO; Mid-era Pungent Stench, Doom with undeniable groove qualities with a darker than normal vocal accompaniment.

xoth

Xoth – Interdimensional Invocations
(USA)
Release – October/18/2019
Self-Released
Clawhammer PR
https://xoth.bandcamp.com/
ARTWORK – 91

“I asked for extra meat on my pizza, but a small city will suffice”. Seriously, who do I tip for this amount of generosity. Humans are delicious!”

Humor and Sci-fi elements collide in this comic book-esque imagery. If the audio is as impressive the listener is in for a treat!

FIRST TRACK – 89

Thrashy death with technical and progressive elements draped in maniacal values. An injection of well-executed Lovecraftian horror and sci-fi result in this holding the attention throughout.

INITIAL LISTEN – 91

Infectious melodies, technical intricacies and progressive passages combine with a soundscape that’s part brutal death, part technical and slightly traditional metal in tone add to this lyrical content slathered in cosmic elements and a little levity and the result is a release which (if there’s any justice) should garner a great deal of attention. The shredding quotient in this is damn impressive the style dynamic yet diverse, suffice to say this releases appeal has the potential to turn a great many heads. With this quality in offer I’m surprised this is the first I’ve heard of Xoth (I expect that to change very soon). Highly recommended and did I mention criminally addictive?

Favorite Tracks; Exceptional quality throughout, I refuse to pick a few to mention.

FFO; Death, Pestilence, Abysmal Dawn, Aborted.

A Break in the Regular Schedule for “Something Completely Different”

witchwood

Witchwood – Litanies from the Woods
(Italy)
Release – May/4/2015
Jolly Roger Records
https://jolly-roger-records.bandcamp.com/album/litanies-from-the-woods
ARTWORK – 79

One might have immediate assumptions based on the music with this image in mind, it’s dangerously close to what one might expect to find on an atmospheric doom-laden black release. I’ll ruin it, because I’ve perused the promotional materials, this isn’t in any way extreme audio. I’m intrigued, let’s move on.

FIRST TRACK – 80

Southern ‘easy’ groove with a decidedly Cosmic tinged edged introduction leads into ‘Zeppelin’ esque melodies with ‘Skynard’ and vintage ‘Priest’ undertones. Toss in alternate instruments, keyboards and a definite seventies feel and you have a track which exhibits a myriad of influence. This isn’t what I normally place betwix the ears but I’m finding it difficult not to appreciate the audio on offer.

INITIAL LISTEN – 86

Soulful, passionate, laden with folk elements, remarkable presence (by way of acoustic brilliance and melodies which bring to mind times of yore and banquets in a forest setting featuring an eye-popping cleavage motif) and huge seventies rock influence this offers epic soundscapes to lose yourself within and a vocalist whose range and skill are a fantastic accompaniment. Certainly, far from what I usually lay my thoughts upon this offers audio which an open mind can easily embrace especially when there’s a little smoke in the air and in the system (if you catch my drift. Wink, wink, nudge, nudge). Fans of early prog rock, hard rock and alternate (vintage) heavy metal will most probably grin as the acts undeniable talent works its way through the senses. As a huge fan of vintage Rainbow this hits the spot whilst also offering enough rhythmic and stylistic variety to entice discovery of similar releases from around the same time (with the same label attached) which I’ve yet to give the time of day to. Naturally this isn’t for everyone but for those whose tastes run to the acts mentioned below this will serve to lighten the mood and spark interest in an act who are more than worthy of the attention.

Favorite Tracks; Shade of Grey, Farewell to the Ocean Boulevard, A Place for the Sun, Golden King

FFO; Jethro Tull, Lord Weird Slough Feg, Black Sabbath, Led Zeppelin, The Allman Bros Band, Dio fronted Rainbow.

ghost;hello

Ghost:Hello – Sound of Color in Space
(USA)
Release – September/20/2019
Self-Released
Dewar PR
https://ghosthello.bandcamp.com/album/the-sound-of-color-in-space
ARTWORK – 80

Either that Octopus is emitting fumes or those astronauts have been dining at a dubious intergalactic establishment and are experiencing the unprecedented after-effects. Is that a ‘space taco’ in the foreground? Who else is thinking Douglas Adams and/or “Hitchhikers Guide to the Galaxy”?

FIRST TRACK – 70

Cosmic bells introduce the album and the stoner rock infused with definite psychedelia undertones which follow. Synth blanketing melodic stoner rock/doom sans vocals at this time.

INITIAL LISTEN – n/a

If the track listing alone isn’t enough to inform you that you’re about to enter into surreals-ville then perhaps the album’s title or art will. This album is (to put it bluntly) an exercise in how much diversity one can handle in an album. Tracks dipped in angst are side by side with others undeniably the opposite. Spoken word soundbite affairs drenched in synth accompanied by a drum beat percussion and others displaying more a Marilyn Manson aura with crawling pace. A Cosmic vibe permeates the whole affair, varied vocal aesthetics and experimental effects are commonplace resulting in a listening experience for the brave, those with a taste for the off the beaten path, an album, to be blunt, many might not be able to fully consume. An eclectic taste for sure much like cinematic output which begs to be dissected and discussed. To be honest this isn’t suited to my tastes though I can understand how it might appeal to those who yearn for more in their sensorial consumption.

Favorite Tracks; The Mouth of the Gift Horse, Poison Swan.

FFO; The more theatrical rather than audio which delivers instant gratification.

