Posts Tagged ‘Swampbeast Void Terror’

Abrasive Audio – The Year in Review

Part the Fourth (the second, and final, installment; so much metal one part just isn’t enough!)

thank you end of year lkit 19

This is it. The final installment. Before I continue I’d like to say a huge thanks to all concerned, the PR companies, the people I’ve interacted with, those I’ve reconnected with, those I’ve started new friendships with, those who continue to support my scribbles (you the reader) but most of all the bands who continue to strive to entertain even though the road is fraught with difficulty and the fact that it isn’t paved with gold as many might think. Here’s to another year overflowing with audio brilliance.

Without further waffling, I present my final picks;

nocturnalia

Nocturnalia – III Winter

https://nocturnaliamusic.bandcamp.com/album/nocturnalia-iii-winter

This offers a collective of radio friendly tracks with mesmerizing qualities running the gauntlet of traditional rock, folk and a style perilously close to speed metal. Never boring, this delights throughout and serves as a stunning palette cleanser for those evening when one just wishes to unwind. Fluid from the first until the last note with its fluid though varied composition, unique nature and thoroughly stunning delivery and execution.

Novembers Doom – Nephilim Grove

Novembers Doom – Nephilim Grove

 https://novembersdoom1989.bandcamp.com/album/nephilim-grove

Shattering my preconceived notions Novembers Doom have utilized all the death/doom genre is known for then added their trademark thunderous rhythm approach, passionate vocal diversity and stupendous epic arrangements (which tug at even the most hardened of emotions) and have fashioned an album which delivers from start to finish. This is perhaps their finest work to date.

sentient horror

Sentient Horror -Morbid Realms*

https://sentienthorror.bandcamp.com/album/morbid-realms

Somehow Sentient Horror have utilized a familiar style and have added their own flair making it fresh and exciting again. All the ingredients a fan of the HM2 genre have come to expect. However, this band have imbued the formula with a certain something; be it maniacal solos, fluid lead moments or instances of ominous atmosphere which combine to levitate this to another level entirely. Lay your ears upon this and rekindle your love of the ‘Stockholm sound’.

Schammasch hearts-of-no-light
Schammasch – Hearts of No Light

https://schammasch.bandcamp.com/album/hearts-of-no-light

Atmospheric black metal with arrangements of astounding caliber the likes of which one will be surprised to discover here, this is so more than merely ‘black’ in any sense of the imagination. This takes the listener to realms which are quite unexpected though strangely don’t seem at all out of place. A release with both depth and cinematic opus qualities one needs to experience to fully appreciate, for my words cannot even come close. A fantastic introduction to the band and a style which is easily consumed for those like myself who are relative newcomers to this genre.

swampbeast void terror split

Swamp Beast/Void Terror SPLIT – Holocaust of Terrestrial Empires

 https://mesacounojo.bandcamp.com/album/holocaust-of-terrestrial-empires

Swamp Beast – Unrelenting death grind complemented by suffocating catacomb-esque atmosphere. A mesmerizing soundscape combining Napalm Death touches, passages of groove and a brutal whirlwind chaotic attack.
Void Terror – What Bolt Thrower “Realm of Chaos” might have sounded like if it had decidedly black metal undertones. Dirge laden and wickedly dark, yet chaotic and shot through with diabolical essence. A swirling maelstrom of audio madness one doesn’t wish to escape.

An excellent split with plenty on offer from two acts ripe for discovery. Keep an ear out for these guys they are both poised for greatness.

the deathtrip

The Deathtrip – Demon Solar Totem

https://the-deathtrip.bandcamp.com/album/demon-solar-totem

The Deathtrip have created an album which has the potential to garner appeal from across the BM landscape. Varied in both scope and approach raw audio (with an intensity to appeal to traditionalists and those acclimatizing themselves to the variety the scene offers; aka me) cavorts alongside melancholic atmosphere hypnotic, trance inducing, rhythms and surprisingly melody drenched under occult skies an effect which holds the attention from first to last. And the more one sinks into the experience the greater detail and intricacies it provides. This boasts an appeal which cannot be argued, begs to be repeated and often.

unfathomable ruinantion

Unfathomable Ruination – Enraged and Unbound

https://unfathomableruination.bandcamp.com/album/enraged-unbound

Track structures, although longer than most in the same genre, are infectiously contagious showcasing abrupt pace transformations, frenzied and maniacal moments and technicality the likes of which precariously straddles the fence between technical death and grindcore arenas. In short, this audio depicts an act who have no desire to fuck around. It’s straight down to business and these guys are bringing all the requisite ingredients to make a lasting impression, albeit one which will leave a mark whose after effects will require meds and most probably a trip to the ER.

