Posts Tagged ‘Hvile I Kaos’

Abrasive Audio – The Year in Review

Part the Fourth (the second, and final, installment; so much metal one part just isn’t enough!)

thank you end of year lkit 19

This is it. The final installment. Before I continue I’d like to say a huge thanks to all concerned, the PR companies, the people I’ve interacted with, those I’ve reconnected with, those I’ve started new friendships with, those who continue to support my scribbles (you the reader) but most of all the bands who continue to strive to entertain even though the road is fraught with difficulty and the fact that it isn’t paved with gold as many might think. Here’s to another year overflowing with audio brilliance.

Without further waffling, I present my final picks;


Nocturnalia – III Winter

This offers a collective of radio friendly tracks with mesmerizing qualities running the gauntlet of traditional rock, folk and a style perilously close to speed metal. Never boring, this delights throughout and serves as a stunning palette cleanser for those evening when one just wishes to unwind. Fluid from the first until the last note with its fluid though varied composition, unique nature and thoroughly stunning delivery and execution.

Novembers Doom – Nephilim Grove

Novembers Doom – Nephilim Grove

Shattering my preconceived notions Novembers Doom have utilized all the death/doom genre is known for then added their trademark thunderous rhythm approach, passionate vocal diversity and stupendous epic arrangements (which tug at even the most hardened of emotions) and have fashioned an album which delivers from start to finish. This is perhaps their finest work to date.

sentient horror

Sentient Horror -Morbid Realms*

Somehow Sentient Horror have utilized a familiar style and have added their own flair making it fresh and exciting again. All the ingredients a fan of the HM2 genre have come to expect. However, this band have imbued the formula with a certain something; be it maniacal solos, fluid lead moments or instances of ominous atmosphere which combine to levitate this to another level entirely. Lay your ears upon this and rekindle your love of the ‘Stockholm sound’.

Schammasch hearts-of-no-light
Schammasch – Hearts of No Light

Atmospheric black metal with arrangements of astounding caliber the likes of which one will be surprised to discover here, this is so more than merely ‘black’ in any sense of the imagination. This takes the listener to realms which are quite unexpected though strangely don’t seem at all out of place. A release with both depth and cinematic opus qualities one needs to experience to fully appreciate, for my words cannot even come close. A fantastic introduction to the band and a style which is easily consumed for those like myself who are relative newcomers to this genre.

swampbeast void terror split

Swamp Beast/Void Terror SPLIT – Holocaust of Terrestrial Empires

Swamp Beast – Unrelenting death grind complemented by suffocating catacomb-esque atmosphere. A mesmerizing soundscape combining Napalm Death touches, passages of groove and a brutal whirlwind chaotic attack.
Void Terror – What Bolt Thrower “Realm of Chaos” might have sounded like if it had decidedly black metal undertones. Dirge laden and wickedly dark, yet chaotic and shot through with diabolical essence. A swirling maelstrom of audio madness one doesn’t wish to escape.

An excellent split with plenty on offer from two acts ripe for discovery. Keep an ear out for these guys they are both poised for greatness.

the deathtrip

The Deathtrip – Demon Solar Totem

The Deathtrip have created an album which has the potential to garner appeal from across the BM landscape. Varied in both scope and approach raw audio (with an intensity to appeal to traditionalists and those acclimatizing themselves to the variety the scene offers; aka me) cavorts alongside melancholic atmosphere hypnotic, trance inducing, rhythms and surprisingly melody drenched under occult skies an effect which holds the attention from first to last. And the more one sinks into the experience the greater detail and intricacies it provides. This boasts an appeal which cannot be argued, begs to be repeated and often.

unfathomable ruinantion

Unfathomable Ruination – Enraged and Unbound

Track structures, although longer than most in the same genre, are infectiously contagious showcasing abrupt pace transformations, frenzied and maniacal moments and technicality the likes of which precariously straddles the fence between technical death and grindcore arenas. In short, this audio depicts an act who have no desire to fuck around. It’s straight down to business and these guys are bringing all the requisite ingredients to make a lasting impression, albeit one which will leave a mark whose after effects will require meds and most probably a trip to the ER.

Vampyromorpha - Herzog

Vampyromorpha – Herzog

Although this occasionally dips into ultra-melodic realms it remains intriguing throughout and is most likely to fit nicely in the ‘guilty pleasures’ folder of those whose daily audio is drenched in nature extreme. A Gothic nature, Southern groove and passion alongside hard rock sensibilities (including soaring solos), and rough vocal approach (which oddly fits) and a willingness to experiment makes this stand out but it’s the caliber which makes it stick, and instantly!


