Posts Tagged ‘death metal’

Abrasive Audio- Turbo Edition #1

abrasive audio turbo edition header

I can’t fathom why I didn’t think of this earlier. The onslaught of Extreme Audio much like a raging tsunami is unforgiving. There’s no keeping up. I doubt even if I made this an obsession (more than it already is) I would still be behind. With this in mind I must give thanks to the metal community on Twitter for their Reccs, suggestions and their ability to pluck from the past that which I never knew existed

(Emil, Jay and Demnuts I’m looking in your direction here). Obviously, I’d like to mention each and every person who continues to make me feel like I belong and those who continue to allow me to continue to bug them with random Reccs, suggestions and offers. There are others yet who continue to bedazzle me with their knowledge on the scene (I have a hard time remembering what I ate for dinner yesterday!) Void is slowly pulling me into the BM fold, against my initial judgement I find myself resisting less and less.

I would be remiss not to mention Kman. His dedication, knowledge and determination seriously know no bounds and his FFF each week leaves me unfathomably frustrated as I understand there’s no consuming every release he’s promoting. I can but try, but to no avail. In between striving to ensure my bills are paid, various family duties and other not so important adult stuff (don’t grow up kids, it sucks!) I just haven’t the time.

Without further ado I’d like to present a new approach; multiple albums, multiple genres, both new and not so much. Each gets a few important details, a single listen and a couple of words. For those needing a FFO I’m sorry, much like my introduction to most of the bands/albums here like myself you’re also be going in blind. Let’s call it exploration!

Simple. What say we put on our spelunking helmets and get started?

WVRM - Colony Collapse

WVRM (USA) – Colony Collapse

https://wvrmgrind.bandcamp.com/album/colony-collapse

Release- April 2020

Genre – Grindcore/Brutal Death/Crust/Hardcore/Sludge

A Grindcore album with a handful of tracks over two minutes in length? Yeppers, it’s rare but this is what we have on display here. Untraditional for sure, but WVRM manage somehow to pull it off. Ragin’ brutality, lyrical angst, mature arrangements, humorous soundbites, grinding rhythms, a little bit of “noise” and a varied style which thankfully exists this side of the “bree-bree-bree” vocal (silliness) spectrum. Shit, there’s even a violin passage. This is ‘Grindcore’ I can subscribe to! Slightly different (but nowhere near experimental to the realm where it’s unfamiliar), angst ridden, groove-laden and exhilarating. In short, a twenty-four-minute workout which will exercise muscles you never knew existed.

Final Score – 83

The Antichrist Imperium

The Antichrist Imperium (UK) – Volume II; Every Tongue Shall Praise Satan

https://apocalypticwitchcraft.bandcamp.com/album/volume-ii-every-tongue-shall-praise-satan

Release – June 2018

Genre – Black Metal/Thrash/Avant Garde/Progressive/Blackened Death/Post BM/Atmospheric BM

The similarities to Akercocke here cannot be ignored (the two bands share a member). Much like the aforementioned TAI (an abrv.) compose sans a genre framework in mind. Theirs is a style much like the movement of a rock in a maelstrom. It changes direction at the drop of a hat producing considerable damage as it does so. Unlike that rock its movement is surprisingly fluid oftentimes transporting the listener to realms one might not consider (unless of course they’d previously heard of Akercocke) see above for the variety of genre descriptions. A wide array of vocal styles fitting the mood amp up the album’s enjoyment. Blistering speed bursts are a huge part of the albums appeal (for me) it also provides passages akin to a Brutal Death assault with an Industrial edge (in a style fans of The Berserker will enjoy) more so than the aforementioned act. Between the two I cannot pick a favorite, I guess it depends on the mood. One could perhaps think of this as a logical progression for Akercocke if they had stuck to themes revolving around Satanism. I will state this is an album I will place in a constant rotation playlist. It has quite literally blown me away. This is far beyond impressive…and diverse. Have I previously mentioned that?

Final Score – 94

Devil to Pay

Devil to Pay (USA) – Forever, Never or Whenever

https://ripplemusic.bandcamp.com/album/forever-never-or-whenever

Release – November 2019

Genre – Doom/Stoner Rock/Southern Rock

I must be living under a rock. I can’t believe this slipped by unnoticed (it dropped late last year).

Occasionally you come across an album with a flow, a collection of tracks which place the listener in a certain place, far from everyday woes and concerns. An album which captivates and doesn’t try too hard to be that which it’s not. This is one such release. A wicked mix of Doom and Stoner Rock, boasting an aura which is strangely both vintage and fresh. With plentiful riffs to spare and a powerful vocal accompaniment which completes the package this results in a release, much like their 16′ effort, that’s undeniably a strong top of the year contender. It’s difficult not to fall under a spell as these caresses the senses.

Final Score – 91

Heiligen

Heiligen (Chile) – Shadows in the Church

https://heiligen.bandcamp.com/

Release – June 2020

Genre – Heavy/Epic/Speed Metal

Energetic rhythms, great pace and exciting arrangements result in a familiar aura fans of traditional HM (Iron Maiden and Helloween) will find difficult not to instantly appreciate. One of my only qualms is that the vocal department needs tidying/polishing up, otherwise a fantastic listen.

Final Score – 73

Solothus

Solothus (Finland) – Realm of Ash and Blood

https://listen.20buckspin.com/album/realm-of-ash-and-blood

Release – March 2020

Genre – Death/Doom/Sludge

Despair, misery, endurance and determination are four words which come to mind when this assumes eventual dominance of the aural cavities. Slow and deliberate this rolls like a tank in low gear; trudging riffs, formidable presence and ominous atmosphere evokes vivid flashes of crimson soaked quests, carnage, desperation and loss which, much h like the finest fiction tome, leave a lasting impression. “Realm of Ash and Blood” is slightly different than the run of the mill Doom/Death affair but nevertheless impactful in its grandiose, unhurried, approach. As a bonus the album is enveloped by fantasy/Conan inspired artwork which slays.

Final Score – 87

Monolith

Monolith (South Africa) – The Lord Conspirator

https://mmdrecords.bandcamp.com/album/the-lord-conspirator

Release – April 2020

Genre – Death Metal/Tech Death/Thrash/Melodic Death

Surprisingly agile and diverse this offers a variety of pace and style over and above what one might have initially assumed based on the accompanying cover art. With an aura of ominous which is palpable whilst refraining from the traditional tropes of the genre Monolith have etched an album which is no less impactful. Part Tech in its approach, sporting evolving rhythms rather than mere chuggery, a well-executed narrative which nods towards concept and benefiting from sufficient, calculated, atmosphere this is an audio collective that puts South Africa on the Extreme Audio map. A fantastic debut worthy of discovering.

Final Score – 84

Runemagick

Runemagick (Sweden) – Into Desolate Realms

https://runemagick.bandcamp.com/album/into-desolate-realms

Release – October 2019

Genre – Death/Doom

A delicate balance and marriage of movement, melody, melancholy and groove exists here. Epic qualities abound, occasionally to the overkill point.  Think Candlemass qualities combined with dirge elements courtesy of Bolt Thrower and Unleashed vocal sensibilities with a splash of the almighty Black Sabbath and you might be close, although there’s another presence in the mix I can’t quite put my finger upon (for the record similar artist comparisons have been made to Hooded Menace and The Chasm). This is guaranteed to grow following several listens and their discography is dense, it appears I have a little homework to do.

Final Score – 83

Human Infection

Human Infection (USA) – Gravesight

https://hiband.bandcamp.com/album/gravesight

Release – December 2019

Genre – Brutal Death/Grindcore

Tight arrangements which often border on Technical Death territories. Plenty of complex and swift rhythms with enough wicked transformation to make fans of (earlier era) Cannibal Corpse salivate.

Final Score – 87

Arcane Dread

Arcane Dread (Greece)- Mist and Marshes

https://arcanedread.bandcamp.com/album/mist-and-marshes

Release – April 2019

Genre – Death Metal

A mid-paced, one-person outfit showcasing agility, atmosphere and movement. Small qualms include one dimensional vocals, a “manufactured” aura and instances which tend to drag on. However this remains quite listenable.

Final Score – 72

Deathsiege

Deathsiege (Israel) – Unworthy Adversary

https://deathsiege.bandcamp.com/album/unworthy-adversary

Release – April/2020

Genre- Death/Black/Bestial Metal/Grinding Death/OSDM

Pummeling, bludgeoning and unquestionably unapologetic. Blunt, to the point, tracks with an early Vader feel. The outstanding drums are the highlight of the production which still seethes with a fitting raw edge.

Eleven minutes of audio sure to scramble the braincells and get the torso a twitchin’.

Final Score- 89

Lucifungus

Lucifungus (Australia) – Derek

https://lucifungus.bandcamp.com/album/derek

Release – April 2020

Genre – Stoner Rock/Doom/Sludge

Huge riffs, enough groove to sidetrack a speeding train and an ungodly infectious vibe cavorting with just the right amount of sinister. All drenched in a viscose sludge which only makes for an amplified raunchy experience. Did I mention the album’s art? I want it… I need it! Seriously how can I resist an album named after my favorite character in a movie?

Final Score – 88

The Holy Flesh

The Holy Flesh (UK) – Emissary and Vessel

https://caligarirecords.bandcamp.com/album/emissary-vessel

Release – March 2020

Genre – Black Metal/Post Rock/Ambient/Doom/Progressive

With the above description one might avoid this like the plague. I’m here to suggest you do the opposite. Obviously, this sounds, and is, slightly off the beaten path but it delivers. Rhythms overlaid upon ambient soundscapes (occasionally creating a mixture of produced effects akin to rapidly fading dreams and underwater auras) ensure the listening experience to be one that’s unmistakably off-kilter, often alienesque, though nevertheless providing for an enjoyable listen for those with an open mind and penchants that exist far from instant gratification realms. With all this in mind this still provides nods to various influences from Blackened realms resulting in an album which might be easier to digest than first imagined.

Final Score – 82

Shards of Humanity

Shards of Humanity (USA) – Cold Logic

https://unspeakableaxerecords.bandcamp.com/album/cold-logic

Release – April 2020

Genre – Thrash/Death/Tech Death

Invigorating, energetic and yes… somewhat fresh. This is Death Metal with an emphasis on leads and solos throughout. In essence – Thrash infused Death with a smidgen of Tech Death thrown in to mix things up. Think South American Aggressive Thrash bordering on Death with a sprinkle of Grindcore tossed in. Ha! This review is a mess but this album kicks major arse. The vocal style isn’t what’s expected (a tad ‘Barney’ at times) but it seeps in toward albums end to feel less foreign. If you prefer your Extreme audio energetic and less plodding, moody or Doom inspired this is for you.

Jump on this stat. But stretch first!!

Final Score – 89

Northern Crown

Northern Crown (USA) -In a Pallid Shadow

https://music.northerncrownband.com/

Release – July 2020

Genre – Traditional Doom/Heavy Metal/Vintage Doom/Epic Doom

To be honest this was not what I expected based on the albums cover art. The inclusion of a keyboard/organ in the sound elevates this from mere run of the mill Doom into more a vintage realm. Another aspect which places it in the same territory is the lyric heavy approach also the hard rock emotional vocal style (all of which often putting me in mind of early Rainbow and Deep Purple). An epic aura throughout with plentiful progressive passages makes for a listening experience which the listener can easily sink into when the mood demands audio of a mellower stance. Don’t sleep on this, especially if the physical collection (vinyl most probably) bursts at the seams with a wide range of rock albums from the late seventies/early eighties.

Final Score – 89

Descend

Descend (Sweden) – The Deviant

https://descend.bandcamp.com/

Release – June 2020

Genre – Melodic Death/Progressive/Doom

From the very first note this propels the listener to another realm. A landscape in which beauty teases the beast and nature cavorts openly with technology. The influences here are neon bright obvious (Opeth, Devin Townsend, among others) however it’s how Descend chooses to handle and manipulate them which makes this so special. Instrumental bliss, melodies which will leave fans of Melodic Death salivating and a vocal range which fits the albums transforming moods perfectly. This manages to check all the boxes and then obliterate them completely; it doesn’t get much better than this! This has Album of the Year potential written all over it!

The art grabs the attention, the music keeps it in rapture. This admittedly came out of nowhere to knock me on my hind quarters (what? Do I identify as being a horse now?)

Final Score – 94

Infer

Infer (Slovakia) – Aeon of Deathless Blight

https://tryznaproduction.bandcamp.com/album/aeon-of-deathless-blight

Release – June 2020

Genre – Blackened Death/Black/Dirge/Death Metal

Grandiose and unrelenting boasting maniacal flourishes this packs an unholy whollop which will leave one grinning from ear to ear. Heavy Black and Death influences and tendencies (from past and present) give this a huge appeal, and I’m glad to report this delivers from start to finish!

Final Score – 88

...And Oceans

…And Oceans (Finland) – Cosmic World Mother

https://andoceans.bandcamp.com/album/cosmic-world-mother

Release – May 2020

Genre – Black Metal/Melodic BM/Symphonic BM

It’s been a while since this collective last released a full-length, eighteen years in fact. They’ve been through experimental stages and have traversed many an audio landscape in their time. This however, is a return to form to the more generally ‘accepted’ arena of BM; the blistering, melodic kind which instantly perks the attention (on a first listen basis, none of this slowly sinking it all it offers nonsense) and the bands talents and expertise shine. Majestic rhythms reign supreme accompanied by an often-icy ferociousness and grandiose atmosphere, an aura which rarely let’s up. Bolstered by hyper-precise lightspeed skin pounding (that might sound ‘naughty’ depending upon how far your mind descends into the gutter) and a vicious vocal attack – the result is stunning. A combination sure to alight many a fans passion and an album which I can’t believe I’m just now laying senses upon. This could well be the album to pull many into the BM fold. It really is that impressive!

For those needing a FFO think a combination of Emperor, Dissection, Satyricon and Enthroned.

Final Score – 90

Tethra

Tethra (Italy) – Empire of the Void

https://tethrablacklion.bandcamp.com/album/empire-of-the-void

Release- March 2020

Genre – Death/Doom/Melodic Death/Avant Garde/Gothic Rock/Funeral Doom

Combining the melody and grandiose nature of Paradise Lost and the devastating emotion of Novembers Doom and My Dying Bride as well touching upon the diverse nature of the Doom spectrum Tethra have carved an album which demands several listens. The arrangements are transfixing, the vocals range outstanding (the combined talents within “A Light Years Breath” makes for a track which is unforgettable) and the cover of Bowie’s A Space Oddity a great addition. In short this is sure to be played till years end and praised again when all those damn lists start to appear.

Final Score- 92

Nekropsie

Nekropsie (Germany) – Prophecies of Decay

https://nekropsie.bandcamp.com/album/prophecies-of-decay

Release – March 2020

Genre – Black Metal/Melodic Black Metal/Atmospheric

Biting cold riffs, atmosphere and depth. Far from what some might call traditional however this kept me entertained and tapping my limbs for its entire length.

Final Score – 85

Cracked Machine

Cracked Machine (UK) – Gates of Keras

https://crackedmachine.bandcamp.com/

Release – June 2020

Genre – Doom/Stoner Rock/Psychedelia/Progressive/Instrumental

A hypnotic, calming, multi-layered blend of Stoner Rock sensibilities, fuzz adorned riffs and a cosmic soundscape which is easy to lose yourself within. And although this is instrumental it still checks all the boxes. Prepare to drift away to unfamiliar realms in a vehicle whose dimensions are obscured by smoke (if you catch my drift?)

Final Score – 90

Necrovault

Necrovault (Germany) – Totenzug; Festering Peregrination

https://nekrovault.bandcamp.com/album/totenzug-festering-peregrination

Release- March 2020

Genre – Cavernous Death Metal/OSDM/Doom

Enveloping audio with depth and epic scope. Plenty of atmosphere, movement and even occasional groove to keep the listener on their toes.

Final Score – 86

Valdrin

Valdrin (USA) – Effigy of Nightmares

https://bloodharvestrecords.bandcamp.com/album/effigy-of-nightmares

Release – June 2020

Genre – Melodic Black Metal/Symphonic BM/Raw BM

Atmosphere collides with ferocity. Melodic yet still primal this offers qualities both traditionalists and those with Atmospheric penchants can appreciate.

