Posts Tagged ‘Ironflame’

Abrasive Audio 2020 – February

black metal gif

Well, here we are again. My life is somewhat back on track following a three-week period of “ahh-fuck, my back!” However, during this time, I still put aside a few moments in which to discover fresh extreme audio and scribble upon its allure. Here’s hoping at least someone else, other than me, is actually reading this. This is a free service I’m offering here folks, all I ask is that you bathe your eyes in horrid grammar, my attempts at atrocious humor and that you support the scene. Metal is after all important to the mental well-being of millions, or am I just talking about myself again? As always feel free to comment, share and click whatever links provided so that you may listen as you investigate all the spelling errors I’ve also so lovingly provided. Onward to extreme audio as yet undiscovered (you’ll note I’m trying something new; a month by month theme in order, and hopes, that the releases covered herein are easier to lay ears upon in a timely manner and not forgotten).

Left over from January –

ceifador

Ceifador (Brazil) – All Hell Breaking Loose

https://ceifador.bandcamp.com/album/all-hell-breaking-loose-2020

Release – January/15/2020

Invincible Records

ARTWORK – 55

Honestly, I’m not even sure what this is. Is it an x-ray SNAFU? This gives little indication as to what to expect from the audio without, regardless I’m still curious.

FIRST TRACK – 86

Unlike that which I assumed this isn’t a play on the famous Venom track (it’s missing the “s”) however it is in the same vein; punk and speed with an underlying black metal vibe. And I’m please to say its raw nature has grabbed the attention.

INITIAL LISTEN – 79

Yet another one-person outfit, Clayton Maximinus other than in a live setting, bringing the blackened speed metal attack. I’m beginning to think there’s really no need for a full act to ‘create’. Do “many cooks spoilt the broth?” after all? This much like James McBain’s Hellripper incites uncontrollable limb movement and delivers the goods. Although this gets a little repetitive in instances, seems ‘recycled’ in others and the tracks could be shortened some with much the same result it still makes an impression and leaves a definite mark, demanding praise and an instant replay. If your penchants run to raw audio, punk and blistering blackened speed this requires attention! As an added bonus this guy creates like a possessed fiend so there’s plenty offered by way of a back catalogue to sift through until he chooses to release another. Dive in!

Favorite Tracks; All Hell Breaking Loose, Gods of Evil, Don’t Pray for the Dead.

FFO; Wraith, Hellripper, Bastardizer.

macabre demise

Macabre Demise (Germany) – Awakening

https://macabredemise.bandcamp.com/

Release – January/17/2020

Rebirth the Metal Productions

ARTWORK- 82

Hide the Paramedics, there’s a zombie invasion! Apparently, they’ve already eaten the kids in the short bus.

FIRST TRACK- 68

An atmospheric intro with synth horror undertones leads into short stabbing riffs, significant bass ‘bounce’, a slam edge and even a diabolical passage or two. I’m intrigued. I think I’ll stick with this till its through.

INITIAL LISTEN- 73

Brutal death, crust, slam, blunt riffs with abrupt pace transformations and occasional forays into djent ville is what’s to be find here. Coupled with an obsession with horror and carnage (as their moniker suggests) this makes for nothing that’s totally unexpected, or even new, in the genre. However, it’s the tight drumming and willingness to pull/pluck/yank/rip elements from a myriad of genres and the ability to pull it off which keeps this entertaining.

Favorite Tracks; Mirror, Darkness, Gore and Guts, Slush Brains,

FFO; Cannibal Corpse, Malevolent Creation, Vomitory.

Schizophrenia

Schizophrenia (Belgium) – Voices (EP)

https://www.facebook.com/Schizophrenia.Officialband/

Independent

Release – January/31/2020

ARTWORK – 88

Driven by shadowy forces out of his control a man is depicted with a knife to his throat by his own (manipulated) hand. Stunning art sporting fantastic light and dark play and vivid details make this image pop.