Vampyromorpha - Herzog

Vampyromorpha – Herzog

https://vampyromorpha.bandcamp.com/

Although this occasionally dips into ultra-melodic realms it remains intriguing throughout and is most likely to fit nicely in the ‘guilty pleasures’ folder of those whose daily audio is drenched in nature extreme. A Gothic nature, Southern groove and passion alongside hard rock sensibilities (including soaring solos), and rough vocal approach (which oddly fits) and a willingness to experiment makes this stand out but it’s the caliber which makes it stick, and instantly!

warsenal

Warsenal – Feast Your Eyes

 https://open.spotify.com/album/58SvjDQbXqTG2Ng5qHohme?autoplay=true&v=L

In moments one could well imagine this is what Destruction (Germany) might have sounded like if they’d have spent more time listening to NWOBHM. The music is often face-melting fast though imbued with undeniable traditional heavy metal elements and even on occasion a tone likened to crossover thrash. As a whole the album is neither “this” nor “that” but rather a stunning smorgasbord of styles combined with expert cohesion plucked with reverence from a myriad of genres. This only gets infinitely better after the initial listen.

wolfbrigade

WolfBrigade – The Enemy: Reality*

https://wolfbrigadesl.bandcamp.com/

This is unapologetically formulaic at times, even a tad simplistic, but it hits home and has an effect that borders on hypnotic. Ungodly infectious and especially potent following a workout or participation in an activity with similar “results”, short and to the point this is to be played loud, but probably not in rush hour traffic as it tends to incite uncontrollable movements and a shit eating grin hardly anyone is likely to understand. Suffice it to say Wolfbrigade strike again and much like their last this destroys most everything in its path.

December

bethledeign

Bethledeign – Iconography of Suffering

https://edgewoodarsenal.bandcamp.com/album/iconography-of-suffering

Maniacal leads, slower paced passages and breakdowns for sorts with familiarity aplenty, riffs to leave one salivating and a varied style to please a great many bar those who yearn for silly, overburdening, technicality and heaps of progressive nature within their extreme audio. For fans of Cannibal Corpse, this will leave an impression.

death wolf

Death Wolf (formerly Devils’ Whorehouse) – IV: Come the Dark

https://helterskelterproductions.bandcamp.com/album/iv-come-the-dark

This is slightly different, familiar but not for the reasons one might think and a little experimental. At times the times the album has a ‘if Ministry played black metal this is how it might sound’ vibe while in others epic triumphant qualities take center stage and rhythms take on more a simplistic groove approach ala more recent Satyricon. However, you slice it this is unexpected but cannot be written off. Be prepared though for it has the potential to grow to criminally infectious levels.

Hvile I Kaos

Hvile I Kaos – Black Morning, Winter Green

https://rednebula.bandcamp.com/album/black-morning-winter-green

Intricate melodies writhe and duel for dominance, a narrative is carefully constructed utilizing an assortment of details and depth forming a rich tapestry to enrapt the listener. This is an experience sans a vocal accompaniment, for it doesn’t need such. It speaks volumes and stands testament to the talent, passion and composition brilliance of Kakophonix; the single soul behind the manipulation of the strings involved. A rich texture of melodies invoking darkness and beauty and the many grey areas in between. More classical than anything remotely extreme metal in nature.

oath of cruelty

Oath of Cruelty – Summary Execution at Dawn

https://darkdescentrecords.bandcamp.com/album/summary-execution-at-dawn

Chaotic, tumbling melodies shot through with veins of maniacal madness and capillaries of diabolical finesse. This could well be Morbid Angel under the Kreator banner of old imbued with South American aggression. Unrelenting blackened thrash draped in a generous helping of sinister recommended for fans of the old school.

Revel in Flesh

Revel in Flesh – The Hour of the Avenger*

https://open.spotify.com/album/1vXNFib8ODt2uuRMIkzYbt?autoplay=true&v=L

Boasting a collection of tracks with a slew of stylistic ambiance this album offers a great deal to enjoy. Comforting in its nostalgic familiarity this seethes with an undeniable air of superiority.

