Posts Tagged ‘Algebra’

Abrasive Audio – The Year in Review

clothing-optional

C’mon, even seals love the sun.

Part the Third

Half the year has disappeared already and one might be wondering where, as it certainly doesn’t move that fast when one wishes it to. The lawn is demanding attention as it’s sprouting faster than a leopard after a potential mate and clothing is apparently optional (which isn’t always a bad thing). The world of extreme audio is still chugging along and the intensity only seems to be building. Now if only the kids could find something to do (for more than five minutes at a time) I might be able to fully immerse myself within all that the metal universe has to offer. (“…but, Dad!”) Onward.

(As is traditional my absolute favorites are marked with an *)

July

abominism

Abominism – s/t

https://abominism.bandcamp.com/album/abominism

Occasionally, albums and artists come from out of nowhere to kick one on their ass. And this did just that! Only six tracks on offer here but they are more than enough with their epic qualities to whet the appetite and leave the listener wanting more. Atmosphere is rampant as too dissonant rhythms, technical passages and progressive elements concocted and woven with such creativity and professionalism as too only draw the listener into the album’s entrancing spell the deeper in the listener gets. There’s a great deal for everyone to enjoy here as the style blankets a wide radius of the extreme metal spectrum all balanced delicately with absolute precision.

Baleful abyss

Baleful Abyss (F.K.A Zombieslut) – Death Propaganda

https://balefulabyss.bandcamp.com/

Dirge driven groove that’s highly nostalgic of the 90’s which demands respect and makes a fantastic addition to any collection bursting at the seams with death/doom laden dirge and death bordering on grindcore.

Beastmaker – Eye of the Storm

beastmaker

https://beastmaker.bandcamp.com/

Think traditional heavy metal with speed metal tendencies draped in a fine shroud of occult doom. This flows so damn well it should be criminal, and that voice. And although it’s short, barely four tracks I can honestly say this is dangerously infectious audio.

desecresyDesecresy – Towards Nebulae

 

https://xtreemmusic.bandcamp.com/album/towards-nebulae

Crushing, heavy machinery, sonic barbarity with unmistakable influences aided by a suffocating atmosphere and an occasional cavernous doom presence which teases dragging the listener through grindcore waters. Highly effective and evocative audio with a vast cosmos conflict type narrative.

disowning human cattle

Disowning -Human Cattle

https://xenokorp.bandcamp.com/album/human-cattle

A myriad concoction of styles assaults the listener herein add a splash of technical expertise, undeniably excellent production and the album offers ten tracks any fan of the genre can readily consume without complaint and each with their own identity. Add vocals which fit perfectly and the album rockets into unforgettable realms. This album begs to be played again and again. Jump on this at your next earliest convenience!

 

ecliptic visionEcliptic Vision – s/t

https://eclipticvision.bandcamp.com/album/ecliptic-vision

Far from the typical brutal/progressive death affair this is an effort which delivers throughout and demands multiple listens to fully appreciate. Progressive themes knit tightly, and flirt constantly, with technical passages injected with nuance, varying pace and abrupt transforming rhythms. Ambient interludes add to the albums overall effect; the combination is bathed in other-worldly themes resulting in an album which thankfully stays this side of the gone too far to be saved cosmic tech-wizardry fence.

freighter the den.jpg

Freighter – The Den

https://freighter.bandcamp.com/album/the-den

Hard to describe, even harder not to instantly like. There’s truly something unique and utterly mesmerizing about the style, or rather the mixture of styles here. The lyrics are comic book-esque and fantastical in their scope with a style that’s somewhat comical and the audio is a hodge-podge of styles which are familiar yet hard to instantly place. Riffs here and there leer at the listener with an air of arrogance as if to say I dare you to pair me with an act, track and album. I dare you to tackle the quest.

gates to the morning

Gates to the Morning – Return to Earth

https://gatestothemorning.bandcamp.com/album/return-to-earth-ep

Odd how Jazz and Metal are two genres so vastly separate from each other yet they come together so amazingly well. Close to an hour in length this is so much more than merely an album, it’s far from traditional in any senses, more a journey through an audioscape which offers an experience demanding the undivided attention. A sojourn through a wilderness fraught with melancholy, bliss and exhilaration. Melody intertwines with majesty; brutality cavorts with the innocence of beauty accompanied by rhythms which are soothing yet shot through with an undeniable sinister air.

pathetic

Pathetic – Rat King

https://pathetic666.bandcamp.com/

A glorious mixture of influences keeps this album rolling. D-beat rhythms cavort with old school values and plodding riffs akin to that of the earliest Grave material. Lyrics often reek of a deliciously jaded Pungent Stench vibe, add this to an occasionally wicked soundbite, a dirge-laden tone ripped straight from the basement of the underground 90’s (think Bolt Thrower, Terrorizer) and a pace which often picks up frequently offering groove one cannot sit still to and you have all the right ingredients for an album which feels like it might have been released twenty-something years too late.

shades of deep water

Shades of Deep Water – Death’s Threshold

https://dunkelheitprod.bandcamp.com/album/deaths-threshold

Although this doesn’t seem that complex in rhythm or composition (at times it appears to dive deep into drone waters) it has a certain undeniable quality, a power, a captivating quality which is difficult to ignore. The album is only made even more impressive based on the fact that it was composed, mixed, recorded and mixed by a single soul, a talented individual indeed, J.H. A Fantastic mood accompaniment!