Final Score – 80

The Great Old Ones

The Great Old Ones (France) – Cosmicism

https://thegreatoldones.bandcamp.com/

Release – October 2019

Genre – Black Metal/Post Black/Avant Garde/Doom

I’m not even sure how to convey the adoration of tentacles and unfathomably ancient cosmic beings into audio form (obviously Lovecraft’s work is more than merely that). However, I’d state that TGoO (an abrv.) have done a bloody good job! The mix of palpable atmosphere, dizzying arrangements and raging chaos here evokes abrupt terrifying scenarios, unimaginable forces at work (‘behind the scenes’ as it were) and factors far beyond the understanding of a mere mortals grasp of/on reality. Admittedly, this is an album one will want to give repeated listens to fully appreciate. However, even on a first listen basis it leaves an incredible impression opening the gates of intrigue for everything Lovecraftian.

Final Score – 89

exhausted animal

 And that brings another installment to a close, it’s taken me longer than I’d like. I’d usually drop my excuses here but I shan’t not bore you with my life details this time around. Suffice it to say I’ve tried to keep this varied and as informative as I can without diving into diatribe lengths (obviously in some instances I got excited as you can probably tell). There are twenty – three releases here to whet the appetite, all of which I quite liked (thus the generous ratings). Feel free to drop me your thoughts, comments, suggestions or queries. Shit, if you wanna’ scribble a few words on a release which has caught your fancy drop me an email.

And, as is traditional…don’t fear discovery of that which is normally foreign to the senses.

Cult

Abrasive Audio 2020 – Part Fourteen

abrasive audio header gif

Another entry in the Abrasive Audio series which again finds me exploring a myriad of styles and albums both fresh and not so much. Heads up; I tend to waffle on a bit in this one, and there’s plenty of demos and obscure gems to discover. Again, I got excited by the quantity and quality on offer and I couldn’t help but scribble like one obsessed.

January Releases
BlackGuard - Storm
BlackGuard (Canada) – Storm

https://blackguardmtl.bandcamp.com/album/storm

Release- January/3/2020
Independent

ARTWORK- 74

Something has torn through this landscape with zero remorse leaving only desolation and ash in its wake.

FIRST TRACK- 89

A medieval audio soundscape aided by an angelic chorus and a brilliant symphonic grandiose nature. The guitars kick in and Paul Ablaze’s trademark searing vocal approach and tje stage is set. This is Epic metal though drenched in darkness rather than the usual sound one might expect.

A fantastic reintroduction to an act whose future many pondered upon.

INITIAL LISTEN- 84

Ferocious vocals against searing melodies, symphonic arrangements and an overall undisputable epic nature.

This will keep the listener on their toes. Riffs aplenty support adrenaline spiking arrangements. Think Power Metal’s epic nature shaken in a goblet with the vicious vocal approach of Melodic Death, add the thick liquid of Symphonic majesty and wicked solos (which will make you want to go ‘air guitar’ silly) then you’ll be close to what this offers. Blackguard are back! And I’m going to spin this again!

Favorite Tracks; Exciting throughout.

FFO; Wintersun, Children of Bodom, Byrmir.

Reaper - Unholy Nordic Noise

Reaper (Sweden) – Unholy Nordic Noise

https://ironboneheadproductions.bandcamp.com/album/reaper-unholy-nordic-noise

Release- January/31/2020 (CD/Vinyl)
Iron Bonehead Productions

ARTWORK- 78

Is it just me or does this look like the entrance to an underworld ‘Rave’? The security is rather lacking though. It appears they’ve long since perished from (perhaps?) boredom.

FIRST TRACK- 82

Catchy a.f. riffs, a blackened speed attack and vicious vocals. A great start!

INITIAL LISTEN- 84

Occasionally cacophonous and often so damn infectious you’d hoped you’d lumbered up beforehand this offers a raw production which fits, rabid Heavy Metal rhythms, drum salvos which invite (nicely, with a gun to the head) the limbs to move along and vicious vocals akin to Toxine of vintage Witchery output and yet… so much more. Overall a stunning mix incorporating D-beat rhythms, blistering Blackened Speed along with an Industrial vibe fans of Psalm and Mind era Ministry will salivate over and a delightful sprinkle of Crust. It’s gonna be damn hard to keep still listening to this. You have been warned!

Favorite Tracks; Hero of the Graveyard Flies, Horn of Hades, The Birth of War, Ravenous Storm of Piss, De Kralande Maskarnas Kor.

FFO; early Bathory, in lieu of other acts to mention Reccd for fans of blistering Black Metal with diverse rhythmic tendencies.

April Releases
Abysmal Dawn - Phylogenesis
Abysmal Dawn (USA) – Phylogenesis

https://abysmaldawn.bandcamp.com/album/phylogenesis

Release – April/17/2020
Season of Mist Records

ARTWORK- 80

A being born of many, in a desolate neon landscape, ushering in a new age soon go be devoid of mankind’s interference.

FIRST TRACK- 77

Blast beats, a nifty intro, Brutal sweeping riffs and Technical fretwork shenanigans. It’s been a while since the bands last effort. This is a good start to get fans back into the mood.

INITIAL LISTEN- 79

Another release to add to the band’s discography. Admittedly, it’s been a while since their last and although this offering neither disappoints nor leaves me emptying the wallet in appreciation it boasts both high points and numerous instances which leave me wanting. Brutal Death with Djent tendencies and Tech leanings, this is a good jumping on point for those relatively new to the scene though will leave those eager for a release offering something to talk about little to discuss; other than the fact that Abysmal Dawn is back and scrambling to keep up with the fore-runners of the genre.

Favorite Tracks; The Path of the Totalitarian, A Speck in the Fabric of Eternity, Coerced Evolution, Soul-Sick Nation.

FFO; Hate Eternal, Origin, Suffocation, Decapitated.

May Releases
Black Pestilence - Hail the Flesh
Black Pestilence (Canada) – Hail the Flesh

https://blackpestilence.bandcamp.com/album/hail-the-flesh

Release- May/1/2020
Independent

ARTWORK- 81

Yep I’m the creepy kind of bloke who likes this type of image. Honestly more into boobs than SnM shenanigans (TMI?). Regardless a black leather clad fellow surrounded by scantily clad naked fanatics, all strangely with skulls rather than faces. This has my attention.

FIRST TRACK- 82

Black Metal, D-beat and Crust with wicked rhythms and vocals. It doesn’t take long to get into this. A fantastic introduction!

INITIAL LISTEN- 80

An explosive accelerant for any gathering who appreciates Crust attitude in collision with melodic Black Metal values. Addictive melodies, rhythms and occasional pace breakdowns designed to tear the body limb from limb in spastic movement. Vicious vocals add to the fun for those warranting such. A fantastic package sure to alight interest in an act deserved of such.

Favorite Tracks; Clear the floor, this excites from beginning to finish.

FFO; WolfBrigade, Disfear, Martyrdod, Tragedy.

Mean Messiah - Divine Technology

Mean Messiah (Czechia) – Divine Technology

https://meanmessiah-sma.bandcamp.com/album/divine-technology

Release – May/5/2020
Slovak Metal Army

ARTWORK- 91

The art shows exactly what the album title states but in a brutally clever and inventive way. Even down to the phone’s logo. Bravo!

FIRST TRACK- 89

Boasting a fairy tale vibe complemented by a robust chorus makes for a curious start to any album. The guitar and drums intrude making for a sound which is grandiose, different but thoroughly captivating, though strangely familiar to those of us who’ve been introduced to the chaotic magnificence of SYL. What an opener! Djent, symphonic values and stellar progressive elements, who would’ve thought they’d play so well together?

INITIAL LISTEN- 92

Quirky, inventive and imaginative. It appears that Devin Townsend might have had a hand in this, he didn’t, but it has that definite feel. Varied styles intertwine to form a diverse and pleasing smorgasbord of an audio landscape which is both melancholic, energetic, atmospheric and immersive. Djent elements often frolic with thrash rhythms and a progressive dreamy nature is exhibited throughout resulting in a listening experience which is different, unique, enthralling and altogether highly infectious. No two tracks are alike and the album makes an impression from first to last note, even after repeated listens. This deserves to be noticed!!

Favorite Tracks; Intriguing, eye-opening and exciting throughout.

FFO; Strapping Young Lad, Fear Factory, Meshuggah.

A Recc from @LFCMFighter

Nygmalion (Hungary) - Deluminate

Nygmalion (Hungary) – Deluminate

https://nygmalion.bandcamp.com/album/deluminate

Release- May/15/2020
Independent
ARTWORK- 84

The eternal balance of Ying and Yang, darkness and light mastered and performed by an all-seeing God. An intriguing image with plenty of details to delight the eye. An image which warrants discussion and dissection.

FIRST TRACK- 91

An apocalyptic cinematic soundscape complete with angelic choruses introduces gymnastic guitar riffs and stunning melodious death arrangements. A great start which leaves me more than intrigued for what’s to follow.

INITIAL LISTEN- 89

A delicate blend of Melodious Death, Grandiose Atmosphere and Epic Metal. Complete with biting vocals, Progressive passages, remarkable rhythms and exquisite arrangements the result is a collection of tunes which exemplifies the finest elements of the genres mentioned an effect that prefers not to drag the listener into any one stylistic realm for suffocating durations. The accompanying atmosphere and presence add cinematic values which are amplified by the albums stellar production. This is quite the feat, there honestly isn’t a moment here which feels out of place, the whole album is spectacular. And to think I may never have laid ears on this if it weren’t for the Recc.

Favorite Tracks; This excites the senses from start to finish!

FFO; Septic Flesh, At the Gates, (early) Arch Enemy, (early) Dark Tranquility.

Atavistia - The Winter Way

Atavistia (Canada) – The Winter Way

https://atavistia.bandcamp.com/

Release – May/29/2020
Independent

ARTWORK- 81

A murder of excitable crows against a bleak wintry landscape consisting of a forest and a mountain range. Rather unassuming, though this makes me think of an Atmospheric, perhaps slightly Progressive release. But I’ve been wrong (many times before, just ask the wife).

FIRST TRACK- 93

A beautiful, wondrous, nature soundscape introduces the album. Tribal drums join the fray, an angelic chorus, chants and an atmosphere more commonly found in an Epica or Nightwish track. It all invokes a civilization somewhat in a state of tranquility. Until, that is, the percussion and (dark) vocals cut in to add an ominous nature. All is not well, there must be trouble in the kingdom (or something). A grand, epic start which is cinematic in both depth and texture. Power, Epic, Folk, Heavy, Viking Metal and Symphonic Black collide and I’m loving it!

INITIAL LISTEN- 95

To call this a sublime congregation of styles would be an understatement. Its movement and flow is outstanding, the seamless diversity awe inspiring. Much like the music the vocals (on offer) are also pleasingly varied. There’s a grandiose nature here which transcends the typical symphonic release based on the fact that this really isn’t genre conforming. Power Metal (don’t let the term put you off, else you’ll miss out BIG time) cavorts with Folk, Black Metal frolics with an angelic chorus and Progressive elements, there are plenty of other examples in between. Think Nightwish meets Amorphis meets Cradle of Filth minus CoF’s sometimes rabid ferocity. Rhapsody might come to mind also in moments Amon Amarth as well a slew of acts known more for their epic and/or atmospheric prowess. In short, there really isn’t a perfect way to describe what’s on offer here. A masterpiece comes close. The prowess, arrangement ingenuity and musicianship on offer is dazzling. This has all the markings of a release which will still be discussed years after its launching. And will most definitely be mentioned again at various length come years end.

Favorite Tracks; the whole album is ungodly hypnotic and utterly enthralling.

FFO; Cradle of Filth, Frosttide, Black Forest, Metsutan, Ensiferum.

WTF Lightning Reviews
A single listen to an album from a wide array of genres followed by a quick scribble (which sometimes isn’t all that brief).

Doomed Spirits -Last Reflections

Doomed Spirits (Brazil) -Last Reflections

https://doomedspirits.bandcamp.com/album/last-reflections

Release – May/30/2020

Independent

Artwork- 82

Ferocity- 73

Groove- 74

Originality- 79

Infectiousness- 85

Genre- Doom/Occult/DeathDoom/Atmospheric Black/Ambient/Gothic Rock/Stoner/Melodic Death

Revisit- Yes

Final Score/Remarks- 85

An undeniably grand atmosphere and ambience permeates this release as well unexpected sweeping rhythms and varied twists and transformations. Influences are wide-reaching (multi-genre) resulting in an audio collective which transcends categorization, though will definitely pull in appeal from an assorted fanbase (if given the proper exposure) based on the composition and arrangement caliber on offer. Open the mind, forget your genre biases, and jump in. This has a great deal to offer.

Nord/Sternklang (Netherlands) split

(courtesy of Rites of Pestilence on YouTube)

Release – 2020

Self-released (limited)

Artwork- n/a

Ferocity; Nord- 78

Sternklang- 70

Groove; Nord- 76

Sternklang- 72

Originality; Nord- 76

Sternklang- 74

Infectiousness; Nord-72

Sternklang- 73

Genre- Noise/Black Metal/Atmospheric Black/Raw Black/Folk

Revisit- Yes

Final Score/Remarks;

Nord- 73

White noise against a lulling atmosphere and melancholic rhythm that’s both somber and ominous. As if walking against the whims of a fierce storm with the warm embrace of a loved one in mind driving one onward.

Undeniable atmosphere, meditative quality at times, even soothing. Gothic/Folk melodies amidst the chaos (the guitars blistering foundation and snarling vocals) and a resulting sound which is intriguing (to me) on a criminal level. Cinematic depth.

Sternklang- 74

Oddly alluring and mesmerizing the band has only one track featured here, but it’s of sufficient quality (and length) to whet the appetite for more. An effective blizzard surrounding is manifested by the percussion added to by gentle folk melodies the effect is one that’s both chilling, dramatic and epic yet laced with fleeting instances of hope.

Overall- 73

Raw yet strangely soothing. BM is indeed a vast arena and this Split proves just that. Utilizing a winter backdrop this split takes the listener into frigid realms of the past; draped in mysticism, archaic melodies, atmosphere and beauty but fraught with all manner of enigmatic direction.

Frigid, emotion and haunting yet weirdly tranquil. A release one has to sink into slowly, without distraction.

The Crawling- Wolves and the Hideous White

The Crawling (UK) – Wolves and the Hideous White

https://thecrawlingband.bandcamp.com/album/wolves-and-the-hideous-white

Release – November/16/2018

Grindscene Records

Artwork- 81

Ferocity- 73

Groove- 85

Infectiousness- 83

Originality- 76

Genre- Doom/DeathDoom/Funeral Doom

Revisit- Yes

Final Score/Remarks- 85

Melodious, melancholic to the point of soul-wrenching and often hypnotic. A brilliant combination of lumbering Doom and rhythmic passages to pull the listener into a veritable trance. Fans of Paradise Lost, My Dying Bride and Novembers Doom are likely to lap this up, only then to beg for more.

Carrion Vael - Resurrection of the Doomed

Carrion Vael (USA) – Resurrection of the Doomed

https://carrionvael.bandcamp.com/album/resurrection-of-the-doomed

Release – March/25/2017

Independent

Artwork- 85

Ferocity- 88

Groove- 84

Originality- 74

Infectiousness- 95

Genre- Deathcore/Tech Death/Tech Thrash/Melodic Death

Revisit- Yes

Final Score/Remarks- 95

Holy shit! My jaw is acting as a map presently, it’s in the dirt!

I believe I’ve happened upon a best of 17′ release (top five) which I can’t believe I’ve not heard of until now.

Think Tech Death/Deathcore in a similar vein to Black Dahlia Murder then crank up the ferocity, add sprinkles of a Progressive nature and a dusting of a Classical vibe and then this. Holy Shit! Whoops, I may have said that before! Suffice it to say… I. am. Floored! Jump on this stat!! (Then turn the ears towards their just released album courtesy of HorrorPainGoreDeath Production).

Disownency - Demosick MMXX

Disownency (Equador) – Demosick MMXX

https://disownency.bandcamp.com/album/demosick-mmxx

Release – 2020

Dismembered Records

Artwork- 85

Ferocity- 87

Groove- 68

Originality- 67

Infectiousness- 69

Genre- Brutal Death/Grindcore/Goregrind

Revisit- Yes

Final Score/Remarks- 67

(Barely six and a half minutes in length with two Tracks on offer.) Guttural (swallowing the mic) vox set against hyperfast drums and a machine gun unrelenting wall of sound.