I don’t know where Revel in Flesh have been between albums. I only wonder if there’s a location someplace in a remote mountainous region whereupon enigmatic Monks strip one of everything they know only then reeducate one (in the most mysterious ways imaginable) in the true path of Godly extreme audio. For this really is that good! Fans of Entombed, Nocturnal Hollow, LIK, Dismember and Entrails cannot afford to miss out on this!

exhausted animal

And that’s it. A whooping 153 releases spanning January through December 2019, only the tip of the proverbial iceberg if truth be told (there’s a whole ton of releases I didn’t have time to get to) Showcasing a total of 36 (absolute favorites) which looking back I could probably have shortened this list down to. A tip of the hat to those who have made it this far, hurdling the obvious obstacles which my horrid grammar produces. As always free to share and comment. I’m always up for suggestions, perhaps even a few people who wish to aid me in my quest to entertain (I’m talking unpaid contributors, I’ve yet to make a cent, I require someone else with the equal dedication). The comment link is at the bottom of this article. It’s been a pleasure, and even though I’m exhausted it’s been worth every keyboard stroke if only to preach the word of metal and support acts who bring me a modicum of pleasure in an otherwise dull, tedious existence.

Cult

Abrasive Audio – Part Thirty (October 2019)

headbangin gif

To quote Beavis and Butthead, or someone equally as silly, “Metal, metal, metal”. It’s what I’ve got in store and what I’ll preach upon, as per usual. So, grab your favorite beverage, sit back, strap in and open those ear holes for another extreme audio invasion. Be warned – this is another especially mammoth affair (11 bands/albums at last count) with a veritable avalanche of diverse new tunage to discover, jump in!

Please note that ratings here are usually on the high side this is due the fact that I leave audio which I can’t get into (for one reason or another) for someone else to lay words upon. Naturally tastes vary, yours may not be the same as mine for this reason I try to impart a wide spectrum of styles within the titles I place my ponderances upon. Without further ado what say we get this started with…

necronomicon

Necronomicon – Unus
(Canada)
Release – October/18/2019
Season of Mist
Asher Media Relations
https://necronomiconbm.bandcamp.com/
ARTWORK – 78

Serpents, lions, reptiles, flames and an overall motif many may well confuse for a stamp of royalty. Black Metal by order of Her Royal Highness, or something… close.

FIRST TRACK – 89

In short, this is symphonic, atmospheric blackened metal with an epic nature. And it’s a damn impressive commencement.

INITIAL LISTEN – 91

There’s no doubt whatsoever that these guys know exactly what they’re doing. This album drips with excellence, wisdom, atmosphere and an epic audio landscape drenched in master craft-execution of archaic qualities one cannot possibly ignore. Chants, synth interludes and angelic voices add to the albums blackened death par excellence (combining infectious rhythms, ranging from sweeping melodies to hyper speed pacing, and inhuman drum precision) and an undeniable captivating allure. There’s even an addition of old school stylings (by way of the last two tracks “Cursed MMXIX” and “Vox Draconis”) tossed in to perk the interest of those whose interests lay more in the death, rather than blackened death, side of the metal spectrum. If blackened death is the area of the metal arena upon which you spend most of your time you would be negligent not to place this within the ears. If this is a scene which is new to you and you’re curious this is a great place to start your exploration. Highly recommended!

Favorite Tracks; Infinitum Continuum, Paradise Lost, Singularis Dominus, Ascending the Throne of Baator, Vox Draconis.

FFO; Septic Flesh, Dimmu Borgir, Cradle of Filth, Rotting Christ, Behemoth.

algebra

Algebra – Pulse?
(Switzerland)
Release – September30/2019
Unspeakable Axe Records
Clawhammer PR
https://unspeakableaxerecords.bandcamp.com/album/pulse
ARTWORK – 82

Not usually what one would expect to find on a ‘thrash’ album (again I’ve spoilt the fun and perused the promo materials) this hints at an album with progressive death leanings, the logo hints at the same. Hitting play…

FIRST TRACK- 92

An acoustic intro that’s part Sepultura (BtR), part Annihilator (AiH) certainly perks up the ears but it’s the cavalcade of riffs both intricate, precise and technical which warrants praise. I can’t honestly say I’m a huge fan of thrash, a few albums here and there. This however has my complete and utter undivided attention leaving me more than intrigued as to how the remainder will play out. (On a personal level the vocal approach took a few listens to fully appreciate although it doesn’t take away from the genius of the music itself).