And, Returning to the Regular Broadcast

netherbird

Netherbird – Into the Vast Uncharted
(Sweden)
Release – September/27/2019
Eisenwold
Carcosa PR
https://netherbird.bandcamp.com/album/into-the-vast-uncharted
ARTWORK – 80

Classic imagery (known as “Älvalek” to those in ‘art circles’) depicting a tranquil landscape at dusk. A ‘familiar’ setting yet not so much in this light, this is otherworldly showcasing a parade of spirits frolicking, cavorting, in a realm many might consider they have an intimate knowledge of. Perhaps this isn’t the case at all. This leaves me curious as to the audio itself.

FIRST TRACK – 87

A thunderous mix of melody and blacked death with unexpected passages bringing to mind stylistic elements one might not expect additions which elevate this far above the jostling genre hordes. A fantastic introduction to the band and a unique spin on a genre which is fast becoming overcrowded

INITIAL LISTEN – 88

Rather than rely upon symphonic accompaniment Netherbird accentuate their audio with, among other things, sweeping, passionate, melodies. An element far removed from what one might expect in a traditional melodic death outing; a pigeonhole in which this act doesn’t comfortably reside. It is this touch which shrouds the release at just the right moment in exquisite emotion. A stunning companion to the other stylistic elements found throughout resulting in an album which instantly makes an impression and only grows the more it’s allowed to caress the senses. A remarkable invocation of the blackened death style crafted with precision showcasing passionate guitar leads, acoustic brilliance and sweeping evocative melodies. A veil of doom, a definite well-executed presence, accentuates the palpable emotion throughout making for a release one will only want to experience again and again.

Favorite Tracks; Harvest the Stars, Eventide Evangel, Obsidian White, Nexus of Unlight.

FFO; Dissection, Stortregn, Vagrant, October’s Tide, Be’lakor, Swallow the Sun.

unfathomable ruinantion

Unfathomable Ruination – Enraged and Unbound
(United Kingdom)
Release – November/22/2019
Willowtip Records
Clawhammer PR
https://unfathomableruination.bandcamp.com/album/enraged-unbound
ARTWORK – 90

A tad reminiscent of Cannibal Corpse’s “The Bleeding” this image showcases manifested demons resulting from all manner of emotion. A rendition which is certainly striking.

FIRST TRACK – 88

Wicked adrenaline spiking rhythms, plentiful timing changes, groove and a vocal style which will place a grin on any genre fans face and all within a package which incorporates Slam, technical brutal death and grindcore elements. I wasn’t expecting audio of this caliber to be honest, it’s difficult not to be suitably impressed.

INITIAL LISTEN – 85

Regardless of whether one believes these guys to be Britain’s answer to (Americas) Misery Index or (Frances) Benighted there’s little doubt that they play with blazing intent, exhibit stunning talent and know how to strike a chord (pun) with fans and new listeners alike (it’s my first time. Be gentle and please don’t put it ‘there’). Track structures, although longer than most in the same genre, are infectiously contagious showcasing abrupt pace transformations, frenzied and maniacal moments and technicality the likes of which precariously straddles the fence between technical death and grindcore arenas, occasional Slam and infrequently progressive realms, though rarely dwells for too long in one forum. In short, this audio depicts an act who have no desire to fuck around. It’s straight down to business and these guys are bringing all the requisite ingredients to make a lasting impression, albeit one which will leave a mark whose after effects will require meds and most probably a trip to the ER. Limber up before this one folks!

Favorite Tracks; An Obsidian Perception, Enraged and Unbound, Maniacal Disillusion, Protoplasmic Imprisonment.

FFO; Misery Index, Dying Fetus, Ingested, Benighted.

aggressive perfector

Aggressive Perfector – Havoc at the Midnight Hour
(UK)
Release – November/22/2019
Dying Victims Productions
https://dyingvictimsproductions.bandcamp.com/album/aggressive-perfector-havoc-at-the-midnight-hour
ARTWORK – 82

This screams adoration of cult European genre celluloid. Guts worn as neck adornment, a wild-eyed man of the cloth wielding an ax, a barely dressed maiden witnessing a mansion go up in flames (as if it’s an everyday event) and front and center a visage engulfed in an undeniable possessed motif. Be it Fulci, D’Amato or Bava there’s undeniable similarities afoot which have grabbed my attention.

FIRST TRACK – 77

Draped in a style plucked screaming from the early eighties (metal scene) this is neither speed, thrash nor anything instantly appearing to fit comfortably in any extreme genre by today’s standards, but it is an intriguing concoction complete with a vocal style that makes an impression which is neither traditional nor harsh (think death, black metal and grindcore) for those who need an act for comparison think a more melodic Venom for it nears a similar raw tone and style.

INITIAL LISTEN – 75

The similarities to a (bonus) Slayer track end at the title alone, this is decidedly more heavy metal in tone with complementing sides of diabolical speed and blackened values. Channeling melodies of a ‘Maiden’ and Blitzkrieg ilk and unarguable NWOBHM stylings this is certainly not for everyone. But for those with a penchant for the acts mentioned this is a great album harkening to the ground-breakers within the scene (whose influence is still heavily commented upon even in today’s heavy hitters) yet charged with attitude and a vocal style closer to that sported by Cronos (Venom).

Favorite Tracks; Chains of Black Wrath, Into the Nightmare, Vengeful One,

FFO; Raven, Venom, Judas Priest, Exciter, Dokken, early Bathory.

zarraza.jpg

Zarraza (meaning “infection” or “unbearable person” in Russian) – Rotten Remains
(Kazakhstan)
Release – November/29/2019
Self-Released
Dewar PR
https://zarraza.bandcamp.com/
ARTWORK – 72

An undead type (which appears to be a Mummy of one type or another in this instance) doused in glow in the dark green nuclear liquid (complete with fallout mask) although this has been done many a time before I’m left, nevertheless, curious as to what audio lies within.