FIRST TRACK –88

Thrash bordering on death which boasts attention-grabbing pace transformations, a wicked vocal tone with plenty of dynamic movement and an aggression which is hard to ignore.

INITIAL LISTEN – 88

Displaying a style which is a delicate balance of Bay Area, European, old school and new school Schizophrenia have somehow managed to create five tracks which seethe with undeniable dynamic and exuberant presence. Lead and solo fretboard manipulations drip in diabolical qualities coupled with rhythms doused in adrenaline keep the eyes wide and the mouth agape while the body flails of its own accord. The intriguing vocal range in moments brings to mind a trademarked Tardy style and tone but this is hardly a complaint, rather another example of what makes this so damn listenable. Set your ears on this and rekindle your adoration of brutal aggressive thrash, but be warned you’ll want to play this again and again. Here’s eagerly awaiting the band’s first full-length.

Favorite Tracks; Structure of Death, Perpetual Perdition, Beyond Reality.

FFO; Exhorder, (vintage) Sepultura, Kreator, Slayer.

hazzerd

Hazzerd (Canada) – Delirium

https://hazzerdthrash.bandcamp.com/album/delirium

Release – January/24/2020

M Theory Audio

ARTWORK- 60

Not sure if that’s a crazy person or a zombie, or a crazy person in a zombie getup nowhere near the night when candy is handed out wilynily. Perhaps it’s the bands mascot and I’m looking at this all wrong? Regardless, something of interest is taking place in the background; riot gear, strait jackets and Billy clubs. Surprisingly, this still grabbed my attention enough to hit play.

FIRST TRACK- 88

Thrash with a huge dose of speed metal, traditional heavy metal leanings, crossover vocals sporting dazzling lead and solo work. A great start which puts me in mind of the thrash style dominant in the late 80’s/early 90’s.

INITIAL LISTEN- 90

This is a great example of “you can’t judge a book (in this case an album)” by its cover. Hardly aggressive the audio here is a stunning blend of speed metal traditional heavy metal, thrash crossover and old school thrash. Rhythms are criminally infectious; the lyrics are often drenched in humor (with an undeniable Destruction edge to the vocals) and the guitar work is a stunning and passionate mix of Dragonforce and Steve Vai which thankfully stays this side of OTT fretboard maniacal wizardry realms. Layered with a playful nature and doused in a vibe which harkens back to the golden age of thrash this tips the hat to a variety of influences whilst still imbuing an essence of its own. A dynamic, energetic affair which bursts with talent and creative know how. I’m not normally a fan of the genre but this is remarkable and deserves all the praise it gets and I can give.

Favorite Tracks; A Tormented Reality, Call of the Void, Dead in the Shed, The Decline.

FFO; Forbidden, vintage Flotsam and Jetsam, Coroner, vintage Annihilator, Exodus, Destruction.

 February Releases

goblinsmoker

Goblinsmoker (United Kingdom) – A Throne in Haze, A World Ablaze

https://goblinsmoker.bandcamp.com/album/a-throne-in-haze-a-world-ablaze

SludgeLord Records

Release – February/7/2020

ARTWORK – 85

Fantastical themes, conflict and smoking paraphernalia all encompassed within a delicious comic type setting. A I the only one who wishes to see as well hear more?

FIRST TRACK – 84

Atmosphere aplenty layered upon by a mammoth menacing build (ala monolith fuzz laden Doom riffs) as if seeing an army slowly appear on the horizon blocking the sun’s rays, eradicating all hope, gradually filling the sky with dread. An infrequent EyeHateGod shrieking vocal approach adds to the overall menace and enveloping aura. A plodding dirge, in effect the perfect soundtrack for evoking scenes of conflict disrupting the normal run of things in the swamps (does this even take place in that location? This remains to be seen).