Thy_Art_Is_Murder

Thy Art is Murder – Human Target *

https://open.spotify.com/album/6P55RLLgax6WruBMdKWlvf

The partnership of Djent, Slam, melodic, brutal death and one of the finest voices in the industry is stunning; mixed to genius levels and appreciatively differing ratios within each track. Atmosphere, brutality, melody and a caliber of production only elevates the albums grandiose nature. It’s all here, in spades, making for a release which demands respect and the senses upon it.

vagrant

Vagrant – The Rise of Norn

https://vagrantblacklion.bandcamp.com/album/the-rise-of-norn

Weaving a masterful combination of melodies and atmosphere with lyrics based around warriors, folklore, fate and superstition Vagrant have managed to create an album which flows exquisitely. Rhythms intertwine with galloping and heavy riffs forging a release which is far from the run of the mill melodic death or even blackened death album. Offering symphonic death, melodic death exquisite acoustic elements, doom, folk and Viking metal this has the potential to appeal to a wide audience.

August

abysmalist.jpg

Abysmalist – Reflections of Horror

https://caligarirecords.bandcamp.com/album/reflections-of-horror

Only four tracks on offer here but as an introduction to what the band offer this is stunning, an outstanding example of how death and doom realms can be manipulated to great effect. A delicate balance of atmosphere and brutality presented by considerable oomph to grab and hold the attention rapt. With this as a debut the future is blinding!

anticosm call of the void

Anticosm – The Call of the Void

https://anticosm.bandcamp.com/

Dynamic, ever evolving, melodic, passionate and draped in atmosphere yet miles from what could be termed traditional, both in rhythm and vocal departments. For those who aren’t quite willing to fully immerse themselves fully in any one genre this is great location to start a life-long exploration drenched with realms of amazement and wonder which is guaranteed to set the senses on fire.

Book of wyrms album

Book of Wyrms – Remythologizer *

https://bookofwyrmsrva.bandcamp.com/

A true celebration of epic heavy metal and traditional doom with NWOBHM stylings, cantering and galloping rhythms, swaying melodies and wicked leads topped off with ethereal vocals. Overall a fantastic achievement which thankfully never wanders too far into psychedelic waters, though on occasion dips more than a toe into its murky depths. Now this is Doom I can subscribe too!! Tear me away from this now, it’s fast becoming an addiction.

Cruickshank

Cruickshank – s/t

https://crckshnk.bandcamp.com/album/cruickshank-s-t

Driving rhythms, which often fight for supremacy in chaotic standoffs, traipse through a slew of styles offering the listener a great deal to discover. Overall a release which will please fans of Kyuss, Olde, Tool, EyeHateGod, Acid Bath and a slew of others acts who refuse to conform to a style that defined by any one genre. Someone is going to have to pull me away from this with considerable force, it’s growing on me like a ravenous parasite.

darkened

Darkened – Into the Blackness

https://edgedcircleproductions.bandcamp.com/music

Although the familiarity is undeniable there is also something else which makes this stand apart. Presence, subtle atmosphere or the audios leaning toward death/doom territories. Whatever it is it works and I’m eager for more.

detherousDetherous – Hacked to Death

https://redefiningdarknessrecords.bandcamp.com/album/detherous-hacked-to-death

Channeling Malevolent Creation, Death and Asphyx, Detherous have managed to create a style that’s exuberant, furious (boasting exquisite time changes and abrupt mosh frenzy changes in pace) and technical. This is audio which unceremoniously pulls one back to the old school (both European and American) and does a great job of doing so. Call it homage, call it what you will but there’s no doubt this is executed with passion, flair and precision.

graveview.jpg

Graveview – Demos 18-19’

https://graveview-us.bandcamp.com/album/graveview-demos-18-19

Influences are undeniable but it’s what the band does with the tone and the myriad of other factors and how they incorporate it into their style which makes this special. Abrupt pace shifts and breakdowns executed with precision, know-how, flair, the fact that this is stunningly fluid, will incite grins aplenty and will delight long-time fans of the scene.

lllvilja livet

lllvilja -Livet *

https://phobiarecords.bandcamp.com/album/illvilja-livet-lp

A primitive, mysterious, spice heats up that which is already incendiary, both in its nature and infectiousness. Touches of stylistic diversity, and appreciative breaks from the same old, same old (which could well be expected based on this albums categorization, hailed as “Dbeat/Blackened-Crust”) propel this to refreshing heights making this a release set to be the bar which others in the genre will struggle to reach. This came out of nowhere to catapult me to the nearest medical facility on account of my abrupt skyrocketing excitement levels, it’s that damn impressive!

nomas last laugh

No/Mas – Last Laugh

https://hpgd.bandcamp.com/album/last-laugh

I can honestly say I believe this to be their best work to date, as it makes an instant impression and is criminally infectious/inciteful from its nuclear-powered launch. Six tracks and perilously close to eight minutes in length. Yep, this is grindcore! And these fellows have an axe to sharpen and senses to obliterate.

 

overt enemy possessionOvert Enemy – Possession

https://overtenemy.bandcamp.com/

Slayer worship through and through (there’s even a ripping cover of “At Dawn They Sleep” and the bassists name even has a decidedly “Slayer” slant to it) of that there’s no doubt but Overt Enemy execute the style so damn well that odds are they’ll take the vacated throne without a qualm and little complaint.

wraith

Wraith – Absolute Power *

https://wraith-us.bandcamp.com/album/absolute-power

Like an adrenaline shot to a form weary of hype this awakens immediately the same feeling one had when first introduced to the scene. With splashes of punk, a style which rarely lets up pounding maniacally at blackened thrash/speed gates and a myriad of influence which vomits from near every track this is an album not to be missed. Add a double billed Hellripper, Wraith show to my bucket-list and I’ll leave this plane a happy fellow.

wizard rifle self titled

Wizard Rifle – s/t

https://wizardrifle.bandcamp.com/

The sound is altogether mesmerizing, even from the albums first notes, while wholly unclassifiable. The exuberance and energy are undeniable and infectious whilst the rhythms and tempo are ever evolving, shifting like an amorphous beast the likes of which you’d kindly invite in from the cold for a spot by the fire. Dense riffs collide with sacrificial drum salvos and plodding rhythms transform into galloping frenzied moments all accented by a diverse vocal tirade which incorporates melody, shouting and angst in equal measures. An epic feel underscores the whole shebang though its hardly given much heed as the music whisks the listener away to undiscovered realms, vistas and valleys frequented by constructs which are nonsensical yet accepted as easily as a birthday check, in the mailbox, from a long lost relative.