FIRST TRACK – 73

Driving rhythms, shifting tempos and gruff vocals, a style which is perilously close to brutal death territories though remains firmly attached to the extreme thrash arena. An intriguing style which incorporates familiar influences, the origins of which I haven’t quite figured out just yet.

INITIAL LISTEN – 73

Huge props first off to the band who’ve persevered through various difficulties and the hardships their geographical location affords them in order that this might grace our ears. Obviously, when one discusses metal (in any way, shape or form) the location of Kazakhstan rarely, if ever, appears in the same sentence, unless of course Sasha Cohen has donned another disguise if only to cover an unlikely track under the moniker of “Borat” (this might not be so strange seems as goats, I’ve heard they are commonplace in the area are associated largely with a specific genre of extreme audio) This however, might soon change. This is dynamic audio, multi genre styled and angst ridden, familiar yet refreshing but better yet delightfully more polished than what one might expect. If you enjoy audio from any of the bands listed (below) in the FFO section by all means give this a listen your interest will be perked just in time for fresh material which (fingers crossed) should be released in the near future.

Favorite Tracks; Grudge, Chaos, wRRong Song.

FFO; Hatebreed, modern Sepultura, Pantera, Machine Head.

body harvest.jpg

Body Harvest – Parasitic Slavery
(United Kingdom)
Release – May/3/2019
Comatose Music
Imperative PR
https://comatosemusic.bandcamp.com/album/parasitic-slavery
ARTWORK – 81

Rabid, werewolf/alien hybrid in appearance, alien’s intent on cosmic domination by way of putting people in pods and draining their life force (or something along those lines). I have the feeling this has been done before, under many guises. But I’m diggin’ it. Hitting play.

FIRST TRACK – 82

Unrelenting and straight for the throat audio. Diabolical and unmerciful this is a tsunami of sound which is menacing, Sci- fi laden and all-consuming in its intensity. Do I have your interest yet? I should, this is quality stuff.

INITIAL LISTEN – 85

Devoid of frilly bits, progressive interludes and moments of reflection this is primal death metal shrouded in technical prowess sporting an intensity which is palpable. Utilizing an all-out approach (for the most part) Body Harvest have somehow managed to create an album which is mesmerizing in its undeniable brutality. A rare feat far removed from ‘harsh noise’ realms the audio herein boasts maniacal values, diabolical surges, pummeling salvos and moments of ear screeching (controlled) chaos (excellently placed to provide added atmosphere and depth) as well apocalyptic heights. A fantastic combination which somehow flows exquisitely and is all bathed in delicious dirge qualities fellow countrymen Bolt Thrower would be jealous of (if they were still “grinding”) Funfact; this is from Bristol, not Birmingham. Void states (for the record; his metal knowledge is far superior than anyone else’s I know of) that this is Morbid Angel worship taken to the extreme and mentions the band Eskhaton also.

Intrigued? I’d be surprised if you weren’t. This audio floored me with its stellar caliber and though it’s a little off-center from what I normally place between the ears I’ll admit it floored me. Highly Recommended!

Favorite Tracks; Hierarchy of Grief, Consumed by Tyrants, Darkness Descends, Apocalyptic Abomination.

FFO; Nile, Hate Eternal, Krisiun, Immolation, Vader, Eskhaton.

the flaying

The Flaying – Angry, Undead
(Canada)
Release – March/2019
PRC Music
Asher PR
https://theflaying.bandcamp.com/album/angry-undead
ARTWORK – 78

Chaos, carnage, crimson and the marauding undead what more could you ask for upon a metal release, seriously?

FIRST TRACK – 83

Audio from what could well be a torture porn opus kicks this album off and it quickly transforms into go-for-the-throat riffage a mix of black and technical death complemented by a vocal style which most every fan of the scene will instantly be able to appreciate. Just me, or does anyone else hear slight Nuclear Assault (“Handle with Care” era) and or Xentrix (“For Whose Advantage”) riffage here. This isn’t in anyway a complaint, not in the slightest, merely an observation. A great start. Hold my calls!

INITIAL LISTEN – 82

This release about has it all! There are progressive passages (bringing to mind, in instances, Atheist and Cynic) technical prowess (with enough bass presence to leave fans of the instrument salivating), enough breakdowns to please the Slam crowd, groove to keep those limbs a flailing. Also, brutality and melody in equal measure, a delicate balance. More exciting yet is that the production is top-notch and the compositions are intricately curated with zero moments which appear ‘out of place’ or awkward in their place and setting. The bass is accentuated more than is usually heard within the genre adding considerable weight to the rhythms and drive to the tracks structure. Overall, for a debut this is stunning offering considerably more than any debut is expected to.

The horizon looks bright indeed if this is any indication of what’s to follow.

Highly recommended and deserved of a nomination for Quebec GAMIQ (“Gala alternatif de la musique indépendante du Québec”) Awards “Metal Album of The Year” and “Artist of The Year”.

Favorite Tracks – Disloque, Genuflect, Elegy of Emptiness, Angry, Undead.

FFO; Benighted, The Black Dahlia Murder, Suffocation, Archspire, Pestilence, Alterbeast, Ingested.

atomic cretis.jpg

Atomic Cretins – Spiritual Cancer
(USA)
Release – October/26/2019
Suicide Bong Tapes
Qabar PR
https://atomiccretins.bandcamp.com/album/spiritual-cancer
ARTWORK – 76

There’s a fire in the Basilica and corpse painted musicians from Norway are nowhere in sight. Is this an alternate reality, or is there mutiny amongst the upper echelon of the holy?

FIRST TRACK – 77

Raunchy audio, groove (think early Exodus in a blender with crust anarchists Disrupt) and blackened rasped vocals are introduced by introductory instrumental passages (by way of old school crossover thrash) and soundbites which state that which everyone should already know.