The drums tend to overpower the mix which sounds raw but overall, this shows promise for those who prefer their audio fast, brutal and SICK.

Ande - Vossenkuil

Ande (Belguim) – Vossenkuil

https://ande-be.bandcamp.com/album/vossenkuil

Release – April/3/2020

Independent

Artwork- 64

Ferocity- 71

Groove- 68

Originality- 68

Infectiousness- 66

Genre- Atmospheric Black/Melodic Black/Doom/Drone

Revisit- Yes

Final Score/Remarks- 65

Epic BM with a diverse nature sporting repetitive rhythms and trance-like (somewhat meditative at times) passages which often wallow in tiresome lengths within Doom and Atmospheric realms. Not a horrid release, more an album to be enjoyed in a specific mood.

Larvae 4 track promo tape

Larvae (Romania) 4 track promo tape

https://stygianblackhand.bandcamp.com/album/4-track-promo-tape-2020

Release – March/2/2020

Caligari Records/Stygian Blackhand Records

Artwork- 76

Ferocity- 73

Groove- 81

Originality- 75

Infectiousness- 76

Genre- Goregrind/Sludge/Grindcore/OSDM/DeathDoom/Synth

Revisit- Yes

Final Score/Remarks- 73

Slow and filthy DM straight from the rankest part of the sewer complete with guttural vox, delightfully raw production, Gothic Classic horror soundbites and plentiful groove. Much like contagion this will fester and grow on your senses.

Coffinwood - Storm of Steel

Coffinwood (Poland) – Storm of Steel

https://coffinwood.bandcamp.com/album/storm-of-steel

Release – April/2/2020

Independent

Artwork- 78

Ferocity- 78

Groove- 77

Originality- 65

Infectiousness- 74

Genre- Death Metal/Blackened Death

Revisit- Yes

Final Score/Remarks- 75

Wicked addictive rhythms and venomous vocals keep this intriguing.

Though there is nothing ground-breaking in its style it’s pleasing to see another album cover WWI. Vintage era soundbites add to the albums allure, and although this is short it shows definite promise.

Koffin - Nailed into the Coffin

Koffin (Estonia) – Nailed into the Coffin (demo)

https://koffin.bandcamp.com/album/nailed-into-the-coffin

Release – June/5/2020

Stroke Records

Artwork- 77

Ferocity- 76

Groove- 84

Originality- 68

Infectiousness- 78

Genre- OSDM/Death/Raw Thrash

Revisit- Yes

Final Score/Remarks- 78

Diabolical menace, Old School tone and varied pace showcasing more than sufficient groove. Keep an eye out for these guys and their progress in the resurgence of the 90’s catacomb quality and early Scandinavian Death scene.

Your Last Wish (Canada) - Eradicate

Your Last Wish (Canada) – Eradicate

https://yourlastwish.bandcamp.com/album/eradicate

Release – February/23/2020

Independent

Artwork- 86

Ferocity- 74

Groove- 79

Originality- 78

Infectiousness- 83

Genre- Deathcore/Thrash/Melodic Death

Revisit- Yes

Final Score/Remarks- 83

The first track has me mouthing “How is it I’ve yet to hear of these guys” aloud. The album calms somewhat though still insists on offering wicked rhythms, busy somewhat technical arrangements, soaring leads, Progressive passages and mesmerizing solos. Strangely, nothing appears out of place although the music bears twists, turns, a smorgasbord of mood, and showcases intricate, complex, fret board manipulations aplenty. Fantastic atmosphere is also on offer (the album bears a Sci-Fi theme) as well my personal weakness, when it comes to extreme audio, vicious vocal cord manipulation from a lady which quite honestly puts a great many guys (in the same arena) to shame. Overall a package sure to delight those whose playlists include Arch Enemy and Soilwork.

Denied - Mental Budak Jiwa Penjilat

Denied (Indoniesia) – Mental Budak Jiwa Penjilat

https://deniedgrindcore.bandcamp.com/

Release – May/1/2019

Black Anje Records

Artwork- 82

Ferocity- 82

Groove- 78

Originality- 65

Infectiousness- 78

Genre- Grindcore/Brutal Death/Slam

Revisit- Yes

Final Score/Remarks- 81

Energetic (does that even need to be said?), groove-laden GC with lots to get excited about and from a location one wouldn’t associate with such. Broaden the horizons and take a chance on these guys. Support the underground and a scene which needs more discussion and exploring.

Recc for fans of Misery Index, Benighted.

Miscreance (Italy)- From Awareness to Creation

Miscreance (Italy)- From Awareness to Creation

https://miscreance.bandcamp.com/album/from-awareness-to-creation

Release – April/4/2018

Red Wine Rites Records

Artwork- 82

Ferocity- 74

Groove- 75

Infectiousness- 79

Originality- 74

Genre- Thrash/Technical Thrash

Revisit- Yes

Final Score/Remarks- 81

Riffs, riffs and riffs for days and often in all the same bloody song. This is Technical audio (bearing a slight familiarity to several prominent acts in the 90’s. Atheist chief among them!) with rhythms swirling around as if in a vortex which those of the instant gratification crowd might not like, especially on a first listen basis. Give it time, I’m sure it’ll grow on you as it is me.

Breeding Ignorance - Image and Likeness

Breeding Ignorance (Belarus) – Image and Likeness

https://breedingignorance.bandcamp.com/album/image-and-likeness

Release – May/1/2019

Coyote Records

Artwork- 80

Ferocity- 79

Groove- 78

Originality- 70

Infectiousness- 82

Genre- Brutal Death/Tech Death/OSDM/Grinding Death

Revisit- Yes

Final Score/Remarks- 83

Addictive, infectious rhythms are the order of the day here. Vocals which reside this side of the gutter coupled by arrangements which twist and writhe like a snake having a seizure (has that been used before?) Overall an album and act which shouldn’t be ignored. Support the underground scene and metal in locations you might not typically associate the genre with.

This is a release I will spin again!

Goreworm - Prodigy of the Grotesque

Goreworm (Canada) – Prodigy of the Grotesque

https://goreworm.bandcamp.com/album/prodigy-of-the-grotesque

Release – June/12/2020

CDN Records

Artwork- 75

Ferocity- 82

Groove- 83

Originality- 72

Infectiousness- 92

Genre- Tech Death/Brutal Death/Slam/Melodic Death

Revisit- Yes

Final Score/Remarks- 94

Fluid, fast-paced, seamless and unquestionably addictive top-notch Tech-Death which very nearly slipped by unnoticed. I was just not prepared for how impressive this actually is. And those ungodly impressive solos, just… DAMN-!

This grabs ahold and then refuses to diminish its hypnotic grip! Set ears upon it stat!

mix tape action

And that brings another mammoth installment of Abrasive Audio to a close. I have hopes that I’ve introduced some tunes here which will last in the playlists. I know I have my favorites! All that’s left to scribble is the customary; keep those ears open don’t fear that which is normally foreign to the senses.

I’m out!

Cult

Abrasive Audio 2020 – Part Thirteen

abrasive audio header gif

I’m at it again! Metal from all across the globe and from wide across the varied spectrum which makes up the extreme audio realm. In this installment you’ll find Doom, Black and Death and a few things in between. Hopefully I’ve found something to tickle those pleasure receptors. Feel free to drop me a note and tell me which one(s) “did it” for you. I’m intrigued.

March Releases

Dawn of Ouroboros album

Dawn of Ouroboros (USA) – The Art of Morphology

https://dawnofouroboros.bandcamp.com/album/the-art-of-morphology

Release – March/30/2020

Rain Without End Records

ARTWORK – 82

Classical with a splash of cosmic nature yet overlaid with ominous tones perhaps an indication of the music within? Hitting play…

FIRST TRACK – 88

Drenched (literally) in haunting atmosphere this track transforms the listen to a stormy day environment invoking the mood to match. Ambient tones, emotion and ferocious black metal. An excellent mixture guaranteed to leave any listener mouth agape eagerly awaiting what’s to follow.

INITIAL LISTEN – 90

Epic effective atmosphere encased in a variety of vocal approaches; spoken word (poetry), angelic singing and a ferocious assault makes for an intriguing listen that’s far from traditional. Progressive elements (including a hypnotic instrumental outro of sorts) and a whirlwind, blistering, percussion cavort playfully amidst the arrangements adding depth and the desire to dig deeper within future experiences. DoO (which is an obvious abbreviation) have managed to rein in a fluid approach here which others only attempt with unfruitful results. Transitions are masterful and the flow exquisite a testament to the bands vision, a stellar spin on the Beauty and Beast approach with a myriad of elements one might not expect resulting in an album which one can find themselves lost within. Major props go out to Chelsea Murphy who’s solely responsible for the stunning vocal range exhibited throughout.

Favorite Tracks; Hypnotic from beginning to end.

FFO; Gates of the Morning, Akercocke, Emperor.

April Releases

Caustic Wound

Another Void Recc
Caustic Wound (USA) – Death Posture

https://profoundlorerecords.bandcamp.com/album/death-posture

Release – April/10/2020

Profound Lore Records

ARTWORK – 78

A raw BnW image of a face stripped of flesh shattered like a mirror. Makes an impression and leaves little to Imagination as to what to expect from the audio.

FIRST TRACK – 78

Pulverizing OSDM with a deviant raunchy tone and gutteriffic vox.

INITIAL LISTEN – 83

Blast beats, chaotic dirge riffs, tumbling over each other, fighting for supremacy, enough diabolical groove to start a Goblin mosh pit in the catacombs, a gargling sewerage vocal approach and a nostalgic aura part Crust, part Brutal Death which tosses one gleefully back to the late 80’s/ very early 90’s extreme underground scene. There’s plenty to get excited about here!

Favorite Tracks; Cematary Planet, Black Bag Asphyxiation, Blast Casualty, Uranium Decay, Acid Attack, Guillotine, Catackysmic Gigaton.

FFO; Fetid, Repulsion, Terrorizer.

But wait for it…Void has a few words to share on this one

Spawned mostly from members of Mortiferum and Cerebral Rot / Fetid, Caustic Wound’s debut “Death Posture” is one hell of a throwback, nailing its claim that it sounds like it was recorded no later than 1992.  Worshipping at the altar of Nuclear Death, Defecation (a personal favorite), Terrorizer, Napalm Death, early Carcass and of course the mighty Repulsion, “Death Posture” blows by in a furious cyclone of grinding death metal that doesn’t hold back.  The sound on this thing is perfection, thick and moldering and so, so nasty.  The bass is just thundering, you can feel the twanging of those strings booming through your speakers in those slower, grinding doom parts between the frenetic blasts. Consisting mostly of songs that don’t breach the two-minute mark doesn’t hold “Death Posture” back from having catchy tracks without being ridiculously heavy.  Albums like this are what gets me out of bed in the morning.

90

Abduction

Abduction (France) – Jehanne

https://abductionfr.bandcamp.com/

Release -April/29/2020

Finisterean Dead End

ARTWORK – 78

A classic portrait of Joan of Arc, on whom, incidentally, this album is based.

FIRST TRACK – 83

A Baroque introduction ripped in Twain by the arrival of malicious blast beat laden Black metal. The vocal presence is unique, showcasing three distinct styles, and the track soon calms to offer rhythms of an undeniably addictive nature which are melodic, triumphant and powerful. A great start and introduction to an album which appears thus far in rather unique in its approach.

INITIAL LISTEN – 86

There’s over an hour of Atmospheric, (slightly Avant Garde in instances) and Melodic Black metal with a thin veil of melancholic Doom to get lost in here. Sweeping rhythms coupled with both fierce and majestic arrangements accompanied by a diverse, multi-faceted vocal lineup adds depth to the albums eye-opening allure. An epic thoroughly immersive audio journey with plentiful movement, epic sonic-scapes and even in instances passages which are oddly relaxing. This boasts the grandiosity, flow and diversity to appeal to a large audience across a wide radius within both the Black and extreme arenas.

Favorite Tracks; Top notch Black Metal dotted with fluid diversity flowing throughout!

FFO; Angellore, Schammasch, Sigh, Blut Aus Nord, Aodon.

May Releases

Naglfar Sweden - Cerecloth

Naglfar (Sweden) – Cerecloth

https://music.apple.com/us/album/cerecloth/1499904426?ign-gact=3&ls=1

Release- May/8/2020

Century Media Records

ARTWORK – 86

An exquisitely rendered ominous image. Is this a procession of the dead about to wreck vengeance? Or spirits merely out for a leisurely wander? Either way it’s a fantastic piece of art which has revved up the curious part of me to dangerous levels.

FIRST TRACK – 83

Blistering pace, majestic rhythms, venomous vocals and a familiar Blackened Death/Melodic Black vibe. Although this isn’t a new style it’s hard not to appreciate.

INITIAL LISTEN – 81

This is my introduction to the band. Many have commented this is the bands weakest effort to date, but not having heard them (yet) I will comment on this release alone (then most probably dig into the acts past work, depending on my appreciation of this).

Classically melodious and overflowing with swift rhythms and a sense of menace the style here is downright sinister and utterly recognizable. Overall, the album sports a great many arrangements to get excited about and is a pleasure to listen to throughout, though I can’t help but think it’s somewhat ‘safe’ with rhythms occasionally existing in the realm of strikingly predictable. The production is a little muddy and could be better but for as introduction to the band I’m left impressed and will definitely revisit again. I will also take a moment to discover their past work.

Favorite Tracks; Delivers throughout!

FFO; Dissection, Old Man’s Child, Sacramentum, Necrophobic.

barrenwomb

 Barren Womb (Norway/Finland) – Lizard Lounge

https://barrenwomb.bandcamp.com/

Release -May/22/2020

Loyal Blood Records

ARTWORK – 84

It might take a few glances and exploration of this image to work out what’s going on. To me it appears to be an image plucked from the mind of someone who contributes to AdultSwim on a regular basis. Teeth are flying everywhere and the person in the foreground appears to be holding a fork, or is a tiny hammer? (Is that an ear on the fork or a tongue?) This is strange indeed, perhaps an indication of the music on offer? Hitting play.

FIRST TRACK – 89

Not sure if this is Punk, Noise, Rowdy Rock and Roll or all of the above mashed together. It’s certainly interesting and I’m all ears.  What a curiously infectious start!

INITIAL LISTEN – 85

Once in a while I come across a collective of audio which is quite indescribable. Such is the case here. A few genres and styles come to mind while this tears its way through the senses but they soon dissipate as the unpredictability takes hold, moreover in some Tracks than others. This might be easier to describe if it wasn’t so addictive, infectious and humorous. It just grabs ahold and doesn’t let go. Frenetic is a good word to use here, distortion is rampant and the vocals are spat with punk attitude. However, there are calmer, slower moments to make for a breather. All in all, a diverse slab of surprising wrapped in odd, bizarre and enigmatic. As if the track titles don’t suggest such.

Favorite Tracks; Delights throughout!

FFO; Freighter, Wizard Rifle, Faith no More, Dog Fashion Disco, Polkadot Cadaver.

Red Mesa (USA) - The Path to the Deathless
June Releases
Red Mesa (USA) – The Path to the Deathless

https://redmesaband.bandcamp.com/album/the-path-to-the-deathless

Release – June/12/2020

Desert Records

ARTWORK – 92

Vibrant, vivid and striking.

Exquisite colors and details (courtesy of Joshua Mathus) make this image stand out and catch the eye. So much so that I honestly couldn’t resist a listen. Hitting play…

FIRST TRACK – 83

Palpable desert ambience leads into distortion-laden melodies with a violin accompaniment. Color me intrigued.

INITIAL LISTEN – 86

It would really be untoward for someone to call this merely “Stoner Rock”. For it’s so much more than merely that. This album sees a merging of many styles; namely Psychedelia, Blues tinged Rock, Heavy Metal (and even in instances Sludge). The resulting creation has a heavy Western sounding, passion fueled, slant which goes far beyond intriguing. “Chilling” is a word which works well in instances, “Ghostly” fits too. The band make the most of the injected Psych moments for atmosphere (of which there is plenty courtesy of violins and steel guitar guest players) while also adding momentum into their arrangements to keep unpredictability levels high and the listener on their toes. Overall, this is a fantastic album for anyone interested in the scene to take the plunge. This is neither this nor that, but a great many things interacting on many levels for a fully subversive listening experience one needs to explore over several listens.