September

arctos.jpg

Arctos – Beyond the Grasp of Mortal Hands *

https://arctos-northernsilence.bandcamp.com/album/beyond-the-grasp-of-mortal-hands

I’m not normally a fan of the Black Metal genre but this blows me away with its diversity and delivery in every way. Enthralling, hypnotic and stunning from start to finish, a must visit genre experience!!

alcoholocaust.jpg
Alcoholocaust – Necro Apocalipse Bestial

https://brigadantiposers.bandcamp.com/releases

Aggressive speed metal with the occasional splash of punk accompanied by maniacal and archaic heavily accented vocals. This could well be the foreign long-lost twin to Whiplash’s “Power and Pain” release. Criminally addictive and requires limbering up before hitting the play button. Prepare to have this reside in your audio equipment for an extended duration of time.

algebra

Algebra – Pulse?

https://unspeakableaxerecords.bandcamp.com/album/pulse

There’s an undeniable fluid nature here. Timing changes are exquisite, rhythms infectious and dynamic. Melodies are plentiful and change enough to keep a listener on their toes. A sense of familiarity abounds, leaves one scratching their heads as to which band or album this or that part sounds like, but it doesn’t take away from the listening experience in the slightest. Oftentimes an epic narrative unfolds by way of the music alone complementing the thought-provoking lyrical content. In short, a winning combination which if someone could bottle it would most probably be titled something along the lines of ‘Excuse me for a second while I blow your mind’, or” Forget the Remainder of your day you’re about to be Unfathomably Distracted”. Naturally words, as they often do, fail me as I attempt to imprint my appreciation upon the flashing screen beneath my hands. Don’t, DON’T, don’t, allow this to go unnoticed.

ankhara

Ankhara – Sinergia

https://fighter-records.bandcamp.com/album/sinergia

Showcasing passionate rhythms, galloping riffs and dynamic, high energy, percussion there are zero dull moments here to be discovered. The style varies and brings to mind a plethora of acts some more distinct than others as the album unfolds. If your interests lay more in hard rock more so than the darker end of the metal/rock universe this is where you’ll want to rest your ears for a while.

coldclaw.jpg

ColdClaw – Anti Martyr: Decades to Suffer

https://ritualsoundrecords.bandcamp.com/album/anti-martyr-decadess-to-suffer

Coldclaw’s is a style which captures the essence of black metal. Crust as experienced throughout the album in various passages featuring dominant drum salvos; which are difficult not to move to and death metal as heard within various chugging riff approaches and the brutality which is displayed dominantly throughout. The result is a collection of tracks which has the potential to appeal to a wide audience, some who are curious about arenas they perhaps haven’t discovered before and others whose interests lay within the styles mixed with such passionate precision here

come back from the dead album

Come Back from the Dead – Rise of the Blind Ones

https://comebackfromthedead.bandcamp.com/

With melody and groove throughout this rarely let’s up in the infectious department. Think a hybrid of 90’s European death, old school British grind/death with a complementary sprinkle of doom and a maniacal essence. A mixture no doubt which has been perpetrated before but, in this case, somehow it feels fresh and leaves quite an impression.

cult of sorrow.jpg

Cult of Sorrow – Invocation of the Lucifer

 https://cultofsorrow.bandcamp.com/

Traditional, melodic, riff heavy with just the right amount of fuzz, keyboard laden, passionate doom with heavy metal leanings. Think The Obsessed with vocals of an Ozzy era Black Sabbath slant. This has undeniable staying power, shows experience beyond only being a second full-length and is extremely difficult not to instantly appreciate. And this only gets better with repeated listens.

ethereal riffian.jpg

Ethereal Riffian – Legends

https://robustfellow.bandcamp.com/album/legends

A varied smorgasbord of doom, wall to wall melody and influence ranging from across the metal spectrum. Vocal inflections channeling Mike Muir (Suicidal Tendencies) a musical style often akin to that of early Faith no More, and unpredictable, driving rhythms with occasional strangely soothing qualities. Highly entertaining audio that’s dangerously infectious and pleasingly varied throughout.

high command

High Command – Beyond the Walls of Desolation *

https://highcommandsl.bandcamp.com/album/beyond-the-wall-of-desolation

Every once in a while, there comes an album which has a buzz surrounding it. This is one such example. Often this buzz has much to do with unique qualities; a quality which has the potential to take genres in new and exciting directions. This is hardly another run of the mill, dime-a-dozen thrash album although it bears the ingredients which most exhibit if only in part, and all wish to master. Is this the thrash album of the year for me? It’s certainly up there in the mix and unashamedly guilty of rekindling my interest in the genre.

Horror God

Horror God – Cursed Seeds

https://lavadome.bandcamp.com/album/cursed-seeds

Melody and groove take a backseat to the menace and ferocity on display though it’s still apparent albeit in frenetic doses. The constant timing and rhythm shift as well the musicianship on offer and the booming vocal cadence elevate this above the herd. A dark nightmarish, punishing, narrative is what’s on offer here and I’m taking the trip again.