INITIAL LISTEN – 86

There’s already a sludge/tech death band (give me a few I’ll find out their name… SLUGDGE) fixated on slug warfare and perhaps even a handful of others with the same approach but on all other manner of creepy crawlies. And now, Goblinsmoker. Apparently, this is “Part two in the ‘Toad King’ trilogy” and sees a narrative unfold (this isn’t the first time I’ve “watched” the sequel without watching the original first if truth be told). Here’s the story track by track direct from the band’s Twitter feed;

“1. Smoked in Darkness

This track picks up the story where ‘Toad King’ ended. Following the shamans warning, the Toad King has marched his goblin army to the city of his own kind. He delivers a battle cry before leading his goblin hordes in a charge on his ancestral home, burning anything and anyone in sight. “Death everywhere, none for the smoke. Death everywhere, just for the throne.”

  1. Let Them Rot

Set immediately after the city has fallen. The Toad King sits on his new throne in the city, the throne he never should have been granted. Still full of rage, he sits as the bodies of his own kind, as well as his fallen goblin subjects, smolder around him and he cries out to “let them rot”.

  1. The Forest Mourns

This track deals with feeling that change has come and the anxiety of the new, dark future. The world is not what is was and the goblins have come out from the shadows. It also hints at the third and final part of the trilogy, proclaiming the shaman has one final move to make. “True darkness awaits.”

goblinsmoker toad king

Toad King

A king who happens to be a Toad and more loyal goblin subjects than you can shake a stick at. I am intrigued, and you should be too as this is far from what I initially expected. In shirt this is Doom (of that there’s no doubt) captured in its natural lazy state, draped in ground shaking reverb, often doused with groove, which frolics with a cavernous death presence, occasionally a funeral doom epic nature, aided by blackened shriek vocal accompaniment. But let us not forget the effective bludgeoning drum accompaniment. This combination might sound odd. But it works! And somehow only allows the fantastical narrative; crimson splashing about, slime trails (wait, is that toads too or am I still thinking of slugs?), a bug catching tongue and myriads of squabbling spindly green fellows to blossom in the mind’s eye. The question remains; why isn’t there a graphic novel and/or a slew of animation videos (or even a board game) to help showcase the story (perhaps there is and I’m needing to hunker down to a spot of research?) Regardless as it progresses this puts me more and more in mind of the scene from the Hobbit whereupon our trusty heroes are being chased deep underground by a horde of goblins and their slothenly leader. But I digress, suffice it to say this is epic, transfixing and often suffocating. An experience which the listener will want to immediately dive back into in order to fully appreciate what’s on offer. The first dip may well have been slightly overwhelming which is to be expected but none the less highly enjoyable and infectious. I’m off to listen to the first entry, which is where I seriously should have started, I suggest you do the same.

Favorite Tracks; Let Them Rot.

FFO: Black Sabbath, My Dying Bride, Bolt Thrower, Cathedral, CHTHE’ILIST.

total annihilation

 Total Annihilation (Switzerland) – …on Chains of Doom

https://total-annihilation.bandcamp.com/album/on-chains-of-doom

Release – February/7/2020

Czar of Crickets Production

ARTWORK – 80

There’s little doubt what the listener is in for with this image on hand. You got it.! This is ‘hair rock’ draped in ballads, glitter and unicorn sprinkles. I jest, for there should be little confusion as to what to expect here with the inclusion of flames, a death machine, varied forms getting squished under tank treads and guns glowing red-hot in activity. But the question remains is this audio anything like another act obsessed with warfare and tanks (bonus points if your guess is correct).

FIRST TRACK – 79

A vintage war coverage newsreel and various news clip sound bites add intrigue to the introduction, leaving little left tom ponder upon as to what this might be about. Bouncing, groove laden, thrash rhythms take the lead as the clip intro disappear introducing the bands style to those, like myself, who have yet to experience what they have to offer.