INITIAL LISTEN – 79

Mid-tempo old-school thrash values and plentiful groove collide with crust and extreme punk attitude resulting in a filthy listening experience which is surprisingly infectious. This isn’t what I was expecting but it woke me up and put considerable oomph/get-up-and-get-em’ in my morning.

Favorite Tracks; Out of the Coffin, Spiritual Cancer.

FFO; Hellripper, Wraith, Bastardizer, Disrupt.

A brief look at singles and/or ‘Official track premieres’

infected dead - the rache

Infected Dead -The Rache
(United Kingdom)
Release – September/27/2019
Hostile Media
Future PR
https://www.youtube.com/watch?v=uw4-5mkqVdA
Thoughts –

Within the last couple of years, I’ve been fortunate to be able to review this act’s last release. It actually featured on my ‘best of’ year-end list in account of its fluidity and all-round eye-opening brilliance. But then, nothing. I honestly it could be the end, but I was hoping it wasn’t. I needed more. Then from out of the blue, an email, a summons, a spark of hope. Infected Dead are back! They had a single and wanted me to share my thoughts upon it. I pondered for a moment, then went on vacation, then went back to my day job then remembered that I couldn’t forget. And now here I am sharing the video (above) in support of the new audio.

For those who need an introduction here’s a link to their eye-opening full length

Infected dead Archaic maloevolence.jpg

https://hostilemedia.bandcamp.com/album/archaic-malevolence

The first thing to strike the senses is that this has rhythm, riffs with instant effect (this far in I’m glad to report that the act haven’t lost any of their previous brilliance) and atmosphere. The vocals do naught but complement the percussion. And then, part way through, technicality and progressive elements yank control away from the infectious, inciteful, rhythms. This isn’t at all a complaint as it works alongside the atmosphere (which isn’t at all overpowering but rather only makes itself known in the most opportune of instances to add weight) and serves to add depth and presence to a track which already has the full attention. As “Rache” comes to a climax the symphonic shroud is ramped up to take on more of a darker tone and dominance. A fantastic conclusion to a track which again introduces Lovecraftian elements to the listener and only leaves me salivating, rather than hoping, for a future full length. And if it’s to be anything near the quality of the last, “Archaic Malevolence”, then I can foresee myself travelling to the nearest peak to shout its praise.

Suffice it to say I am suitably impressed and ecstatic that this band are back.

#BestofBritishMetal

And… the Reccd’ segment is back (it’s about time!)

he11fir3-on-twitter.jpg

Reccd by He11fir3
1349 – Hellfire
(Norway)
Release – October/2005
Candlelight Records
https://candlelightrecordsuk.bandcamp.com/album/hellfire

1349 - hellfire

Thoughts –

In recent weeks I’ve started to tackle laying thoughts upon singles and/or ‘official track premiers’ naturally the inclusion all depends on whether I can find the time to do so. Of the very first ones I laid to the site 1349 was one of the acts featured. Following a brief discussion, I was directed to their past output (I was pleased to discover they have quite the impressive history, discography and undeniable imprint on the scene itself no matter how diluted and fractured it might seem in recent years) and I decided, why the hell not? I’m game!

From its opening, abruptly barked, “I am fire” this captivates. With a blazing melting the face off approach which incorporates black metal in many of its forms this doesn’t sport a dull moment but rather instances of jaw dropping intensity, musicians in full on beast mode and a myriad enstumblement (huh, I just invented a word!) of thoughts such as “how is it that it’s not until now that I’ve discover 1349?” Truth be told I’m not normally a black metal fan, though recently I’ve warmed to the black flame this could well be what my curiosity has been hankering for. A full submergence of that which the genre offers from an act who are undeniably masters of the craft and aren’t afraid of tinkering with their representation of it. If you have yet to discover 1349 this is most probably a great place to start, I only say ‘most probably’ as this is my introduction to them and I am contemplating taking another vacation in order that I can dive into their discography and give it the attention it deserves. #ScrewThosePeskyBills

Void Reccs

Reccd by Void
Verdugo – Perversión y Destrucción
(Chile – not the similar titled act from Spain)
Release – January/2010
https://verdugometal.bandcamp.com/album/perversi-n-y-destrucci-n
Thoughts –

(Before I start, I’d like to point out that this isn’t what Void Reccd. *Insert howls of disappointment here. But it is from the same band. My reasoning is that I couldn’t find but two tracks from the album he pointed me towards. So rather than do a half assed job I’d rather tackle a full release, in this instance a four-track introduction of sorts.)

verdugo - perversion

 

Well, if you aren’t intrigued by the primitive artwork alone, I’m not sure what to say. A dungeon, an executor and an “attached” lithe female who appears to wearing part of a Nuns habit. But one can’t forget the goat looking gent in the corner who’s probably more than aroused at the sight, or alternatively the sharpened ax in the hooded fellows grasp. I must mention he looks like he appears to have a genius level sense of balance too what with the activities taking place and his considerable ‘girth’.

In regards to the music on offer there’s no denying that this is old school thrash with a decidedly wicked jaded edge (and to answer a query from Void; Yes. This is, “right up my alley”) Apart from the fact that it’s old school it’s also catchy as a vintage baseball mitt and offers twice the enjoyment (no matter how soft that gloves ’embrace’ might be). The drum salvo has the effect of making the limbs twitch with uncontrollable spastic movements, the rhythms and pace are enough to sate even the most discerning of fan and the vocals enough to raise goose flesh. Odd that the language is one I’m not native to but it matters not the while effect is one to send a fan into a frenzy. This might be raw; it might not sport the production qualities one desires but there’s no doubt it fits perfectly. In short, this contains four tracks any speed freak with old school leanings which warrant attention.

verdugo - altar del rencor

In regards to that which Void Reccd “Altar Del Rencor” if I can find a full-length copy, I’d be happier to review it also (if Verdugo is reading this. I’m up for it. Hint, hint.)