Favorite Tracks; Delivers a hypnotic aura from start to finish.

FFO; The Sword, Baroness, High on Fire, Conan.

 Stygian Crown

 Stygian Crown (USA) – s/t

https://stygiancrown.bandcamp.com/album/stygian-crown

Release- June/26/2020

Cruz delivers Sur Music

ARTWORK – 79

A skull, snakes and swords embossed upon a leather clad volume or tome (of sorts) this leaves me intrigued as to what type of audio this album might contain. Pressing play.

FIRST TRACK – 82

An introduction dripping in presence offers the listener their first glimpse of the vocalist here although it’s more an angelic chorus. It’s not until the music actually kicks that her pipes are displayed in all their magnificence. The percussion oddly fits although it’s more distorted dirge (Bolt Thrower comes to mind) rather than the clean sweeping melodies one might expect (ala Candlemass; Snowy Shaw and Messiah Marcolin whom her voice is comparable to). Oddly, the combination works. A certain remarkable grandiose nature results from the combined mixture of styles and it’s surprisingly fitting for the term “Doom”.

INITIAL LISTEN – 84

This could well be called traditional Doom. All the ingredients are there; the exquisite, passionate vocals and the catchy af rhythms (guitar and drum based) though there’s one small difference. The fact I’ve mentioned before, and although this ‘presence’ does seem to wane somewhat towards albums end the aura is still there. The impression has been made and it’s a formidable mark. “CandleThrower” (as the band term the style) is one hell of a spin on the traditional take and it’s not so wildly inventive as to scare potential listeners away, traditional elements still exist, solid are invocative and plentiful. This feels right, comfortable even. And this is album is downright fire which only spreads out of control as it starts anew, again and again and…

Favorite Tracks; Devour the Dead, Up from the Depths, Flametongue, When Old Gods Die, Trampled into the Earth.

FFO; Bolt Thrower, Candlemass, Solitude Aeturnus.

 Shed the Skin (USA) - The Forbidden Arts

 Shed the Skin (USA) – The Forbidden Arts

https://shed-the-skin.bandcamp.com/

Release – June/26/2020

Hell’s Headbangers Records

ARTWORK – 93

Courtesy of James Bullock this gloriously grotesque BnW image highlights the dire consequences of dabbling in “The Forbidden Arts”.

Brilliant inks but I’m left wondering how difficult it’s now going to be to get his (?) pants on.

FIRST TRACK – 82

Plenty of groove and diabolical nature in this track. Mid-paced madness with maniacal maelstrom tendencies and vicious throaty vocals.

INITIAL LISTEN – 84

With constantly shifting arrangements offering a myriad of styles ranging from Thrash laden Death, Melodic Death and Maniacal Death complete with groove passages, sinister solos/leadwork and palpable atmosphere this is an altogether accessible style. And honestly a few steps away from what I was imagining with term “Satanic DM” in my mind (which conjures the words raw, blistering paced, blackened chaos). However, this delivers throughout with its twisting somewhat unpredictable melodic approach to keep me intrigued and my whims pleasingly sated (with my limbs tapping of their own accord).

Favorite Tracks; Delivers throughout!

FFO; Deicide, Asphyx, Incantation, Grotesquery.

Dark Tranquility (Sweden) - Skydancer

Plucked from Metal Past
(In this case revisiting a classic to evaluate if it still leaves an impression)
Dark Tranquility (Sweden) – Skydancer

https://darktranquillity.bandcamp.com/

(Re)release – August/30/2013 (original release – August/30/1993)

Independent

ARTWORK – 78

An image depicting a moody sky. Rays of light break through the clouds to fall upon the forest below. Gives little away in regards to the music.

FIRST TRACK – 88

Highly infectious, exuberant and energetic structure. Rhythms incite movement and harsh, venom dripping, vocals add a vicious edge to propel this from a merely melodic (albeit swift and multifaceted) audio landscape into one that straddles both Technical and Aggressive Thrash and Death territories. A fantastic start!

INITIAL LISTEN – 89

Simply put… a stunning feat! One of the forerunners of the Stockholm melodic movement. A perfect balance of harmonies and melodies (draped in an array of invocative folk and classical auras) and swift paced rhythms (utilizing exciting riff combinations which are far from repetitive to the point of boredom) resulting in an unpredictable, often frenetic, though altogether fluid audio collection which is difficult not to appreciate. For Thrash and Melodic Death fans alike. This still makes an impression even close to some thirty years after its initial release. Fingers crossed a rerecording/reworking doesn’t appear to leave a stain upon long-time fans admiration of a classic.

Favorite Tracks; Inventive, energetic and enjoyable throughout.

FFO; At the Gates, (early) In Flames, Insomnium, Sabbat (UK), Eucharist, Omnium Gatherum, (early) Arch Enemy.

WTF Lightning Fire Reviews
A single listen of an album from a diverse selection complemented by a quick scribble.

Cursed be Thy Flesh - The Ritual

Cursed be Thy Flesh (USA/Slovenia) – The Ritual

https://cursedbethyflesh.bandcamp.com/album/the-ritual-album

Release – April/30/2020

Necrotic Records/Wrought Records/Anti // all forever

Artwork – 77

Ferocity – 76

Infectiousness – 78

Groove – 75

Originality – 64

Genre – Black Metal/Symphonic Black/Raw Black/Melodic Black/Blackened Death/Blackened Speed/Dungeon Synth

Revisit – Yes

Final Score/Remarks – 81

Covering a pleasingly diverse radius of the BM genre this offers audio newcomers and traditional fans of the genre can (and will) enjoy. Raw yet polished in its production with applaudable, plentiful, nods to familiar influences there’s a great deal here to entice the first footstep within an unfamiliar realm without suffocating the listener in an absolute and unforgiving nature many associate with the BM genre.

Cryptic Brood (Germany) - Outcome of Obnoxious Science

 Cryptic Brood (Germany) – Outcome of Obnoxious Science

https://rottedlife.bandcamp.com/album/outcome-of-obnoxious-science

Release – November/22/2019

War Anthem Records/Rotted Life

Artwork – 78

Ferocity – 77

Infectiousness – 68

Groove – 72

Originality – 65

Genre – Grinding Death/Death/Doom/OSDM/Crust

Revisit – Yes

Final Score/Remarks – 74

Varied pace displayed throughout each track (from plodding, sinister, Doom to blast beat-laden ferocity and stomping groove passages making for an unpredictable listen) slathered in putrescence and grime evokes a dismal, bleak surrounding where hope has long since faded replaced by inevitable dread and longing for a final release. Recc for those with preferences far from mere chuggery realms.

 Demonomancy (Italy) - Poisoned Atonement

 Demonomancy (Italy) – Poisoned Atonement

https://invictusproductions666.bandcamp.com/album/poisoned-atonement-2

Release – February/23/2018

Invictus Productions

Artwork – 76

Ferocity – 78

Infectiousness – 71

Groove – 72

Originality – 72

Genre – Blackened Death/Melodic Black Metal

Revisit – Yes

Final Score/Remarks – 71

A grandiose affair utilizing chants, choruses, tribal drums and a slightly different approach in the vocal department; a style which appears more spoken than sang. Percussion is akin to ‘light’ Grinding Death with a darker slant. The result is a sound boasting both depth/presence but an overall aura which might take a few listens to fully appreciate.

Excuse the Interruption… but Void has an album he wishes to share
Death Mask – Split the Atom

Release – July/1986

Killerwatt Records

Sometimes digging into the deep underbelly of metal you retrieve some unknown gems.  And other times… well you’re not as lucky.  Not to say that Death Mask is necessarily bad, but let’s just agree there’s room for improvement here.  Sounding like Motörhead b-sides got a low-dosage injection of thrash metal with a vocalist doing their best to sound like a cross between Tim Baker (Cirith Ungol) and John Stewart (Slauter Xstroyes), there’s nothing tremendously noteworthy here.  Sure, there are some cool tracks like “Lust for Fire” where the energy is palpable and all the ingredients come together properly, but you also have some half-baked duds like the cringey, mid-paced self-declaration of badassery in “Walk Alone.”  But hey you can’t win em’ all.  Death Mask isn’t a total waste, there’s a bit of a good time on here, but they’re definitely not in the upper echelons of any genre of metal they touch here.  An obscure curiosity to check out on a rainy day.

60

Drakonis (UK) - Blessed by Embers

Let us return to our normally scheduled programming
Drakonis (UK) – Blessed by Embers

https://hostilemedia.bandcamp.com/album/blessed-by-embers

Release – April/3/2020

Hostile Media

Artwork – 78

Ferocity – 79

Infectiousness – 82

Groove – 76

Originality – 65

Genre – Blackened Death/Symphonic Black/Industrial/Doom/Melodic Black/Viking Metal

Revisit – Yes

Final Score/Remarks – 80

Although the description (above) is varied the music here flows uninterrupted by transformation hiccup with varying degrees of menace, melody and ferocity to keep the listener entertained. And thankfully no over-indulgence in any one factor. Mood and majesty combine superbly with just the right amount of atmosphere alongside a vocal approach which has bite and should be instantly acceptable for most genre fans. For a debut full-length this bodes well for the bands future hinting at avenues which could well separate them from the herd. Keep tabs on these guys!

 Power Theory (USA) - Force of Will

 Power Theory (USA) – Force of Will

https://powertheory.bandcamp.com/album/force-of-will-2

Release – December/6/2019

Pure Steel Records

Artwork – 73

Ferocity – 64

Infectiousness – 83

Groove – 78

Originality – 64

Genre – Heavy Metal/Power Metal

Revisit- Yes

Final Score/Remarks – 86

I’m not usually a fan of the genre. However, for some reason this grabbed my attention and held it! Fluid melodies, epic arrangements, intriguing lyrical content and top- notch musicianship accompanied by an impressive vocalist sporting a range minus falsetto elements which usually keep me away from the genre. If like me you thought you were done with the genre, give this a shot, it might well reverse your opinion.

Apostasy (USA) - Accuser of Brethren (demo)

 Another Void Recc
Apostasy (USA) – Accuser of Brethren (demo)

https://pathologicallyexplicit.bandcamp.com/track/accusser-of-brethren

(Re)release – April/1/2020 (originally released in 93′)

Pathologically Explicit Recordings

Artwork – 71

Ferocity – 76

Infectiousness – 76

Groove – 73

Originality – 65

Genre – Brutal Death/Death/Grinding Death/OSDM/DeathDoom

Revisit – Yes

Final Score/Remarks – 80

Maniacal and diabolical flourishes abound as well arrangements which sport effective sinister atmosphere and rhythms to transport the listener to the edge of the abyss. Raw production fits the style perfectly. Tragically, this is all the band (or any of its members) released, perhaps it was released too soon and/or didn’t reach the circles it needed to. There’s no doubt this boasts an easy to appreciate level of quality. Who knows what the future may have manifested?

obedmarsh

 Obed Marsh (Australia) – Dunwich

https://obedmarsh.bandcamp.com/

Release – January/8/2019

Independent

Artwork – 78

Ferocity – 76

Infectiousness – 78

Groove – 74

Originality – 76

Genre – Funeral Doom/Atmospheric Black/Sludge/Ambient/Drone

Revisit – Yes

Final Score/Remarks – 83

Ethereal quality hypnotic audio suffocates the senses conjuring an as if being propelled by the body working of its own accord through a thick fog towards “something” sensation. Vocals bear a’far off’ element which somehow adds depth to the already remarkable palpable ominous vibe throughout. This is meticulously crafted Lovecraftian Doom which channels elements from a variety of genres to evoke an atmosphere rarely experienced. Sit back, give this the time it requires and let the mind wander into realms both enigmatic and fascinating though altogether unfathomable.

 Torture Tomb (USA) - Killing to See How it Feels

 Torture Tomb (USA) – Killing to See How it Feels

https://transylvaniantapes.bandcamp.com/album/torture-tomb-killing-to-see-how-it-feels

Release- June/6/2020

Transylvanian Tapes

Artwork – 75

Ferocity – 83

Infectiousness – 78

Groove – 81

Originality – 65

Genre – OSDM/Blackened Death/Crust/Brutal Death/Sludge

Revisit – Yes

Final Score/Remarks – 74

Cavernous, sick, OSDM with plenty of groove and a myriad of pleasing influence.

 Wartooth (Australia) - Programmed Dichotomy

A Recc from Demnuts3  (on Twitter)
 Wartooth (Australia) – Programmed Dichotomy

https://wartooth.bandcamp.com/album/programmed-dichotomy

Release – April/9/2020

Independent

Artwork – 81

Ferocity – 78

Infectiousness – 92

Groove – 89

Originality – 75

Genre – Thrash/Technical Thrash/Crossover/Aggressive Thrash

Revisit – It goes w.o saying.

Final Score/Remarks – 94

How is that only after three tracks Wartooth have managed to exhibit screamingly neon signed influence from more than a handful of ultra- recognizable acts and so brilliantly executed with such fluid precision? Also, in the vocal department, I’m not usually one for vocal gymnastics. But the effect works so remarkably here that it manages to widen the eyes in stunning appreciation rather than prompt pen to keyboard in complaint.

In fact, the album seethes with a level of enthusiasm, energy and exuberance that’s off the charts. I can only imagine what a spectacle the live show must present. In short, I can understand why so many are touting this as AoTY material (and so early on). This offering from Wartooth is undeniably a damn good reason to get excited about Thrash again! Be prepared to praise the genre again. This, moreso than anything else recently released, has given it the kick in the ass it so desperately warrants. And the bands “message” is refreshing also (that of waving the flag of individuality), yet another reason to jump on this and support the band (as if one needs another reason?)

Thrashin’ mad Koalas and Kangaroos. Are they a thing? (Did I just go there? You betcha’). Probably not, but with this in mind it’s now most certainly a possibility.

Altar of Rot (USA) - Altar of Rot

 Altar of Rot (USA) – Altar of Rot

https://altarofrot.bandcamp.com/album/altar-of-rot

Release – March/15/2020

Independent

Artwork – 85

Ferocity – 82

Infectiousness – 86

Groove – 84

Originality – 75

Genre – Blackened Death/Blackened Speed/Black Metal/Crust/Doom/Thrash.

Revisit – Yes

Final Score/Remarks – 86

Surprisingly versatile mixture of styles executed with flair. Raw production adds to the albums allure. Addictively infectious throughout!

With this quality on offer I’m sure labels will fight amongst themselves to pluck this act from obscurity.

Wretched Fate (Sweden) - Fleshletting

 Wretched Fate (Sweden) – Fleshletting

https://wretchedfate.bandcamp.com/album/wretched-fate-fleshletting

Release – February/22/2019

Redefining Darkness Records

Artwork – 86

Ferocity – 86

Infectiousness – 88

Groove – 85

Originality – 79

Genre – HM2 Death/Brutal Death/OSDM

Revisit – Yes

Final Score/Remarks – 87

Just when one begins to think the HM2 sound was exhausted along comes Wretched Fate. They give the familiar a twist, add their unique stamp, inject an atmosphere which showcsses their adoration for the horror genre then execute the whole with a reverance, precision and skillfull devastation a samurai swordmaster would be jealous of. In short, this is the arena I wished Dismember, Bloodbath or Entombed might have taken, as their styles  progressed, but never did. And to think I missed this ragin’ beast last year. Is there still time to add to the EoY lists?

Kryptograf (Norway)

Kryptograf (Norway) – s/t

https://kryptograf.bandcamp.com/album/kryptograf

Release – June/12/2020

Apollon Records

Artwork – 68

Ferocity – 53

Infectiousness – 69

Groove – 84

Originality – 72

Genre – Fuzz/Doom/Stoner Rock/Psychedelia/Vintage Rock/Progressive

Revisit – Yes

Final Score/Remarks – 72

Honestly, this is a lot mellower audio than I usually divulge my senses in but it boasts a certain something to keep the finger from the skip, and/or eject button. It bears definite flow, a dreamy fluidity, cosmic elements (which bring to mind Hawkwind), tons of “fuzz”, haunting atmospheres, melodies you can drift upon, but also an aura which recalls early Black Sabbath. This is probably not for everybody (admittedly I’m warming to the inner most circle of what the Doom genre offers) but it’s making an impression on me as somewhat of a pallet cleanser. A relaxing step away from that which usually brutalizes my senses.