Warsenal – Feast Your Eyes

In moments one could well imagine this is what Destruction (Germany) might have sounded like if they’d have spent more time listening to NWOBHM. The music is often face-melting fast though imbued with undeniable traditional heavy metal elements and even on occasion a tone likened to crossover thrash. As a whole the album is neither “this” nor “that” but rather a stunning smorgasbord of styles combined with expert cohesion plucked with reverence from a myriad of genres. This only gets infinitely better after the initial listen.


WolfBrigade – The Enemy: Reality*

This is unapologetically formulaic at times, even a tad simplistic, but it hits home and has an effect that borders on hypnotic. Ungodly infectious and especially potent following a workout or participation in an activity with similar “results”, short and to the point this is to be played loud, but probably not in rush hour traffic as it tends to incite uncontrollable movements and a shit eating grin hardly anyone is likely to understand. Suffice it to say Wolfbrigade strike again and much like their last this destroys most everything in its path.



Bethledeign – Iconography of Suffering

Maniacal leads, slower paced passages and breakdowns for sorts with familiarity aplenty, riffs to leave one salivating and a varied style to please a great many bar those who yearn for silly, overburdening, technicality and heaps of progressive nature within their extreme audio. For fans of Cannibal Corpse, this will leave an impression.

death wolf

Death Wolf (formerly Devils’ Whorehouse) – IV: Come the Dark

This is slightly different, familiar but not for the reasons one might think and a little experimental. At times the times the album has a ‘if Ministry played black metal this is how it might sound’ vibe while in others epic triumphant qualities take center stage and rhythms take on more a simplistic groove approach ala more recent Satyricon. However, you slice it this is unexpected but cannot be written off. Be prepared though for it has the potential to grow to criminally infectious levels.

Hvile I Kaos

Hvile I Kaos – Black Morning, Winter Green

Intricate melodies writhe and duel for dominance, a narrative is carefully constructed utilizing an assortment of details and depth forming a rich tapestry to enrapt the listener. This is an experience sans a vocal accompaniment, for it doesn’t need such. It speaks volumes and stands testament to the talent, passion and composition brilliance of Kakophonix; the single soul behind the manipulation of the strings involved. A rich texture of melodies invoking darkness and beauty and the many grey areas in between. More classical than anything remotely extreme metal in nature.

oath of cruelty

Oath of Cruelty – Summary Execution at Dawn

Chaotic, tumbling melodies shot through with veins of maniacal madness and capillaries of diabolical finesse. This could well be Morbid Angel under the Kreator banner of old imbued with South American aggression. Unrelenting blackened thrash draped in a generous helping of sinister recommended for fans of the old school.

Revel in Flesh

Revel in Flesh – The Hour of the Avenger*

Boasting a collection of tracks with a slew of stylistic ambiance this album offers a great deal to enjoy. Comforting in its nostalgic familiarity this seethes with an undeniable air of superiority.

I don’t know where Revel in Flesh have been between albums. I only wonder if there’s a location someplace in a remote mountainous region whereupon enigmatic Monks strip one of everything they know only then reeducate one (in the most mysterious ways imaginable) in the true path of Godly extreme audio. For this really is that good! Fans of Entombed, Nocturnal Hollow, LIK, Dismember and Entrails cannot afford to miss out on this!

exhausted animal

And that’s it. A whooping 153 releases spanning January through December 2019, only the tip of the proverbial iceberg if truth be told (there’s a whole ton of releases I didn’t have time to get to) Showcasing a total of 36 (absolute favorites) which looking back I could probably have shortened this list down to. A tip of the hat to those who have made it this far, hurdling the obvious obstacles which my horrid grammar produces. As always free to share and comment. I’m always up for suggestions, perhaps even a few people who wish to aid me in my quest to entertain (I’m talking unpaid contributors, I’ve yet to make a cent, I require someone else with the equal dedication). The comment link is at the bottom of this article. It’s been a pleasure, and even though I’m exhausted it’s been worth every keyboard stroke if only to preach the word of metal and support acts who bring me a modicum of pleasure in an otherwise dull, tedious existence.


Abrasive Audio…to Soothe the Senses – Part 35

headbangin gif


It never stops, and for that I’m thankful. Bathe in the all-consuming nature of metal, but let us not forget the cleansing properties of water, as personal hygiene is always important and much like most of the audio under scrutiny here also highly recommended.