INITIAL LISTEN – 77

Although one might assume this is merely run of the mill thrash/death there’s a variety of pace on offer throughout; mid-tempo groove switches places, and often transforms, into tear your head from your spine in intensity thrashin’ instances and also surprisingly a little something in between. Build up is commendable and rhythms are such that fans will have no choice but to reminisce upon standout thrash artists whose influence here, a mix of vintage European and American, is unmistakable. The rough vocal style adds to the albums level of aggression as too a” Troops of Doom” drum approach which helps propel the finished product into realms fans of the aggressive arena of thrash are sure to pounce upon. Although this sports really nothing new to the scene, the musicianship is on point and the arrangements top-notch and it remains entertaining throughout.

Favorite Tracks; Falling Fast, Reborn in Flesh, Experience the Terror, Tunnelratten, Black Blood.

FFO: Sodom, Nuclear Assault, Destruction, Kreator.

ironflame blood red victory

Ironflame (USA) – Blood Red Victory

https://ironflame.bandcamp.com/

Release – February/7/2020

Divebomb Records

ARTWORK- 78

Stepping away from what’s been showcased on albums before Ironflame have chosen to depict a warrior (I’m assuming) standing proud with a sword in hand and torn cape billowing in the wind. And, if I’m not mistaken, the sword has a certain glow as if its energized, perhaps following slaughter. Does it have a life of its own? Perhaps, it certainly looks wicked enough. Here’s to bloodshed, carnage and the caress of flashing steel upon an enemy’s flesh. Hitting play…

FIRST TRACK- 92

Foot tapping melodies, soaring passionate leads and powerful vocals (sans a falsetto element). If this is any indication of how the album is to continue, I’m shutting the outside world off, turning the headphones up and bathing in the absolute undeniable allure of exquisite heavy metal!

INITIAL LISTEN- 92

Feudal medieval themes, rhythms to promote air guitar silliness and drum tattoos to provoke limbs to twitch of their own accord. This is damn good audio and an amazing example of what makes heavy metal (with splashes of speed metal) so GD enjoyable and why its attraction continues to build. Excellent production aids the overall enjoyment here. If they haven’t already fans of mid era Maiden and Haunt have a new hero to add to their audio collection. I’m sure I’ll play this up until and mention it copiously come years end.

Favorite Tracks; Not a dull moment to be found, bathe in its glory.

FFO; Iron Maiden, Haunt, 3 Inches of Blood, Halloween, Dio, Saxon.

the spirit cosmic terror

The Spirit (Germany)- Cosmic Terror

https://thespiritmetal.bandcamp.com/album/cosmic-terror

Release – February/7/2020

AOP Records

ARTWORK- 73

A classic image offering an optical illusion/visual trickery of sorts (wrapped around a globe sporting either an eye or an explosion on one side) which is certainly up for discussion as it could mean many things ranging from inner struggles through glorified global turmoil.  Or, I could be miles off, it’s happened before now.

FIRST TRACK- 92

This is like “Storm” era Dissection but with a vintage Eucharist vibe. Melodies are wicked yet playful and the lyrics bear a fascinating narrative nature, which can be understood completely. But there’s something else…a tip of the hat to the traditional metal arena by way of galloping riffs and melodious leads which aren’t too brutal, but rather fluid. A fantastic start leaving me salivating for more.

INITIAL LISTEN- 91

Fluid rhythms, a definite, familiar, black metal (melody rather than raw primal power) vibe and distinct majesty and coldness within the riffs though this offers so much more. Influences from traditional metal arenas, melodic death and even a splash of symphonic accompaniment to dd depth to the album’s undeniable presence. Fans of both (‘Storm’ era) Dissection and classic Eucharist rejoice for this combines the two and then some. Enthralling from start to finish they is amazing but merely a stepping stone for the jaw dropping audio to follow for the act only appears to get better and better. Do not miss out on this, although if you do, I’m sure I’ll be there to remind you come years end! Did I mention two bands in particular enough during this review? Yes, I believe I did. I think you get the point!