Aeons Abyss (Australia) - Impenitent

 Aeons Abyss (Australia) – Impenitent

https://aeonsabyss.bandcamp.com/album/impenitent

Release – November/1/2019

Independent

Artwork – 79

Ferocity – 78

Infectiousness – 78

Groove – 82

Originality – 68

Genre – Death/OSDM/Brutal Death/Atmospheric/Melodic Death/Black Metal

Revisit – Yes

Final Score/Remarks – 78

Far from mere chuggery this is pleasingly diverse. Each track boasts a unique identity with a myriad of styles, auras and pace showcased within the album’s length. A superb vocal range, occasionally nodding at the theatric, adds to the intrigue as well unpredictable, often intricate, arrangements hinting at a wide range of influences.

 Sanctifying Death Ritual (Germany)

 Sanctifying Death Ritual (Germany) – s/t

https://ironboneheadproductions.bandcamp.com/album/sanctifying-ritual-s-t

Release- June/5/2020

Iron Bonehead Productions

Artwork – 81

Ferocity – 83

Groove – 78

Infectiousness – 91

Originality – 68

Genre – BlackThrash/Bestial Metal/Death/Speed/Black Metal

Revisit – Yes

Final Score/Remarks – 92

A jaw dropping audio cauldron of cavernous Death, Blackened Speed Metal and arrangements which will turn the ear of even the most casual genre fan. The albums raw production only bolsters its (masterfully controlled) chaotic approach and appeal which seethes with both nostalgic elements and present-day frenetic attitude. Expect to see this mentioned again come years end.

Heads for the Dead (International) – Serpent’s Curse

 Heads for the Dead (International) – Serpent’s Curse

https://headsforthedead.bandcamp.com/album/serpents-curse-death-metal

Release – September/24/2018

Transcending Obscurity Records

Artwork – 83

Ferocity – 77

Groove – 76

Infectiousness – 78

Originality – 72

Genre – Death Metal/DeathDoom

Revisit – Yes

Final Score/Remarks – 82

An unsettling audio landscapes smoky with the haze of dread and unquestionable sinister intent accompanied by an enveloping swath of amorphous percussion boasting varied degrees of ferocity invites the listener into its fold. Draped in a heavy pitch, all consuming, blanket of ill intent this is not the typical DM release but rather one relying on dense atmosphere than bludgeoning riff brutality. Aided by the echoed vocal attributes of (Revel in Flesh’s) Ralf Hauber and the mesmerizing drumming of Erik Bevenrud (Hail of Bullets) the spell is cast. And the audience is consumed by a delirious fog resulting from the masterful manipulation of the finest elements of Doom, Death and Crust.

Sangre de la Luna (USA) - Stirrings (demo)

Sangre de la Luna (USA) – Stirrings (demo)

https://bloodmoonproductions.bandcamp.com/album/stirrings

Release – November/5/2019

Blood moon Productions

Artwork – 72

Ferocity – 88

Groove – 71

Infectiousness – 65

Originality – 66

Genre – OSDM/Grind/Black Metal

Revisit – No

Final Score/Remarks – 64

Classical interludes break up a hyper-speed collision involving raw Black Metal and Grinding Death vehicles. Incomprehensible vocals and atmosphere adds to the mix making for a dismally, pitch, uncompromising brutal affair which, I’m assuming, only the extremists among us are likely to fully appreciate.

But wait for it, Void has a few words on this release also…

Black metal hailing from Portland, Oregon, I’ll admit this is not what I was expecting.  The acoustic intro led me astray in expecting an album with a heavier emphasis on an atmospheric approach.  Not quite, as the black metal contained herein is heavily distorted and blown out; the tone and drumming are very overbearing and give “Stirrings” a very mechanical feel, one that I don’t think does Sangre de la Luna justice.  The drums pummel out the guitars, who in turn drown out the vocals, and there’s simply too much going on at once, but not in the over-the-top chaos way that bands like perhaps Teitanblood have mastered.  There are good ideas lurking around in here and I can appreciate what they were aiming for, but the execution isn’t quite fully realized yet.

65

Woe Betide (UK) - Throne of Spines

 Woe Betide (UK) – Throne of Spines

https://woebetide.bandcamp.com/album/throne-of-spines

Release – May/24/2020

Independent

Artwork – 74

Ferocity – 82

Groove – 78

Infectiousness – 82

Originality – 72

Genre – Symphonic Death/Deathcore/Tech Death

Revisit – Yes

Final Score/Remarks – 81

Oozing with atmosphere and wicked, often intricate, riffs and rhythm transformations this one manages to capture the attention throughout warranting addition to a heavy rotation playlist.

 Henry Kane (Sweden) - Age of the Idiot

 Henry Kane (Sweden) – Age of the Idiot

https://henrykanecrust.bandcamp.com/album/age-of-the-idiot-death-metal-grind-crust

Release- May/22/2020

Transcending Obscurity Records

Artwork – 83

Ferocity – 78

Groove – 71

Infectiousness – 75

Originality – 74

Genre – HM2 Swedish Death/Brutal Death/Grinding Death/Industrial/Grindcore/Doom/Crust

Revisit – Yes

Final Score/Remarks – 79

Surprisingly diverse for a “Grindcore” release, this sports individual sounding tracks with varying lengths as well the traditional under-a-minute type. Levels of ferociousness are varied as well pace and rhythm arrangements. All in all, somewhat a mature, ‘out of bounds’ effort that’s well worth discovery and a few listens to fully appreciate.

tired zombie

Done. Now I’ll sleep like the dead!

And that’s about it for another monstrous entry in the Abrasive Audio series. Thanks for reading this far, hopefully I’ve introduced a few albums/acts which delight the senses.

I’ve tried to keep this installment diverse and have even added a few Recc’s I was most curious about. As always, I’m finish this by imparting the customary spot of sagely advice – don’t fear discovery of that which is normally foreign to the ears.

Cult

Whoops, nearly forgot. A huge thanks to Void for the Reccs and stepping in with his wisdom and insight at the last minute.

Abrasive Audio 2020 – Part Ten

fuk covid

…or listening to Metal!

At present these entries have transformed to a few and far between affair. And for that I apologize. It’s frustrating I’ll admit; not being able to scribble upon that which interests me and brings a spot of shining brilliance to an otherwise humdrum existence. But it’s become the norm as of late and I’m having to ‘steal’ time in order to correlate, compose and post anything. However, I’m dedicated and determined to keep this thing going, to get the word out to praise audio which, I believe, demands discovery.

Without further ado…

Plucked from Metal Past
Drontheim (Germany) Down Below

drontheim

https://wraithproductions.bandcamp.com/album/down-below

Release – February/22/2019

Wraith Productions

ARTWORK – 70

Shadows, more shadows and what could possibly be either water or an outcropping of rock. I’m not even sure. However, if the music is as dark as the image, we’re in for some gloomy, doomy audio.

FIRST TRACK – 90

This could well be the resulting mash up of Paradise Lost and Katatonia if only David Bowie were to take the vocal duties. Then add some 90’s Goth Pop, Abstract lyrics and you’re even closer to what this provides. This is miles from my usual wheelhouse of interests but I’m finding myself strangely drawn to its Alternative, Post, Progressive, Doom allure.

INITIAL LISTEN – 90

With no two Tracks here alike this (album) offers a great deal to discover and get excited about. Industrial tones, progressive arrangements and melancholy all filtered through a veil of a palpable ominous, cinematic, atmosphere. Far from harsh this provides quite the distraction from the norm and offers rhythms to sink within accompanied by a certain nostalgia whose origins only seems to escape from the tip of the tongue as the audio evolves from one track to the next. Simply put if you enjoy the unpredictable diversity of Faith No More and are open to the occasional dip into Industrial Goth and murky Doom waters this is a release you need between the ears. Keep the assumptions at bay and the mind open and this will serve excellently to break up the day’s woes adding a spark to the normalcy of the day’s playlist.

Favorite Tracks; Varied, exciting and hypnotic throughout.

FFO; Rammstein, The Prodigy, Seigmen, Zeromancer, Ljungblut, NIN, My Dying Bride, Ulver, Red Harvest, DHG, Faith No More, Peeping Tom, Anathema, Katatonia, Kent, Ved Buens Ende, 3rd & the Mortal, The Soundbyte, Calmcorder, KkoagulaA, Manes, Atrox. (This is cut and pasted from promotional materials as I fear I couldn’t quite nail its wide influence radius and promote it to the audience it deserves).

Degenerate

Degenerate (The Netherlands) Devastation Ahead

https://band-degenerate.bandcamp.com/

Release – November/15/2019

Independent

ARTWORK- 76

Simple, vivid and to the point. I like it!

FIRST TRACK- 91

It takes a few seconds to realize this is neither Grindcore, nor Tech Death, though it displays elements of both it soon finds its rhythm. This is Thrash, aggressive have no doubt of that, bordering on Melodic Death it has bite, a rabid intensity and a flow which will have the listener up and on their feet in no time. An awesome start!

INITIAL LISTEN- 86

I’m not normally a fan of thrash, unless it makes an instant impact. And this does just that! Razor wire vocals, searing riffs, amazing solos, heritage flavor and vertebrae snapping rhythms, this is just the start of the list which makes this album stand out. I cannot for the life of me wonder why this didn’t feature on a plethora of year end lists, it’s that impressive (and my neck hurts so good).

Favorite Tracks; Adrenaline spiking from start to finish!

FFO; Sepultura, (newer) Exodus, Machine Head.

Interrupting the Normally Scheduled Broadcast for Something Completely Different.

folian

Folian (USA) -Blue Mirror

https://folian.bandcamp.com/album/blue-mirror

Release- January/31/2020

Anima Recordings

ARTWORK – 72

A little artsy, but I get the point; someone has perished, possibly at sea. But is the kelp or seaweed (or is that hair?) to blame or something entirely more sinister still?

FIRST TRACK – 86

“Post Metal”, “Shoegaze”, “Doomgaze”, “Noise Rock”, “Drone”. I’m honestly not sure what either of these terms means but this has an undeniable appeal, a curious start if truth be told, and has somehow managed to capture me in its allure even though at first the track appears rather relaxed and unassuming it slowly builds into a magnificent cinematic arrangement seething with a grandiose nature.

INITIAL LISTEN – 89

Far from what I would normally place in my ear this still has an undeniable charm, a familiarity if you will which is distorted, slightly jaded, taken into Ambient and Drone realms then delivered, repackaged, slathered in each of the aforementioned elements to envelope the listener in (“spacey”) tones which effectively cover a wide radius of the emotional spectrum. There’s an aura here, a strangely relaxed one that wavers, which surpasses atmosphere, an all-encompassing vibe which transcends the typical listening experience transporting the albums audience across transcendental landscapes dotted with passion, intrigue, daunting lows and exhilarating heights. Admittedly, this is a release I had second thoughts about discovering (especially after reading the genres listed as descriptions) however after doing so I’m glad I took the plunge. This is quite simply brilliant, but keep those assumptions at bay, go into this blind without prejudices and make time for a complete listen without distraction. Guaranteed to make more of an impression the more it’s experienced.

Favorite Tracks; Enchanting throughout, this collection is downright hypnotic even though it’s far from “the usual”.

FFO; Somali Yacht Club, NIN, Oasis, Stone Roses, Nuerosis.

March Releases
Reccd by @LFCMFighter

raider

Raider (Canada) Guardian of the Fire

https://raiderofficial.bandcamp.com/album/guardian-of-the-fire

Release- March/20/2020

Independent

ARTWORK- 74

Am I about to plunge my ears into Power Metal, or audio with an Epic feel with a possible fantastical edge? Hitting play…

FIRST TRACK- 83

Well, this is hardly Power, or even Epic, metal. It’s definitely Thrash. The bang yer head wicked variety complete with breakdowns, solos and venom dripping vokills. Suffice it to say I’m diggin the shit outta this thus far.

INITIAL LISTEN – 85

Who says one can’t have a kick ass Thrash album sporting cover art which might hint at more melodic arenas, perhaps audio of a more Epic nature? But that’s not to say that this isn’t. It is most definitely guilty of having riffs (for days) and rhythms you can most certainly without any doubt lose the last vestiges of your sanity too. Also, surprisingly, leads and solos which inspire air guitar aplenty, the air of old school Heavy Metal influence is distinct yet never an element which is utilized too often. I guess what I’m trying to say is don’t let the cover steer you astray. Sure, this bears fantastical elements, lyrics hinting at conflict, menacing forces and the like. If truth be uttered this precariously teases jumping the boundary of the Death fence, though manages somehow to remain firmly rooted upon the Thrash side. This is inarguably audio which incites frenetic movement, sweat and exhaustion, for this makes one move and doesn’t let up till the digit moves against all restraint to hit the play button again.

Favorite Tracks; Blistering throughout!

FFO; Sodom, Annihilator, Crusadist.

Aodon

 Reccd by @uniquehifi
Aodon (France) – 11069

https://aodon.bandcamp.com/album/1-1-0-6-9

Release – March/27/2020

Willowtip Records

ARTWORK- 70

The onset of decay or time, I’m not sure which. This gives little away as to the audio within.

FIRST TRACK- 93

A dissonant nightmarish backbone complemented by evolving rhythms and ferocious vocals. A little different than most in the same arena but it certainly makes an impact.  This is rather hard to describe easier to enjoy. An unfathomable impressive commencement.

INITIAL LISTEN- 92

This is my first experience of these guys and just… wow! Honestly, I’m always a little put off by an album which might not make sense to me on first glance, seriously what’s up the title? But after a little proddin’ (thanks to @uniquehifi on Twitter) I allowed this entry into the ears. Fuck me (I never swear, just ask the Fn’ wife) this produced an instant reaction. It’s hardly traditional, actually rather hard to describe without making people shake their heads in confusion, but it works. The style is as equally as ferocious as one is lily to hear but the accompanying rhythms which set this apart from the pack, the feel, the atmosphere, the aura. This is different, you can be sure of that but it’s not so wildly obscure as to be totally out of left field (what, a baseball reference?) Give it a chance and feel free to thank @uniquehifi too.

Favorite Tracks; Astounding throughout!

FFO; Atmospheric Black Metal with a slight Avant Garde aura and a Post/Progressive edge.

Temple of Void

Temple of Void (USA) -The World that Was

https://templeofvoiddoom.bandcamp.com/album/the-world-that-was

Release- March/27/2020

Shadow Kingdom Records

ARTWORK- 94

Exquisite inks, oozing with detail and life, displaying an arcane location, a landscape painting which seethes with ominous atmosphere. I’m left to wonder is this the bands rehearsal space?

FIRST TRACK- 92

Slow, crushing, ritualistic with an atmosphere which is palpable. Albums don’t start any better than this. Death Doom of the highest order which makes me wonder why I haven’t laid ears on this band before now.

INITIAL LISTEN- 85

At times the audio sounds as if Grotesquery and Paradise Lost got together and decided to combine their most notable talents. The vocal approach is a brilliant narrative (ala Grotequery) whilst the melancholic aura and arrangements of Paradise Lost (“Shades of God”/”Icon” era) is undeniable. This combination works superbly for the first few tracks offering a depth and aura which is quite simply astounding, but the album somewhat peters out, trudging into Groove Death depths, losing some of the magic the first half exhibited (although to be fair the bar was set extremely high from the get go). Climaxing with the near ten-minute title track the album reaches near the brilliance it started with to leave the listener hungry for another listen. Overall, this is a stunning effort sure to widen the eyes of anyone unfamiliar with how the band tackle the genre they choose to manipulate. Fans of Death/Doom take note this traipses into territories, both rhythmic and arrangement, one might not predict whilst still managing to return to familiar realms without alienating the audience, only one of many reasons why this deserves a slot in the collection amidst other greats. Make room!

Favorite Tracks; The Beast Among Us, Self Schizm, The World that Was.

FFO; Paradise Lost, Grotesquery, Novembers Doom.