SIJJIN – Angel of the Eastern Gate


Release – November/13/2019 (on cassette format)
Sepulchral Voice

Obviously biblical in tone this imagery depicts an angel (a seraphim?) directing traffic in the heavens much to the dismay of a pleading pedestrian. Admittedly I’m not a scholar of religious texts and this has deeper meaning, but it’s lost on me.


With an introduction sporting undeniable (Slayer) Hell Awaits evocation qualities, though in a rawer more mischievous form, one would hope that the scene is set. And they wouldn’t be disappointed. Combining diabolical fretboard wizardry, raw flesh-shredding pace, a tight skin pounding salvo and vocals which could well be a part of the Underworlds daily soundtrack Sijjin have managed to forge audio which is unmistakably familiar but only in part rarely together as heard here.


Wicked vokills, raw speed and an undeniable archaic maniacal nature. Is this blackened thrash, blackened speed or Deathrash? It matters not, as the fact remains and cannot be ignored that the combination of a variety of influences makes for an infectious experience indeed which is quite unlike that which many, in their endeavors to outdo everyone else while cramming all manner of differing styles into their audio, are perpetrating today. Desire audio dripping in old school values and lyrics upon all manner of ancient shenanigans with a pace you can snap your neck to? I believe I have a little something you can wrap yer’ ears around.

Favorite Tracks; Angel of the Eastern Gate, Trine Immersion, Remnants of Cambrian Evil.

FFO; (vintage) Morbid Angel, (vintage) Possessed, (vintage) Sodom, (early) Incubus.


Neolith – I Am the Way
Release – November/22/2019
Mythrone Promotion

A dizzying number of steps leading to an archaic structure bathed in mystery and drenched in dried crimson (or is that how aged sandstone normally appears?) which all unquestionably emanates an ominous presence and an air of sinister. This isn’t audio of a Gospel nature of that I’m sure. Hitting play…


Portentous doom building to a mid-paced unrelenting militaristic death assault. Oozing with maniacal properties, unrelenting narrative elements and a potential cataclysmic air, this is intriguing indeed.


Blackened death boasting a myriad of pace (ranging from slower atmospheric heavy passages, occasional but rare groove passages to blasting speed) which are often hypnotic in their rhythm, though familiar in tone this remains a solid effort from an act who have somehow managed to slip under the radar while providing that which fans of the blackened death style (emphasis on ‘black’ rather than ‘death’) will be able to easily appreciate.

Favorite Tracks; Ask and Thou Shalt Receive, In the Name of Umamu, Let the Heavens Rejoice, Wanderer Who Bestows.

FFO; Behemoth, Hate, Noctem, (early) Septic Flesh.

obscure album

Obscure – Darkness Must Prevail
Release – November/5/2019
Xtreem Music

The imagery here reminds me of Uncle Frank from the original Hellraiser film. Although here “he” seems more down with nature rather than having to hide in a basement in wait for nourishment.


Bludgeoning riffs and groove tainted mid-paced rhythms. Add a dirgey tone and this sounds all too familiar. Admittedly this is a tad formulaic but it still bears a certain something to keep the digits from the eject button.


Mid paced chuggery abounds. Thankfully there’s more to this than merely steamroller riffs and driving percussion. Doom passages aid mid paced madness, ominous atmosphere is plentiful and there’s enough diversity in the vocal department to keep this interesting (there’s little more annoying than vocals which do not change tone, cadence or pace throughout an album). On the whole this fits comfortably in genre parameters made famous by the likes of those listed below with only the occasional deviance into arenas shrouded more in doom sensibilities than groove-encrusted death.

Recommended for fans of melodic brutal death with dirge undertones.

Favorite Tracks; Darkness Must Prevail, Afterlife, Through Self-Repulsion, Sunk into Oblivion.

FFO; Unleashed, Bolt Thrower, Benediction, Jungle Rot.


Warsenal – Feast Your Eyes
Release -November/15/2019
Svart Records (only because it isn’t on Bandcamp… yet)

As a gorehound and cult movie fan this has my attention. Obviously reminiscent of the uglier side of European cinema from the 80’s this, I can only hope, hints at audio of the same nature. Fingers crossed.


