Archive for the ‘Reviews of the Metal Variety’ Category

Attack of the Compilation – Fckn’ Slayer!

a tribute to Slayer Antichrist mag
Antichrist Magazine and Ground Sounds Promotion presents A Tribute to Slayer

https://www.youtube.com/watch?v=YCBierffU-4

Well, Well. Cult has apparently left his laptop open again. But this time rather than setting eyes upon all manner of naked flesh writhing in ecstasy the main screen displays a Bandcamp address with the words “Slayer” front and center. Suffice to say I can’t ignore such a sight. Apparently, he’s been struggling getting this off the ground. Family, work and assorted other things are warranting his attention at present. In actuality he struggles with a bunch of things. But that’s another story. And my penchant for chasing four-legged delicacies will have to wait. So, what is it exactly that we have here? In short; Twenty -six bands from around the world giving their audio tribute to tracks which have undoubtably formed the extreme world of audio as we know it today. Fair enough. I’m curious. What say we dive in?

Slayer-Original-Logo

Expect to see this word more than a few times in the near future

What grabs the attention first is the fact that there are twenty-six acts (and tracks) on offer here. That’s huge and so is this. This runs close to a whopping two hours in length. If it weren’t for the fact that Slayer is what’s on offer here, and there’s somewhat of a supposed Pandeamonic (yea, I know I spelt it wrong but it sounds infinitely better this way) spreading across the globe I‘d say sod this and go back to the mischievous activities I so love to take part in. But fck it, I’m curious and always up for a bit of Slayer. Perusing the track listing (which again “is huge”. Imagine a nubile youth saying that on her knees. Sorry, I got distracted) it appears that the material on offer is somewhat in chronological order, that is to say in the same order as the originals were released (I could be mistaken so don’t quote me). But enough of such details I’m imagining you’re as curious as I to get this thing started. However, Before I impart my thoughts, I’d like to drop the track listing along with the countries each act is from (this is truly a global affair much like the current Black Plague sweeping its way past Kanye West in Google searches. Notice how the majority of the acts are relatively unknown (is this just me? Do I have to swat up on my knowledge of the scene some before I continue?) With this in mind I’m considering this an ‘underground compilation’ a fact which only makes me more curious still.

tankist logo

1 – Tankist (Estonia) Evil Has no Boundaries

2 – Aeons Abyss (Australia) Die by the Sword

3 – Hateful Agony (Germany) Black Magic

4 – Serpents Kiss (United Kingdom) Tormentor

5 – Lone Hunter (Brazil) Crionics

Intrepid logo

6 – Intrepid (Estonia) Chemical Warfare

7 – Myrholt – (Norway) Kill Again

8 – Hamvak (Germany) At Dawn They Sleep

9 – Beltane (New Zealand) Angel of Death

10 – EigenstateZero (Sweden) Piece by Piece

11 – Grand Demise of Civilization (USA) Raining Blood

12 – Mindwars (International) Criminally Insane

Frijgard

13 – Frijgard (Switzerland) South of Heaven

14 – Unto the Wolves (USA) Silent Scream

15 – Hellming (Brazil) Mandatory Suicide

16 – Day 40 (United Kingdom) Ghosts of War

17 – Zvijer (Bosnia and Herzegovina) Cleanse the Soul

18 – SavageZ (Brazil) War Ensemble

19 – Macabre Decay (Sweden) Expendable Youth

20 – Hicsos (Brazil) Dead Skin Mask

Imminent Reaper

21 – Imminent Reaper (Mexico) Skeletons of Society

22 – Killrape (Brazil) Born of Fire

23 – Injector (Spain) Dittohead

24 – Domination Inc. (Greece) Disciple

25 – Jumpscare (Italy) Bloodline

26 – Outis (Ireland) Jihad

(Damn, it’s a long list, my digits are tired!)

Hitting play, it’s easy to decipher that each act has their own spin on the track they’ve chosen to ‘tackle’, some more so and often times even a little experimental in tone than others. Styles are diverse and range across the metal spectrum obviously Black, Death and Thrash take the lead (is this even a race?) whilst Power, Epic, Symphonic, Atmospheric and Speed are tossed in to show the transition in another genre (sometimes using a few in one track) can actually be pulled off to good effect. And boy can it, in some instances I’m literally bouncing off the walls with excitement. As is customary in times like these I have a ratings system designed for such this purpose (note that it’s a tad spicier than Cult’s attempt at the same);

confued Orc

Abysmal.

Not in the good way. Toss this in the ocean and punch the nearest passerby to let out the frustration of spending money on schiite such as this. Jesus might like this. But I still believe it has the potential to do naught but line the birds cage. Jesus loves everything, which in my opinion is rather silly. Jesus you’re a prat!

Hrrrrrhhhhh-!

Better, this shows potential. Much like, I’d imagine, your mother on a first date. But it still leaves me wanting. And she needs more training; those French fries weren’t free dammit!

The Goblin are going crazy!

Admittedly the annoying green bastid’ like most things and get excited at the drop of a turd but occasionally they have a suggestion which turns heads. And if the whole collective, much like an obnoxious stench-ridden green tide, agrees there must be something worth giving, at least, a cursory glance towards.

Time for a Crimson Splattered Moshpit!

Now this is worth sharing, break out the goblets, the fiery liquid, the unwilling, let’s break some limbs and party till the Dark Lord yells at us to get back to work!

All Mine!

I’m a selfish bastid’. And this is too fkn’ good to share. It’s all mine. Just try to take it!!

Slayer - Show No Mercy

Where it all began

To sate the curious types, those who have zero patience, I’d give this a “Time for a Crimson Splattered Moshpit“ rating. This collection shines with blistering pace, boils over with talent and offers a myriad of alternate visions of tracks which should already be ingrained upon the senses for those willing to open the mind. But for those who have yet to set ears upon the almighty Slayer (I can’t for the life of me wonder why this is the case) I seriously have no words. Before you continue please set your ears upon the classics, then if you wish to return please do so in order to discover a slew of acts with a great deal of passion on offer. Within such a compilation such as this they are naturally a number of tracks and acts (and styles) which garnered my attention to a dangerous degree, there are some which I could do without (but taking into account differing tastes… Nope not doing it! I’m not pandering to the easily offended, fuck this. This is my article and I won’t apologize for my preferences) and others which had such an effect on me that makes me wish I could bottle their very essence. Without further preamble and in order of appearance (as sometimes I’m OCD like that!)…

here are a few which especially perked my interests
tankist
Tankist – Evil Has no Boundaries

https://tankist.bandcamp.com/

A fantastic start. Raw, blunt and thrashy. Slayer I believe would approve! This is Just what one needs to get into the mood. Surprisingly good production aids this in spiking the adrenaline levels.

Aeons Abyss – Die by the Sword

https://aeonsabyss.bandcamp.com/

This track lends an early brutal edge to this compilation. Although the sound is a tad off (turn this track up for full effect) this still manages to deliver. Rasping vocals accompany a sludgy blackened feel bursting with subterranean groove elements. Heavy drums accentuate the allure of this one although it might take a few listens to fully appreciate.

EigenstateZero

EigenstateZero – Piece by Piece

https://eigenstatezero.com/

This is one of those experimental tracks of which I was talking. A tad industrial, a little progressive and a whole lot different but it all somehow comes together and works. There’s enough atmosphere in here to make a fanatic of the fantasy realm sit up and take note. Buried in the mix it takes a little while to decipher but it there’s and adds another layer to a track which is beyond intriguing. Did I mention this was silly fast? Nope. Well it is. An odd track for sure with its fair fare of unique brutal but it grows on you like the most lovable of enigmatic fungi.

Grand Demise of Civilization- Raining Blood

https://granddemiseofcivilization.bandcamp.com/

A fantastic twist on a true classic. Adding significant Gothic elements, pitch darkness and varied tempo transformations works wonders. There’s just enough uniqueness here for it to become memorable though not an abundance as to make the track far from instantly recognizable as homage. The maniacal elements are top notch as well the atmospheric into and outro.

mindwars

Mindwars – Criminally Insane

https://dissonanceproductions.bandcamp.com/album/do-unto-others

It’s hard to ignore this track. It isn’t far off the tone and feel of the original but with the added emphasis on the drums and a tad more oomph in the percussion its infectious to dangerous levels. I’m keeping an eye out for these guys in the future.

Day 40 – Ghosts of War

https://www.facebook.com/dayforty/

This is an excellent rendition of admittedly one of my fave Slayer tracks. An intriguing introduction, very Thrash metal circa late 80’s, leads into heavily accented vocals, head nodding Thrash with hints of Hardcore. Nuff said but simply put this is a banger!

zvijer

Zvijer – Cleanse the Soul

https://zvijer.bandcamp.com/

Blistering, precise and often raw with a gravelly vocal approach which fits perfectly. This track seethes with a remarkable quality and gets to the point quick.

Savagez – War Ensemble

https://savagez.bandcamp.com/releases

I’m a sucker for feral female vox (it appears Cult is too, which explains his recent obsession with Asarhaddon). Although this track takes liberties with the original’s arrangement, and wavers from brutal Thrash to more a more relaxed tone, it still manages to hit the spot. Admittedly not on its first try but it gets closer each time it’s played.

Imminent Reaper – Skeletons of Society

https://www.facebook.com/ImminentReaperGDL/

Another heavily accented Thrash attack. Not sure what it is about accents, they often add another level of viciousness to the accompanied percussion, in this case that’s the case (did I say “case” enough here?) There’s a little more passion here than in the original but it works. Another great addition to a collection which is fast becoming damn impressive!

Domination Inc.

Domination Inc. – Disciple

https://dominationinc.bandcamp.com/

I’m not sure what it is about this track. At first it didn’t do a damn thing for me. Somehow that changed. This isn’t traditional Thrash, this isn’t traditional Hardcore, it isn’t truly Crossover but a mix of all three topped off with East Coast angst (which is strange as this isn’t from New York, rather Greece better known for its Black and Thrash).

And the following are those which had me twitching spastically, like one possessed.
Intrepid – Chemical Warfare

https://intrepidest.bandcamp.com/

Old school groove, old school brutality, growls of the variety to entice a smirk to alight across the chops and a production tone to match. Clear the floor, if this doesn’t make you want to bounce from one wall to the next there’s something certainly amiss. I could play this all day and not get bored of it, reminds me of the good ole days I used to attend concerts in dank cavernous dive bars.