 

IATT
IATT – Nomenclature

https://iattblacklion.bandcamp.com/album/nomenclature

Once over the initial foreign aura the album’s foreign nature grows on the listener, starting its enthralling conquest of the senses. In short, this will appeal to those with an open mind whose penchants run to blackened realms as well arenas which are often referred to as a tad experimental. Be prepared for you’ll want to lose yourself in its grandeur again and again.

netherbird.jpg

Netherbird – Into the Vast Uncharted

https://netherbird.bandcamp.com/album/into-the-vast-uncharted

A remarkable invocation of the blackened death style crafted with precision showcasing passionate guitar leads, acoustic brilliance and sweeping evocative melodies. A veil of doom, a definite well-executed presence, accentuates the palpable emotion throughout making for a release one will only want to experience repeatedly.

Sempiternal Dusk

Sempiternal Dusk – Cenotaph of Defectuous Creation

https://darkdescentrecords.bandcamp.com/album/cenotaph-of-defectuous-creation-2

Catacomb-esque mid-tempo rhythms with subtle nuance and oodles of archaic, cinematic quality, atmosphere in the form of an unmerciful steamroller assault. Suffocating audio with a slight funeral doom aura, dense yet also flirting with a blackened vibe, a myriad of tempo and time changes under epic skies offers the listener plenty to chew upon. This might take a second listen to fully embrace but it’s worth the effort!

void king

Void King – Barren Dominion

https://voidking.bandcamp.com/

Took me a while but now I’m thinking the raw, unbridled, emotion-laden vocal style is a hybrid of Staind Channel Zero (although my only experience is the album “Unsafe”) and Danzig it’s highly effective against the slow to mid-tempo rhythms and presence, the combination is nothing short of powerful and utterly mesmerizing. The fact that this is radio friendly should not deter one from giving it a fair few spins. An altogether brilliant slab of doom/stoner rock with Southern rock touches. Highly recommended!

wintercrown

Wintercrown – Northern Lights

https://cultofosiris.bandcamp.com/album/northern-lights

I can’t pinpoint it, perhaps it’s the fact that Wintercrown aren’t afraid to branch out (ever so slightly) to encompass elements from other genres both musically and vocally. Or the fact that the combination works so ungodly well. Whatever it is, it’s executed excellently, I’m sold! And this has been one of the most impactful Black Metal experiences I’ve heard in recent memory. Bravo!

mix tape action

Keep it up, you maniac!

Well, there’s another couple of months’ worth of releases to dive into. Naturally, I haven’t heard everything within these three months, not even close in fact. I was slightly distracted with the summer holidays and the kiddos not being in school. However, I did make an attempt which often resulted in virtually sleepless nights and varied exciting moments of zoning out at work the following day. And all in the name of metal! (What a trooper). Due to the sheer volume of releases unleashed during the final three months of the year I’ve come to the conclusion that what I believed to be an initial four-part endeavor will now transpire into what I’d like to think of as a five-part opus. Don’t say I didn’t warn ya!

Cult (a certifiable slave to audio extreme)

 

Abrasive Audio – Part Thirty (October 2019)

headbangin gif

To quote Beavis and Butthead, or someone equally as silly, “Metal, metal, metal”. It’s what I’ve got in store and what I’ll preach upon, as per usual. So, grab your favorite beverage, sit back, strap in and open those ear holes for another extreme audio invasion. Be warned – this is another especially mammoth affair (11 bands/albums at last count) with a veritable avalanche of diverse new tunage to discover, jump in!

Please note that ratings here are usually on the high side this is due the fact that I leave audio which I can’t get into (for one reason or another) for someone else to lay words upon. Naturally tastes vary, yours may not be the same as mine for this reason I try to impart a wide spectrum of styles within the titles I place my ponderances upon. Without further ado what say we get this started with…

necronomicon

Necronomicon – Unus
(Canada)
Release – October/18/2019
Season of Mist
Asher Media Relations
https://necronomiconbm.bandcamp.com/
ARTWORK – 78

Serpents, lions, reptiles, flames and an overall motif many may well confuse for a stamp of royalty. Black Metal by order of Her Royal Highness, or something… close.

FIRST TRACK – 89

In short, this is symphonic, atmospheric blackened metal with an epic nature. And it’s a damn impressive commencement.

INITIAL LISTEN – 91

There’s no doubt whatsoever that these guys know exactly what they’re doing. This album drips with excellence, wisdom, atmosphere and an epic audio landscape drenched in master craft-execution of archaic qualities one cannot possibly ignore. Chants, synth interludes and angelic voices add to the albums blackened death par excellence (combining infectious rhythms, ranging from sweeping melodies to hyper speed pacing, and inhuman drum precision) and an undeniable captivating allure. There’s even an addition of old school stylings (by way of the last two tracks “Cursed MMXIX” and “Vox Draconis”) tossed in to perk the interest of those whose interests lay more in the death, rather than blackened death, side of the metal spectrum. If blackened death is the area of the metal arena upon which you spend most of your time you would be negligent not to place this within the ears. If this is a scene which is new to you and you’re curious this is a great place to start your exploration. Highly recommended!

Favorite Tracks; Infinitum Continuum, Paradise Lost, Singularis Dominus, Ascending the Throne of Baator, Vox Draconis.