Favorite Tracks; This is near hypnotic and delivers from start to finish!

FFO; Dissection, At the Gates, Necrophobic, Eucharist, Saramentum, Tribulation, Cloak.

skumstrike

Skumstrike (Canada)- Execution Void

https://caligarirecords.bandcamp.com/album/execution-void

Release – February/14/2020

Caligari Records

ARTWORK- 71

A raw image appearing to depict a face under extreme duress. This could well be a reflection from a witness’s eye or a look into a porthole upon one’s final moments.

FIRST TRACK- 89

Strap in tightly folks! A vintage Carcass– esque intro starts things off and leads into straight for the jugular audio. A primal seething raw beast draped in darkness exhibiting a ferocity which is typical of a terrified rabid critter backed into a corner. You will seriously have wished you lumbered up the neck muscles before you hit play.

INITIAL LISTEN- 92

I was not prepared for this!

Imagine, if you can, a crust outfit with black sensibilities and industrial leanings (especially in the vocal department) ala “The Mind is a Terrible Thing to Taste”/”Psalm 69” era Ministry. This hits hard, rarely leaves one enough time to breath before it assaults the senses again. This isn’t pretty. It’s raw if truth be told but it obliterates the yearning for hard, brutal fast and ornery.

This is a five track EP but it leaves me sweaty, exhausted, exhilarated and wanting more.

Favorite Tracks; The whole damn thing!

FFO; (Psalm 69 era) Ministry, No/Mas, Disrupt.

ithzmi

Izthmi (USA) – The Arrow of our Ways

https://izthmiseattle.bandcamp.com/album/the-arrows-of-our-ways

Release- February/14/2020

Within the Mind Records

ARTWORK- 80

Depicting a picturesque clearing this image also showcases a prone form in a small body of water. The beauty of nature scarred by the vicious nature of the creatures who roam upon it (how’s that for a spot of poetry?)

FIRST TRACK- 84

An apocalypse noise salvo paired with an “awakening” synth accompaniment. Little indication is given as to how the album will proceed from this point so when a mellow drum beat and majestic cresting riffs break the silence the ears immediately perk up. As the track progresses details become clear. This isn’t a typical black or even atmospheric black metal release, as this is oozing with a myriad of influence and styles. Acoustic guitar melodies weave in and around a malevolent mid pace, which doesn’t linger for too long in any one direction, supported by an often-frenetic drum salvo and a diverse vocal approach (encompassing shrieks, OSDM growls and grunts) making for a unique listening experience which makes an instant impression.

INITIAL LISTEN- 88

Both technical and intricate the melodies and arrangements here are varied, chaotic in instances. Touch upon folk sensibilities, yet still somehow flow in a cohesive, downright hypnotic, manner. Interludes serve to break up the album with bursts of cataclysmic intensity, in the case of (The Angels are Lost) bring about a contemplative nature but then it’s back to business. Multi-faceted, dynamic, busy and complex bearing cavernous qualities as well cosmic tones this release probably isn’t for everyone. But for those who relish in the process of dissecting audio like peeling back layers of an onion, rather than the instant gratification usually resulting from a release draped in a single genre blanket, this will provide hours of entertainment. A solitary listen will not suffice, this bears an odd familiarity about it and the intrigue is piqued, this requires several to get an understanding of the brilliance within. A striking debut sure to garner interest from far and wide across the metal spectrum.

Favorite Tracks; This is yet another example of an album which captivates from beginning to end.

FFO; vintage Katatonia, Opeth, Between the Buried and Me, Ne Oblivicaris, Swallow the Sun, Akercocke.

runescarred

Runescarred (USA) – The Distant Infinite

https://runescarred.bandcamp.com/

(album, or any of its tracks, isn’t “up” as of this publication)

Released – February/21/2020

Self-Released

ARTWORK- 86

The image here looks a little like one rendered by an artist Psycroptic has commissioned in the past (on their self-titled release). It really gives no indication as to the audio within but is vivid in detail and intricacy, which leave me quivering in anticipation.