Myrholt

Myrholt – Kill Again

https://www.facebook.com/olealexandermyrholt/

Vocals with venomous spite, an archaic rawness, but also effective atmosphere tossed in to mess with how one might assume this will play out. The aura fits, what more can I say this has me nodding my head and thinking of all manner of glorious diabolical acts.

Hamvak – At Dawn They Sleep

https://hamvak.bandcamp.com/releases

This has a Speckmann/Master vibe thing going for it. A primitive nature combined with a thick dirge quality which is highly effective. Huge bass adds a tribal feel of sorts and it works!

Beltane

Beltane – Angel of Death

https://beltane.bandcamp.com/

What can I say about this track? It’s another example of if it wasn’t executed to a certain degree, I would have tossed this whole comp no matter the remainder of the quality on offer admittedly. Seriously, Slayer’s most infamous track. It has to be treated with respect and given justice. In this case. Fuck! Be prepared. The percussion is tight, on point. The tracks maniacal nature is added to with a wicked somewhat psychedelic twist. But it’s the vocals which tear the flesh from the bone. Feral female vox are my weakness (I’ve said that before) but this is ridiculous! It’s as if the owner of the throat in this instance is possessed. Like openly urinating whilst explaining the virtues of good parenting at church type behavior. I’m adding seeing a rendition of this in a live setting to my bucket list. Who am I kidding, making it to the land of Peter Jackson (New Zealand) is high up there too. One day, one day. I only wonder if they’d mind if I took along a four-legged friend as a travelling companion?  I hate peanuts and pretzels only make me wish I had mustard.

Frijgard – South of Heaven

https://frijgard.bandcamp.com/

There’s a strangeness to this track. Much like the original it has an undeniable sinister tone, though in this case the percussion has an added eeriness and the vocals an edge as if a Viking is in cahoots with a band tinkering with Post properties. This is a little different and I’m of the belief this is a controversial take but I’m loving the shit outta it. It could well perhaps be my choice for the ‘pallet cleanser’ of this collection.

untothewolves

Unto the Wolves – Silent Scream

https://www.facebook.com/untothewolves/

Define industrial vibes on display here. Machine gun riffs coupled with inhumanely tight drums. But it has a wickedness which is hard to pinpoint and I’m liking the chaos which abruptly breaks the precise nature. Turn this up and introduce the neighbors to the pleasures of Slayer!

Killrape – Born of Fire

https://www.facebook.com/killrapeband/

Raw and blistering. This is straight for the jugular, no nonsense, Thrash with production values which add to its malicious intent. Need I say more? Nope, this is a winner, crank it!

injector

Injector – Dittohead

https://injector.bandcamp.com/

I’m incredibly thankful that someone did this track justice. Admittedly, it’s a riot starter and I would’ve left pissed if it was included and not up to standards. Thankfully it is and it appears I have to complain elsewhere. Kudos Injector for pulling this off!

And this is cut and pasted from the article which accompanies the audio on YouTube, it seems appropriate.

Prepared and released by Antichrist magazine.

Follow SLAYER: https://www.facebook.com/slayer/

Follow Nuclear Blast: https://www.facebook.com/nuclearblast

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Subscribe to Antichrist magazine for latest updates: http://bit.ly/2hNi0gr

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Antichrist mag tribute to Slayer

And that’s it. This is a fantastic slab of worship which demands ears upon it (though I can’t say I’m not disappointed that “Necrophiliac” wasn’t covered). Perhaps one day this collection will appear on Bandcamp? Until then flood the YouTube channel in which it appears and be sure to thank the minds and talent behind it.

Support the artists, support the genre and hell, why not support me? I’m always up for spending money on crap.

Your loyal misshapen acolyte of most things extreme,

B

Abrasive Audio 2020 Part Eight

black metal gif

Tis perilous and uncertain times in which we live. Most things have become uncertain, we are reminded to wash our hands on a constant basis (seriously who doesn’t do this anyway?) and give a six-foot berth to those we are unsure of. Isn’t this behavior dictated by manners alone. Regardless with all that’s transpiring we still have distractions. Thankfully metal is still one of them and artists are still busy composing, creating and carving that which makes out senses tingle in excitement. I’d like to dedicate this installment to them and their tireless, ceaseless dedication. Thank you! I cannot seriously cannot write those words in a large enough font. It goes without saying therefore to support your local artists and those who continue to brighten your day with the eventual realization and maturation of their endeavors.

Without further ado may I drop you abruptly into grammar atrocious as IO attempt to put into words my appreciation of that which has delighted my senses in the last week.

February Releases

Angellore

Angellore (France) – Rein ne Devait Mourir
https://thevinyldivision.bandcamp.com/album/rien-ne-devait-mourir-2
Release- February/14/2020
Finisterian Dead End/The Vinyl Division

ARTWORK- 91

A touch of Gothic, a touch of SM and a flourish of Avant Garde. Just what is it I’m letting myself in for? Regardless this is a stunning image with makes the mind wander.

FIRST TRACK- 94

A twenty-minute opener. Yes, you read that right. And this isn’t Doom. Well it is, but there’s infinitely so much more on offer that it can’t be classed as merely that. Atmosphere aplenty, Gregorian chants, a smorgasbord of vocal approaches, strings and the occasional dip into Black waters make this an audio landscape one can truly get lost within. Think early Theatre of Tragedy but amp up the emotion and classical elements, only then will you be somewhat close. Outstanding doesn’t even come close.

INITIAL LISTEN- 94

Whoa. This collection of Tracks runs quite the extensive gamut. In one instance symphonic majesty in another an uptempo Gothic rock outing of sufficient godliness to place a smile on Pete Steel’s face, in others yet a folk vibe is unmistakable. Often landscapes are drenched in melancholy and the emotion produced takes the listeners to depths rarely attained, no matter the genre. Although this is hard to truly categorize the quality on offer is far superior to that I would ever think possible in a release which exhibits as much varied influence as this. The composition is sublime, the flow exquisite and the arrangements breath-taking. This is quite the achievement, one which I can only image will be celebrated for years to come setting the bar for others to strive for. The minutes will fly when this envelops the senses, bathe in the glory of Angellore.

Favorite Tracks; Hypnotic throughout.

FFO; Moonspell, Theater of Tragedy, HIM.

March Releases

Shadowkillers

Shadowkiller (USA)- Dark Awakenings
https://shadowkiller.bandcamp.com/album/dark-awakening
Release- March/3/2020
Stormspell Records

ARTWORK- 88

Flinging open the doors a Dark Elf sees carnage and readies him(her)self for conflict. Awesomeness. An epic fantasy image hinting at audio of the same nature. Is it too early to say I’m sold?

FIRST TRACK- 90

A fantastical introduction and an Epic/Power metal style minus the falsetto vocals I was expecting. Top notch arrangements and a lyrical narrative I’m wholly intrigued by. I believe I’ve found a rarity here, but only time will tell…

INITIAL LISTEN- 91

Admittedly, this is the first I’ve heard of the band. The genre really isn’t my go to audio arena of choice. However, with that being said this offers a great deal to pique my interest. A stunning blend of Epic/Power/Speed and traditional Heavy Metal and lyrics basted in a fantasy vibe which only makes me wish I’d have tried harder at penning fiction of the same ilk. Shit, it even contains keyboard passages reminiscent of vintage Dio fronted Rainbow (my weakness). The vocals are thankfully more gravelly than falsetto though still firmly rooted in the traditional and are easily decipherable to the point of drawing the listener into the story which unfolds as the album progresses. The arrangements here are superb, complete with cinematic atmosphere which only adds depth to the albums lyrical concept. Rhythms and riffs are fluid and convey a wide variety of emotions effectively. I never thought I’d say this but I believe I’ve found an album in this arena I can preach about, honestly the first since Riot’s “Thundersteel”. If the genres mentioned above are to your liking you cannot allow yourself to miss out on this! As a non-genre fan, I’m loving it. I can’t imagine how much of an impact it’ll make on one whose penchants run to more the melodic and epic than extreme.

Favorite Tracks; Hypnotic and enchanting from the first to the last

FFO; Magnum, Iron Maiden, Rhapsody, Ancient Empire, Primal Fear, Savatage, Blind Guardian.

dopelord

Dopelord (Poland)- Sign of the Devil
https://dopelord.bandcamp.com/album/sign-of-the-devil
Release March/10/2020
Independent

ARTWORK- 85

A gloriously archaic/medieval styled image depicting the Four Horsemen of the Apocalypse but dressed in their everyday garb sans disguise.

FIRST TRACK- 88

Dangerously infectious Doom with Cathedral, Trouble and obviously Sabbath undertones. Drenched wickedly in classical horror themes this gives off a delicious vintage aura. I’m hooked where’s my Lazeboy at?

INITIAL LISTEN- 87

Pulsating, throbbing riffs with seemingly a life of their own, fuzz dripping, spesker shaking distortion and a smidgen of psychedelia. Sounds like most Doom releases, right? It does, but this is surprisingly varied in its approach whilst still hanging onto traditional parameters. Ranging from melodic, to synth laden to a track with a somewhat industrial motif and saturated in occult themes this has a great deal to offer both the Doom aficionado, newcomer and casual listener alike. I’m not typically a fan of the doom genre this however is heavy in my playlist rotation.

Favorite Tracks; infectious and varied throughout.

FFO; CoC, Cathedral, Black Sabbath.

Venator

Venator (Austria) – Paradiser EP
https://venatorsteelcity.bandcamp.com/releases
Release-March/19/2020
Independent

ARTWORK- 76

Just me or does the cover have a slight Quiet Riot struck by lightning vibe? Or Iron Giant (inhuman form) going slightly bonkers? This screams late 70’s early 80’s without any doubts whatsoever

FIRST TRACK- 89

Hard rock meets NWOBHM meets mid- era Judas Priest. This is addictively melodic with some wicked twitch the limbs riffs. But let’s not forget the delicious production which lends this a nostalgic edge.

INITIAL LISTEN- 89

This checks all the boxes I would hope for in a release slathered in vintage values. The rhythms on offer are ungodly infectious, the instruments clear, the leads and solos passionate but not overly so and the vocal style has just a hint of falsetto (in the right places, to mynliking anyhow) without going into overly dramatic realms and without losing any of its manly bravado. The tracks are offer we a fantastic taster for what’s to come, hinting at both fantastical lyric narratives and other themes which are more easily identifiable to those of us without a unicorn parked in the shed or a tattered DnD rulebook close at hand.

Favorite Tracks; Paradiser, Blind Ambition.

FFO; Judas Priest, Blitzkrieg, Tank, Dokken.