An unexpected folksy introduction opens the doors to a technical speed metal assault, galloping rhythms, breakneck speed and slower more intricate passages dipped in values of an undeniable NWOBHM nature. The vocals are venomous and of the style one might expect based on the albums art. A combination which might take some getting used to but has managed to grow on me over the course of this track.


In moments one could well imagine this is what Destruction (Germany) might have sounded like if they’d have spent more time listening to NWOBHM. The vocal style is at times eerily similar, the music is often face-melting fast though imbued with undeniable traditional heavy metal elements and even on occasion a tone likened to crossover thrash. As a whole the album is neither “this” nor “that” but rather a stunning smorgasbord of styles combined with expert cohesion plucked with reverence from a myriad of genres. This is sure to appeal to a wide swath of the metal community, both veterans and newcomers alike, this only gets infinitely better after the initial listen.

Favorite Tracks; Lords of Rifftown, Insatiable Hunger, You Better Run.

FFO; Blitzkrieg, Exciter, Venom, Whipstriker, (early) Voivod, (early) Iron Maiden.

A Break in our Regular Broadcast for something a Little Different

Vampyromorpha - Herzog

Vampyromorpha – Herzog
Release – November/29/2019
MDD RECORDS (“Darkness Whore” official lyric video)
Against PR

“The influence of Lovecraft is strong in this one. Hungry they look, out of here in a hurry I am.”

Ed* Thanks Yoda.


Undeniably Gothic synth layered in a criminally infectious guitar riff grabs the attention. The lyrical accompaniment grows over time. The hooks and undeniably catchy nature have the attention leaving me eager for more. This isn’t what I was expecting based on the art and against my initial prejudice it is actually rather listenable. A great start!


Admittedly, this is a little different than that which I normally listen to. It bears a radio-friendly vibe as well a uniqueness which is impressive and wholly important in order to stand out. A Gothic nature (all one has to do is take a peek at the albums track listing), Southern groove and passion alongside hard rock sensibilities (including soaring solos), a rough vocal approach which oddly fits and a willingness to experiment this might normally be something I’d avoid (having seen the description) but in this instance and with the composition caliber showcased here I’m in for the long haul. Although this occasionally dips into ultra-melodic realms it remains intriguing throughout and is most likely to fit nicely in the ‘guilty pleasures’ folder of those whose daily audio is drenched in nature extreme. Go into this with zero prejudice and you’ll tappin’ the foot and noddin’ the head within no time.

Favorite Tracks; Darkness Whore, Waiting and Die, The Dead Walk Home Alone at Night, Witchliker.

FFO; Seether, HellYeah, White Zombie


Ankhara – Sinergia
Release – September/18/2019
Fighter Records

When Man and machine combine to produce something ‘altogether’ better. That is only an example of “Sinergia”. And this illustration depicts what it may look like (and makes me think this might be audio of a thrash/speed metal nature). But, what does it sound like? I’m beginning to think I’m about to find out.


Driving rhythms with a speed/heavy metal edge (at times bringing to mind Randy Rhodes Ozzy-era guitar wizardry) accompanied by Halford esque vocals (highly reminiscent of a track from “Painkiller” whose title escapes me). A stunning way to start the proceedings. Did I mention the vocals are in Spanish? It matters not, this kicks arse. Admittedly this isn’t the usual audio to be found between my ears, but I’m diggin it.


I’ll admit I was a little thrown by the first track, however each thereafter is different, unique in their own exciting way ( I bypassed the live tracks I’m rarely a fan of live material). Showcasing passionate rhythms, galloping riffs and dynamic, high energy, percussion there are zero dull moments here to be discovered. The style varies and brings to mind a plethora of acts some more distinct than others as the album unfolds. Regardless of the fact that the lyrics are in Spanish their presence still adds significant power and emotion to the music. If your interests lay more in hard rock than death, black or grindcore this is where you’ll want to rest your ears for a while.

Favorite Tracks; Te Toca Sufrir, Suena, Libertad, Tu Ultima Vez.

FFO; Judas Priest, Queensreiche, Hammerfall, Wolfsbane, Primal Fear, Skid Row, Helloween.

Back to Our Regular Scheduled Broadcast

hviel I kaos

Hvile I Kaos (which translates to “Rest in Chaos” in Norwegian) – Black Morning, Winter Green
Release – December/6/2019
Red Nebula
Carcosa PR

Ethereal smoke formed into a robed presence above a spherical object which might or might not represent the earth and another more ecliptical in nature (raised above the first) which might or might not represent the moon. A floating green triangle in between might or might not represent nature. An interesting image indeed. Which is open for interpretation, obviously.