INITIAL LISTEN – 93

‘Precise’ is a fantastic descriptive word. And I’ll attempt not to overuse it as I continue. Admittedly it might be easier said than done. The audio found here isn’t face melting pace for the sake of it, neither is it merely too technical, a style which might only appeal to those who aspire to be the next Vai, Rhodes or any number of guitar virtuosos who leave audiences around the world in awe. There’s an undeniable fluid nature here. Timing changes are exquisite, rhythms infectious and dynamic. Melodies are plentiful and change enough to keep a listener on their toes (ranging from galloping, ‘old school’ aggressive, stoopid fast to melodies which evoke all manner of emotions) but not too much as to be over the top. A sense of familiarity abounds, leaves one scratching their heads as to which band or album this or that part sounds like, but it doesn’t take away from the listening experience in the slightest. Oftentimes an epic narrative unfolds by way of the music alone complementing the (far removed from the run of the mill) thought-provoking lyrical content. The vocal approach appears at first like it doesn’t fit. But then, after a few listens, slips comfortably into the ‘perfect complement to the percussion’ folder. In short, a winning combination which if someone could bottle it would most probably be titled something along the lines of ‘Excuse me for a second while I blow your mind’, or ”Forget the Remainder of your day you’re about to be Unfathomably Distracted”. Naturally words, as they often do, fail me as I attempt to imprint my appreciation upon the flashing screen beneath my hands. To top it off this has one of the finest “Dead Embryonic Cells” covers I’ve ever had the pleasure to put between the ears. Don’t, DON’T, don’t, allow this to go unnoticed. It really is that damn impressive and seriously appeared from out of the ether itself to entangle my whole afternoon in audio I wish to play again, again and again.

Favorite Tracks; Inner Constraints, Addicted to Authority, Stimulated Mind, Manipulated Soul, Pulse?

FFO; Deathrow, Vektor, Coroner, Slayer, Sepultura.

coldclaw

ColdClaw – Anti Martyr: Decades to Suffer
(USA)
Release – September/27/2019
Ritual Sounds Records
BDWE Media
https://ritualsoundrecords.bandcamp.com/album/anti-martyr-decadess-to-suffer
ARTWORK – 86

Black and white imagery complete with a sun-bleached effect (this might have been shot in Arizona, anyone?) depicting an unfortunate soul stuck within the confines of a suspended cage with his only companions the birds which have, most probably, been pecking away at his torso for millennia.

FIRST TRACK – 89

A ritualistic introduction, of sorts, dissolves into a drum heavy salvo with a dissonant guitar complement. This soon transforms again into dangerously addictive rhythms channeling both crust, death and black metal leanings. A fantastic combination which grabs the attention and opens the eyes to Coldclaw’s style whilst yanking control of the torso into uncontrollable spasms of frenetic movement. An excellent opening leaving one eagerly salivating for the remainder of what’s to follow.

INITIAL LISTEN – 90

With the quality of this release in mind I expect Coldclaw to be a name on most lips throughout the arena of extreme metal within the coming months (of course ‘justice’ doesn’t always prevail). Theirs is a style which captures the essence of black metal (via rasped vocal stylings), crust as experienced throughout the album in various passages featuring dominant drum salvos; which are difficult not to move to and death metal as heard within various chugging riff approaches and the brutality which is displayed dominantly throughout. Undeniable atmosphere is a fantastic accompaniment to the angst on offer and will please those with blackened metal penchants regardless of what the atmospheric element accompanies. A mid-tempo is customary, though occasionally Coldclaw take the leap into hyper drive realms (bringing to mind 1349 and Necronomicon) as heard within the excellent “Zephyrs” and “Stillness” track (why isn’t there more tracks with this in the title? My spell check device is about to remove me from its Xmas list mailing).

In conclusion, as if one hasn’t already come to the same conclusion as I, this album is one which deserves ears upon it and praise slathered all over it. Its composition is one that’s not altogether new though sounds unique on account of the quality it’s been created by. The result is a collection of tracks which has the potential to appeal to a wide audience, some who are curious about arenas they perhaps haven’t discovered before and others whose interests lay within the styles mixed with such passionate precision here. No matter where your compass lie do yourself a favor and set the senses upon this then add it to the collection and support the blossoming talent within the scene.

Favorite Tracks; The Deafening, Into the Mirror (Visceral Self-Loathing), Bring Down the Hammer, Searing Wings Through Zephyrs, Stillness and Devine Rivalry, Crippling Dementia.