FIRST TRACK- 84

The album commences as if it’s travelling along similar tracks as “South of Heaven” (do I really need mention the artist?) but then veers into Exodus adrenaline thrash realms. And boy does it ever deliver. Dramatic gruff vocals with a slightly unique edge add to the enjoyment. A great start!

INITIAL LISTEN- 88

Passionate and intricate not at all what I was expecting. Tons better in fact.  Overflowing with a smorgasbord of influence soaring leads are commonplace as too rhythms which will strike an instant chord. Surprising are progressive and folk instances although they don’t feel out of place but rather add significant depth to the album. To top the brilliance off (yes, I said ‘brilliance’) the vocal approach is striking often bringing to mind Dio, in other times Warren Dale and then again Bruce Dickinson but also the later ‘frontman’ for Exodus (whose name escapes me)

Favorite Tracks; The album doesn’t disappoint; delivering from start to finish.

FFO; Exodus, Nevermore, Hell, Iced Earth, Testament, Bruce Dickinson’s solo output.

kvaen

Kvaen (Sweden) – Funeral Pyre

https://kvaen.bandcamp.com/album/the-funeral-pyre

Release- February/28/2020

Black Lion Records

ARTWORK- 85

Black and white imagery. A robed hand holds a sword to consumed by licking flames. Ouch! This would make an amazing tattoo.

FIRST TRACK- 93

Containing quite possibly the most infectious black metal riff I’ve heard in some time this starts with a blistering jolt only to slide into epic and exquisite majestic realms though still boasting ungodly melodic qualities. A great fukn’ start, if I’m to be blunt!

INITIAL LISTEN- 92

Top notch melodic black metal with mischievous rhythms, surprising tempo transformations, blast beats aplenty (but thankfully not to the point of overkill), plenty of atmosphere and at times even an epic grandeur. Venomous vocals complete an intricately crafted package which is topped off with admirable production values. Part traditional yet bursting with an appeal which most new comers to the scene (me included) will instantly be able to appreciate. Do not be the last one on board the Kvaen train, these guys are gonna scorch the earth, mark my words!

Favorite Tracks; This doesn’t disappoint at any given moment.

FFO; Dissection, Arctos.

exhausted animal

And that concludes another installment of Abrasive Audio. Hopefully you’ve gotten this far down the ‘page’ and have found something to keep your senses occupied for at least a short while, I even attempted to keep this entry somewhat diverse. Here’s to discovering something which might normally be foreign to the senses.

Your exhausted slave to audio extreme, in a wide variety of its many guises,

Cult

confusion

In no particular order, or even broken up into genre categories, these are the album that distracted me from my daily life and responsibilities in an unfathomably captivating manner oftentimes leading to scenarios where all that was left was for me to do was blame the metal (wasn’t my fault!)

Note, there’s more than ten and this might drag into deep waters on account of my furiously happy scribbling digits. The reasons; I get excited, I can’t count, but more importantly because I can’t decide as all albums herein are just so blisteringly impressive.

Now new and improved complete with Bandcamp links where applicable. 

Without Further Ado…

Ironflame – Tales of Splendor and Sorrow

ironflame

https://ironflame-music.bandcamp.com/

NWOBHM/Heavy metal par excellence. This album is so damn impressive you’ll want to call Granma and tell her.

C’mon Granma this is fkn’ excellent, crank up the Victrolla, clear the kitchen, and let’s move!!

Made all the more impressive as it’s all conceived, created and performed by one ultra-talented fellow.

Nightbreed – Beyond Inferno

nightbreed beyond inferno

https://witchesbrewthrashes.bandcamp.com/album/beyond-inferno

This is what I call Thrash! Be prepared for the limbs to twitch in a spastic manner and the vertebrae to complain for days.