Virocracy

Virocracy (Germany) – Irradiation
https://virocracy.bandcamp.com/album/irradiation
Release- March/20/2020
Black Sunset/MDD

ARTWORK- 84

Strange that the sky and landscape are the same color. Chem trails, Pesticides, is that a mushroom cloud, or slightly perturbed smiley faces ? Insert your theory here but there’s definitely something afoot in this vivid apocalyptic themed image.

FIRST TRACK- 77

A typical of the genre ominous intro opens this album then it’s into familiar waters. Atmosphere and melody collide along with a progressive aura and rhythms ala Arch Enemy (this also sports impressive feral female vocals). Moving with dynamic twists and turns sans repetitive chuggery this track bodes for an impressive collection of Tracks in store. an impressive start.

INITIAL LISTEN- 77

The intro to “Rane” is an album highlight, sounds as if lifted from a ‘moneyshot’ scene in a Sci-Fi film and is, in part, eerily topical. The remainder of the album cannot truly be comfortably pigeonholed. It runs with a Progressive nature, arrangements which transform constantly to aid a concept narrative. The style also dips into Thrash realms and occasionally into Tech and Djent arenas based on its not relying on typical chuggery but rather melodies which are dynamic, exciting and rarely stagnant. Give this a shot, it’s a fantastic debut and bodes well for an act starting to find their niche.

Favorite Tracks; Rane, Solitude, Void of Heart.

FFO; Angela era Arch Enemy, mid era Death.

black phantom

Black Phantom (Italy) -The End is Near
https://blackphantom.bigcartel.com/
https://www.youtube.com/watch?v=hgaySL5pP9M
Release- March/20/2020
Punishment 18 Records

ARTWORK- 78

A fantastical sludge-like monstrosity is depicted against a background drenched in an ominous nature (yellows and greens of a hue which brings to mind imminent doom). A vintage hourglass in the foreground, in the creature’s grasp, adds weight to the album’s title. Is he the Grim Reaper or merely a “Stranger in a Strange Land” without a battery-operated torch? Perhaps the music will help to answer these questions? Perhaps not. But I’m hitting play regardless.

FIRST TRACK- 81

Galloping rhythms, a traditional NWOBHM aura and a style which brings to mind both vintage Maiden and Wolfsbane. Add to that a vocal style akin to that which Bruce Dickinson boasts and you you have the start of a release which is promising indeed. Though might turn some off based on its approach.

INITIAL LISTEN- 84

Distinct bass, a familiar vocal style pulled off with significant ant range and an aura which screams Iron Maiden worship, but also that of others making waves around the same time. Dynamic rhythms, soaring leads, solos and undeniable fluidity throughout. At times Maiden esque, in others more akin to Dickinson’s solo material in feel, in others yet more a hard rock rather than a traditional metal approach. Whatever the case; this delivers. It shows creativity in its composition (this is familiar yet not to point of riff for riff plagiarism), sports intelligence in its lyrics and is sure to make an impression for those yearning for audio of undeniable quality with a distinct Maiden ‘edge’ (did I say Maiden enough here?)

In closing, I find it somewhat strange that an Italian act would make a German version of a track featured in the album but this seriously only adds to the intrigue this album sports. Did I mention I’ve listened to thus six times already? Nope? Well, it’s good. Discover it for yourself and tell me your thoughts.

Favorite Tracks; Redemption, Hordes of Destruction, The Road, Either You or Me, Hands of Time.

FFO; Iron Maiden, Bruce Dickinson (solo material), Iced Earth.

Graceless

Graceless (The Netherlands) – Where Vultures Know Your Name
https://rawskullrecordz.bandcamp.com/album/where-vultures-know-your-name
Release- March/27/2020
Raw Skull Recordz

ARTWORK- 78

This has an archaic apocalyptic vibe, Pompeii perhaps? And brings to mind Immolation (for one reason or another) complete with a smoldering lava aura the image invokes both despair, destruction and desolation. I’m left intrigued… hitting play.

FIRST TRACK- 86

The introduction seethes with a tribal and readying for war tone which soon transforms into a pulsing dirge. However, veins of melody and effective atmosphere add considerable depth to make this different than most. An intriguing start which although in tone is familiar is also oddly a mixture of influences making it quite unique.

INITIAL LISTEN- 93

It would be simple to merely label this as Bolt Thrower-esque material and be done with it; the unmistakable aura is there, the tone, the war motif. But this is slightly different and that’s what separates it from the herd (who apparently all seem to be riding the same coat tails). There’s undeniable presence (love that word!) here, a depth which only a rare few have managed to effectively capture. An epic nature only occasionally experienced in audio of this nature. And it’s the ease of execution which captures the senses, this doesn’t seem forced. Familiar, strangely so in some instances, yet flowing with a life of its own. And there’s even a spot of diversity, passages of groove, amidst a track designed to shake things up, to send the limbs a twitching. Prefer mid-tempo to face searing speed? Like a little sludge with your growling? It honestly doesn’t get much better than what’s on offer here. Sink in, allow this time and you might find it difficult to eject it from the playlist. You have been warned!

Favorite Tracks; Much like spending a distracted moment in quicksand this will eventually swallow your being. Nope. I can’t pick one, two or even, three tracks as favorites; this whole album rips!

FFO; Bolt Thrower, Vital Remains, Deicide, Memoriam, Hail of Bullets, Vallenfyre, mid era Slayer.

perdition temple

Perdition Temple – Sacraments of Descension
https://perditiontemple.bandcamp.com/
Release- March/27/2020
Hell’s Headbangers Records

ARTWORK- 89

I don’t think this is a meeting of the minds so much as a weekly event. A tabletop RPG convention of sorts perhaps or the Underworld Book Club? I’m only left wondering who’s left looking after the wee cherubs.

FIRST TRACK- 93

This track goes straight for the jugular, no glitter intros no atmospheric submergence into cinematic realms this hits hard, aims for the nearest major artery and grabs the attention instantly. Writhing rhythms complemented by bestial vocals and evolving galloping passages topped off by abrupt dousings of diabolical essence but my words don’t come anywhere near to doing this justice. Strap yourself in folks this is gonna be a bumpy ride!

INITIAL LISTEN- 96

Churning riffs and a mischievous diabolical nature sees one initially think vintage Morbid Angel worship slathered in an Incantation aura yet it isn’t just that and it isn’t quite that simple. Vicious intent rhythms put one in mind of Vader whereas maniacal solos and leads bring to mind early Slayer, vintage Witchery, as well the undeniable influence mentioned above, a prancing impish maniacal nature is injected throughout to the point that when playing this you can literally smell Sulphur and hear the tippy tap of cloven hoofs on hard packed dirt. An air of cloying menace blankets the experience and its one the listener will only want to punish their senses with again and again. This is top notch archaic elevator music (naturally it’s nothing like the drone elevator tunage most of us are accustomed to) wicked, unrelenting, maniacal and instantly appreciable this could well be the soundtrack to the decent into the office of the ‘Horned One’ himself. Honestly, this is hands down my favorite release of the year so far, each time this plays my torso is sent into spastic movements, which isn’t a pretty sight in the slightest.

Favorite Tracks; Blistering throughout this will not disappoint!

FFO; Incantation, Hate Eternal, Morbid Angel, Immolation, Goatwhore, Gravehill, Vader.

Left over from 19’

Remission

Remission (Australia)– The Tether’s End
https://remissionband.bandcamp.com/
Release – November/15/2019
Self-Released

ARTWORK – 68

I’m honestly not sure if that’s the Earth (I’m not sure how it could be) or the Moon in the Hangman’s noose, regardless it tells a great deal of what the band wish to convey. A primitive image which makes one think though doesn’t necessarily give much away in relation to the type of audio within.

FIRST TRACK – 81

Zero introduction here, this commences with rocket fuel propulsion straight from the gate. Wicked infectious rhythms coupled with melodic breakdowns and vocals typical of the ‘thrash drenched in death sensibilities’ genre. On its description alone this sounds similar to what the remainder of the genre offers though it has a certain something, a blistering and well-executed riff meets technicality element, which elevates it from the masses. A great start!

INITIAL LISTEN- 84

Think Thrash meets Death balanced precariously on the Deathcore border and you’ll be close to what this offers. Aggressive blistering rhythms, technical phrasing within dynamic arrangements which any fan of the genre is likely to fall ‘ass over tit’ for in appreciation. Complex and tight are key elements here although this is only partly Technical it hints at a style which could well transform that way completely at any given moment (in the future perhaps?) Flourishes of other styles are evident throughout this album also; Djent rears its head, Crossover influence pops up via gang vocals choruses as well Post (whatever that in fact is). Another element is the albums atmosphere, which is plentiful, alongside the other mentioned factors as well the fitting though strangely discernable vocal style it makes a fantastic companion to the albums (Thrash) foundation. Overall, and although this style isn’t really anything new the band have obviously done their homework for this delivers what fans of the genre demand; it has excitement, unpredictability, expertly-placed breakdowns and passages of abrupt whirlwind ferocity one can lose their shit too. This does more than entertain, it makes a bold statement (especially based on the fact it’s the band’s first full-length outing) Remission aren’t fukin’ around. Sit up and take note as if they progress in this fashion these guys might well be the next big thing.

Favorite Tracks; Mother War, Temples, Black Scorched Earth, The Tether’s End, Transcending Chaos, Forced Entropy,

FFO; Sylosis, Black Dahlia Murder, Trivium, Psycroptic.

And Now for Something Slightly Different

Rodrigo Y Gabriella

I’m not usually into acoustic music. However, after experiencing the first track listed here, I was of the mind that I should write a few words in appreciation.

Rodrigo Y Gabriella – Mettal (Ep)
https://rodrigoygabriela.bandcamp.com/album/the-mettal-ep
Track listing;
Battery (Metallica)

Undistorted acoustic guitars can indeed be heavy and this proves it. Add a little Latin flavor, plucking, picking, fretboard manipulation godliness and a little creativity and this classic now has the presence to appeal to a new audience, one that possibly would’ve never heard this track otherwise. The perfect timing, phrasing and arrangement is what holds the attention here but it’s the talent and ingenuity (which more than make up for the absence of vocals) which makes this mesmerizing. An outstanding homage to the original though strangely with added oomph.

megadeth holy wars

Holy Wars (Megadeth)

Intricate, passionate and overflowing with energy whilst still remaining faithful to the original. I’m not sure how the pairing did it but this seems infinitely more grandiose than the original, this shines with an added sheen, a depth, a western aura but also a frenetic nature adding to the Tracks narrative (for those familiar, for those not do much it’s easy to figure out as the caliber showcased here invokes vivid tableaus) which is altogether hypnotic. Words fail me. Much like the ‘source material’ this demands discovery and showers of praise.

slayer seasons in the abyss

Seasons in the Abyss (Slayer)

It appears that I’m mentioning this more than I thought I would, however this is again an amazing example of the presence, power, depth and emotion one can bring to an already established track with only using acoustic instruments. In this case the air of sinister and ominous is palpable. As well as using traditional means the musicians here implement hands on the body of the guitar for added weight and boy does it work invoking images of dimly lit subterranean passages, flickering candles and archaic ceremonies (obviously “South of Heaven” in tone but I’ve always thought this track reminded me of that album). Again, there’s a certain Latin flavor here but it adds flair and bite making for another track which is undeniably astounding.