 

For those of you who are still intrigued this is the link that Void originally sent https://verdugometal.bandcamp.com/album/altar-del-rencor

It contains a teasing two tracks, which only leaves one wanting more.

 

Well that’s about it for this installment, my apologies for the wait, I only hope this was worth it and will suffice until the next entry (whenever that might be). Until our paths of audio interest meet again, don’t fear discovery of that which is normally foreign to the senses.

Cult

Abrasive Audio…to Soothe the Senses (part twenty-seven)

headbangin gif

Yet another “Vacation Edition”

It’s been six months since my last vacation and any length of time I would consider time enough to relax within (so stop the whining). I probably wouldn’t publish anything at this time but the temptation is too overpowering not to what with the release of… (I’m not going to ruin it you’ll have to read on)

orodruin
Orodruin – Ruins of Eternity
(USA)
Release -October/25/2019
Cruz Del Sur Music
Clawhammer PR

 

https://orodruin.bandcamp.com/album/ruins-of-eternity
ARTWORK – 82

This seethes with a Viking/folk aura, enigmatic mists surround a picturesque craggy mountain landscape but where are the wizards and dragons?

FIRST TRACK – 82

Huge riff, melody laden, doom laced with undeniable NWOBHM sensibilities, passion and an excellent vocal accompaniment.

INITIAL LISTEN – 84

Huge riffs, passionate rhythms, a NWOBHM nature and tone weaved among traditional heavy metal and doom stylings accompanied and supported by a powerful lead voice. This will leave fans of late 70’s early 80’s mid paced rock/doom wanting more.

Favorite Tracks; Forsaken, Man of Peace, Grave Illusion, Hell Frozen Over, Ruins of Eternity.

FFO; Haunt, Beastmaker, Dio fronted Black Sabbath, vintage Judas Priest, vintage Rainbow.

arctos

Arctos – Beyond the Grasp of Mortal Hands
(Canada)
Release -September/20/2019
Northern Silence Productions
https://arctos-northernsilence.bandcamp.com/album/beyond-the-grasp-of-mortal-hands
ARTWORK – 76

Frigid, cold and typical of traditional black metal releases, mountains, snow and wilderness, but accompanied by a logo which is a little different. This makes me wonder about that which is about to grace my ears. I am intrigued.

FIRST TRACK – 95

An epic outing to start the release. Atmosphere, a folk nature and a significant presence bolstered by majestic rhythms and outstanding melodies. Overall an enchanting effect to certainly spark ones interest in a genre they might not look twice upon before now. Hold my calls I’m diving in!

INITIAL LISTEN – 97

Spanning a wide radius within the black metal arena the audio here encompasses atmospheric realms, though also sports traditional, majestic, cresting rhythms whilst even touching upon folk realms. Occasionally it even visits blackened death arenas and also includes passionate leads making for a release which is a tad untraditional, varied and executed with surprising excellence throughout. I’m not normally a fan of the Black Metal genre but this blows me away with its diversity and delivery in every way. Enthralling, hypnotic and stunning from start to finish, a must visit genre experience!!

Favorite Tracks; This delivers throughout at an extremely high standard, it’s hard to pick a clear ‘winner’.

FFO; Cradle of Filth, Emperor, Immortal, Dissection, vintage Katatonia.

the world without us incarnate album

The World Without Us – Incarnate
(USA)
Release – October/25/2019
Self-Released
https://www.facebook.com/theworldwithoutus/
Dewar PR
ARTWORK – 86

Vivid, colorful and eye catching though miles from traditional. I believe what we have here is going to be quite the audio journey.

FIRST TRACK – 86

Whoa-! The track commences with some of the finest harmonized vocals I’ve heard in a while. Gentle rhythms complemented by undeniable ominous qualities. But it all changes. I won’t ruin it, suffice it to mention it gets “growly”, the pace picks up considerably and the track attains a ferocious nature. A great start.

INITIAL LISTEN – 78

The briefest look at the track list gives one an idea that this is going to be a little different, and it is. Incorporating elements spanning far and wide including death, hardcore, djent, technical death, progressive and black this release offers a great deal to digest. As much as I personally enjoy the more extreme end of the spectrum, I believe their mellower audio leaves more of a lasting impression. Their harsher material however, works though with a little tightening up could well leave a huge

impact. As it is this seems at times a little disjointed though still enjoyable.

Favorite Tracks; Listen in Obsidian, I am the Mist.

FFO; Between the Buried and Me, Opeth, Rings of Saturn, Casket Robbery.

Totengeflüster

Totengeflüster – The Faceless Divine
(Germany)
Release -October/11/2019
Black Lion Records
Qabar PR
https://totengeflsterblacklion.bandcamp.com/album/the-faceless-divine
ARTWORK – 93

Ominous, menacing and stunningly medieval in its overall vibe. I want this image across my meager chest!

FIRST TRACK – 86

An excellent foreboding Introduction, majesty qualities, untraditional phrasing, evocative melodies and symphonic brilliance make this stand out from the pack. It’s traditional, yet not quite but utterly captivating!

INITIAL LISTEN – 89

Imagine black metal but often played with an “Industrial” tightness, rhythm and blistering pace ala Ministry (circa “The Mind is a Terrible Thing to Taste”/”Psalm 69”) add to it a classical/Gothic symphonic backdrop and an excellent blackened death aura and you have an album which balances on the black/death fence sporting vintage Kataklysm/Origin pace, an occasional splash of war metal, vicious vocals and a presence which is superb throughout. Keep the ears peeled for this one it has me by the short and curlies and I don’t mind one bit, with both this and Arctos in mind I believe I’m falling down the ‘untraditional black metal’ rabbit hole.