Razgate

Another Reccd by @LFCMFighter
Razgate (Italy) – After the Storm…the Fire

https://razgatethrash.bandcamp.com/album/after-the-storm-the-fire

Release – March/27/2020

Punishment 18 Records

ARTWORK – 89

I’m all about Fantasy. Fantasy and Horror. Combine the two, in this case a questing Barbarian confronting an enigmatic entity perched upon a mountain of skulks, and I’m a salivating fool. Such is the case here!

FIRST TRACK – 91

A classical, Baroque, introduction sets the scene for pummeling, domicile obliterating, rhythms and a vocal style which is…wait for it…eerily similar to a certain Tom Arayas. This is my introduction to the band admittedly; Consider me sold!

INITIAL LISTEN – 94

This might ruffle a few feathers (keep in mind it’s my opinion) but experiencing this for the first time is akin to my virgin experience with Slayer audio. Daaammmmnnnn-! About covers it! This checks all the boxes I require checked to be able to enjoy a Thrash album (not all Thrash is the same, no matter what your parents tell ya). And then it rips the list from my hands and sets it on fire! This seethes with Ill-intent, with no consideration for the listeners well-being, seriously else why would those responsible make this so GD infectious. There’s even slivers of traditional metal and Speed influence in here and sufficient tempo changes to make one think for a brief moment that the punishment is through (but no-!) To make matters worse (just take my wallet!). Bastids the lot of em’, here I am spinnin’ this like one possessed and the day is just slipping away. You know, I’m sure I had things to do today. Ah, well. I can see my digits reaching for the Play button, again, I have zero control. Don’t get caught in the same trap. Save yourself!

Favorite Tracks; I’m going to burn this album before I lose my sanity, my job, my marriage and did I mention control of my appendages? I probably should have started with that, have a spotter when you listen to this and ear plugs for them so they might be about to hit Stop, every once in a while, but not too often.

FFO; Slayer, Nuclear Assault, Havok, Annihilator, Sodom, Three Inches of Blood.

April Releases

Carnal Savagery

Carnal Savagery (Sweden) – Grotesque Macabre

https://carnalsavagery-chaos-records.bandcamp.com/album/grotesque-macabre

Release- April/1/2020

Chaos Records

ARTWORK – 72

It’s as though someone ripped a page out of Seagraves book, blew up the image and added a Zombie, with a few scavenging companions, with his insides falling out. There’s little doubt as to what’s on offer here.

FIRST TRACK – 82

Filthy, mid paced madness with flourishes of abruptly inciteful rhythm (to send one into a moshtastic orgasmic salivating state) oozing with the trademarked genre’s HM2 menace, enough atmosphere to sate and unhurried commanding growls. All in all, a great combination with excellent delivery. A fantastic start to get one in the old school mood.

INITIAL LISTEN – 84

As the title of the album suggests the feel of the album is one of blood, bone, carnage and obliteration. Obviously, this concept isn’t fresh, new, or even ground-breaking but is delivered here in such a way as to make the listener sit up and take note (shit, it even comes complete with atmosphere). Carnal Savagery aren’t another dime a dozen copycat act, these guys have been around (since the scenes inception). Add to that the fact that a certain Dan Swano decided to ‘help out’ and it means be prepared, as he most definitely knows his stuff and the myriad depths of the genre itself. The album itself benefits from a fantastic tone, a dirge, an electric charged distortion which recalls the heyday of the scene and the audio itself? Well, it could well have been recorded in the same era as it reeks of professionalism, wisdom and a quality which will be instantly accepted. Hardly a parody of, and miles from plagiarist material but rather an addition to that which has already left its mark. Jump on this as I can only imagine if these guys stick around, they will stand alongside Entrails, LIK and Nocturnal Hollow to hold the standard for the scene into the new decade.

Favorite Tracks; Not a single one but the whole damn thing.

FFO; Bloodbath, Vomitory, Ribspreader, Dismember, LIK, Entrails.

 Grieve

 Grieve (Finland) – s/t (12″ MLP)

https://werewolfrecords.bandcamp.com/album/grieve

Release – April/3/2020

Werewolf

ARTWORK- 86

Black and white ink mastery. A form, a ghost, a wraith looks toward the storm laden distance for meaning, as He/She does so it parts welcoming his arrival. This is my take. I could be miles away but it’s impressive nevertheless.

FIRST TRACK- 92

Malicious blizzard riffs complementing a somewhat Folksy/Viking aura with slightly Cosmic undertones. Howls and snarls makeup up the vocal accompaniment. Blanketed in atmosphere the track makes for an amazing introduction to the band and their style.

INITIAL LISTEN- 91

Only two tracks on offer here, barely ten minutes but it’s more than enough to whet the appetite for more of the same. Blistering frigid riffs, snarled venom, epic narrative lyrics and melodic majesty. This is Black metal with bite, emotion, rhythm and a smidgen of D-beat combined to leave an undeniable mark.

Favorite Tracks; Both tracks are unfathomable impressive.

FFO; The Abyss, Dissection, Emperor.

Graveir

Graveir (Australia) – King of the Silent World

https://graveircult.bandcamp.com/album/king-of-the-silent-world

Release – April/17/2020

Impure Sounds/Brilliaint Emperor Records

ARTWORK – 78

I’m honestly not sure what to think of this. An excellent shadow heavy image with hidden meaning. Guessing I need to break out my thinking cap. A skull is front and center draped in a shroud of sorts with a plethora of crosses hanging from his/her(?) neck. Perhaps she skull is surveying its domain; “The silent kingdom”. And everyone is also of the not breathing variety, thus incapable of making a sound.

FIRST TRACK – 72

Grandiose Post meets Atmospheric Black metal with wailing vocals and a rumbling dirge nature. Not entirely what I was expecting but I remain intrigued.

INITIAL LISTEN – 76

Hardly tradition Black or even Death or the “assumed” combination of the two this relies more on ritualistic dirge and borders on an industrial tone. Rhythms are often an undercurrent rather than a driving factor and cavort playfully within the arrangements. Post and Progressive properties are dominant as too an undeniable ominous nature though overall this isn’t too far from the ‘norm’ as to alienate fans of either Black or Death, although as it stands  it should appeal to those more with Cavernous penchants perhaps even Grindcore and Crust tastes as this shows slight elements from each realm also, rather than that of the straightforward chuggery variety. This has grown on me over several listens, and has blossomed to show a wide swath of influences, so I don’t expect an instant downright appreciation.

Favorite Tracks; The Fetch of Crooked, Immacolata,

FFO; Akercocke, Aodon.

Kurnugia

Kurnugia (US) – Forlorn and Forsaken

www.reverbnation.com/kurnugia

Release -April/27/2020

Momento Mori

ARTWORK- 78

I can’t get over the fact that the face reminds me of the ‘witch’ creature from the “The Dark Crystal”. Otherwise a nice image with excellent colors and details.

FIRST TRACK- 82

With an intro with sounds like a soundtrack which accompanies the money shot scene to a later day Gothic shocker questions arise as to what might be on offer. But fear not, the first real track on offer displays melodies of a remarkable nature any fan will be able to instantly appreciate. Classic Death metal ripped from the 90’s playbook strangely somewhat both American and European in tone. Chuggery and atmosphere and a vocal approach akin to that of “Corpsegrinder”. I’m all ears; this is quite the opener!

INITIAL LISTEN- 86

Grinding, rumbling Death with enough movement in its arrangements to stray from the realm of boredom. A classic of all that works merging the old school ala Bolt Thrower with a dynamic approach, barely this side of technical bordering on at times Grindcore sensibilities, and plenty of groove to carve a grin on any fans chops and keep it there. This is quite the find for any bored with the plethora of acts sounding the same ole and bringing little to the scene. These fellas know how to play, compose and deliver an album which delights.

Favorite Tracks; Top notch Death metal throughout.

FFO; Angerot, Grave, Unleashed, Benediction, Vomitory, Bloodbath, Gorguts, Morgoth.

And a new segment, because I’m literally drowning in Metal (not time) I wish to promote. Introducing; The “WTF Lightning Review”.

TUUNBAQ

TUUNBAQ (Russia) – Graves of Ice

https://tuunbaq.bandcamp.com/album/graves-of-ice

Release – September/13/2019

Artwork – 74

Ferocity – 88

Groove – 87

Infectiousness – 88

Originality – 76

Genre – Grindcore/Crust

Will I Revisit? YES

Final Score/Remarks – 87

Atmosphere, Grind, Sludge and Groove…Hell to the yes!!

Legendry

Legendry (USA) – The Wizard and the Tower Keep

https://legendry.bandcamp.com/album/the-wizard-and-the-tower-keep

Release – November/1/2019

Artwork – 74

Ferocity – 24

Groove – 72

Infectiousness – 83

Originality – 76

Genre – Heavy Metal/NWOBHM/Folk/Prog/Doom/Epic Metal/

Will I Revisit? YES

Final Score/Remarks – 84

Exquisite fantastical themed Traditional Metal bursting with nostalgia, diverse styles and an undeniably fluid nature.

Embodiment

Embodiment (UK) – Palingenesis

https://embodimentofficial.bandcamp.com/album/palingenesis

Release – April/24/2020

Artwork – 86

Ferocity – 89

Groove – 83

Infectiousness – 92

Originality – 65

Genre – Tech/Prog Death

Will I Revisit? YES

Final Score/Remarks – 91

Ungodly impressive tech/prog death w. classical elements and a hypnotic allure which is unfathomable.

Divine Chaos

Divine Chaos (UK) – The Way to Oblivion

https://divinechaos.bandcamp.com/album/the-way-to-oblivion

Release – April/24/2020

Artwork – 84

Ferocity – 75

Groove – 78

Infectiousness – 84

Originality – 60

Genre – Aggressive Thrash/Melodeath

Will I Revisit? YES

Final Score/Remarks – 83

Insanely catchy, dynamic arrangements with wicked vocals topped off by impressive production.

Destroyed in Seconds

Destroyed in Seconds (USA) – Divide and Devour

https://destroyedinseconds.bandcamp.com/album/divide-and-devour

Release – April/24/2020

Artwork – 89

Ferocity – 86

Groove – 89

Infectiousness – 92

Originality – 70

Genre – D-beat/Crust/Hardcore/Thrash/Dirge-laden Death metal.

Will I Revisit? YES

Final Score/Remarks – 91

Top of the heap D-beat with varied influence which demands ears upon it!

It is impossible to sit still while listening to this!

exhausted animal Well shit, this turned into a Thrash lovefest, I didn’t intend for it to be the case but I just so happened upon a few Releases in the genre worthy of praise. I’m still hurting from Razgate (damn you @LFCMFighter!) And I suspect it might be the case for a great many others whom stumble upon its charm unsuspectingly. Again, this has taken a while, I only wish I could do more but alas thing while Covid thing has me working and babysitting (Can I call it that if it’s my child…?) rather than working and scribbling. Although I have inserted another segment in order that I might be able to promote more albums in a timely manner.

Until next time, don’t fear discovery of that which is normally foreign to the senses.

Cult

Abrasive Audio 2020 – Part Nine

black metal gif

It’s been a while, and for that I apologize. Between work, family and days off (where I haven’t much time in which to scribble) I’ve found it difficult to do much of anything. There are moments I wish I were in quarantine apart from the fact that the wife works from home. However, I’ve persisted and have managed to find a few albums which I deem worthy of attention. Obviously, there’s still so much more which demands respect and an immeasurable number of acts who warrant support in these unprecedented times. Admittedly, not only acts but others, individuals, the list is too long to mention here, who aren’t quite so fortunate. However rather than turn this into a diatribe I’d like to give thanks to those who toil, sweat and persist about their duties on the frontlines but also to those who continue to offer entertainment, invaluable distraction from that which burdens most everyone’s conversation. Seriously. Fuck Covid! This too shall pass, but until it does stay strong and metal.

A Few Plucked from 19′
Dissorted (Germany) – The Final Divide

https://www.facebook.com/BlackSunsetMusic/

Release- October/25/2019
Black Sunset

dissorted

ARTWORK- 77

Sonewhere between Lovecraftian lore and Biblical text this depicts definite sides. Whether Right or Left Twix has the advantage I’m not sure.

FIRST TRACK- 78

Thrash bordering on melodic Death with sufficient Hardcore in the vocal department to have one thinking of The Haunted, even in instances The Exploited. A great start to get one in the mood to keep the neighbors awake at an ungodly hour.

INITIAL LISTEN- 76

A wicked Thrash mixture which boasts infectious riffs, plenty of aggression, smattering of hardcore and crossover elements and varied, though quite obvious, influences. A varied vocal approach helps to keep the album exciting ranging from an Antheax Bush-esque approach to that heard upon the undeniable standout belter “Picasso Warhead” which sports closer to an Arraya vibe. Overall an album and an act wjo demand attention, especially for those whose genre interests are rooted in the more melodic Thrash arenas circa the late 80’s/early 90’s.

Favorite Tracks; Aggressor/Protector, The Plague, Leviathan, Bloodshed Divine, The Temple, Picasso Warhead.

FFO; The Haunted, (later) Anthrax, Exodus, (early) Flotsam and Jetsam, Annihilator, Armored Saint.

Dead Prophet

Dead Prophet (Poland) – Sounds of Enlightenment (EP)

https://deadprophet.bandcamp.com/

Release – December/12/2019
Independent
ARTWORK- 73

I’m honestly not sure what this is. Perhaps a machine of some sort which elicts a wide range of emotions. Perhaps the cogs of Government and the populace represented by the faces. None of them are happy, any surprises there?

FIRST TRACK- 86

With an introduction which sounds like a slow descent into the underworld this collection is off to a chilling start. However, what follows may be surprising. This isn’t audio of the Blackened Death variety but rather that of hellish fast paced and precise destruction. It’s rather difficult not to move to this. A great start to put one in the mood to get shit done. If “shit” includes destroying everything in sight.

INITIAL LISTEN- 85

Eerily similar to Origin in boasting the same hyper speed approach there’s no deny that these guys bear some skill. This is tight and precise whilst also punishing. Much like being stuck in a tornado of razor wire this will shred the senses and leave one disoriented although it does slow in moments in order for one to catch their breath before the next bludgeoning. I can’t understand why these guys arent talked about more.

Favorite Tracks; Stunningly devastating throughout.

FFO; Origin, Kataklysm, Obscura, Abysmal Dawn.

January Releases

acid mammoth

Acid Mammoth (Greece) – Under Acid Hoof

https://heavypsychsoundsrecords.bandcamp.com/album/acid-mammoth-under-acid-hoof

Release-January/24/2020
Heavy Psych Sounds
ARTWORK- 92

With only three colors on display, each in stark contrast to the other, this could be called simplistic. It may be but with the focus of the image on a large fluffy mammal and several robed figures, milling about, the theme of the album becomes more than obvious. Heaviness and the Occult, or am I wrong in my assumptions here?

FIRST TRACK- 84

The opening riffs of this album pounces upon the senses like the mating cry (?) of Mammoth (or so I would assume); thunderous, forlorn, yet laced with soul. The track continues to offer head noddin’ melodies draped in fuzz and lyrics basted in the occult.

INITIAL LISTEN- 92

I’m not usually into (what some might call) “traditional” Doom however this has somehow managed to ensnare me in its spell. The term “traditional” is somewhat loose here as this showcase’s stoner, psych, and bluesy elements all of which are delivered in such a way as to give this an undeniably fluid nature. Huge riffs cavort with an undercurrent of flowing melodies invoking ominous landscapes and scenarios drenched in dread, all of epic cinematic quality. The vocal accompaniment adds brilliant narrative flair slathered in emotion. Overall, this album boasts a vintage aura and tone more than likely to please those already into the scene and entice those who aren’t, who might have been curious before, towards the fold. Admittedly it’s been a long while since an album of this ilk has had such an impact on me as this has (even on a first listen basis). Outstanding doesn’t even come close! Suffice it to mention this is the bar for me which all others in the genre will be judged.

Favorite Tracks; Captivating throughout.

FFO; Electric Wizard, Monolord, Sleep, Black Sabbath, Trouble.

March Releases

graveripper

Graveripper (USA) – Complete Blinding Darkness (3 track EP)

https://graveripper.bandcamp.com/

Independent
Release- March/6/2020
ARTWORK- 76

A primitive black and white skull complete with tombstones, a crow, coins and a flower (wait, what?) This has a slight crossover/hardcore vibe going for it ala The Exploited. I’m intrigued.