FFO: Dark Throne, Mayhem, 1349.

come back from the dead album

Come Back from the Dead – Rise of the Blind Ones
(Spain)
Release – September/13/2019
Transcending Obscurity Records
https://comebackfromthedead.bandcamp.com/
ARTWORK – 82

Teal on an album cover. It’s quite the risk, but it works. And this collective of corpses shot through with wicked looking tendrils certainly catches the eye.

FIRST TRACK – 89

Huge riffs lead into a groove -laden landscape complemented by a Barney-esque vocal approach. Early The Haunted in feel accentuated by thrash sensibilities. This isn’t your Father’s death metal! A great start!

INITIAL LISTEN – 87

With melody and groove throughout this rarely let’s up in the infectious department. Maniacal passages, ala early Slayer, lend an edge and elevate this far above what one would find upon the same old traditional, tried and true, death release. Occasional familiarity (especially in the case of “Restless in Putrescence”) puts one in mind of an old school style, an influence no doubt though this is far from merely just that. Think a hybrid of 90’s European death, old school British grind/death with a complementary sprinkle of doom and a maniacal essence. A mixture no doubt which has been perpetrated before but, in this case, somehow it feels fresh and leaves quite an impression.

Favorite Tracks; Outcast of the Light, Martyrs of a Gruesome Demise, Restless in Putrescence, Darkness Abominations, Possessed by the Death.

FFO; Morgoth, Dismember, The Haunted, Vomitory, Bloodbath.

And, wait for it…it’s Split Time

swampbeast void terror split

Swamp Beast/Void Terror split
Holocaust of Terrestrial Empires
(USA)
Release – November/14/2019
Me Saco Un Ojo
(note; the Split is represented as of this publication date)
https://mesacounojo.bandcamp.com/
ARTWORK – 78

This looks as though it could be from the same pencil as the person responsible for the last Drawn and Quartered album (I could be wrong, and most probably are). A diabolical, subterranean image which blossoms with more details as the viewer digs deeper.

INITIAL LISTEN –
Swampbeast – 86
https://swampbeastca.bandcamp.com/releases

Unrelenting death grind complemented by suffocating catacomb-esque atmosphere. A mesmerizing soundscape combining Napalm Death touches, passages of groove and a brutal whirlwind chaotic attack. The climax of their ‘set’ utilizes an excellent militaristic/ritualistic drum salvo which morphs into an all-consuming, blazing, fire motif. An excellent climax to a fantastic introduction to the band and their audio.

FFO; Morbid Angel, Tomb Mold, Blood Incantation, Ch’thelist.

Void Terror – 92
https://voidterror.bandcamp.com/releases

Utilizing more a majestic and atmospheric black metal approach as an introduction Void Terror’s initial portion (of this split) initially brings to mind what Bolt Thrower “Realm of Chaos” might have sounded like if it had decidedly black metal undertones. Dirge laden and wickedly dark, yet chaotic and shot through with diabolical essence. Gothic elements are a great addition and add to an already undeniable hypnotic effect. A swirling maelstrom of audio madness one doesn’t wish to escape.

This is easy to lose oneself within, extreme fans will be left pleased indeed!

FFO; Drawn and Quartered.

An excellent split with plenty on offer from two acts ripe for discovery. Keep an ear out for these guys they are poised for greatness.

Favorite Tracks; Chant of Bolotnik, Multiversal Extract, Second Death.

Overall – 90
Back to our regularly scheduled programming…

meth fetish.jpg

Meth Fetish – Meth Fetish EP
(Sweden/USA)
Release – November/1/2019
Dry Cough Records/ Pissed Gargler Records
(Note; the Split isn’t represented as of this publication date)
https://drycough.bandcamp.com/
https://pissgarglerrecords.bandcamp.com/
ARTWORK – 65

What is it with album art which is perplexing? I somewhat get it, the artist and band want you to look closer, paying more attention to hidden intricacies as you try to work out what it might be. Perhaps I’m old school and require (scratch that; ‘demand’) instant gratification rather than an image I need a degree and an impressive IQ to utilize in order to get somewhat of a clue. The jury’s out. If I were to guess I’d say this is a representation of a torso shot through with a substance making its way through the vital organs. Meth perhaps? Pressing play.

FIRST TRACK – 72

Hypnotic and dense this is sludge oozing with an unmistakable dirge nature and subterranean qualities.