Favorite Tracks; The Hunt, Affliction, Vermin, The Hollow Wanderer (Satin version. Bonus Track)

FFO; Emperor, Cradle of Filth, Kull, Marduk.

Plucked from Metal Past

God of Lies -Merciless Destiny

God of Lies -Merciless Destiny
(Columbia)
Release – July/17/2017
https://godofliesmetal.bandcamp.com/releases
ARTWORK – 72

The four Horsemen enjoying a spot of carnage beneath a claret soaked sky. I think we can all guess what audio we have here. Anyone up for switching the playlist in a stuck elevator?

FIRST TRACK – 74

A lengthy introduction (which could be shortened considerably or taken out completely with the same effect) brings about the first riff and one’s initial greeting to that which God of Lies stylistically offer.

INITIAL LISTEN – 77

Occasionally I’ll get something tossed in my path (accompanied by words of praise) which will make me curious enough to stop what I’m doing to take a listen. This was one such time. This is thrash bordering on death showcasing wicked heavily accented vocals. The audio here really isn’t anything new, it isn’t technical, it’s been done before, but with that being said it hits the spot and will please the vast majority of aggressive thrash fans looking for fresh headbanging fodder.

Favorite Tracks; He Controls the World, Final Attack,

FFO; Sodom, Toxic Holocaust, Nuclear Assault, Slayer, Whiplash.

So. Did you guess what got me so excited? Naturally all of these releases are worthy of spinning until the audio equipment goes on strike but there was one (two) in particular which really got my torso a spinnin’. Admittedly your choice might be worlds removed from my own and this is obviously what makes the world of extreme audio so exciting and diverse.

krusty the clown wtf was that diversity in metal gif

Until next our paths of audio interest cross, don’t be afraid to discover that which is foreign to the ears.

Cult

Abrasive Audio…to Soothe the Senses (Part 26)

headbangin gif

Tumbling downwards into the ever-yawning abyss. Constantly changing form, ever evolving. Will I be able to dig myself free from the onslaught and unrelenting barrage of promo material, probably not. Truth be told, I don’t even make a dent, but I will strive to make an impression.

Onward…

Slutvomit – Copulation of Cloven Hooves
(USA)
Release – October/4/2019
Invictus Productions
https://invictusproductions666.bandcamp.com/album/copulation-of-cloven-hooves

slutvomit

ARTWORK – 78

A scythe, fire in full blaze and a couple of hoodlums (I jest!) And I betting this is all taking place as part of some secluded wooded area shenanigans. Don’t get lost fellas, here’s hoping you packed a flare with the corpse paint and the rusted farmyard equipment.

FIRST TRACK – 85

Tolling bells and chilling melodic riffs start this album off. This might sound like a vintage Slayer unreleased ‘B side’. But hold on… a whirlwind demonical maniacal element soon gains supremacy, an eye-opening space of time interrupted by a blackened speed infernal assault and rasped vocals. I’m all ears, and you should be too. I’m not sure what I was expecting, it wasn’t this. Color me impressed!

INITIAL LISTEN – 87

Initially I though this is “Altars of Madness” madness but at played at vintage Vader speed. However, other stylistic elements join in the fray to make this more than simply an album caked in filth, infernal nature and frenetic diabolical mischievous riffs aplenty. Rare is that the band play all out, the passion for the scene and what they do is all too obvious and that shows in every lethal intent laden riff and dizzying rhythm transformation. Add to the above-mentioned influence vintage Slayer, a splash of levity by way of Witchery and pitch darkness ala Mayhem and you have an album that drips black sensibilities though is weighted in speed tropes, maniacal values, instantly appreciateable raunchiness and, naturally, wickedness.

In short this is quite the experience for both the listener and the speaker set up. In fact, certain passages would make an excellent accompaniment to cult celluloid affairs on account of their atmosphere and palpable ominous presence.

Favorite Tracks; Endless Graves, Scythe of Mass Damnation, Copulation of Cloven Hooves, Evil Commands You, Acolyte of Deaths Destruction.

FFO; Vintage Slayer, Mayhem, Morbid Angel, Witchery, early Bathory.

warcrab

Warcrab – Damned in Endless Night
(UK)
Release – August/30/2019
Transcending Obscurity Records
https://warcrabuk.bandcamp.com/album/damned-in-endless-night-death-sludge-metal
ARTWORK – 79

Medieval in tone, gloomy, dark and ominous. Is that a plague bearer, or an acolyte or someone who’s merely lost? Why is he guarding that wall? Was it a castle, keep, or a building of some importance at one point or another? There’s not much left now, should someone tell the poor bloke?

FIRST TRACK – 77

Undeniable Carcass vocal inflections. Groove within a sludge nature and a hypnotizing mid paced bludgeoning aura. This is death encased doom with undeniable nods to Bolt Thrower but it’s different.

INITIAL LISTEN – 76

Stylistically this encompasses a hybrid of genres though cannot be placed comfortably in just one. It has atmosphere, melancholic moments and a plethora of passages akin to old school death drenched in dirge doom undertones suffice it to say there’s plenty of groove here too. Nods to Bolt Thrower are unmistakable, there’s a track centered on a Chaos god (Khorne – The God of War) originating from the Games Workshop fantasy gaming universe whom BT were associated with in their early career (“War Master” and/or “Realm of Chaos” anyone?) Atmosphere is plentiful also with a myriad of tracks incorporating rhythms which are repetitive though hypnotic in their effect.