FIRST TRACK- 82

Rip-roaring, head bobbing arrangements, a slight Punk vibe as well nods to vintage Thrash and traditional Heavy Metal by way of the rhythms and the production’s tone. The inclusion of melodic Death/Black with the inclusion of maniacal elements make this a curious listen, leaving me eager for what’s to follow.

INITIAL LISTEN- 80

A varied mixture of styles keeps this interesting. The second track is an about face from what the first hints at and adds a blackened tone (with slight Industrial leanings) with groove to the mix. The third is the most aggressive of the three and ramps up the blackened speed element. The style heard here opens up a whole new influence smorgasbord making for a listen which is deliciously diverse yet not so much as to fracture the potential fan base. If anything with deftly mixed myriad of styles on offer this collection will turn eager ears towards genres which would normally remain unexplored (which is quite the feat in and of itself). Dynamic and exciting this triad of tunes keeps the listener moving and looking to the future for more of the same. Keep up the great work guys!

Favorite Tracks; The One Reborn, A Swift Kick to the Teeth.

FFO; Forbidden, The Exploited, SkeletonWitch, Celtic Frost.

angerrot

Angerot (USA) – The Divine Apostate

https://angerot.bandcamp.com/album/the-divine-apostate

Release – March/27/2020
Redefining Darkness Records
ARTWORK- 76

I’m honestly not sure what this is. It appears to be a subterranean landscape depicting a form conversing with a crab. Perhaps sizing up the appropriately sized tank for such a creature, perhaps contemplating which butter would work best?

FIRST TRACK- 88

Biblical in its grandiose nature and fashioned with considerable presence this is one hell of an opener. An expert crafting of Doom and mid-tempo death which harkens to both the Old School and HM2 worship with delicate touches

Overall a track which reminds me of “Damnation and a Day” era Cradle of Filth cavorting with a Septic Flesh nature.

INITIAL LISTEN- 87

Somewhere between Hypocrisy, Septic Flesh, Abysmal Dawn and Cradle of Filth (circa “Damnation and a Day”) lies the style wherein. Hardly Technical yet delicate and full of depth, precariously close to brutal realms, though miles from that which might traditionally come to mind. This boasts a style which is doused in a sinister shroud, excellent arrangements and exquisitely crafted atmosphere Death/Doom throughout rather than brutality or chuggery often associated with run of the mill Death, an epic narrative which conjures both biblical landscapes and Lovecraftian arenas. Better yet it carves a grin on the chops each time it invades the senses.

Don’t sleep on this one!

Favorite Tracks; Below the Deep and Dreamless Sleep, Vestiments of Cancer, Coalesced with Wickedness, Counsel of the Unholy, Thy Kingdom Burned.

FFO; Hypocrisy, Entombed, Dismember, Abysmal Dawn, Septic Flesh.

April Releases

traveler termination shock

Traveler (Canada) – Termination Shock

https://travelermetal.bandcamp.com/album/termination-shock

Release- April/10/2020
Independent
ARTWORK- 88

The reoccurring space entity theme/World Eater is wicked. This bears larger than life cosmic cartoon qualities, also a slight tongue in cheek element which cannot be ignored. An 80’s vibe which screams to be put on a wall, shirt or a denim jacket.

FIRST TRACK- 82

Unapologetic NWOBHM vibes here in an indisputably similar vein to Di’Anno era Maiden. Guitar harmonies, sweeping melodies and vocals of the somewhat falsetto variety, I’m not entirely sold yet but I am intrigued.

INITIAL LISTEN- 77

Comprised largely of traditional Heavy Metal, part Power, part Epic with traditional Doom elements tossed in to add depth and flavor this encapsulates that which made the Rock and Heavy Metal arena so damn enjoyable and fresh in the late 70’s early 80’s. Foot tapping dynamics, rhythms which invoke epic narratives with an abundance of eye opening leads and solos which add to the allure. Bass lines to make Steve Harris foam at the mouth, unexpected atmosphere, even at times a sound which brings to mind a concept aura. This offers a great deal for fans of the early years of Heavy Metal to get excited about, though personally (in moments) it wades too far into Power and Epic realms for my tastes. I’m of the mind this will grow to consume me with repeated listens, but for now I’m merely sinking lazily into its enchantment.

Favorite Tracks; Shaded Mirror, Termination Shock, Foreverman, Diary of a Maiden, Deepspace.

FFO; early Iron Maiden, Omen, early Queensreich, Dio, Angel Witch.

noroth

Noroth (USA) – It Dwells Amongst Us

https://caligarirecords.bandcamp.com/album/it-dwells-amongst-us

Release- April/10/2020
Caligari Records
ARTWORK- 81

Primitive Black and White art with an over-abundance of skeletons, skulls and an undeniable archaic/mystical nature. What’s not to like?

FIRST TRACK- 82

Old school bludgeoning rhythms, lazy growls of the death/doom variety (which aren’t at all a bad thing) and an overall style harkening back to the 90’s. Add noodles of groove, a few riffs reminiscent of early Gorguts and you have an intriguing start to any album.

INITIAL LISTEN- 86

Mid-tempo old school, dirgey, diabolical madness. This has shades of Bolt Thrower, as well Celtic Frost, a smidgen of HM2 worship but a whole ton of selling the soul to the old school. If the quality of this doesn’t have you sifting through your early 90’s music collection, albums which deserve revisiting often, I don’t know what to say. This has nostalgia written all over it, packaged in groove. It’s an audio parcel you’ll want smashing into your senses again and again. Don’t ignore this stunning debut!

Favorite Tracks; Shadow, My Patriarch, Cerberus, Extinction, Prisoner ov Splendor, It Dwells Amongst Us.

FFO; early Gorguts, Cianide, early Unleashed, Morgoth.

myth of I

Myth of I (USA) – s/t

https://mythofi.bandcamp.com/album/myth-of-i

Release-April/10/2020
The Artisan Era
ARTWORK- 87

A clearing in the forest bathed in the sun’s brilliance. Be it dawn, or dusk I’m not sure. Regardless the image is stunning perhaps hinting at I can only image audio of atmospheric black tendencies?

FIRST TRACK- 90

A tranquil introduction complete with pristine production and a nature soundscape is reminiscent of Tiamat’s “Wildhoney” album but more immersive. Its soon replaced by progressive chords, a tech death aura, albeit relaxed, and virtuosic fretboard manipulations slathered in a cosmic vibe. Technical but hardly brutal this is strangely relaxing and highly mesmeric.

INITIAL LISTEN- 89

Traversing a smorgasbord of arenas this take the listener across a vast audio landscape. Dipping into a myriad of stylistic territories the sound here ranges from as far afield as Djent and “angry jazz” (love that term) there’s even synth elements to break up the album some. But don’t let the word ‘Jazz’ fool you, as this is far from what you might assume it to be. Naturally, it’s intricate, technical, often dreamy but altogether enthralling in its brilliance. Far from brutal but encroaching upon the same grounds which many Tech Death bands reside this shows a musical collective in top form. Call this slightly different, call it a palette cleanser, label it with whatever moniker you wish there’s several thing’s which can’t be denied; it’s hardly Atmospheric Black, it shines with a absurd excellence and cannot (and should not) be ignored. Itd rare an slbumnif this ilk grabs me as ferociously as this, I’m hardly an instrumental fan, but this is something altogether different. The Artisan Era have done it again! Get this in the ears pronto but be prepared for it will whisk you away to realms both disorienting and sublime, and often in the track.

Favorite Tracks; The whole album delivers, strangely entertaining even without a vocal accompaniment.

FFO; Blotted Science, Athiest, Hannes Grossmann, Howling Sycamore, The Devon Townsend Project.

RECC by Demnuts (via Twitter)

nightshock

Nightshock (Italy) – Battlefield Necromancer (EP)

https://nightshock.bandcamp.com/album/battlefield-necromancer

Release -April/10/202
Unsigned/Independent
ARTWORK- 60

Raw and primitive. This gives little away in relation to what’s in store for the listener with a simplicity which harkens to the tape trading days of the 80’s. The bands logo and font is a tad ‘odd’ putting me in mind of audio releases with Synth values. I’m not sure what to expect but I’m stramgely intrigued.

FIRST TRACK- 88

An introduction of a Dungeon Synth ilk opens this audio collection and much like the cover gives little away in relation to what’s to follow. It soon comes to an end, replaced by jugular tearing riffage of a type which nods towards both blackened speed realms and Crust territories. Wicked accented vocals add to the tracks blunt appeal. This is a tad primitive, in a Venom type way, and seethes with a DIY primal nature an overall approach which is difficult not to appreciate, especially for those who prefer their tunes with little preamble, at maximum volume.

INITIAL LISTEN- 87

Overall a listen which is sure to get the pump pumping and the limbs twitchin. A release which explores both Blackened Speed sensibilities though also tinkers with melodic majesty ala Storm era Dissection. Crust and D-beat elements add to the fun making this a collection of tracks which although quite simple, occasionally veers towards repetitive, in their arrangement are hard to ignore. Just try not to move with this in the ears.

I’m eager for more, this is just too damn short.

Favorite Tracks; The whole damn thing!

FFO; Witchery, WolfBrigade, Hell Ripper, Whiplash, Whipstriker.

archaic vanity

Archaic Vanity (Turkey) – Deformed and Disfigured (EP)

https://archaicvanity.bandcamp.com/album/deformed-and-disfigured

Release- April/13/2020
Independent
ARTWORK- 92

I’m a sucker for black and white art. But this is ridiculous! Fractured mind, internal turmoil, cosmic entity in disguise caught off guard, or is this a bonus scene from “The Void”, alternatively John Carpenter’s “The Thing”? If the audio is anywhere near as impressive one is in for a sinew shredding workout. If the band is reading this, I want this image on a shirt (where might one be able to sate the desire for such?)

FIRST TRACK- 91

Merciless multi-faceted rhythms, technical leads, harsh vocals and melodies. I’m quite taken aback. This is my first experience of the band and I’m in shock. This is damn good audio.

INITIAL LISTEN- 93

Vicious, fast paced, intricate and dynamic showcasing technical florishes and rhythms likely to send a corpse into convulsions. Brutal and tight but miles from merely sensorial devastating noise pollution this overflows with an exemplary sinister nature and palpable menace and yet tetters on the delicate balance of both atmosphere and maelstrom force of pissed off nature assault. I’m astounded that this is the first I’m hearing of these guys. Set the ears upon this and prepare to have the jaw hit the floor. Seriously this Fn’ rules!!

Expect to hear me rave about this again as year-end approaches.

Favorite Tracks; Blistering audio throughout and I have zero qualms.

FFO; Pestilence, Atheist, Hath, (mid era) Death.

cemetery filth

Cemetery Filth (USA) Dominion

https://unspeakableaxerecords.bandcamp.com/album/dominion

Release-April/13/2020
Boris Records/Unspeakable Axe Records
ARTWORK- 88

Masterful Dan Seagrave art, scratch that, it has that vibe but is actually penned by the multi-talented Jaunjo Castellano. Vivid, mesmerizing, sinister. Lovecraftian otherworldly with archaic secret society undertones. I could use a bunch of words here but I wouldn’t even come close to describing the undeniably brilliant aura. Just awesome!

FIRST TRACK- 82

Much like a persistent alarm (and sleep function) the beginning of this track warns the listener to get ready for that which is about to unfold. In this case the audio on offer, not the day ahead. And bot does it unfold! Tumbling chaotic rhythms, an enveloping sinister audio blanket, maniacal flourishes and cavernous vox. Overall a vibe ripped from the old school ala Suffocation wrestling Terrorizer for arrangement superiority. Suffice it to mention…I’m awake and paying attention.

INITIAL LISTEN- 87

Old school in temperament boasting superb production and clarity with every instrument clear in the mix. This is an undeniable nod to the forebears of the scene but with an added certain something which brings the past barreling to meet fans of the current. A touch of Grindcore and a dash of Crust aid the albums allure but it’s the drums and groove backbone which have me bouncing around like a maniac. The arrangements harken to influence from across the extreme board and Cemetery Filth aren’t afraid to prod the maliciousness of Death towards the harrowing nature of Doom add to that diabolical sprinkles and maniacal passages and you have a release which only gets better with each spin. This is likely to appear on a plethora of lists come years end, for good reason.

Favorite Tracks; Exhumed Visions, Aeons in Dis, Devoured by Dread, Dominion.

FFO; Terrorizer, Suffocation, Misery Index, Disincarnate.

Werewolves

Werewolves (Australia, UK) – The Dead are Screaming

https://werewolvesdeathmetal.bandcamp.com/

Release- April/24/2020
Prosthetic Records
ARTWORK- 82

This has a vibrant medieval vibe. However, I’m not sure if this giant fellow is the leader of a merry troupe or if he is being attacked by them. Alternatively, whether he/she is forming from the amassed crowd. Regardless, an intriguing image which demands closer inspection.

FIRST TRACK- 79

An intriguing Hammer-esque introduction leads into Hyper-speed drumming accompanied by straight for the throat no nonsense brutal riffs and zero BS. Groove as well a driving dirge approach aided by blunt, hammering, rhythms. If this isn’t the soundtrack to incite carnage in a mosh pit I’m not sure what is.

INITIAL LISTEN- 90

It’s as if this release is a melting pot, a boiling receptacle, a container of sorts which combines Grindcore, Brutal, traditional and Blackened Death into a concoction somehow without any of the elements losing their stylistic identities. The varied maelstrom of probable influences assaults the listener in an intensity which is nearly as forceful as the audio itself. Churning, evolving, transforming and hardly static this gains momentum as the album progresses, and only widens the eyes as it inexorably reaches its conclusion. Blistering, yet technical and pleasingly diverse this is one hell of a way to introduce the labors of many a mind from across the extreme audio spectrum, with the same varied arenas of interest showcased exquisitely throughout. Be prepared for the audio here will spark frenetic, spastic, movements without apology or permission. This will drop on the senses like a ton of bricks followed by the wayward impact point of an aircraft carrier. Grab that wallet!

May Favorite Tracks; I honestly started to list tracks only to realize I was listing the whole damn album. Fk this is godly!

FFO; Vital Remains, Dying Fetus, The Berserker, Cannibal Corpse, Terrorizer.

May Releases

resent crosshairs image

Resent (Canada) – Crosshairs

https://resent1.bandcamp.com/

https://nervealtar.bandcamp.com/album/crosshairs

Release – May/1/2020
Dry Cough Records/Nerve Altar/Rope or Guillotine
ARTWORK- 73

This image is fuzzy, raw and I can hardly make it out. But there’s obviously something going on. As if this is something which shouldn’t be seen, a forbidden ritual perhaps or an atrocity which should probably never been photographed in the first place. Suffice it to say, I’m just a little curious.

FIRST TRACK- 82

Tell me how much it hurts…

It hurts alot!

I can’t feel it!

It hurts…A LOT!

And then it begins. Distortion, huge riffs and industrial grade groove. However, this is raw, universes from clean and it has undeniable bite. A ferocious abrupt snapping of, the foaming at the mouth, jaws from a rabid animal which one might approach as it appears at first dead. A laziness which is all enveloping. Quicksand qualities to the Nth degree.

INITIAL LISTEN- 81

Prepare to enter a world of anguish. This is heavy duty sludge, grindhouse sludge in fact. Naturally, it helps this description that introductory soundbites are also yanked from the same unapologetic arena. Add elements of Crust, an unmerciful raw bludgeoning harsh nature, riffs akin to scratching nails down a chalkboard, snarled vokills and sufficient groove and you have a collection of tracks which is sure to get the speakers shaking and the neighbors pulling their hair out in appreciation. Recommended more for those who prefer unbridled chaos and unhinged angst and brutality rather than traditional rock arrangements and melodic compositions this leaves a mark and in fact fits the moniker of this article as if it were designed specifically for such.

Favorite Tracks; Miserable, Crosshairs, Victimized.

FFO; EyeHateGod, Acid Bath, Meth Drinker, Fetish 69.

ara

Ara (USA) – Jurisprudence

https://arawi.bandcamp.com/album/jurisprudence

Release- May/15/2020
Independent
ARTWORK- 76

A collection of skulls affixed to a table (?) by their tongues there’s definitely something archaic and barbaric going on here.