From the very get go this track transports me to another plain entirely. It has that level of power. Acoustic brilliance boasting unquestionable depth to evoke a myriad of emotions. Rich audio which is soothing, anxiety-inducing and melancholic. An amazing start!


The thing about a great release is that the listener loses themselves within in, and doesn’t pay heed to the time left or that which has already passed, in effect the audio transports to a place where time matters not. This is a great example of that type of release. It offers a rich texture of melodies invoking darkness and beauty and the many grey areas in between. More classical than anything remotely extreme metal in nature this still however bears a tone and myriad of qualities which will strike a chord with fans of the aforementioned genres. Intricate melodies writhe and duel for dominance, a narrative is carefully constructed utilizing an assortment of details and depth forming a rich tapestry to enrapt the listener. This is an experience sans a vocal accompaniment, for it doesn’t need such. It speaks volumes and stands testament to the talent, passion and composition brilliance of Kakophonix; the single soul behind the manipulation of the strings involved (cello, bass and guitar) and this albums creation. Step outside of your comfort zone and give this a listen.

Favorite Tracks; All but the last.

FFO; Apocalyptica, 2Cellos.


Depressed – Beyond the Putrid Fiction
Release – November/22/2019
Black Lion Records
Qabar PR

Dark and fantastical, vivid and eye-catching. A wilderness in disguise, a habitat for all manner of devilish beings to frolic and lay in wait for the unsuspecting tourist.


This sounds a little different than what the militaristic introduction suggests as though it could have been plucked from a Vital Remains release circa “Dechristianize” era. Grandiose triumphant riffs and even Glenn’s vocal stylings. A great start which is making me all ears!


Hardly audio to take the scene into fresh undiscovered territories this is however incredibly solid from start to finish. Injected with a groove infused dirge tone and varied rhythms to give even the most hardened of death fan a sore neck following a listen this is a stunning example of audio which isn’t afraid to utilize both doom and death sensibilities to its advantage as it envelops it’s listener in familiar influence and careens them down an incline fraught with all manner of diabolical narratives.

Favorite Tracks; Beyond the Putrid Fiction, Into the Realm of Abhorrence, Unholy Covenant, Descending into Madness, Thy Fragment of Light.

FFO; Deicide, Vital Remains, Vader, Krisiun, Vomitory, Bolt Thrower, (early) Decapitated.

And Now the Owls are Smiling – The Comforting Grip of Misery

And Now the Owls are Smiling – The Comforting Grip of Misery
(United Kingdom)
Release – November/1/2019
Clobber Records
Imperative PR

Dark, doomy and drenched in ominous qualities. A structure open to the elements. Does this comment on the music itself I’m left to wonder?


Melodic, melancholic and evocative with an occasional choir (of sorts) accompaniment. Far from traditional black in nature, though this still has rawness to it this also has a certain flow which is unnervingly hypnotic especially with the accompanying plentiful atmosphere.


An odd name for a band. Regardless, it grabs the curiosity. A one-man project out of Norfolk, England, (an area which isn’t normally known for its black/extreme metal output) manages somehow to beguile the listener with its combination of varied pace, majestic melodies, repetitive rhythms, folk sensibilities and a rasped vocal garnish. In effect an audio landscape which appears more soothing than the genre is typically famous for (yes, I’m of the understanding that the genre is a multi-faceted arena, though some reading this may not be). Don’t be fooled, for there still remains a sinister disposition, an underlying current of melancholy and grief atop a tapestry of atmosphere which has the potential to draw the listener like a moth to a flame.

Favorite Tracks; Our Forest Calls Me Home, An Indictment, Winters Elegy, An Empyreal Spirit Dances Before me, Betrachungen.

FFO; Helengard, Psychonaut 4.


Galaxy – Lost from the Start (EP)
Release – November/8/2019
Dying Victims Productions

Seriously, where are we? We’ve been walking around in circles for so long we’ve worn huge furrows in the Earth and the moon is upon us.

Dad. Dad! Wake up. You’re dreaming about Picasso landscapes and Heinlein book covers again.


A brilliant acoustic introduction leads into gradually building and excellently executed thrash and a “scream” (Halford/King Diamond esque in tone) which is sure to grab anyone’s attention. The track continues in an undeniable fluid nature and showcases many an influence from across a slew of genres. A damn impressive start with rhythms sure to set the limbs afire and surprising vocal gymnastics which don’t appear even slightly out of place. Hold my calls, I do not want to be disturbed!