Favorite Tracks; Halo of Flies, Abyssal Mausoleum, Damnation.

FFO; Bolt Thrower, Carcass, Cathedral, vintage Katatonia, vintage Paradise Lost.

A Break in our Regularly Scheduled Programming to peek at an Official Track Premier

hideous divinity

Hideous Divinity – The Embalmer
Official Track Premier taken from November/8/2019 full- length entitled “Simulacrum”
Century Media Records
https://www.youtube.com/watch?v=KlnqtDP6Kzs
Artwork (album) – 90

From out of the crimson murk a form arises. It’s evolving and pissed! Amazing color play and details adorn this image making it a must have piece of merchandise (be it shirt, tapestry or patch) to support an act who have yet to disappoint in my opinion.

Initial Listen – 91

Before I move onto my thoughts upon the track, I’d like to lay a few down upon the video (above). It’s as though Nacho Cerda (if you’re into extreme horror celluloid his should be a name you recognize. His works include Genesis and Aftermath) has stepped into musical video territories. This is a little strange if I’m to be honest, a tad artsy and most probably the realization of a fantastical dream (based on a lifelong career?) The imagery is stark, vivid and disturbing and nods to Godlike aspirations (malleable human bodies carved from clay) and fetish behaviors. The effects are grisly, gruesome and outstanding. And there’s little doubt that it is of top-tier quality, an amazing accompaniment to the extreme audio on offer. In regard to the music. The staggeringly swift, precise, unrelenting drum salvo is probably the first one notices, that and the epic atmospheric aura. Symphonic elements are somewhat hidden in the background adding just the right amount of nuance when required. Rhythms are technical and tempos are pleasingly diverse. Divided between hyper speed aggressive passages and reflective breakdowns the track has a certain depth draped in menacing tones with just the right amount of diabolic elements tossed in to keep this at elevated heights.

There’s no doubt Hideous Divinity know how to carve a track to make one sit up and take note, this is no exception. If you’re anything like me this only makes you more excited for their next full-length.

November eighth can’t come fast enough!

FFO; Nile, Origin, Misery Index.

And now, Back to Regularly Scheduled Programming…

abythic

Abythic – Conjuring the Obscure
(Germany)
Release – September/11/2019
Xtreem Music
https://xtreemmusic.bandcamp.com/album/conjuring-the-obscure
ARTWORK – 84

Mummy looks pissed. Did someone steal an egg?

FIRST TRACK – 76

Crunchy riffs, an ominous nature, mid- tempo death/doom melodies and the occult. Toss in German language soundbites and the intrigue level goes through the roof.

INITIAL LISTEN – 79

It took my youthful, insensitive, juvenile sense of humor a while to get over a cursory glance at the track list and in particular “Order of the Gash”. With the abrupt spell of uncontrollable laughter out of the way I hit play.

Atmosphere aplenty here amidst a steamroller riff approach. The occasional passages are undeniably Bolt Thrower in tone whereas a mid-tempo approach permeates the remainder of the album ala Benediction and Morgoth. Groove elements add to the albums allure alongside an undeniable menacing/ominous aura

Favorite Tracks; Order of the Gash, Drifting Among Shadows, Shadows of Becoming Might, Let the Purge Begin.

FFO; Morgoth, Abysmal Dawn, Benediction.

solicitor ep

Sölicitör – s/t EP
(USA)
Release – October/25/2019
Gates of Hell Records
Clawhammer PR
https://solicitor-speedmetal.bandcamp.com/album/solicitor-ep-2019
(the original release from May minus the demo tracks)
ARTWORK – 74

Primitive black and white imagery. A Mad Max bike, a mushroom cloud, skulls, whips and chains. Count me in! I have only the one question; is that lady wearing corpse paint?

FIRST TRACK – 81

A chilling introduction (ala early Slayer) with ominous qualities leads into a technical speed metal assault complemented by production values which toss me back to the late eighties and a vocal approach which is passionate (including crooning elements which put me in mind of Messiah Marcolin though others say a mixture of Halford and Bobby “Blitz” Ellsworth; Overkill which I can also hear) though a little different than what might have been expected. A great start.

INITIAL LISTEN – 80

A fantastic mash up of speed metal and traditional heavy metal this sports a delicious pace throughout, wicked leads and melodies you can lose yourself in. it might take a few listens to get used to the vocal approach (for me anyway) but once that’s settled there’s little to not instantly appreciate. This is infectious, addictive and will leave fans of the earliest forms of speed metal excited and eager for more, perhaps a full length to be released early next year. Stay tuned.

Six tracks in all; four and two demo versions of the first two featured (“Nightstalker” and “Speed Tyrant”). It’s intriguing to discover how a band’s sound has progressed through different stages of development and this is no exception.

Favorite Tracks; Nightstalker, Vulture Command, Execution Squad.

FFO; Exciter, Whiplash, Chastain, Blitzkrieg, Overkill.

stench of profit

Stench of Profit – Human Discount (EP)
(Italy)
Release – May/20/2019
Lethal Scissors
Imperative PR
https://lethalscissor.bandcamp.com/album/human-discount-ep
ARTWORK – 72

Whoa! Hey, you have a little something. Here let me grab at it with my greasy, untrained, paws.

Ouch! Although that’s a baby hammer it still looks like it hurts like a bitch!

FIRST TRACK – 81

Noise, but discernable rhythms, shifts in tempo, breakdowns, angst and groove aplenty I’m digging this!