INITIAL LISTEN – 73

With strings so loose it’s an OSHA hazard, Meth Fetish choke the listener in a dirge nature so vile, thick and heavy you’d think it might have recently exited the bowels of a pachyderm freed from worrisome constipation. Complemented by distortion so blatant it could clear the cobwebs from an abandoned Gothic mansion, a bludgeoning nature, vocals spewed lazily from a pestilent throat and an overall nature which drips with underworld atmosphere. This about ticks all the boxes for the requirements a seasoned vet of the filthiest arena of extreme tunage demands. Give it a listen and prepare to put a down payment on a brand spanking new subwoofer. You’ve been warned!

Favorite Tracks; Wasted, Incurable.

FFO; Fetish 69, EyeHateGod, Cathedral, Acid Bath.

cleric.jpg

Cleric – Serpent Psalms
(USA)
Release – October/25/2019
Raw Skull Recordz/Redefining Darkness Records
https://cleric-us.bandcamp.com/
ARTWORK – 92

There’s a great deal going on here. An alien landscape, a sacrificial Aztec-esque altar, effigies watching over all and coitus in what appears to be mud of one type or another. Intriguing indeed. It’s as if doom has collided with sci-fi laden grindcore.

FIRST TRACK – 81

Traditional HM2 action meets old school British death/grind complemented by a Barney-esque vocal approach, catchy as fuk mid-tempo groove and an atmosphere one might not expect bearing in mind the above-mentioned combination.

INITIAL LISTEN – 85

The familiarity here for those of us with tastes for the old school and mid-tempo infectious silliness is undeniable. This is worship at the altar of both HM2 and the early 90’s British death scene. Above and beyond that this offers little touches (synth interludes hinting at cosmic/foreign landscapes,  as well a fluidity which hard to deny) which add to the homage keeping the attention and plenty of groove passages to make one want to take this from wired headphones to blue tooth or even a speaker system setup which the neighbors will more than likely hate you for, but it’s worth it. Boasting a seething dirge nature complemented by riffs and rhythms which are difficult to ignore this, though not altogether ground-breaking, is a release which demands further attention and might well male one take a trip down nostalgia brutal ville to revisit that which is most probably collecting dust. Highly Recommended, but be prepared for the limbs to move of their own volition.

Favorite Tracks; Maw of Absolution, Possessed in Congress, All Death Unseeing, Destroying Eye of the Self.

FFO; Benediction, Bolt Thrower, Carnage, Entombed, Dismember.

andralls.jpg

Andralls – Bleeding for Thrash
(Brazil)
Release – October/11/2019
MDD Records
Against PR
(Note; this is an earlier release as of this publication date the album isn’t represented yet)
https://xtreemmusic.bandcamp.com/album/andralls
ARTWORK – 83

With the recent background of the band, more specifically the lead singer, in mind odds are this could well be imagery, and the albums aptly named title, depicting his overcoming thyroid cancer.

The image certainly grabs the interest and piques the curiosity and is miles from what one would expect to find adorning the cover of a thrash album, a melodic or doom/death affair but hardly thrash.

FIRST TRACK – 76

Heavily accented vocals (with a hardcore slant) atop aggressive driving rhythms which bear undeniable early Exodus ‘bounce’, maniacal riffage ala Slayer and also old school go all out tendencies.

INITIAL LISTEN – 80

This collection of tracks is testament to a band’s dedication, perseverance and passion for the craft. Rarely letting up this album showcases driving rhythms, a style which incorporates a slew of influences across the extreme spectrum and dynamic pace channeling Sepultura, Overkill complemented by the maniacal riff fashioning of Slayer. Feast your ears on this and support an act who prove that hard work, perseverance and patience pay off.

Favorite Tracks; Bleeding for Thrash, Imminent Cancer, Acid Rain.

FFO; Sodom, Exodus, Slayer, Sepultura.

in mourning.jpg

In Mourning – Garden of Storms
(Sweden)
Release – October/4/2019
Agonia Records
https://agoniarecords.bandcamp.com/album/garden-of-storms
ARTWORK – 88

An amorphous plant, a force of nature running amok or merely an artist’s interpretation of a transformative hybrid force within the wild? Regardless, this is certainly eye-opening and not what one would expect to find on an album cover in a genre in which I can only presume this resides. I’m ready to be set to rights, hitting play.