Rifftastic brilliance from Greece in a similar vein to vintage Kreator and Destruction.

Thron – Abysmal

thron

https://thronkvlt.bandcamp.com/

The artwork is stunningly subtle but, strangely, it’s the music which is the more distracting of the two. ‘Blackened Death’ or Death metal with Black elements who cares, just let this wash over you in all its majestic epic exquisiteness.

Fans of Abysmal Dawn and Dissection rejoice this will shatter your recent audio disappointments.

Haunt – Burst into Flame

haunt

https://hauntthenation.bandcamp.com/album/burst-into-flame

Released thirty years ago this may well be heralded today as a genre masterpiece (channeling as it does NWOBHM sensibilities and production values of the same inkling) as it is, today, it’s still stunningly impressive though surrounded by Infinite audio that it might well have been missed.

Don’t let this gem pass you by.

Dissentience – Mask of Pretense

maslk of pretence

https://open.spotify.com/album/1QETLuN3qfn1cQUpxAdrjS?autoplay=true&v=L

(no Bandcamp link available)

I’ll admit, the thrash genre hasn’t done much for me in the past couple of years, but this somehow grabbed me instantly. The multitude of riffs and its gruff vocals aided in its overall distracting qualities, but I believe it’s the fact that it came from nowhere (with zero hype) that impressed me the most. Don’t let this pass by the radar unheard.

Vanha – Melancholia

vanha

https://vanhablacklion.bandcamp.com/album/melancholia

Doom that embodies the best qualities that My Dying Bride, Novembers Doom and Mourning Beloveth have to offer. Turn everything off and sink into this and let it transport you to realms where every day worries and anxieties are no more.

Tomb Mold – Manor of Infinite Forms

tomb-mold2

https://listen.20buckspin.com/album/manor-of-infinite-forms

I’m going to blame Void for introducing this album to me. This isn’t your typical death release, it’s complex, varied in form and unpredictable in its course. Most of all however it’s everything that a fan could ask for. There’s bursts of speed, diabolical passages, technical prowess and controlled chaos.

Thanks again Void. I about rear-ended several vehicles, bobbing my head and a multitude of other limbs, whilst driving listening to this!

Ripped to Shreds -Mai-Zang

ripped to shreds

https://rippedtoshredsdeathmetal.bandcamp.com/album/-

Old school values all the way! This album had me hopping around like a meth-addled primate on a quest for that one misplaced banana.

Grindcore and a filthy dirgey-death style encapsulated in an album with themes that are exceptionally far removed from the ordinary.

Fans with extreme musical tastes stuck in the 90’s will devour this!

Obscura – Diluvium

obscura

https://obscura.bandcamp.com/album/diluvium

These guys never disappoint.

Jaw dropping Tech death with progressive elements and everything in between, this album delivers from the first to the very last note. As unpredictable as a forest fire within the clutches of a hurricane it makes much the same impression on the listener without the insurance claims and heartache.

A must own, every worthwhile collection needs this to be considered somewhat complete.

Serocs – The Phobos/Deimos Suite

serocs

https://everlastingspewrecords.bandcamp.com/album/the-phobos-deimos-suite

Tech, brutal death to scramble the brain.

I’m envisioning a plethora of octopus on stage performing this as the beats, melodies and rhythms are inhuman. This was my first experience with the band and I’m left floored, I’m placing this alongside Benighted’s Asylum Cave as the other go-to tech death album when nothing else quite cuts the mood. If you enjoy Archspire, Benighted and the like this is a must discovery!

 Omnipotence – Praecipitium

omnipotence

https://ironboneheadproductions.bandcamp.com/album/omnipotence-praecipitium

If that cover isn’t enough to make one drop what they are doing to give this a listen I don’t know what to say. It isn’t typical of the genre, but neither is the music – I’ve had disagreements over whether this is (in part even) black metal. Regardless of its genre placement (for it straddles many of them) it makes an indelible impression even on first listen. If I owned a vinyl playing device, I’d purchase this I’m an instant, the cover would live on the wall and the record itself on the player.