INITIAL LISTEN – 78

Four tracks and seven minutes in length there should be no doubt in anyone’s mind what manner of audio this is! I’m happy to report that this beast delivers. Grinding percussion, a supreme diverse abrasive vocal assault (harsh, screaming and grunts) and melodies you can break every bone in the body too. Seriously what else do you need? Answer; best no to think about it, easier to let this drive your form to frenetic, spastic, jerking movements your spouse might wonder upon your state of mind if witnessing.

Favorite Tracks; Leaches, What’s Left.

FFO; Nasum, Brutal Truth, Napalm Death, Misery Index.

vagrant

Vagrant – The Rise of Norn
(Germany)
Release – July/26/2019
Black Lion Records
Qabar PR
https://vagrantblacklion.bandcamp.com/album/the-rise-of-norn
ARTWORK – 82

The sun breaks through threatening skies bring a ray of hope. All might seem saved but for the beckoning vortex which has opened in the body of water. Great colors and a classic nature make this image pop.

FIRST TRACK – 84

Melodic death in overall appearance and feel yet has an undeniable folk edge and a menacing blackened vibe. Plenty of excellent atmosphere and powerful symphonic presence bode well for what’s to follow.

INITIAL LISTEN – 87

Weaving a masterful combination of melodies and atmosphere with lyrics based around warriors, folklore, fate and superstition Vagrant have managed to create an album which flows exquisitely. Acoustic passages are a great touch and pair brilliantly with masterful symphonic touches. The rhythms intertwine with galloping and heavy riffs forging a release which is far from the run of the mill melodic death or even blackened death album. There’s a lot to take in stylistically here but it’s melded with care and executed with precision. A great touch is that the album goes full circle. Highly recommended!

Offering symphonic death, melodic death exquisite acoustic elements, doom, folk and Viking metal this has the potential to appeal to a wide audience.

Favorite Tracks; Blinded by Destiny, Deceptive Similarity, Spirit of Valor.

FFO; (vintage) Arch Enemy, Amon Amarth, At the Gates, Hyperion, Rotting Christ, Unleashed, early Katatonia.

a3436626892_10

Singularity -Place of Chains
(USA)
Release – October/11/2019
The Artisan Era
Mind Eraser PR
https://singularityaz.bandcamp.com/album/place-of-chains
ARTWORK – 80

This could well be a still from a movie where an alien force is holding humanity captive for one reason or another. Is this the soundtrack to said movie? Hitting play…

FIRST TRACK – 90

What starts out as a symphonic possibly power metal opus soon transforms when the riffs and the million miles an hour precision drum assault kicks in. Then there’s the vocals, progressive leads, melodies, stunning atmosphere and the fretboard frenetic spider work. Damn impressive opener which stays this side of overboard insane guitar wizardry madness to please any fan of technical brutality.

INITIAL LISTEN – 93

Inferi technicality with a splash of Gothic aura (ala Cradle of Filth) wrapped in a maniacal grin carving delectable shell. Delicious rhythms, chasing melodies, galloping riffs, technically cavorting with progressive brilliance. Seriously, what more could you ask for? And this flows seamlessly like a river, albeit a tempestuous temperamental flow. Sci fi element? Check! Feast your ears on this and you will not be disappointed!! Stunning melodic technical death from the desert. The Artisan Era bring it again!!

Top of the heap audio here!

Favorite Tracks; Victory or Death, Sisyphean Cycle, Consume and Assume. Dead Receptors.

FFO; Inferi, Inanimate Existence, Necrophagist, Cradle of Filth, Equipoise, Fleshgod Apocalypse, Alterbeast.

And Now for “Something Completely Different”

the neptune power federation

The Neptune Power Federation – Memoirs of a Rat Queen
(Australia)
Release – September/27/2019
Cruz Del Sur Music
Clawhammer PR
https://theneptunepowerfederation.bandcamp.com/album/memoirs-of-a-rat-queen
 ARTWORK – 74

There’s most definitely something going on here. A priestess of sorts (with horns) sitting on a throne atop a pile of vanquished foes. Let’s just say I’m intrigued.

FIRST TRACK – 72

This bears an unmistakable Cosmic narrative vibe as well a rock n roll aura straight from the 70/80’s. Like Heart meets Hawkwind with considerable fuzz and relaxed beat. This is most definitely not extreme audio, that much is clear even from the tracks first opening bars so those hoping for words something akin to that might want to skip to musings upon the next act for all others whose thoughts drip with intrigue and minds are drenched in curiosity read on…

INITIAL LISTEN – 76

Heart meets Girlschool meets Muse meets Hawkwind meets Deep Purple with a splash of Motorhead and then some. In short, this album is diverse, passionate, boasts a concept narrative aura, is set in a late 70/early 80’s alternate musical landscape and has a great deal to offer for those who are willing to let it. Open those minds and be prepared to explore something far from the usual beaten track folks and you’ll have fun with what this offers. Admittedly it took a few spins to appreciate and I had to approach listens in ‘certain’ moods but it’s nice to leave the familiar occasionally and explore that which is strange, unfamiliar and unusual. Sure, this has passages which are galaxies removed from my usual listening arenas though for those are willing to explore this is an intriguing step away from the safe, the “normal”, predictable waters. Hard to categorize this is easier to place in the love it or leave it folder. It’s far from horrid or unlistenable, it’s “experimental” bordering on Avant Garde spanning a great many familiar genres and incorporating each in its own way. Obviously, this type of audio doesn’t appeal to everyone, usually only the brave. Jump in blind with zero assumptions!

Favorite Tracks; Watch our Masters Bleed, Bound for Hell, The Reaper Comes for Thee.

FFO; Queen, Motorhead, Hawkwind, Muse, Heart, Rush, Girlschool.

Well. That about brings things to a close for this week.

excited animal gif

Until our paths of audio interest cross again, don’t be afraid to explore that which you normally might not.

Cult