FFO; Septic Flesh, Dimmu Borgir, Cradle of Filth, Rotting Christ, Behemoth.

algebra

Algebra – Pulse?
(Switzerland)
Release – September30/2019
Unspeakable Axe Records
Clawhammer PR
https://unspeakableaxerecords.bandcamp.com/album/pulse
ARTWORK – 82

Not usually what one would expect to find on a ‘thrash’ album (again I’ve spoilt the fun and perused the promo materials) this hints at an album with progressive death leanings, the logo hints at the same. Hitting play…

FIRST TRACK- 92

An acoustic intro that’s part Sepultura (BtR), part Annihilator (AiH) certainly perks up the ears but it’s the cavalcade of riffs both intricate, precise and technical which warrants praise. I can’t honestly say I’m a huge fan of thrash, a few albums here and there. This however has my complete and utter undivided attention leaving me more than intrigued as to how the remainder will play out. (On a personal level the vocal approach took a few listens to fully appreciate although it doesn’t take away from the genius of the music itself).

INITIAL LISTEN – 93

‘Precise’ is a fantastic descriptive word. And I’ll attempt not to overuse it as I continue. Admittedly it might be easier said than done. The audio found here isn’t face melting pace for the sake of it, neither is it merely too technical, a style which might only appeal to those who aspire to be the next Vai, Rhodes or any number of guitar virtuosos who leave audiences around the world in awe. There’s an undeniable fluid nature here. Timing changes are exquisite, rhythms infectious and dynamic. Melodies are plentiful and change enough to keep a listener on their toes (ranging from galloping, ‘old school’ aggressive, stoopid fast to melodies which evoke all manner of emotions) but not too much as to be over the top. A sense of familiarity abounds, leaves one scratching their heads as to which band or album this or that part sounds like, but it doesn’t take away from the listening experience in the slightest. Oftentimes an epic narrative unfolds by way of the music alone complementing the (far removed from the run of the mill) thought-provoking lyrical content. The vocal approach appears at first like it doesn’t fit. But then, after a few listens, slips comfortably into the ‘perfect complement to the percussion’ folder. In short, a winning combination which if someone could bottle it would most probably be titled something along the lines of ‘Excuse me for a second while I blow your mind’, or ”Forget the Remainder of your day you’re about to be Unfathomably Distracted”. Naturally words, as they often do, fail me as I attempt to imprint my appreciation upon the flashing screen beneath my hands. To top it off this has one of the finest “Dead Embryonic Cells” covers I’ve ever had the pleasure to put between the ears. Don’t, DON’T, don’t, allow this to go unnoticed. It really is that damn impressive and seriously appeared from out of the ether itself to entangle my whole afternoon in audio I wish to play again, again and again.

Favorite Tracks; Inner Constraints, Addicted to Authority, Stimulated Mind, Manipulated Soul, Pulse?

FFO; Deathrow, Vektor, Coroner, Slayer, Sepultura.

coldclaw

ColdClaw – Anti Martyr: Decades to Suffer
(USA)
Release – September/27/2019
Ritual Sounds Records
BDWE Media
https://ritualsoundrecords.bandcamp.com/album/anti-martyr-decadess-to-suffer
ARTWORK – 86

Black and white imagery complete with a sun-bleached effect (this might have been shot in Arizona, anyone?) depicting an unfortunate soul stuck within the confines of a suspended cage with his only companions the birds which have, most probably, been pecking away at his torso for millennia.

FIRST TRACK – 89

A ritualistic introduction, of sorts, dissolves into a drum heavy salvo with a dissonant guitar complement. This soon transforms again into dangerously addictive rhythms channeling both crust, death and black metal leanings. A fantastic combination which grabs the attention and opens the eyes to Coldclaw’s style whilst yanking control of the torso into uncontrollable spasms of frenetic movement. An excellent opening leaving one eagerly salivating for the remainder of what’s to follow.

INITIAL LISTEN – 90

With the quality of this release in mind I expect Coldclaw to be a name on most lips throughout the arena of extreme metal within the coming months (of course ‘justice’ doesn’t always prevail). Theirs is a style which captures the essence of black metal (via rasped vocal stylings), crust as experienced throughout the album in various passages featuring dominant drum salvos; which are difficult not to move to and death metal as heard within various chugging riff approaches and the brutality which is displayed dominantly throughout. Undeniable atmosphere is a fantastic accompaniment to the angst on offer and will please those with blackened metal penchants regardless of what the atmospheric element accompanies. A mid-tempo is customary, though occasionally Coldclaw take the leap into hyper drive realms (bringing to mind 1349 and Necronomicon) as heard within the excellent “Zephyrs” and “Stillness” track (why isn’t there more tracks with this in the title? My spell check device is about to remove me from its Xmas list mailing).

In conclusion, as if one hasn’t already come to the same conclusion as I, this album is one which deserves ears upon it and praise slathered all over it. Its composition is one that’s not altogether new though sounds unique on account of the quality it’s been created by. The result is a collection of tracks which has the potential to appeal to a wide audience, some who are curious about arenas they perhaps haven’t discovered before and others whose interests lay within the styles mixed with such passionate precision here. No matter where your compass lie do yourself a favor and set the senses upon this then add it to the collection and support the blossoming talent within the scene.

Favorite Tracks; The Deafening, Into the Mirror (Visceral Self-Loathing), Bring Down the Hammer, Searing Wings Through Zephyrs, Stillness and Devine Rivalry, Crippling Dementia.

FFO: Dark Throne, Mayhem, 1349.

come back from the dead album

Come Back from the Dead – Rise of the Blind Ones
(Spain)
Release – September/13/2019
Transcending Obscurity Records
https://comebackfromthedead.bandcamp.com/
ARTWORK – 82

Teal on an album cover. It’s quite the risk, but it works. And this collective of corpses shot through with wicked looking tendrils certainly catches the eye.

FIRST TRACK – 89

Huge riffs lead into a groove -laden landscape complemented by a Barney-esque vocal approach. Early The Haunted in feel accentuated by thrash sensibilities. This isn’t your Father’s death metal! A great start!