This reigns!!!

Piah Mater – The Wandering Daughter

piah mater

https://piahmater.bandcamp.com/album/the-wandering-daughter

Place this in ‘albums to transport the listener to another plane’ entirely folder for it has that power. Think along the lines of Opeth, Amorphis, Alkoloid and Obscura for that is what this spinning slab of awesomeness delivers. A plethora of genre styles, musical virtuosity, beauty and brutality accompanied by an excellent diverse vocal approach combine for an album which can’t be ignored or even listened to just the once.

Helrunar – Vanitas Vanitatvm

helrunar-vanitas.vanitatvm-wolf.078

https://helrunar.bandcamp.com/album/vanitas-vanitatvm

Admittedly I’m typically not a fan of music in the black metal arena but this, so early on in the year, helped change that (opening up my senses to a whole new world draped in eternal darkness).

Oozing with presence, atmosphere, majesty, depth, an epic nature and power it matters not that the lyrics are in another language entirely for this is impressive on ungodly levels. I’m mouth agape listening to it now, to be honest, and I’ve heard it on numerous occasions before now. Cancel your plans for the day, let this seep into your system. You won’t be disappointed!

Burial Invocation – Abiogenesis

burial invocation

https://darkdescentrecords.bandcamp.com/album/abiogenesis

Here’s another that Void has suggested I give a listen to, and he’s right it’s outstanding in every way. This tosses me back to numerous death albums I’ve listened and thought highly of over the years, it oozes with influences and might well leave one’s head spinning as to acts certain passages reminds one of. The whole package is a delight to let wander between the ears. Comes highly recommended to fans of 90’s European death although it has a delicious modern-day technicality and take that transforms it to elevated levels.

Another must discovery!

Shallow Grave – Threshold Between Worlds

shallowgrave

https://thesludgelord.bandcamp.com/album/threshold-between-worlds

However one chooses to place this amongst their collection there’s no doubt its placement will leave a gap. As odds are it’ll spend most of its time being played.

Huge riffs flirt and epic soundscapes with an ominous nature and venomous vocals making one look down often to ensure their feet are still planted in the dirt and not in an uncharted quadrant of the cosmos saturated in unearthly presence and menace.

This might well be the soundtrack to an invasion of ‘The Old Gods’. Or something along those lines. Either way, this release cannot be ignored.

Spectral Wound – Infernal Decadence

spectral wound

https://vendetta-records.bandcamp.com/album/infernal-decadence

Here’s another example of the impact Void has had on my listening habits this year.

To say that this album is massive is an understatement of unfathomable proportions.

The audio herein epitomizes what many thinks of when they ponder upon the genre yet it’s better still. It’s complex, infernal, diabolical yet shot through with melody and purpose that might surprise even the most veteran of fan.

This might well be the album, alongside those already mentioned, to tip my precariously balanced form into dark waters.

Bring on the Corpse paint, bullet belts and let me loose in a Scandinavian forest (with a satellite phone) I’m can feel my restraints and ignorance of the genre fading away.

Hyperdontia – Nexus of Teeth

hyperdontia

https://darkdescentrecords.bandcamp.com/album/nexus-of-teeth

Imagine being embroiled in a knife fight within a whirlwind of razor blades upon a cliff side that’s threatening to fall into the depths of the ocean. I found it hard to do so before I discovered this album (and the band), alas now it’s not so difficult.

This is everything one would hope a death release to be, complete with exquisite drums and vocals drenched in gutter values.

Ask your dentist to recommend an album. If they don’t mention this, I suggest seeking out another dental hygienist preferably one who submerges themselves in audio worth a damn. But obviously still one who bears license to dig around in strangers’ mouths with instruments of assorted torture.

That’s it, I’m out.

Here’s to another year of fantastic tunage.

Cult