FIRST TRACK – 97

A stunning mix of melodic death, doom and progressive elements supported by an excellent fluidity and rhythms which are criminally infectious. A clean, hoarse vocal trade off works superbly and only serves to make this a track which is most certainly up there with the finest of the year (need I say IMO?)

INITIAL LISTEN – 96

What we have here folks is another example of an act which I’m amazed I haven’t discovered much sooner. The audio here is about as varied as one can imagine without it running into ridiculous territories, Avant Garde, or experimental realms. Growling vocals (of the highest order if there is such a thing) complement shifting rhythms, sweeping, soaring melodies and progressive passages which otherwise wouldn’t fit but, in this instance, based on their setting and the music’s composition and the tracks nature, are exquisite. The styles herein tumble over each as though puppies at play without once resorting to brutality, the fluidity here is astounding. In fact, overall this is an album I’m itching to recommend to the wife if only it wasn’t for the fact that she has an aversion to growling vocals I believe she’d be as excited about it as I. Without running into diatribe lengths I’ll leave this here and hope my fanciful words have made an impression. Hopefully I’m not the last to jump on this it deserves praise from the highest of peaks. Suffice it to say the name of both the band and the album are sure to be heard until well into next year even after year end lists have been exhausted. (If I get around to compiling one, there’s no doubt it’ll be high on the podium.)

Favorite Tracks; This album flows so damn well and offers so much stylistic diversity at such an elevated level that its hard to pick only a few tracks. Suffice it say it delivers throughout.

FFO; October Tide, Opeth, Katatonia, Between the Buried and Me, Be’lakor, Insomnium, Swallow the Sun.

the deathtrip.jpg

The Deathtrip – Demon Solar Totem
(United Kingdom/Norway)
Release – November/15/2019
Svart Records/Profound Lore Records
https://the-deathtrip.bandcamp.com/album/demon-solar-totem
ARTWORK – 72

I’m not quite sure what to make of this to be honest. It looks as if it could have Oriental occult origins; the shape of the face, the flowing mass of hair. Though I’m still perturbed as to what it could be. One thing’s for certain though, there’s plenty of crimson and the person has wicked sharp looking talons. Pressing play.

FIRST TRACK – 83

Ominous indeed. Atmosphere drenched in dread and menace collides with tradition hyper speed chaotic, blasting, black metal which oozes undeniable majesty. Occult qualities, as well mystical elements are front and center and cavort in an epic nature. Within its length hypnotic rhythms are commonplace aided by chants making for a varied vocal approach and hinting at a release which could well be quite the auditory experience.

INITIAL LISTEN – 86

Adding upon a harsh, primal, oftentimes raw groundwork with epic themes, a grandiose template which incorporates screams, howls, chants and undeniable majestic The Deathtrip have created an album which has the potential to garner appeal from across the BM landscape. Varied in both scope and approach raw audio (with an intensity to appeal to traditionalists and those acclimatizing themselves to the variety the scene offers; aka me) cavorts alongside melancholic atmosphere hypnotic, trance inducing, rhythms and surprisingly melody drenched under occult skies an effect which holds the attention from first to last. And the more one sinks into the experience (aka repeated listens) the greater detail and intricacies it provides. This boasts an appeal which cannot be argued, begs to be repeated and often.

Favorite Tracks; Demon Solar Totem, Angel Fossils, Surrender to a Higher Power, Enter Spectral Realms, Abraxas Mirrors.

FFO; Mayhem, Darkthrone, Thorns, Beherit, Dissection, Emperor, Burzum.

psychomancer.jpg

Psychomancer – Shards of the Hourglass
(USA)
Release – October/31/2019
Orchestrated Misery Recordings
Clawhammer PR
https://psychomancer.bandcamp.com/
ARTWORK – 56

The imagery (as well the bands logo) bears somewhat a dark hip-hop vibe, the effluent green glow and font are to blame, thankfully the audio isn’t (I’ve perused the accompanying promo materials) and honestly, I’m not a fan, fingers crossed it doesn’t turn a potential listener away.

FIRST TRACK – 70

Thrashy death with a familiar HM2 Buzzsaw dirge vibe showcasing plenty of rhythm changes with a sound bolstered by commendable production values. The drum sound and bass twang is distinct, the vocals are of the death doom variety.

INITIAL LISTEN – 74

Melodic death, bordering on the more aggressive spectrum of thrash, boasting mid-tempo rhythms and a cavalcade of riffs which are difficult not to appreciate. Quality production values, clear sound and plenty of groove passages help keep this from forgettable realms. Though the style is truthfully far from ground breaking this offers a style and execution fans of the Entombed, Grave and Dismember movement will likely appreciate more than most.