FIRST TRACK- 74

Brutality and bludgeoning chaos beats out melody and groove here. This is an all- encompassing introduction sure to leave the listener in disarray.

INITIAL LISTEN- 76

Hardly traditional but undoubtedly brutal this album strays from what one might expect and keeps groove and melodies at a minimum. Choosing instead to concentrate on overlapping riffs and constantly evolving rhythms it showcases a chaotic, unpredictable and unmerciful approach aided by vocals with considerable angst in a similar vein to EyeHateGod. Not recommended for the casual listener, the weak or those with a penchant for epic introductions often bathed in symphonic qualities this is blunt, harsh and uncompromising with an atmosphere which screams sensorial punishment.

Favorite Tracks; Mythos, Excursus Praestinguo, Pounded into the Multiverse.

FFO; Anata, Gorguts, Atheist, Morbid Angel, Hate Eternal.

godless truth

Recommended by Drew

This release comes courtesy of my globe-trotting friend. He found this in a street market in Hungary and, apparently, immediately thought of me. What say we give it a spin?

Godless Truth (Czechia) – Arrogance of Supreme Power

https://laceratedenemyrecords.bandcamp.com/album/godless-truth-arrogance-of-supreme-power

Release – October/15/2004 (remastered in 05′ w. an added bonus track)
Lacerated Enemy Records
ARTWORK (based on the remastered 05′ edition) – 71

Moody crimson splattered across a landscape littered with the impaled dead with a horned fellow front and center (most probably itching to ask “What you looking at?”) It’s rather obvious what’s on offer here, this certainly isn’t a Top 40 release.

FIRST TRACK- 73

The introduction sounds like a hybrid consisting of a narrated introduction to a low budget horror/fantasy dystopian epic (chunk of celluloid) and a horror themed shoot-em-up platform game. It gets one in the mood leaving little question as to what’s about to assault the senses. And there’s little surprise when Brutal Death starts to blare from the speakers. However, it isn’t only that, there’s several other elements tossed in to mix up the listening experience. A smidgen of Slam, flourishes of Technical with plenty of passages showcasing the drumming skill and bass manipulation. All in all, an intriguing start.

INITIAL LISTEN- 74

I’ve yet to hear an album in which Vin Diesel stars as the introduction. This is a first. More surprisingly yet is that the track in question is rather impressive, in fact the album as a whole isn’t at all shabby. Close to what Dying Fetus albums offer the listener this adds Slam, Grindcore elements and a little experimentation. Guttural as well tradition Brutal Death utterances are prevalent accompanied by the percussions unmerciful brutality resulting in an experience which delivers, in fact, gets better as the album progresses. Minor qualms include naff translation and the fact this isn’t as melodic as I would like. But it’s minor and I understand that tastes vary. With that in mind is guaranteed to please a great many into the more chaotic, Brutal arenas.

Favorite Tracks; Mission: Fuck You, Reprobate Intention, Instructed to Degrate, Embraced to Void.

FFO; Dying Fetus, Benighted, Suffocation, Job for a Cowboy, Malignancy, Crytopsy.

And that brings this gargantuan installment to a close. Hopefully I’ve introduced an album or two you might not otherwise have heard of and are currently enjoying. As always feel free to suggest that which I might have missed or something you have an especial fondness for. Feel free to comment and please share in order that others might discover that which might normally be foreign to the senses.

Your slave to audio extreme,

Cult

Abrasive Audio 2020 – Special Edition; Part the Last (for now)

(Yet another collaborative effort with a few friends)

Abrasive Audio Special Ed 2020 part 2

This installment is the third in a Special Edition Series. And again, sees a collaborative effort with friends (whose opinions I respect) from as far afield as the releases featured within. But first a few words from a co-conspirator, the SixintheHeadZine editor and someone whom I bother with suggestions, recommendations and silliness on a more than frequent basis.

sixintheheadzine

The “Original”

I was honored to be asked to write the intro for this – the last installment in a truly epic collection of reviews – because ever since I discovered your man Cult and Abrasive Audio, I haven’t got my metal recommendations from anywhere else. I probably should read other metal blogs but I find so many good n brutal listens on this one that I barely have the time to listen to any of the other music I like, let alone more bloody metal.

In fact, I’ve been spending so much time recently investigating the releases on here that I’m completely out of touch with all the latest pop groups, jazz singers and contemporary composers. I normally pride myself on knowing what’s happening in all the main genres – pop, jazz, classical and blues. Metal as we know isn’t a genre. It’s a way of life, a religion. Very similar to vaporwave. (and what’s that, prey tell. – Ed*)

Anyway, I suppose if Cult wanted anything from this introduction it was for me to impart some of the valuable knowledge I have gained after a long and storied career in the music business. So, my advice to you is this – whatever you do, do it 110%. You can achieve your goals and dreams. You just have to believe in yourself.

I really hope that helps you on your way as we reach the end of this “Odyssean” Abrasive Audio feature together. If it doesn’t, oh well. Here’s the final three recommendations (one of which I happen to have written something on) to put into your headphones, turn up to max and drown the world out with. Keep it up Cult, your services to metal are very much appreciated.

Onward to this installment’s selections dedicated, yet again, to a few which apparently…

Slipped Through the Cracks
(Releases of 19′ which I have somehow missed)

Obviously, this isn’t all or even close to those I’ve failed to cover before but rather a handful which have fallen under most radars though still deserve attention.

Tyrmfar

Tyrmfar (Switzerland) – Renewal Through Purification

https://tyrmfar.bandcamp.com/album/renewal-through-purification

Release- June/22/19

MTAF Records

ARTWORK- 84

A malevolent sky is the backdrop to a godlike figure comprised of many (forms) scrambling to become a part of ‘the whole’. An interesting image with a myriad of intricate details and a meaning which will likely spark discussion.

FIRST TRACK- 90

The album starts with an introduction that’s likely to accompany a cinematic scene in which those on screen are recuperating, thriving and finally overcoming insurmountable odds to stand triumphant. Par for the course in this genre to be blunt, though this is better than most. A blast beat rhythm takes up the charge when the introduction dies. Add industrial precise drumming, a dual pronged vocal approach and rhythms dipped in both black and melodic death qualities and to album is off to a highly satisfying start. A fantastic introduction to the band for any yet to lay senses upon them, like myself.

INITIAL LISTEN- 88

Melodic, yet far from what many might visualize with the term in mind. This bleeds with blackened majesty and an atmosphere which brings to mind a giant of, and still a huge influence within, the melodic black scene (and undeniably a variety of others) Dissection. Melodies and tone channel a myriad of top tier influence (Eucharist, Necrophobic and Amon Amarth, among others) add depth, unmistakable catchiness and fit amazing well nestled with the prowess of the percussion and stunning vocal accompaniment. Overall, this held my interest from its start through its final notes but leaves me pondering upon what could possibly be in the Swiss water supply. I’ve heard a few releases from the region in the past few weeks and this is as good as the impressive standard the others have set, if not better. Discovering this a few months prior would have resulted in its inclusion in my Best of Years list, it’s too late for that but it’s not too late to preach the good word. Make room in your collection for this. You won’t be disappointed!

Favorite Tracks; Crank this up, it delivers from start to finish!

FFO; Dissection, Amon Amarth, Necrophobic, At the Gates, Stortregn, Eucharist.

Need a Second Opinion?
six in the head zine iss 2

Issue the Second

 

Here are a “few words” from Six in the Head Zine creator Paul_PMZ (on Twitter) and if you haven’t already please check out the mag here; https://sixintheheadzine.com/ for general gaming silliness, recommendations and tips and tricks on painting, gaming and where’s the best location to hold the ‘event’ itself.  Currently on its second issue this publication is heading to heights scary for even the most rambunctious toddler to contemplate. Without further ado…

The Cult Himself has asked me to review an album for him. No doubt that will be a relentless, hellish racket. Just what I don’t need right now… Why can’t he ask me to review some Tibetan bowl music or whale song for once? Still, being a man of my word (most of the time), I opened Bandcamp, stuck the kettle on and the headphones in and pressed play on the album he’d suggested. There was a long blurb about it underneath the tracks but I didn’t read that. I never read stuff like that before doing a review. I don’t want to cloud my judgement with unnecessary facts and useful background information. I liked the title and I liked the cover art. I thought this might be up my street as far as metal goes, even if I wasn’t feeling particularly in the mood for someone screaming at me.

The album began, like all metal albums do nowadays, with an instrumental opening that immediately struck me as sounding very, “Warhammer”. As a big tabletop gaming and hobby fan this is always a positive for me. For the first 30 seconds I imagined a vast, planet-sized spacecraft slowly moving into view as opposing forces of the 41st Millennium engaged in fierce battle underneath. Then, disappointingly, I heard some piano. Oh FFS (Fer Fuck’s Sake – Ed*). Don’t tell me this is “piano metal” … I can’t listen to a whole album of piano metal Cult.

Thank the Emperor (not the band I think – Ed) though, when track two kicked in I was delighted by a barbarous and pummeling auditory assault without any trace of Rick Wakeman-like activity. Chunky, choppy riffs and fast fretwork, machine gun drumming and an abominable, interplaying combo of both low and mid-register vocals that I hoped would set the tone for the rest of the album.

Much to my delight, it did. So, by track four my head was enthusiastically bobbing along to the determined and merciless drumming that I refuse to believe it’s possible for an actual human being to perform. If there truly is a man (or woman – I didn’t read the blurb) behind the kit on this then perhaps humanity isn’t quite so worthless after all.

Overall, this is a quality piece of work from top to bottom. It never gives up, slows down or dips in quality and the actual sound of it is top-notch. I think it’s a perfectly balanced death metal record and that the man (or woman – I didn’t read the blurb) who is responsible for mixing it is quite clearly a genius. Then again, what do I know? I’m not a sound engineer or musician.

What I do know for sure is that “Renewal Through Purification” is fucking great and when came to an end and I had to write this review I put it straight back on again without hesitation. Then I listened to it again for a third time. Totally brilliant!

hellknife

Hellknife (Germany) – Dusk of Doom

https://hellknife.bandcamp.com/album/dusk-of-doom

Release -December/13/19

Phobia Records, Ecocentric Records and Wooaaargh

ARTWORK- 86

Skulls, maggots, a pentagram looking thingy and a masked kultist (for the record a dead ringer of the lead vocalist from Ghost) with Lovecraftian creations sprouting from his spine. And the whole concoction is in black and white. Does it get any better than this? Probably, but not by much.

FIRST TRACK- 82

No introduction, no soundbites and certainly not even the slightest indication of “frilly bits”. This leaps straight for the throat! Crust coupled with D-beat and sprinkles of hardcore showcasing bludgeoning riffs complete with sub-woofer annihilating bass. Keep a digit on the volume button when this puppy starts else something goes POP and your further enjoyment of the extreme audio arena is held at bay until the meds start to work.

INITIAL LISTEN- 85

This is unapologetic Crust (with the punk vibe often more pronounced than other elements) slathered with D-beat complete with angst-ridden hardcore vocals (I feel like I’ve said that before, but it needs repeating!) The similarities to Motorhead and WolfBrigade are unmistakable as well the indelible imprints the sheer amount of groove here will leave on the senses when this is through. To keep this short and sweet if the pulverizing nature of this and the ‘catchier than catchy’ aura doesn’t make you wanna’ get up and break shit odds are you might be missing a pulse. Jump on this at your next given opportunity! But be prepared to apologize to everyone beforehand for this will leave a mess as your torso unceremoniously jerks you around like a marionette at the whim of an inebriated puppet master. Need I mention this grew on me the more I listened? (Probably not, but I did anyway.)

Favorite Tracks; Dusk of Doom, Violence, Burn it Down, The End.

FFO; Wolfpack, No/Mas, Martyrdöd, Napalm Death, Disrupt, Terrorizer.

Need a Second Opinion?

 

Here are a few words from synth maestro Werewolves in Siberia (who I can’t thank enough for putting up with my constant badgering and allowing me in this case to bent his ear). I highly recommend checking into his varied discography, especially if you have a soft spot for cult soundtracks with a Goblin or Carpenter-esque edge. His godly manipulation of electronic beats into an often suspense-laden soundscape can be found here; https://werewolvesinsiberia.bandcamp.com/

werewolves in Sioberia header

I hadn’t heard of Hellknife before this.  In all honesty, I’ve only recently started catching up with a bunch of metal bands I used to listen to.  I really haven’t paid much attention to the metal scene at all in the last 10 years or so; minus the few exceptions of those bands I absolutely have to listen to.

That said, my first thought was that if Hellknife is an American band, this is a terrible name.  If they’re from Europe or a Scandinavian country (anywhere English isn’t the primary language), somehow, it’s an awesome name, though.  Turns out they’re from Germany, so the name checks out and it sounds tough.

Werewolves In Siberia2

I’ll sum up the sound of the music to me; basically, they remind me of The Crown doing a d-beat record with a bunch of thrash meets Norwegian black metal influence in the guitar riffs.  I feel like there’s something missing from the songwriting to make it that standout it could be but this is still a killer record and I’m finding I like it more each time I listen.

Apparently, these guys even worked with a dude who has worked with Wolfbrigade for this album.  If you’re going to make d-beat music, working with people who have made some of the greats in the genre is always going to help you out.  They obviously had the same epiphany.

I’d be happy if the snare was louder in the mix but that might just be me nitpicking.  It’s kind of a crustcore staple to have that gritty guitar super loud in the mix and drowning out the drums, but I think that snare could cut through a little bit and really dive home how killer this band is.  Either way, I’m glad Cult sent this one along to me as I now have a new d-beat/crustcore band to listen to.  With how much it’s grown on me in just a couple listens, I’m sure I’ll be liking this one even more by next week.

novarupta

Novarupta (Sweden) – Disillusioned Fire

https://suiciderecordsswe.bandcamp.com/album/disillusioned-fire

Release- April/29/19

Suicide Records

ARTWORK- 76

Uh, oh, this image gives off a vibe as though the words “Post” (something or other) might appear in its description. It actually looks similar to an image on a couple of shirts I own when I went through a brief not wearing metal shirts all the time phase. Nevertheless, I’m intrigued.

FIRST TRACK- 83

Sludge sensibilities, mammoth riffs and angst fueled vocals. And something… else. Wicked pace transformations and a malevolent nature, a lurking, as if there’s something on the horizon which might soon pounce (but only when it’s good and ready to do so). A brilliant start seething with monstrous weight which leaves me eager for what’s to follow.

INITIAL LISTEN- 85

With a different vocalist highlighted in every track (with talents heard in bands such as Entombed, Dark Tranquility and The Moth Gatherer, to name but a few), the third track boasts three guest throats, this album boasts a smorgasbord of identities. Hard to describe without listing a diatribe-esque list of styles which often intertwine and or tumble over each other (in a surprisingly controlled manner), easier to enjoy, the styles herein are varied (feel like I’ve mentioned that before now) yet passages of a grandiose nature run rampant alongside riffs which could topple Godzilla and bring even the most wicked of dictator to his knees. The atmosphere here is undeniable, often overpowering, and adds a priceless quality to the album’s depth and aura. This truly is an album one can get lost in and to think that it’s not normally of a genre I often frequent makes me ponder upon that which I might be missing out on. Call this post, blackened sludge, atmospheric, doom, call it what you will but be sure to give it the time of day and I’m sure you’ll agree it far surpasses that which most might assume when faced with a description utilizing said genres. Place this between the ears post haste!

Favorite Tracks; Pyroclastic Flows, Mare Tranquillitatis, Only the Dirt Will Know Our Graves.

FFO; vintage Katatonia, October Tide, Tool, Nuerosis, My Dying Bride, Paradise Lost.

mix tape action

Scribbling like one possessed, but it’s still not fast enough, dammit!

This concludes the sites first foray into having invited guests take the reins. A huge thanks go out to all involved. If you wish to become featured in a future endeavor of the same type feel free to drop me a line. Otherwise, feel free to comment, share and spread the word as eye-opening, ear carnage audio is meant to be shared – #SupporttheScene

As always keep those ears open for audio which might normally be foreign to the senses.

Your slave to audio in many of its extreme forms,

Cult