This three track EP showcases the brilliance and awe-inspiring adaptability of two seasoned musicians. In somewhat adapting (minutely to be fair) the three Tracks on offer they’ve undoubtedly introduced a whole new generation to acts they might never have heard otherwise and reminded long-time fans why the tracks chosen are so important to the genre. I honestly can’t say good things about the audio on offer here, I’m enthralled and can’t help but sing along. Admittedly it’s the first I’ve heard of the dueling guitar duo but it won’t be the last. Apparently, there’s more to discover, and I’m up for the challenge.

Animal - music is meant for sharing

Becus’ great music is meant to be shared!!

And that concludes another foray into the extreme audio realm. Stay safe out there folks. As always feel free to comment, share and/or suggest anything you think I might be interested in covering.

Yours, virus free (for now)

Cult

Abrasive Audio 2020 Part Seven

black metal gif

As the world nears total lockdown and a possible zombie apocalypse looms, we can all rejoice in the fact that we still have audio to lift the spirits and transport us to a better place. However, before I continue, I’d like to mention that artists are some of the folks hit hardest during these times of uncertainty, obviously close behind those who work in a serving capacity in restaurants, bars and similar establishments. Be  good neighbor, support others in these times of need and help out whenever you can. As a nation, as a people we will make it through this and only be stronger because of the adversities and instances of silliness we are currently enduring. Without further ado and preamble may I present a handful of audio treats which delighted my senses. I have hopes they might do the same for the listener.

Note; As much as I’ve tried to keep this brief it’s somehow worked its way into diatribe lengths and for that I apologize. However, for all those willing to dip their retinas in my atrocious grammatical (lack of) skills may I present this week’s findings.

January Releases

vernon of persia

Vernon of Persia (USA) – Ascend
https://vernonofpersia.bandcamp.com/
Release- January/10/2020
Self-Released
ARTWORK- 82

Who I can only assume is an astronaut stares longingly at a planet in the distance? I can also only assume the planet he/she’s on is Mars as it’s red whereas the other planet is blue. Is it Earth? Why would he/she want to go back? Questions, questions and more questions all leading up to the all-important one…what about the quality of the album itself?

FIRST TRACK- 76

Djent and Technical Death leanings with sparse Progressive breakdowns aided by vocals (hardly traditional grunts, growls or shrieks) dipped in angst. This is hardly Brutal Death but rather Deathcore, an intriguing start with significant ‘bounce’ and I’m curious.

INITIAL LISTEN- 78

Surprisingly diverse this release encompasses elements from a variety of genres (namely Djent, Progressive. Tech and Melodic Death) whilst adding a twin-pronged vocal approach to add depth. The tracks on offer are pleasingly different and showcases the bands willingness to inject a little experimentation into the mix. However, with that being said this most probably won’t appeal to those whose penchants run to Brutal Death and traditional Tech or even Prog Death but rather to those who prefer their breakdowns just short of Slam territories and audio which is just barely too extreme for traditional/terrestrial radio airplay. Honestly, I’m liking this more than I thought I would (admittedly it has its moments) it’s growing on me. But then again, I have a soft spot for other audio in much the same vein; ie, vintage Beartooth which most don’t understand. My recommendation is; if you’re adventurous, give this a listen & decide for yourself. It might surprise you?

Favorite Tracks; Weightless, Ascend, Inner Sleep, Sea of Trees,

FFO; (vintage) Beartooth, Killswitch Engaged, Between the Buried and Me.

incinerator

Incinerator (Norway) – Awakened by Evil
https://incinerator-norway.bandcamp.com/releases
Release (digital) – January/17/2020
Self-release
ARTWORK- 82

The art here is dominated by a large logo, obviously the band’s name, and with what it includes there should be no doubts as to what to expect in regards to the audio within. There’s an inverted cross and an ancient torch with a blazing pentagram at its center. But that’s not all. There’s also a skull held aloft by a hand and wrist encased in a studded wristband. The skull looks none too happy being engulfed in flame but it all makes for an intriguing image.

FIRST TRACK- 85

An intriguing introduction (taken from “Awaken” by NORDVARGR) leads the listener into exquisite black speed/thrash territories (draped in nostalgic qualities) to snap the spine. Heavy accented vocals top the unholy concoction off leaving me rabidly eager for the remaining three tracks to follow.

INITIAL LISTEN- 84

Only four tracks here. Surprisingly each boasts more than enough to keep the listener sated. Atmosphere is plentiful thankfully invoked through percussion rather than keyboards. Swifter than-something-quite-fast rhythms alongside an impressive drum salvo and wicked vocals make for a hypnotic audio experience. But that’s not all this offers, this isn’t merely thrash nor speed (with at times a decidedly South American flavor) for within the four tracks here is a distinct homage to the blackened spectrum though it’s not until the final track, “In the Dead of Winter”, that this becomes neon sign bright. Crisp production with a raw edge elevates this into stellar realms.

If you’re a fan of the acts mentioned below do not let this pass you by unheard.

Favorite Tracks; Intoxicating from start to finish.

FFO; (vintage) Slayer, Hellripper, Wraith, Bastardizer, (vintage) Bathory, Venom, Bewitcher.

February Releases

Karnivore

Karnivore (Sweden) – Dodsriket
https://southcoast-productionssweden.bandcamp.com/album/d-dsriket
Release- February/13/2020
South Coast Productions
ARTWORK- 77

Classic bronzed and somewhat archaic statue-esque art. Puts me in mind of blackened death audio, but I could be mistaken (it’s happened before).

FIRST TRACK- 78

An over two-minute instrumental, I’d say this would normally be a risk but this is surprisingly upbeat audio complete with rhythms and a somewhat epic melodic vibe which hints at perhaps that which is to follow. Color me curious.

INITIAL LISTEN- 80

It isn’t often that a release touted as ‘Death Metal’ from Sweden surprises me as much as this. And it didn’t take long for it to do so either! One might expect the olde tried-and-true HM2 approach, but it isn’t here. This boasts melodies (not rare in and of itself in the genre) and a certain infectious nature but it’s how it gets there which is the kicker. Think a Viking touch ala Amon Amarth mixed with the rhythms usually associated with ‘Storm’ era Dissection and you wouldn’t be far off. Add to that certain traditional Heavy Metal passages, a spot of Sodom worship amidst the albums thrashier moments, rough accented vocals and the hypnotic effect is complete. Barring a few hiccups, the album is a great find and introduction to both the band and their style.

Favorite Tracks; Empire of Filth, Slice n’ Dice, No Freak, Black Flames, Disfigured Man.

FFO; Amon Amarth, Dissection, (vintage) Arch Enemy.

March Releases

pestifer

Pestifier (Belgium) – Expanding Oblivion
https://pestifer-band.bandcamp.com/
Release- March/13/2020
Xenokorp
ARTWORK- 72

Blues, greens and a most unmistakable aura, that of seething menace amidst towering spires. I’d swear this was a black metal release if I didn’t know better.

FIRST TRACK- 88

Complex rhythms, multi-layered riffs and amidst it all a purpose, a story to tell, woven intricately throughout. Fantastical passion invoked by undeniable hypnotic qualities and captivating melodies. A stunning mix of chaos and precision.

INITIAL LISTEN- 85

Impressive, unpredictable and bursting with a mischievous sense of boisterous adventure, a spiraling narrative (which puts one in mind of Atheist as well, in instances, Voivod but also Testimony era Pestilence) and a varied progressive approach thankfully miles from the brutal assault many others offer. However, this still offers a technical pace and sublime precision, which most will be able to instantly appreciate, to keep the listener on their toes while offering nostalgia for those who have been around the extreme audio block. Give this a couple of spins, its grown on me and continues to do so.

Favorite Tracks; Exciting from start to finish.

FFO; (mid) Pestilence, Necrophagist, Atheist, Obscura.

 

 

Wolf (Sweden) – Feeding the Machine

Release- March/13/2020
Century Media Records

wolf feeding the machine

ARTWORK- 94

A little girl nonplussed at having to walk upon a landscape of shattered bodies (if that’s what this depicts) There’s something going on here. Is this a deleted scene from “Soilent Green”? Is she the harbinger of doom in sheep’s clothing? Regardless this is probably my fave album art of the year thus far.

FIRST TRACK- 88

Melodic Heavy Metal bordering on Speed metal with Halford-esque vocals. With solos and leads also of the Priest ilk, though this is a tad darker I’m liking it.

INITIAL LISTEN- 77

An impressive vocal range, rhythms and melodies which are highly infectious and a style which is perilously close to Thrash. The leads and solos are what separates this from the crowd but for me there’s still something missing as it didn’t live up to the initial excitement the first track provided and only a few tracks grabbed me. Perhaps a few more listens are in order?

Favorite Tracks; Shoot to Kill, Midnight Hour, Mass Confusion, Feeding the Machine.

FFO; Judas Priest, Primal Fear, Iced Earth.

Aronious

Aronious (USA) – Perspicacity
https://aronious.bandcamp.com/
Release- March/13/2020
The Artisan Era
ARTWORK- 84

A burst of color. Reds, pinks, grey and darkness and even a splatter of green. I believe I see a tree, there’s definitely a moon in there, apart from that I’m not sure what I see, apart from the bands logo. A little confusing, but I like it. Perhaps the image is a nod to the style of audio within; the melding of one color into the next, the ominous approach of night and the transforming glory of nature (?) Hitting play…

FIRST TRACK- 91

From its slight Middle Eastern/Sci-Fi themed instrumental opening one instinctively knows this will soon twist, transform and lead the listener into unpredictable waters, and it does. Cut to octopus-esque drumming abilities (an obviously well-trained creature) intricately carved guitar rhythms (I can only imagine a smoking fretboard) and a constantly evolving arrangement; flourishes of an intricate nature, frenetic galloping movements, melodious breakdowns and the scene is set. Add brutal death vocals and every Prog/Tech Death fans interest is piqued, as well it should be! A fantastic opener setting the stage fur what’s about to follow.