Favorite Tracks; Red Poetry, As Your Vital Signs Decline, Deto-Nation, Myrmidons.

FFO; Benediction, Gorefest, Malevolent Creation, Vader, Grave.

It’s “Recc’d by” Time

fistful of doom

Recc’d’ by Fistful of Doom; @FlatulentFuzz (on Twitter):
Cycles of the Damned – A Time to Survive
(USA)
Release – October/12/2019
Incendiary Ceremony Recordings, D.H.U Records
Mettle Media
https://cyclesofthedamned.bandcamp.com/album/a-time-to-survive
Thoughts –

It’s hard what to expect from audio with the album’s art in mind; A skull within chainmail and helmet set against a background ablaze in flames. Better just to clear the mind and let the audio itself do the “talking”.

cycles of the damned.jpg

Immediately noticeable is that the albums six tracks run sixty minutes (one runs over fifteen minutes in length, the first three run close to forty-two minutes). I’m of the mind that this can only go one of only two ways; sheer boredom (resulting in my attention diverting elsewhere and damn quick) or audio which captivates with its brilliance, leaving me in awe with my attention rapt. I’m glad to report that the latter is the case. This is drenched in doom sensibilities as well sludge qualities and a certain amount of unquestionable angst. Cinematic soundscapes are introduced often, showcasing psychedelic moments amidst unbound atmosphere, and make up a great deal of the albums playing time adding considerable depth, an element one might normally expect to find upon an album within the same genre, and a narrative one can easily lose themselves in depending on of course their ‘state of relaxation’ (if you catch my drift). A plethora of emotions are guaranteed to be evoked as this plays out as the listener is dragged from one destination to another in a journey comprised upon a spectrum of landscapes formed from the unlikely coalescing of a myriad of styles. Fluidity is uncommonly commendable and I would suggest an afternoon free from distraction to be able to let the power of this release (as a whole, not track by track if avoidable) sink in. Thanks for the Recc Sir. I’m adding this to my playlist for those long road trips where conversation is dull and the surroundings muted by sparseness.  Recommended for those who have an open mind and are willing to allow a release to breathe rather than assault the senses immediately.

Recc’d by Void; @Voidhanger2 on Twitter

Void Reccs

Scaphism – Perpetual Torment
(USA)
Release – August/27/2019
https://scaphism.bandcamp.com/
Thoughts –

Within the last year I’ve laid thoughts down upon Scaphism’s last album (“Unutterable Horrors” released in January of last year through Horror Pain Gore Death Productions), I liked it but was left wanting more, I wondered when their next might drop. Void surprised me one day by asking if I’d ever heard of them (doesn’t he read my inane ramblings upon all things metal I thought briefly) and continued by stating that he was going to a show (I’m still jealous, dammit!) A few hours after the show in question he dropped me a brief video which left me perplexed; had the vocalist changed? (regardless he stated that he loved them) Which prompted me to seek out and lay a few thoughts upon this, a two-track demo leading up the bands third full length (which I’m also willing to promote if the band is reading this – hint, hint).

scaphism - perpetual torment

As is typical I’ll ponder upon this releases art before I dissect the audio. I’m all up for gruesome art especially if it reminds me of a standout, and quite unexpected especially grisly FX laden, scene from the original Poltergeist movie (which is usually omitted when it airs on TV).

Old school and groove come to mind when I hit play. The vocalist may have changed but the style hasn’t, for which I’m thankful, Lovecraftian lore and a story type narrative oozes from the lyrical content and for the most part it’s actually decipherable (which is rare in the genre) which in no way takes away from the quality. This is a lady who can growl (anyone else into that sort of thing?) And hers is a style which fits the audio leaving no doubt or concerns whatsoever. Riffs are far from technical, but I’ve no complaints, this is undeniably more ‘meat and potatoes’ style death with breakdowns and the occasional abrupt galloping pace transformation tossed in for effect.

If this is any indication of the quality on offer from album to follow, I’m all ears. And Void likes it so who’s to argue ‘his’ logic.

exhausted animal

That’s about it for this, yet another monstrous installment, in the series, I only hope you made it to the end (I’m tired). Until our paths of audio interest cross paths again, don’t fear discovery of that which would normally not grab your attention.

Cult