I find it hard to fathom that this is a debut as the audio here bursts with confidence and flair. Galaxy meld rhythms and styles from a number of widespread influences. In certain instances, one might have an idea as to the origin of a particular riff only to lose the thought in the next as another passage sparks nostalgia. The whole album (EP) has many moments of such though it also showcases a caliber of composition far beyond the band’s short history. Channeling NWOBHM, Power, speed and thrash metal elements Galaxy have created a release that’s dynamic, infectious and draped in a cosmic narrative. And all in a way which reeks of homage yet breathes with exuberance and youthful energy, a package which is sure to stand out, if there’s any justice, to ensure they garner the respect a release (and an act) of this quality deserves. Highly recommended, this grabs you from the start and doesn’t let go until you come to your senses only to hit repeat.

Favorite Tracks; Dreaming Out, Sons of Titan, Lost from the Start.

FFO; King Diamond, Judas Priest, Helloween, Mercyful Fate, Voivod, (later) Death, (early) Megadeth.


Negator – Vnitas Pvritas Existentia
Release – October/18/2019
Massacre Records/Fono Ltd.

Obviously biblical and slightly medieval in nature this displays both realms; that of the Heavens, the Underworld and the space in between. But which is worse? An interesting image which hints at the atrocities on Earth being infinitely worse than that taking place in either the Underworld or the Heavens.


A storm front and a summons (to war?) bring this audio to the fore. A technical, machine precision, drum salvo complements percussion draped in an archaic nature which is sure to get the limbs a twitchin’. Aided by a venomous, somewhat traditional black metal, vocal accompaniment the package is one which has me glued to the spot. I’m not going anywhere in a hurry this is blackened metal I can subscribe to without complaint!


It’s been six years since the bands last, “Gates to the Pantheon”, which I’ll admit I enjoyed immensely. So how does this fare?  The first element to “pop”, that leaves an instant impression, is the inhumane drum accompaniment (and it’s relentless on-point precision) which lays the groundwork for the percussion to embellish upon. The albums pace is primarily hyper-speed; although there are plenty of instances where a slower, more atmospheric laden, pace comes to the fore. If only as foreplay to the brooding, sinister, brutality which is about to follow. Surprising melodies, an undeniable grandiose aura permeate this release and an undeniable diversity in rhythm (over and above that which is typically expected from a release in this genre) amidst all its brooding archaic nature, majestic rhythms and hyper speed tendencies making for a release which definitely stands out from the typical blackened affair. Negator may have taken a few (6) years to bring another release to the masses but it was worth the wait for this delivers throughout! Expect to see this in my year end list (if I ever get around to compiling one!)

Favorite Tracks; From start to finish this does naught but enthrall.

FFO; 1349, Belphegor, Dark Funeral, Origin.

Time for an Old Favorite; Recc’d by
Recc’d by Feind Gottes @FeindGottes on Twitter

Feind Gottes author

First, let me mention that if you are in the market for some sick, deviant, excellently written fiction you should check out this fellows output

I’ve tried to keep up (we once shared a site) but have found my time yanked more towards the review arena than fiction as of late. But enough about me, just what has Feind been talking about that I should check into. The first is from an act who have been getting quite the buzz lately, while the last is an album I believe I’ll enjoy if not for the unmistakable homage element alone. Onward…

jinjer macro

Jinjer – Macro
Release – October/25/2019
Napalm Records (“On the Top” official video) (“Pit of Consciousness” official video)
Thoughts –

Before I impart my thoughts on the music a few words, as per usual, on the accompanying artwork. In this case a figure appears to be reaching out to touch a shimmering ball of light above and against a sea and sky boiling in a tempestuous nature. This might take a few moments to process the meaning of (for me anyhow). I’m of the mind that it hints at the nature of the music itself, but it what regard I’m not entirely sure. Time to hit the play button to find out…