INITIAL LISTEN- 90

Tech/Prog Death is a fantastic genre, however it’s a little tricky to write upon if truth be told. One can only say “intricate”, “tight”, “fluid”, “precise” and “inhuman instrument manipulation” only so many times and I’m pleased to say those phrases all fit perfectly within the parameters of this review. I’ll state that The Artisan Era are certainly expert in choosing talent for inclusion within their stable, and they’ve done so again with Aronious. I only find it strange that they aren’t from Californian soil (as most appear to be). In regards to this album, and without trying to sound repetitive, it entertains from its opening note to its last. Perspicacity stays far removed from predictable, remains exciting and careens through a myriad of genres as it transports its listener into dizzying heights, brutal arenas and landscapes both serene and surreal. And often all within a few seconds of each other. This is in short, an excellent example of what the finest of the genre has to offer. And yet another winner for The Artisan Era stable. Need I say make room for this in the collection? Probably not. But I just did!

Favorite Tracks; Within an album of this quality, forget it!

FFO; Inanimate Existence, Equipoise, Obscura.

neorhythm

Neorhythm (Russia)- Terrastory
https://neorhythm.bandcamp.com/
Release- March/20/2020
Self-Released
ARTWORK- 88

Can you depict the history of mankind in an image, a diorama, perhaps trapped in a bubble?

– You bet

Schweet. Great job. But where’s the Queen mum and the cast of the Jersey Shore?

FIRST TRACK- 72

A wide ranged vocal approach, crunchy guitars, varied pace, riffs for days and an aura overflowing with passion. This boasts a rainbow of elements and promises that the remainder of the album is going to be quite different.

INITIAL LISTEN- 83

I wasn’t honestly sure what to think when presented with an album, concept of sorts admittedly, on the history of mankind. I sure as hell wasn’t expecting it to be as impressive as this. Promo materials state “Dark Groove” and it’s close, for wont of a better term. As the album rolls out certain passages bear a distinct Moonspell Gothic Rock vibe, others a Rotting Christ grandiose feel, while others yet a bouncy mix of styles I’d associate with Gojira. In short, this is quite unique, Avant Garde could well be used in its description (hopefully it wouldn’t scare potential listeners away) as well a slew of other genre monikers though not a single umbrella to cover that which is on offer. It becomes more consumable as it matures though that might be based on the fact that the listener is merely becoming more familiar with the style on offer? One thing is undeniable; this has a great deal to offer those with patience and an open mind. With that in mind I’m rather surprised I like this as much as I do.

Favorite Tracks; Fight for Fire, Zeus Rules, Empire Glory, Sapere Aude, Information Age.

FFO; Soulfly, Sepultura, Gojira, Meshugga.

April Releases (Why? Because I just couldn’t wait)

grim fate

Grim Fate (The Netherlands) – Perished in Torment
https://xtreemmusic.bandcamp.com/album/perished-in-torment
Release – April/7/2020
Xtreme Music
ARTWORK- 75

A Bull, twisting human souls, a Jason looking fellow, an Eagle, even a few tombstones, there’s probably a few more details in there if you peer hard enough. Intriguing art with a bronzed effect and a myriad of intricate details leaves me curious as to the audio on offer.

FIRST TRACK- 79

Mid-paced infectious dirge with carefully injected Doom elements and a certain familiarity which nods to old school sensibilities. This leaves me eager for what’s to follow.

INITIAL LISTEN- 76

Death Doom driven by unmistakable dirge qualities. Old school influences are front and center with plenty of bludgeoning groove, galloping passages and tempo changes to spare. Not much that’s genre defining or ground-breaking here but this is guaranteed to make one move and will please the ominous mid-paced chuggery crowd. Is it just me or does the ten-plus minute closer bring to mind “Shades of God” and “Icon” era Paradise Lost?

Favorite Tracks; Pile of Corpses, You Will Rot, Perpetual Anguish.

FFO; Grave, Benediction, Asphyx, Bolt Thrower, Gorefest.

 

khora

KHÔRA (International) – Timaeus
https://soulsellerrecords.bandcamp.com/album/timaeus
Release- April/17/2020
Soulseller Records
ARTWORK- 91

Undeniable boner material for those into Lovecraft themed chaos and otherworldly cosmic Sci-Fi themed shenanigans.

FIRST TRACK- 88

Dropped unceremoniously into a cosmic landscape via cinematic synth mastery the listener is soon pummeled with a style akin to Death meets Black with Symphonic elements to spare. A dizzying introduction if truth be told which overflows with intricate details and nuance hinting at an album with a great deal to offer those who have the willingness/patience to allow it to do so.

INITIAL LISTEN- 85

It becomes clear within the first couple of tracks that this isn’t a traditional, run of the mill, extreme audio affair. It’s neither comfortably Black, Death or even Progressive though it does utilize elements of each, with a more than liberal helping of atmosphere, within its epic, sprawling arrangements. As one listens the description Avant Garde might come to mind for this is slightly ‘different’ in its composition and approach. Unmistakable however, is the underlying dark/ominous nature aura throughout (even in the tracks with a remarkable Progressive Devon Townsend feel) though highly polished in its production. Balanced is a term which I believe fits in describing this album. Progressive themes are evident as well the majesty, coldness and harrowing nature often associated with Black metal. This isn’t all that’s evident but amongst the styles here these are the most prevalent and effective in making this a listening experience which leaves an impression, fits the cosmic narrative and warrants further exploration to fully digest. In conclusion I’m of the mind that this is an album which demands repeated listens to fully appreciate. Much like consuming a Pringle; one just isn’t enough.

Favorite Tracks; Noceo, l’Annihilateur, Existence, The Occultation of Time.

FFO; Septic Flesh, Cradle of Filth, Dimmu Borgir,

Something a little Different

Askvader

Askvader (Sweden) – s/t
https://askvader.bandcamp.com/album/s-t
Release-March/13/2020
The Sign Records

The artwork for this release depicts various instruments piled upon a minuscule island (of sorts) with a storm raging, lightning pierces the sky, in the background. Miles from the imagery which would normally appeal to my refined (ha-ha) tastes this album boasts what I can only imagine is more a rock and roll/traditional heavy metal vibe. However, after playing it for the first time with my daughter in attendance and having witnessed the look of sheer joy spread across her features, and her little legs and digits twitching in time with the music I came to the rapid conclusion that it deserved a few words.

Cheshire Cat

Similar to the grin on my daughters face

Undeniable is the fact that this isn’t what I would normally have pounce between the ears. The lyrics aren’t based upon anything dark, morbid, the apocalypse, shenanigans in the Underworld or any other manner of perversion humans or other biped abominations are capable of. The lyrics here are based on happier, more relatable everyday things. In fact, this is radio friendly audio if only the majority of stations would ever give it a chance. The music has rhythm but again is oceans removed from that which I would normally allow entry into the senses. This isn’t Thrash, it isn’t Death it certainly isn’t black nor Grindcore or any variation or mixture of those already mentioned. It’s obviously classed as a pallet cleanser but for those who let their ears frequently wander into such realms, I would venture to say this is very good. It overflows with melodies, both acoustic and otherwise, all of the instruments are clear, the vocals are instantly likable, in a fresh, youthful, kind of way. The style however, is varied, ranging from Doom, Brutal Death and Dirge. Ha, I jest! In actuality this is Blues laden Rock and Roll with an emphasis on passion and emotion. A retro vibe is prevalent throughout and it’s here that I should really mention a plethora of acts (from the era in question) which this style sounds like. But, I’m at a loss. Suffice to mention this has an air far removed from modern rock and more an aura which The Black Crowes and Old Man Wizard have more recently captured and probably a slew of other acts I’ve yet to discover (perhaps even a smidgen of vintage Wolfsbane). This shines with leads, solos and riffs one can’t help but appreciate be it through spastic limb movement or the smirk which continues to spread across the chops as this plays out. I’ll admit I’ve listened to this more than I thought I ever would and I delight in playing this whenever my youngest joins me in the car as I much prefer to either of the “Frozen” soundtracks, surprisingly I’m actually coming around to it but more importantly it makes my daughter ‘light up’. And that seriously is all that matters (it’s the little things in life) and the reason why I’ve just spent more than a few minutes scribbling these words.

mix tape action

Keep it up old man. Hopefully you’ll make at least one persons day slightly better.

In closing, give this a chance. It isn’t “extreme” in any way, I believe I’ve mentioned that before, but it is well- crafted, infectious and addictive.

And, that’s about it for this week’s extreme audio exploration.

Stay safe out there.

Cult

Abrasive Audio 2020 – The Sixth

March on! March!! March on!!!
march on header

Are you afraid of a virus named after a beer? Pussy!

This is the mantra of the oncoming tidal wave of metal about to be released, I’m sure of it. I’m taking cover, this month is set to showcase quite the audio onslaught, if only we could use it to our advantage against the approach of that which is a virus and is named after a South American lager (I could be wrong it could be manufactured in Boston). But before I do, I’m grabbing a few supplies; my headphones, a few titles which I believe looked rather interesting, hand sanitizer, butt wipe (for some weird reason all the stores I’ve visited lately appear to be out) among other things. Without further ado here are my thoughts on a few ‘audio treats’ I’ve already spend a great deal of time sampling.

Slipping Through the Cracks/Left Over from 19′

phantasmal

Phantasmal (Finland) – Ansaan Syntyneet- Ansaan Kuolleet
Release – May/31/2019
Self-Released

https://phantasmal.bandcamp.com/releases

ARTWORK- 83

Dark, ominous and dismal. I’m left wondering if the figure in the foreground is happening upon this place by accident (in an exploratory jaunt through the unknown) or returning to it; their home?

FIRST TRACK- 82

Commences with riffs which would make Messiah Marcolin (vintage Candlemass frontman, as if you need informing!?) grin. But the vibe soon changes to channel both later era Chris Barnes Cannibal Corpse mixed with shades of Celtic Frost. An interesting start and fantastic use of mid-tempo and transforming rhythms against a brutal vocal approach.