INITIAL LISTEN – 87

With melody and groove throughout this rarely let’s up in the infectious department. Maniacal passages, ala early Slayer, lend an edge and elevate this far above what one would find upon the same old traditional, tried and true, death release. Occasional familiarity (especially in the case of “Restless in Putrescence”) puts one in mind of an old school style, an influence no doubt though this is far from merely just that. Think a hybrid of 90’s European death, old school British grind/death with a complementary sprinkle of doom and a maniacal essence. A mixture no doubt which has been perpetrated before but, in this case, somehow it feels fresh and leaves quite an impression.

Favorite Tracks; Outcast of the Light, Martyrs of a Gruesome Demise, Restless in Putrescence, Darkness Abominations, Possessed by the Death.

FFO; Morgoth, Dismember, The Haunted, Vomitory, Bloodbath.

And, wait for it…it’s Split Time

swampbeast void terror split

Swamp Beast/Void Terror split
Holocaust of Terrestrial Empires
(USA)
Release – November/14/2019
Me Saco Un Ojo
(note; the Split is represented as of this publication date)
https://mesacounojo.bandcamp.com/
ARTWORK – 78

This looks as though it could be from the same pencil as the person responsible for the last Drawn and Quartered album (I could be wrong, and most probably are). A diabolical, subterranean image which blossoms with more details as the viewer digs deeper.

INITIAL LISTEN –
Swampbeast – 86
https://swampbeastca.bandcamp.com/releases

Unrelenting death grind complemented by suffocating catacomb-esque atmosphere. A mesmerizing soundscape combining Napalm Death touches, passages of groove and a brutal whirlwind chaotic attack. The climax of their ‘set’ utilizes an excellent militaristic/ritualistic drum salvo which morphs into an all-consuming, blazing, fire motif. An excellent climax to a fantastic introduction to the band and their audio.

FFO; Morbid Angel, Tomb Mold, Blood Incantation, Ch’thelist.

Void Terror – 92
https://voidterror.bandcamp.com/releases

Utilizing more a majestic and atmospheric black metal approach as an introduction Void Terror’s initial portion (of this split) initially brings to mind what Bolt Thrower “Realm of Chaos” might have sounded like if it had decidedly black metal undertones. Dirge laden and wickedly dark, yet chaotic and shot through with diabolical essence. Gothic elements are a great addition and add to an already undeniable hypnotic effect. A swirling maelstrom of audio madness one doesn’t wish to escape.

This is easy to lose oneself within, extreme fans will be left pleased indeed!

FFO; Drawn and Quartered.

An excellent split with plenty on offer from two acts ripe for discovery. Keep an ear out for these guys they are poised for greatness.

Favorite Tracks; Chant of Bolotnik, Multiversal Extract, Second Death.

Overall – 90
Back to our regularly scheduled programming…

meth fetish.jpg

Meth Fetish – Meth Fetish EP
(Sweden/USA)
Release – November/1/2019
Dry Cough Records/ Pissed Gargler Records
(Note; the Split isn’t represented as of this publication date)
https://drycough.bandcamp.com/
https://pissgarglerrecords.bandcamp.com/
ARTWORK – 65

What is it with album art which is perplexing? I somewhat get it, the artist and band want you to look closer, paying more attention to hidden intricacies as you try to work out what it might be. Perhaps I’m old school and require (scratch that; ‘demand’) instant gratification rather than an image I need a degree and an impressive IQ to utilize in order to get somewhat of a clue. The jury’s out. If I were to guess I’d say this is a representation of a torso shot through with a substance making its way through the vital organs. Meth perhaps? Pressing play.

FIRST TRACK – 72

Hypnotic and dense this is sludge oozing with an unmistakable dirge nature and subterranean qualities.

INITIAL LISTEN – 73

With strings so loose it’s an OSHA hazard, Meth Fetish choke the listener in a dirge nature so vile, thick and heavy you’d think it might have recently exited the bowels of a pachyderm freed from worrisome constipation. Complemented by distortion so blatant it could clear the cobwebs from an abandoned Gothic mansion, a bludgeoning nature, vocals spewed lazily from a pestilent throat and an overall nature which drips with underworld atmosphere. This about ticks all the boxes for the requirements a seasoned vet of the filthiest arena of extreme tunage demands. Give it a listen and prepare to put a down payment on a brand spanking new subwoofer. You’ve been warned!

Favorite Tracks; Wasted, Incurable.

FFO; Fetish 69, EyeHateGod, Cathedral, Acid Bath.

cleric.jpg

Cleric – Serpent Psalms
(USA)
Release – October/25/2019
Raw Skull Recordz/Redefining Darkness Records
https://cleric-us.bandcamp.com/
ARTWORK – 92

There’s a great deal going on here. An alien landscape, a sacrificial Aztec-esque altar, effigies watching over all and coitus in what appears to be mud of one type or another. Intriguing indeed. It’s as if doom has collided with sci-fi laden grindcore.

FIRST TRACK – 81

Traditional HM2 action meets old school British death/grind complemented by a Barney-esque vocal approach, catchy as fuk mid-tempo groove and an atmosphere one might not expect bearing in mind the above-mentioned combination.

INITIAL LISTEN – 85

The familiarity here for those of us with tastes for the old school and mid-tempo infectious silliness is undeniable. This is worship at the altar of both HM2 and the early 90’s British death scene. Above and beyond that this offers little touches (synth interludes hinting at cosmic/foreign landscapes,  as well a fluidity which hard to deny) which add to the homage keeping the attention and plenty of groove passages to make one want to take this from wired headphones to blue tooth or even a speaker system setup which the neighbors will more than likely hate you for, but it’s worth it. Boasting a seething dirge nature complemented by riffs and rhythms which are difficult to ignore this, though not altogether ground-breaking, is a release which demands further attention and might well male one take a trip down nostalgia brutal ville to revisit that which is most probably collecting dust. Highly Recommended, but be prepared for the limbs to move of their own volition.