It doesn’t take but a few seconds to realize that Jinjer perpetrate a style which is a little off “the beaten path”. Many have likened their style to deathcore and djent. I can see how that might be the case as there are stylistic elements which are similar, passages which fall into that category easily, and the music does have traits of those genres. The music “bounces” for want of a better term, it displays varied jagged, stabbing riff assaults and a vocal style (stunning is a word I will use here) which at times brings the aforementioned genres to mind. But it’s so much more than merely that alone. A number of surprising elements are also present. For starters before you can really appreciate the band you must watch one of their videos (I’ve included two examples, above) Tatianna, the vocalist, is a force of nature both beautiful and ferocious with pipes which could terrify the most imposing of predator (that’s enough worship, I don’t wish to come across as a stalker or salivating fanboy) In the audio there are several instances which stand out. For example, varied reggae passages in “Judgement (& Punishment)”. Even more surprising is the fact that this elements inclusion comes across as wholly acceptable, although it seems a tad odd it doesn’t seem at all out of place. Other stylistic oddities are splattered across the album. The following track “Retrospection” has a Lacuna Coil vibe in its introduction and utilizes lyrics sang in Ukrainian (I might be wrong here as I’m no language scholar). From then on it descends into a back and forth approach between traditional and vocal viciousness which keeps me enthralled, to say the very least. I’m finding it surprising, I’m not normally a fan of this style, I’m only three tracks in and believe I’ve found another act I need to keep tabs on. Sans giving a track-by-track narrative, for I could; it’s in my ‘wheelhouse’, I’ll gloss this over with a ‘highly recommended’, ‘go out and buy this’ and ‘add it to your collection at your earliest convenience’ lest I run my appreciation into diatribe lengths.  Seriously, this release took me by storm, it’s quality and varied in tone from start to finish. And I’ll admit I usually avoid acts with a buzz about them but in this case, it’s warranted Jinjer are an act who deserve attention and praise. Acts of a similar nature include Twelve Foot Ninja and Gojira if only for the fact that they too can pull off utilizing a myriad of styles in a nature which is easily consumable and doesn’t seem at all disjointed.

cannabis corpse from wisdom to baked.jpg

Cannabis Corpse – From Wisdom to Baked
Release – June/20/2014
Season of Mist Records (the discography)
Thoughts –

Again, I’ll tackle the art before the audio. A cursory glance shows a family watching television in a state of blankness. But if you look closer there’s so much more going on. A horrified face at the window is at the lowest end of the scale whereas the device attached to the EZboy makes the imagination do cartwheels at adrenaline speeds. Just what is it that the family is doing? Are they harvesting, albeit slowly, are they cannibals or fueling the growth of the plants seen meandering across the floor and walls? I’m not entirely sure but this image is chock full of intricate details and demands further exploration at the very least. What about the music? Admittedly this is a first for me, a virgin experience of an act who on all accounts I should already have extensive knowledge of. Hitting play…

Obviously, the band’s name is a cunning slant on a moniker of another huge act within the scene (if you can’t tell who it is you are on the wrong site!). But, what of the music? Admittedly, this is my first experience of the band and their audio. Although I’ve been hearing of them for years, I’ve never taken the plunge. Though after hearing this in its entirety I really can’t tell why that might have been the case. The music is surprisingly decent, familiar and tight and much as the track titles suggest much in the same vein as the acts the band pays homage to (in this case Death and Gorguts based on the track titles and undeniably Cannibal Corpse based on their name). This is death metal circa early to late nineties and is instantly acceptable, this is criminally infectious and somewhat, scratch that, extremely familiar sounding. The vocal style is more similar to Barnes than ‘Corpsegrinder’ which pleases me as I’ve always been more a fan of the acts earlier material and fits the audio perfectly.

However, Cannabis Corpse are in no way merely copycats and this isn’t a cover act. The audio here oozes with talent, composition brilliance, is heavily reminiscent and overflows with humor (most, if not all, in relation to the “green god”) naturally it’s nothing new but huge props must be given to the act for pulling off that which many have unsuccessfully attempted but have usually only miserably failed at. It would’ve been a mean feat for this release alone to have been relatively successful. However, the band have gone on to release two others since this albums release and three previous. In actuality a little research (I hardly ever do more than a “little”) shows this as the least praised amongst the bunch. Apparently, I have some digging to do. For starters though this was and serves as a fantastic introduction to an act who I can’t honestly believe I haven’t enjoyed before now. For those who remain confused, I get it I tend to waffle on a wee bit, and haven’t yet got the point, Cannabis Corpse are an act who warrant discovery especially if like myself you are also a huge fan of the earlier days of death metal.

Animal - music is meant for sharing

And you shouldn’t, great audio is meant to be shared!

That concludes another Abrasive Audio installment. Until out paths of audio interest cross paths again don’t fear that which might normally be foreign to the ears.