INITIAL LISTEN- 84

Hardly traditional of the genre this melds Doom, complex riffs, groove and passages of progressive quality folk and even delves into majestic black realms. The lyrics are in Finnish (as far as I can tell, with my limited language skills) a fact which adds intrigue and a slight archaic element if truth be told. The vocals themselves sound akin to Chris Barnes “The Bleeding” era bringing a familiar aura to an album which is deliciously different and only truly unfolds the more it’s allowed entry into the senses.

Favorite Tracks; Aseeton, Ansaan Syntneet, Ruumis,

FFO; Unleashed, Cannibal Corpse, Opeth.

January Releases

Rat King

Rat King (USA) – Vicious Inhumanity
Release – January/17/2020
Within the Mind Records

https://ratkingband.bandcamp.com/album/vicious-inhumanity

ARTWORK- 81

For some reason this reminds me of an early Gorguts release (same artist perhaps?) There’s definite horror/sci fi themes here, the giant hypnotic slug from the Italian cult celluloid gem Contamination is what pops to mind instantly,  but is this for cloning purposes or for sustenance? Regardless this is a fantastic and vibrant image which only makes one ponder upon what’s “going down” within it.

FIRST TRACK- 78

This commences with Doom/Sludge grandiose horror undertones but it soon changes, (much like the transition from their last albums style to what follows here) transforming into scorching riff, blast-beat laden Grindcore. Aggressive and surprisingly well-structured for its ilk. An impressive start complete with intriguing garbled messages to put one in mind of black web/secret society nefarious activities.

INITIAL LISTEN- 78

I’ve had this on the backburner for a while. Admittedly when I see the word “experimental” in a promo release I get a little nervous as it can go one way or another (which might mean wildly into ‘left field’ territories). Thankfully this stays this side of that boundary. Sticking to the grindcore, colossus/crushing riff foundation the album veers into many a realm to leave one with purely grindcore assumptions scratching their head. However, and rather surprisingly, “Vicious Inhumanity” delivers. Galloping riffs are frequent, expertly inserted and groove is commonplace, even the more “experimental” passages keep the interest level high and usually showcase either the bassists dancing digit talents or the ability of the guitarist to pull one from spastic brutal realms into something entirely different and then back again without the whole endeavor seeming that out of sync. Doom and Sludge elements are present (to please fans of their past release) as too, in instances, Nuerosis-esque tendencies, in short this isn’t a non-stop blasting traditional Grindcore affair but rather one which will please fans who prefer their audio from scattered influence.

Favorite Tracks; Matanza, Soledad, Zero, Rotting from Inside.

FFO; Terrorizer, NoMas, Wizard Rifle.

February Releases

Arcaine

Arcaine (Switzerland) – As Life Decays
Release- February/14/2020
Black Sunset/MDD

https://arcainemetal.bandcamp.com/album/as-life-decays

ARTWORK – 91

Stunning art with fantastic colors and plenty of detail. Here’s a few words from the PR firm in explanation; “The band also wants to make the listeners aware of their responsibility for the actions of mankind. People’s decadent way of life, their development and their handling of nature is in the foreground and is taken up by the graphic concept of Polish artist Xaay and visually implemented on the cover artwork”.

FIRST TRACK – 77

A sinister toned introduction complete with an angelic chorus and acoustic guitars leads into the first track. A Deathcore style slathered with Djent, Groove and Technical elements takes over. As well as infectious rhythms there’s plenty of ‘bounce’ to get the listener moving. The production is top-notch, crisp and allows every instrument to breathe. A great start to get anyone (this is the first I’ve heard of them!) unfamiliar with the band, interested.

INITIAL LISTEN – 82

Utilizing a style which is part Djent, Metalcore with plenty of melody thrown in, enough breakdowns to keep those excited by such happy and a smidgen of added Technical nature, Arcaine have managed to release an album which is damn catchy from start to finish although honestly doesn’t add anything ground-breaking to the surrounding scene. With that being said however, the album delivers from start to finish. There’s a certain vibrancy and exuberance which can’t be ignored, the talent is undeniable, the composition brings everything a fan of the scene could want, the vocals fit perfectly and it has repeat play written all over it. Tiny qualms if truth be told for this is a highly addictive example of what the finest within the genre offers. Add this to the collection, you won’t be disappointed!

Favorite Tracks; As Life Decays, Still Alive, Tyrants, Rebuild,

FFO: Arch Enemy, At the Gates, Dark Tranquility, In Flames, Soilwork, Darkane, Devildriver.

banisher

 Banisher (Poland) – Degrees of Isolation
Release – February/29/2020
SelfMadeGod Records

https://selfmadegod.bandcamp.com/album/degrees-of-isolation

ARTWORK- 76

There’s definitely something tearing this fellow apart. Stress? Family? His relationship? Or all of the current political coverage everywhere one seems to look? Regardless this is an intriguing image with highly effective dizzying qualities.

FIRST TRACK- 82

Grinding death/thrash which transforms within no time into tech death/grindcore with infectious driving rhythms, striking melodies and a vocal style which is uncannily similar to anyone which I can’t pinpoint at the moment.

INITIAL LISTEN- 78

Most might believe this is merely a Thrash/Death outing with the way it starts out, for first few seconds anyway. However, it soon shows its diverse coat of ‘colors’ in displaying Technical prowess, Djent properties, Deathcore tendencies, Grindcore-esque elements, Hardcore tendencies and truckloads of angst. Shit, there’s even a smidgen of Progressive and Post in here also. All this amidst rhythms which tumble over each other, collide with vicious intent and continually fight for superiority. As the album hits its stride a familiarity takes ahold, a style heard before, although it might take a few moments to nail down its a style associated with the Cavalera Bros, aka Soulfly and that heard in mid era Sepultura. Overall this provides an interesting mix, refusing to settle in one arena for too long.

Favorite Tracks; Actors Accomplices, Extradition, Lockdown, Apothesis, Echoes.

FFO; Benighted, Dying Fetus, Decapitated, Mortuary, Soulfly.

March Releases

absentation

Absentation (Syria/Damascus) – Antimatter Rites
Release – March/1/2020
Independent

https://absentation.bandcamp.com/

ARTWORK- 88

Why does this cover make me think of Sigourney Weaver, Rick Moranis, a painting with a regal figure sporting a scowl and… where the hell did I put my keys?

FIRST TRACK- 85

Technical, brutal and hyper fast (similar in style to Kataklysm) sporting enough rhythm transformations, and influence nods to intrigue most across the Death spectrum. The eyes should be wide open by now and the body primed for movement.

INITIAL LISTEN- 85

Hard to fathom that this is another example of a ‘we don’t need more than one person to make a band’. This is complex, displays a slew of influence ranging from the above-mentioned through Dirge, Djent and Thrash with sprinkling of Progressive tossed in for good measure, yet throughout it sticks to its “fast as f” guns. And somehow it remains exciting with an undeniable aura of never let up. Although at times a little hit and miss (some parts drag while others feel a little “samey” and the drums are obviously computer generated. Minor qualms if truth be told which shouldn’t turn any away in discovering what this has to offer), it obviously requires extra points based on the fact that it was all conceived, created and produced by a single person, huge props must be given. Overall, I’m fascinated that one fellow is capable of such as this, of the belief this will grow on me over time and will happily praise this to all who’ll give it a chance. This deserves attention!

Favorite Tracks; Quantum Nothingness, Echoes of Distant Astronomical Giants, The Velocity of Relativity Talisman, Gravitational Singularity.

FFO; Kataklysm, Behemoth, Origin.

trauma ominous black

Trauma (Poland) -Ominous Black
Release- March/6/2020
SelfMadeGod Records

https://selfmadegod.bandcamp.com/album/ominous-black

ARTWORK- 89

From the same artist responsible for Bell Witch and the latest Abigail Williams this is stunning, harkening perhaps to an album with atmosphere and melancholy aplenty? I guess we’ll see.

FIRST TRACK- 78

Melodic Death, bordering on Djent at times, with a multitude of choppy galloping rhythms, a few interesting riffs/note passages and a myriad of breakdowns. However not quite so many, thankfully, as to have it enter Rings of Saturn or Slam territories. An intriguing start that’s a little, though not wildly, different from the traditional Death entry.

INITIAL LISTEN- 82

A varied mix of melodic death showcasing a variety of stylistic elements plucked from a variety of extreme genres, namely Brutal Death, Tech Death, Slam and Djent with a smattering of atmosphere and Arch Enemy esque passion tossed in for good measure. It takes a while for the album to warm up but once it does it’s a fantastic introduction to an experienced act (who unfortunately have fallen to the wayside, left in the shadows of others, a few in particular come to mind) who really should garner more attention. I’m surprised it took me until their eighth outing to discover them if this is any indication as to what’s on offer a little “digging” is in order. A great effort which really doesn’t sound like what might expect given the covers art.

Favorite Tracks; Inside the Devils Heart, Among the Lies, I am Universe, The Black Maggots, The Godless Abyss.

FFO; later Decapitated, Meshuggah, Grave.

Sutrah

Sutrah (Canada) – Aletheia (EP)
Release- March/13/2020
The Artisan Era

https://sutrahmetal.bandcamp.com/

ARTWORK- 88

“Go on, take a peek.”

“What in the Holy F is that?”

“Well, some have described it as a kaleidoscope of inner turmoil, the gradual descent into one’s own abyss of madness. Many have commented it’s what might transpire from watching “The Kardashians” on an endless loop for days straight. Others merely know it as art from the “Aletheia” album from the band Sutrah. It is what you make it.”

“Ah, for a moment there I thought you were going all physiotherapist on me…?”

“Nah, I’m a veterinarian. It’s not my field of specialty. Now, what seems to be the problem with Fred?”

FIRST TRACK- 77

An instrumental for an Introductory track? Now there’s a gamble. Though there are possible indicators of how this album might turn so far it bears definite atmospheric/post/progressive elements with a dense audio, somewhat frenetic, background to leave me curious.

INITIAL LISTEN- 85

Broken in four parts (variations if you prefer) this release showcases the bands stellar abilities to transport the listener from outright Progressive realms into Brutal and Tech- Death arenas all the while displaying top-notch musicianship, vocal prowess and composition ingenuity. Ranging from a dreamy, somewhat relaxed classical, soundscape with heavy Middle Eastern influences to audio slathered in ferocity this isn’t for those demanding instant gratification. Although it does offer a variety of whirling dervish and incendiary rhythms combined with vocal “exchanges” which are sure to delight. In short, it’s a collection of tracks to melt into, a progressive treat for those wishing for a slow burn with a catastrophic payoff. The epic fifteen-minute closer is sure to turn a great many heads. This might take a few spins to get fully comfortable with, but once you’re there it’s a fantastic destination well worth revisiting and frequently

Favorite Tracks; Variation I.ii – Lethe, Variation II.ii – Genese.