Favorite Tracks; Maw of Absolution, Possessed in Congress, All Death Unseeing, Destroying Eye of the Self.

FFO; Benediction, Bolt Thrower, Carnage, Entombed, Dismember.

andralls.jpg

Andralls – Bleeding for Thrash
(Brazil)
Release – October/11/2019
MDD Records
Against PR
(Note; this is an earlier release as of this publication date the album isn’t represented yet)
https://xtreemmusic.bandcamp.com/album/andralls
ARTWORK – 83

With the recent background of the band, more specifically the lead singer, in mind odds are this could well be imagery, and the albums aptly named title, depicting his overcoming thyroid cancer.

The image certainly grabs the interest and piques the curiosity and is miles from what one would expect to find adorning the cover of a thrash album, a melodic or doom/death affair but hardly thrash.

FIRST TRACK – 76

Heavily accented vocals (with a hardcore slant) atop aggressive driving rhythms which bear undeniable early Exodus ‘bounce’, maniacal riffage ala Slayer and also old school go all out tendencies.

INITIAL LISTEN – 80

This collection of tracks is testament to a band’s dedication, perseverance and passion for the craft. Rarely letting up this album showcases driving rhythms, a style which incorporates a slew of influences across the extreme spectrum and dynamic pace channeling Sepultura, Overkill complemented by the maniacal riff fashioning of Slayer. Feast your ears on this and support an act who prove that hard work, perseverance and patience pay off.

Favorite Tracks; Bleeding for Thrash, Imminent Cancer, Acid Rain.

FFO; Sodom, Exodus, Slayer, Sepultura.

in mourning.jpg

In Mourning – Garden of Storms
(Sweden)
Release – October/4/2019
Agonia Records
https://agoniarecords.bandcamp.com/album/garden-of-storms
ARTWORK – 88

An amorphous plant, a force of nature running amok or merely an artist’s interpretation of a transformative hybrid force within the wild? Regardless, this is certainly eye-opening and not what one would expect to find on an album cover in a genre in which I can only presume this resides. I’m ready to be set to rights, hitting play.

FIRST TRACK – 97

A stunning mix of melodic death, doom and progressive elements supported by an excellent fluidity and rhythms which are criminally infectious. A clean, hoarse vocal trade off works superbly and only serves to make this a track which is most certainly up there with the finest of the year (need I say IMO?)

INITIAL LISTEN – 96

What we have here folks is another example of an act which I’m amazed I haven’t discovered much sooner. The audio here is about as varied as one can imagine without it running into ridiculous territories, Avant Garde, or experimental realms. Growling vocals (of the highest order if there is such a thing) complement shifting rhythms, sweeping, soaring melodies and progressive passages which otherwise wouldn’t fit but, in this instance, based on their setting and the music’s composition and the tracks nature, are exquisite. The styles herein tumble over each as though puppies at play without once resorting to brutality, the fluidity here is astounding. In fact, overall this is an album I’m itching to recommend to the wife if only it wasn’t for the fact that she has an aversion to growling vocals I believe she’d be as excited about it as I. Without running into diatribe lengths I’ll leave this here and hope my fanciful words have made an impression. Hopefully I’m not the last to jump on this it deserves praise from the highest of peaks. Suffice it to say the name of both the band and the album are sure to be heard until well into next year even after year end lists have been exhausted. (If I get around to compiling one, there’s no doubt it’ll be high on the podium.)

Favorite Tracks; This album flows so damn well and offers so much stylistic diversity at such an elevated level that its hard to pick only a few tracks. Suffice it say it delivers throughout.

FFO; October Tide, Opeth, Katatonia, Between the Buried and Me, Be’lakor, Insomnium, Swallow the Sun.

the deathtrip.jpg

The Deathtrip – Demon Solar Totem
(United Kingdom/Norway)
Release – November/15/2019
Svart Records/Profound Lore Records
https://the-deathtrip.bandcamp.com/album/demon-solar-totem
ARTWORK – 72

I’m not quite sure what to make of this to be honest. It looks as if it could have Oriental occult origins; the shape of the face, the flowing mass of hair. Though I’m still perturbed as to what it could be. One thing’s for certain though, there’s plenty of crimson and the person has wicked sharp looking talons. Pressing play.

FIRST TRACK – 83

Ominous indeed. Atmosphere drenched in dread and menace collides with tradition hyper speed chaotic, blasting, black metal which oozes undeniable majesty. Occult qualities, as well mystical elements are front and center and cavort in an epic nature. Within its length hypnotic rhythms are commonplace aided by chants making for a varied vocal approach and hinting at a release which could well be quite the auditory experience.

INITIAL LISTEN – 86

Adding upon a harsh, primal, oftentimes raw groundwork with epic themes, a grandiose template which incorporates screams, howls, chants and undeniable majestic The Deathtrip have created an album which has the potential to garner appeal from across the BM landscape. Varied in both scope and approach raw audio (with an intensity to appeal to traditionalists and those acclimatizing themselves to the variety the scene offers; aka me) cavorts alongside melancholic atmosphere hypnotic, trance inducing, rhythms and surprisingly melody drenched under occult skies an effect which holds the attention from first to last. And the more one sinks into the experience (aka repeated listens) the greater detail and intricacies it provides. This boasts an appeal which cannot be argued, begs to be repeated and often.