FFO; Howling Sycamore, Between the Buried and Me, Cynic.

necrogusto

Necrogusto (Brazil) – Ancestral Bestiality
Release -March/15/2020
Nuclear War Now! Productions

https://nuclearwarnowproductions.bandcamp.com/album/ancestral-bestiality

ARTWORK- 71

A wicked, raw and depraved black and black archaic ink invocation. Is this really a true representation of Sunday lunch at the In-Laws in days gone by?

“Dammit son. You forgot the goat”.

FIRST TRACK- 75

Primal thrash with maniacal South American roots. Think a collaboration between Venom and Sarcofago and you might be close. The introduction leads the listener towards the unfathomable depths whilst the guitar and drum percussion are what prods them over into the pitch unknown. Barked vocals add a diabolical edge this isn’t “clean” in the slightest but it still has an eerie appeal which has me very much intrigued.

INITIAL LISTEN- 74

Without regard for trend or keeping to genre stereotype Necrogusto deliver 6 tracks of “Satanic Black Noise” (using their own words). Thrash, black and definitely not for the faint of heart or those pussy footing around genres to pick something which might be slightly off kilter from the traditional and to their liking. This isn’t nice, it certainly isn’t polished, in fact raunchy is a great word to use here, with plenty of homage to those acts who coined the term ‘deathcore’ in Brazil (important not to be confused with the same term tossed around today) and seething in menace and intent. Recommended for the brave.

Favorite Tracks; Baphometic Noisy Cult, Intoxication and Ecstacy.

FFO; Sarcofago, Holocausto, Venom, Sex Thrash.

Upon Request

Occasionally I have recommendations tossed in my direction with the words “you have to hear this” attached. In this case however @AtomicHeartbeep mentioned this was the best he’s heard and asked me to give this the “full treatment”. I’m left intrigued. Seriously, how can I resist?

Epiphany from the Abyss

Epiphany from the Abyss – s/t
Release – May/24/2018 (digital)
Self-Released

https://epiphanyfromtheabyss.bandcamp.com/

ARTWORK- 89

An obelisk in the middle of nowhere about sums this stunningly detailed, black and white, rendition up. Intricate details and an enigmatic aura makes the mind whirl. But what about the audio encapsulated within?

FIRST TRACK- 92

Jaw-droppingly impressive technical precision with undeniable deathcore tendencies and a touch of darkness. This is bloody good, hold my calls. I. do. not. want. to. be. disturbed!

INITIAL LISTEN- 93

Whipping neck ferocious intensity, fretboard inhuman flourishes, riffs aplenty, frenetic pace transformations and genius progressive breakdowns from seemingly out of the ether. And yet there’s so much more to wrap the ears around, it blows me away that I haven’t heard this or the acts name (in this case the same thing) circulate around the metal message boards and social media with a rabid fanaticism even years after its initial unleashing. The arrangements and composition showcased here boasts an undeniable fluidity and expert melding of styles I can’t help but instantly appreciate. As the album winds down it blossoms, displaying the bands stellar abilities and willingness to branch out with stylistic diversity. The effect only adds to a listening experience which is captivating pushing further into realms of godliness. In conclusion the metal community at large need this in their collection if only in respect to an act who could’ve been so much more if they were praised that much earlier for their utter brilliance. (For sadly, they are no more.)

Favorite Tracks; Blisteringly impressive all the way through.

FFO; Black Dahlia Murder, Alterbeast, Allegaeon, Arsis, Inferi.

A Guest Spot
He11fir3 Returns!

This week I am in deep debt to the great CultMetalFlix for keeping my interest in mind when selecting this long-awaited installment for me to indulge on. That gem being Thy Dying Light’s debut self-titled full length.

thy dying light debut album cover

(The album is not yet up on BC so I’ve included a few links to others alongside pertinent links to be able to contact the artist and label – Ed*)

https://pestproductions.bandcamp.com/album/forgotten-by-time

https://deathkvltproductions.bandcamp.com/album/cold-in-death

https://wulfhereproductions.bandcamp.com/album/the-last-twilight

www.facebook.com/thydyinglight

www.purity-through-fire.com

Knowing not everyone is going to be familiar with this bands work I’m going to attempt to cover it as best as I can for new listeners. What Thy Dying Light (UK) offers with their debut is a pillar of tradition. A paragon to the strongest, most powerful virtues of black metal’s true form. Classic second wave elements make up the plinth of their sound, being naturally cold, tortured, emotionally hollowed, and hopelessly dark. The band also deliver a very unique form of utterly antisocial sounding attitude, something like a quiet hatred from somewhere unknown. A feeling of unwelcome and discomfort for both messenger and onlooker poison these shrieks and tones like a bad omen.

Thy dying light raw BM

Now as a fan of the bands previous work, one of the first things I noticed when getting a look at this track list was there were some familiar titles on it. It’s not uncommon at all for bands to take previous material they may have not felt content with and give it one final reworking, and I myself was equally eager to hear these songs in their new trve form. Not only are these tracks beefed up with the new fuller, richer, and cleaner sound quality, you can also tell these reworked songs have been rehearsed, practiced, and experienced over and over, through live performance and constant tweaks self-critiquing to be presented here.

The overall album features an evolutionary step forward for the band in the sense that these new tracks and rerecording’s give us something the previous releases needed more of. Hostility and pure aggression. TDL have always wrote songs with a fine tension of hatred, but this time around the ferocity became a big part of the focus, and the result is the evillest sounding TDL yet. The vocals are no longer static-like and entwinned to the background due to raw production (which don’t get me wrong, worked fantastically well before) Now they are truly a fist in the face of god. It’s not just on the vocals either. Every note is played harder, angrier, faster and full of warning. Stay out of the way.

corpse painted dude yielding a candelabra

I give this 8 out of 10 corpsepainted dudes with candelabras. I will be preordering (Available on Worship Tapes Facebook page)

The highest of thanks to CultMetalFlix for not only allowing me to chime in on #AbrasiveAudio but also gifting me this album to review knowing it was something I was already getting pumped for.

And this brings yet another exciting, diverse, Abrasive Audio installment to a close. For fear of sounding repetitive don’t fear discovery of that which would normally sound foreign to the ears.

Cult

Abrasive Audio – An Interview with Proscrito

proscrito the band

Proscrito in their nautral habitat

Recently I was lucky enough to be able to scribble a few words upon the newest release from an act who I believe meld doom and death perfectly. Imagine my surprise when they submitted to a request for an interview without complaint. Here is what went down. Before I start however, I’d like to state that their responses are unaltered, uncensored and at times (thankfully) brutally honest.

 

– Before we start would you mind telling us a little about yourself.
sabadell spain

For those needing a visual aid, this is where Sabadell, Spain is

We are Proscrito, hailing from the Sabadell (Spain) depths. We’ve been crafting our music(k) for quite some time and now working with a new line-up featuring Gusi on drums (Graveyard, Insulters, Morbid Flesh) and the recent addition of Marc as second guitar (Mahara, Calderum and several others), which will boost our limits with further output and a more panoramic perspective whilst retaining our boneheaded and conservative style. Dani (bass and growls) comes from Voidkush, along with Gusi, and by now is devoting all his forces to Proscrito, just as I do since my power electronics output (José Bretón) lies dormant for the time being and I’m not really interested in personal/side projects consuming time and energy at all.

 

– Your sound (and style) is vastly different than most in the ‘same’ genre. Was there a moment in which you took that specific direction, any reason in particular?

Thanks for the compliment. Some major guidelines can be traced but still I think our best trait is how we blend them creating discernible songs instead of just amalgamating riffs – I mean, the albums we worship were made like that, just think of “Seven Churches” or most of the heavy metal and thrash classics. The path that we cross comes quite naturally although our influences are clear and much respected/studied. We don’t aim for a specific sound nor boundaries and at the end of the day we can go to sleep knowing we haven’t betrayed our essence, since what we play is what we breathe 24/7 and there’s no way we’re polluting it with wimpy elements. When I started Calvario (pre-Proscrito) the sound was much less accessible, sloppier and more crepitating, imagine some kind of amorphous, deviated brainchild of Necro Schizma, Winter, Unholy, Funereus, Lord of Putrefaction et al. Playing with different people and adding more resources to the palette surely shaped our sound, not necessarily in a different view but actually more dynamic.

proscrito band rehersal

Proscrito in action

– On the same topic. Do you have any major influences (be it music, or otherwise) you cite for this?

Well, here we go…, Celtic Frost/Hellhammer, Necro Schizma, Winter, Asphyx, Cianide, Lord of Putrefaction, Samael, Goatlord, Unholy, Slaughter, women, fights, melting flesh, pouring fire, napalm, shrapnel, lead, dead stuff found on the road, insects, blood and scalps of enemies, old r’n’r (Rock and Roll? – Ed*) albums, dark cinema before Vice/blogger connoisseurs, sects and religious cults ‘n processions, devotion, abandoned factories, glass coffins, decay, metal before safe spaces and circle jerks…, I think it gives a hint or two.

– I’ve recently had the pleasure of being able to impart a few words on your newest release. Could you tell us a little about it?

“Llagas y Estigmas” (“sores and stigmata”) features five heavy tracks of darkness and despair, around 40 minutes of music(k) for those with fondness for maggots crawling through decayed flesh and whatnot…

proscrito

The newest unholy offering

– The lyrics and titles are in Spanish (please tell me this is a correct assumption, I’ll feel silly if it isn’t); I’ve often wondered how does one make the conscious decision to pick a language in which to compose? As I see you are rather proficient in English also (unless you’re using a translator to answer this, which I would fully understand as my grammatical skills aren’t that polished).