Favorite Tracks; Demon Solar Totem, Angel Fossils, Surrender to a Higher Power, Enter Spectral Realms, Abraxas Mirrors.

FFO; Mayhem, Darkthrone, Thorns, Beherit, Dissection, Emperor, Burzum.

psychomancer.jpg

Psychomancer – Shards of the Hourglass
(USA)
Release – October/31/2019
Orchestrated Misery Recordings
Clawhammer PR
https://psychomancer.bandcamp.com/
ARTWORK – 56

The imagery (as well the bands logo) bears somewhat a dark hip-hop vibe, the effluent green glow and font are to blame, thankfully the audio isn’t (I’ve perused the accompanying promo materials) and honestly, I’m not a fan, fingers crossed it doesn’t turn a potential listener away.

FIRST TRACK – 70

Thrashy death with a familiar HM2 Buzzsaw dirge vibe showcasing plenty of rhythm changes with a sound bolstered by commendable production values. The drum sound and bass twang is distinct, the vocals are of the death doom variety.

INITIAL LISTEN – 74

Melodic death, bordering on the more aggressive spectrum of thrash, boasting mid-tempo rhythms and a cavalcade of riffs which are difficult not to appreciate. Quality production values, clear sound and plenty of groove passages help keep this from forgettable realms. Though the style is truthfully far from ground breaking this offers a style and execution fans of the Entombed, Grave and Dismember movement will likely appreciate more than most.

Favorite Tracks; Red Poetry, As Your Vital Signs Decline, Deto-Nation, Myrmidons.

FFO; Benediction, Gorefest, Malevolent Creation, Vader, Grave.

It’s “Recc’d by” Time

fistful of doom

Recc’d’ by Fistful of Doom; @FlatulentFuzz (on Twitter):
Cycles of the Damned – A Time to Survive
(USA)
Release – October/12/2019
Incendiary Ceremony Recordings, D.H.U Records
Mettle Media
https://cyclesofthedamned.bandcamp.com/album/a-time-to-survive
Thoughts –

It’s hard what to expect from audio with the album’s art in mind; A skull within chainmail and helmet set against a background ablaze in flames. Better just to clear the mind and let the audio itself do the “talking”.

cycles of the damned.jpg

Immediately noticeable is that the albums six tracks run sixty minutes (one runs over fifteen minutes in length, the first three run close to forty-two minutes). I’m of the mind that this can only go one of only two ways; sheer boredom (resulting in my attention diverting elsewhere and damn quick) or audio which captivates with its brilliance, leaving me in awe with my attention rapt. I’m glad to report that the latter is the case. This is drenched in doom sensibilities as well sludge qualities and a certain amount of unquestionable angst. Cinematic soundscapes are introduced often, showcasing psychedelic moments amidst unbound atmosphere, and make up a great deal of the albums playing time adding considerable depth, an element one might normally expect to find upon an album within the same genre, and a narrative one can easily lose themselves in depending on of course their ‘state of relaxation’ (if you catch my drift). A plethora of emotions are guaranteed to be evoked as this plays out as the listener is dragged from one destination to another in a journey comprised upon a spectrum of landscapes formed from the unlikely coalescing of a myriad of styles. Fluidity is uncommonly commendable and I would suggest an afternoon free from distraction to be able to let the power of this release (as a whole, not track by track if avoidable) sink in. Thanks for the Recc Sir. I’m adding this to my playlist for those long road trips where conversation is dull and the surroundings muted by sparseness.  Recommended for those who have an open mind and are willing to allow a release to breathe rather than assault the senses immediately.

Recc’d by Void; @Voidhanger2 on Twitter

Void Reccs

Scaphism – Perpetual Torment
(USA)
Release – August/27/2019
https://scaphism.bandcamp.com/
Thoughts –

Within the last year I’ve laid thoughts down upon Scaphism’s last album (“Unutterable Horrors” released in January of last year through Horror Pain Gore Death Productions), I liked it but was left wanting more, I wondered when their next might drop. Void surprised me one day by asking if I’d ever heard of them (doesn’t he read my inane ramblings upon all things metal I thought briefly) and continued by stating that he was going to a show (I’m still jealous, dammit!) A few hours after the show in question he dropped me a brief video which left me perplexed; had the vocalist changed? (regardless he stated that he loved them) Which prompted me to seek out and lay a few thoughts upon this, a two-track demo leading up the bands third full length (which I’m also willing to promote if the band is reading this – hint, hint).

scaphism - perpetual torment

As is typical I’ll ponder upon this releases art before I dissect the audio. I’m all up for gruesome art especially if it reminds me of a standout, and quite unexpected especially grisly FX laden, scene from the original Poltergeist movie (which is usually omitted when it airs on TV).

Old school and groove come to mind when I hit play. The vocalist may have changed but the style hasn’t, for which I’m thankful, Lovecraftian lore and a story type narrative oozes from the lyrical content and for the most part it’s actually decipherable (which is rare in the genre) which in no way takes away from the quality. This is a lady who can growl (anyone else into that sort of thing?) And hers is a style which fits the audio leaving no doubt or concerns whatsoever. Riffs are far from technical, but I’ve no complaints, this is undeniably more ‘meat and potatoes’ style death with breakdowns and the occasional abrupt galloping pace transformation tossed in for effect.

If this is any indication of the quality on offer from album to follow, I’m all ears. And Void likes it so who’s to argue ‘his’ logic.

exhausted animal

That’s about it for this, yet another monstrous installment, in the series, I only hope you made it to the end (I’m tired). Until our paths of audio interest cross paths again, don’t fear discovery of that which would normally not grab your attention.

Cult