Yes, Spanish indeed. We thought from the very beginning that Spanish features some harsher and crude phonetics in comparison with the rather “stylish” English language, for instance, so it seemed much more akin to our bare bones overall musicianship and compositions. Also it provides an extra point of originality among many copycats that follow the same route and tend to use the “lyrics generator” approach with really boring themes that get reflected in less interesting song/album titles. Well, also to show some respect and pay homage to old bands that avoided the hegemonic tongue when it felt common, i.e. Kat, Master’s Hammer, Muro, Barón Rojo, Santa, Turbo, Debustrol, Dorsal Atlántica

-For those of us (like myself) with limited language skills would you mind translating the titles and perhaps give a few words on each track.
maRKED BY THE HOOF

I don’t think this is quite what he meant by “Marked by the Hoof”

I don’t really like explaining my own lyrics, since I prefer them to evoke abstract images that could fit the foggy, surreal, nightmarish atmosphere of the music. Anyway, “Persistiendo” (“persisting”) is about being ostracized yet with a clear vision as driving force against all odds and life’s betrayal (“persisting where eagles dare”), “Tronos de Oprobio” (“thrones of opprobrium”) features a barbaric imagery of conquest, triumph and command (“what’s best in life?”, if you know what I mean), “Exequias” (“obsequies”) shows a devastated wasteland of insects swarming over coagulated blood, with a willingness for a time to come for steel to rule, “Marcado por la Pezuña” (“marked by the hoof”) is just another symbol of might, depicting horrors and memories of a (forgotten) past. “Pantalgia” is the instrumental track and its name mainly reflects intense bodily pain, to leave on a high note.

– I would be remiss in not asking about the albums art. Was there an artist in particular you had in mind to use? (I detect undeniable homage, am I wrong?) Can you tell us a little more about it?
entombed back cover art

A youthful Entombed and a cross similar to that found on the “Left Hand Path”‘s back cover

Not really, we gave Alejandro a good dose of freedom and put our trust in his duties. A giant cross could remind of Entombed‘s “Left Hand Path” back cover but hey, ours is upside down. Nothing more than a flagellant covered in sores and stigmata, as the title suggests, kneeling in front of an inverted cross (unworthy of a regular one, if you want it to be). Just another symbol of devotion and triumph of spirit over matter.

– In regards to the region in which you live/ originate. Do you face any difficulties performing, practicing or promoting?

Sabadell has no active metal pubs at the moment and the more clandestine ones where we fit don’t have license for shows, so there’s no place to crash in to play. Luckily, we live about 30 km’s of Barcelona where we’re usually summoned to die. Since it’s a relatively small region we all know each other and there are not backstabbers nor envies/competitivity contests among us, everyone’s very supportive and even there’s some kind of endogamy/cooperation between bands sharing members (it’s mostly Gusi who’s involved in every single band in the Sabathellian ring, I salute them). We have no shortage of rehearsal places whatsoever, or at least the active bands don’t outnumber them.

– Staying on topic. I’ve always been interested as I know (somewhat) how difficult it is to juggle responsibilities (with work, the family and the site and various places I scribble for). How tedious is it for the Prescrito collective to get together to practice, collaborate on new material and to perform at events?
Gusi - Proscrito

Gusi – perhaps the busiest man in metal?

We all have our (supportive) families and jobs (well, most of us), but we are no pussy-whipped cucks either and Proscrito is a priority of us rather than a weekend pastime. Also, we don’t live in the 80’s anymore and we’re closer to our 30’s than to our 20’s, so rehearsing all day long to make a living out of it is not an option, therefore this may work in terms of keeping our creative process and weekly rehearsals less tedious. Also, working with Gusi, our drummer, is inspiring since he’s succeeded at being a caring father and never missing a note for several active bands, so how come could I skip a rehearsal due to a slight headache or “not feeling very well”?

–  Backtracking just a little. How is the creative process? Do you find inspiration from everyday things or does the Muse pounce when least expected?

We live ‘n breathe (death) metal, so a train wreck, news headlines, an open casket funeral or a stressful situation are certainly inspiring and our minds could think in terms of riffage/lyrics. Taking into consideration that Proscrito is like a limb for us, everything transpires and inspires in our creative process, whether we actively look for it or not. Obviously, there’s no such thing as muses without hard work. Composition-wise, I’ve usually taken the riffs and almost complete songs from home to the rehearsal place but now, with the new line-up and the addition of another guitarist, we’re becoming a much more collaborative unit and rehearsals are just another camp to improve, mix ideas and discard some other ones if they can’t pass the test of time. No wonder our newer stuff is much more dynamic and riff-based than droning, still retaining our caveman vertebrae.

– In regards to touring. Have you performed outside of your native land (Spain)? Do you have any venue, or incidence, in particular which comes to mind when you reflect upon playing in a live setting?
cursewordsvan

Is this the ultimate tour bus. probably not but its got some badass decals

We haven’t toured outside Spain as of yet. As incidences go, I’ve learned the hard way that, whereas a couple of drinks and whatnot may boost your performance and Nikki Sixx poses, that’s where it’s at and more than the required may backfire against you. Hot venues, sweat and annoying first rows placing beer cans close to our pedals help building up that infrared vision and therefore a violent show, too. As for technical specs, those are boring and I ain’t no professional musician whatsoever. And that the “one last song to go” limit is your ally when you’ve got long-ass songs in stock.

– Are there any venues you have in mind to perform at in the near future? Festivals perhaps (there’s one in Portugal in late March, “Extreme Metal Attack” I believe, I’m think you’d fit into nicely)? Anything in the works a fan can be eagerly looking forward to?

We ain’t picky with dates, sp. when outside (we’ve had enough rotation around the Barcelona metropolitan area for some time, so foreign offers would be pretty much appreciated). Just write us with a place to crash in, travel expenses covered and we’re sold. What we don’t like is going after promoters and beg for attention, we let people dig our stuff and it’s up to them contact us for live shows (or anything, for that matter).

– Keeping on topic is there a fantasy line up, that if you had total control over the event itself, you’d like to be a part of?

cianide album

It’s always better to play with likeminded bands and individuals, so a dream gig would involve the legendary Cianide, Funeral Nation and our countrymates Apparition, who are playing for the first time in a couple of weeks, and Oniricous, for instance.  Usually acknowledged musicians end up acting like divas, so no classic bands dropped for the sake of it, sorry. I’d like to tour with (Betsy) Bitch but that’s another story.

– In a similar vein. Is there any possibility of a collaboration in the future be it either in a “Split” release or any guest musicians you’d love to have be a part of your output?

The same can be said, I guess. We like to keep it stripped to the core, so I’m not really interested in external influences adding their grain of salt, plus I’m an awful guitarist and it’s always hard to replicate those collaborations onstage (i.e. Javi Félez’s 2nd solo, “Anuda la Soga” off El Calvario MLP/MCD). Well, actually some tortured moans by Chris Reifert would be cool. Maybe if Paul Speckmann is able to record a couple of lines in Spanish for us we could make an exception to the rule, too, haha.

– Composition wise; Are there any topics you tend to steer clear of when creating?

Death metal is and should always be about, well, death. There are many ways to interact with it without being tiresome and it’s perfectly possible to lead a whole career out of it, so it was a bit disappointing when bands like Death or Kreator opted for social or even humanist issues. The same could be said for openly political bands (be them left or right-winged, even though both sides of the coin truly hold some casualties under their respective banners…). Comic book zombies, like that of Cannibal Corpse, may look cheesy and childish to some, but still the chunks of flesh derived from the musical overtones of, let’s say, “Eaten Back to Life” make them truly reliable and apt.

necrophagia 35 years

In the end, Necrophagia’s 1st LP is one of the darkest, if not the darkest, albums of DM and it didn’t need life-changing lyrics either. So, I don’t know, I don’t foresee ourselves singing about gender inequalities or the nostalgia for a lost childhood.

– Moving on. I’m intrigued. When you aren’t playing, creating, composing or listening to music what might you be doing, do you have any other rabid interests you wish to share? Favorite movie/book?

I’m an avid reader, at least I’ve been so for a whole chunk of my life. Hundreds of classic authors but lately it’s been more historical essays and 1st person accounts of the Great War. If I’m to say a favourite book, maybe it’s Céline’s “Journey to the End of the Night”, but I’ve truly had my own dose of depravity, acid, corrosion and powerful imagery with Henry Miller, Bataille, Marquis de Sade, Burroughs and the likes.

lucio fulci

This is Lucio Fulci “There’s Death Metal, then there’s Death Metal!” and this isn’t an actual quote by him

For cinema I’m a sucker for Ingmar Bergman in general (and now sir Von Sydow has left us), but my favourite movies would be Apocalypse Now (Redux, pure evil), Straw Dogs (not the remake), La Dolce Vita and Excalibur (for decadence), Videodrome, Mad Max 2, Conan the Barbarian and Cross of Iron (for strength), Eyes Wide Shut and Taxi Driver (for nightime inspiration), Paths of Glory, The Godfather I & II, Salò and Caligula (for depravity)…, lots and lots of gialli and vintage terror (Henry: Portrait of a Killer, The Texas Chainsaw Massacre saga, Hellraiser I & II, Hammer flicks, Lucio Fulci, Mario Bava…). Fuck, literally hundreds of them.

– Winding down. Are there any albums in particular the band are listening to (vintage, new or otherwise) that that they can’t get enough of (which they believe should be garnering more interest)?

Any post-reunion album by Iron Maiden, Motörhead’s lesser known jewels from the 90’s and beyond (Snake Bite Love worship ’til dessssss…) are the obvious ones, since they have a wide public but not so in the subterranean underground and those are the only classic bands I worship from the first to the last album. I don’t know, mate, Funeral Nation and Armoured Angel’s whole discography, In Torment’s Lamentations (best doom/death demo from Spain), Necrophagia’s “Holocausto de la Morte” LP, At War’s “Retaliatory Strike” and Infidel LP’s (pretty much decent follow-ups to the debut), Wild Dogs’ “Reign of Terror” and Dr. Mastermind’s LP’s were my latest “dollar bin” acquisitions that were giving me some good times… and from the recent days, The Fog and Ascended Dead LP’s are mandatory, and so are Oniricous. Torture Rack, Carcinoid, Usurper’s “Lords of the Permafrost” LP and Cianide’s “Unhumanized” MLP (can’t wait for my copy to arrive, thanks sir Perun) have made metal return to its place, and I’m sure Blood Storm’s will do, too. Maybe they aren’t occult or hooded enough for the crowd, what do I know. Our drummer Gusi also plays in Krossfyre, a great act for all ye Nifelheim worshippers, and our newest addition, Marc, drums in Mahara, that will appeal the Electric Wizard devotees.

– That’s about it. In bringing this to a close is there anything you wish to say, or promote, before we sign off and part ways.
proscrito

Pick this up, you can thank me later.

Fine, enough for now. Pretty much has been covered so far. At the moment we have some copies of “Llagas y Estigmas” and “El Calvario”, both CD (8 €) and vinyl (12 €), and some shirts left (10 €). Spend your money on our albums and merch, watch us live and buy us some beers. Here you have some sites to reach out:

http://proscrito.6te.net

http://facebook.com/proscritoyolvidado

http://instagram.com/proscrito_sabathell

http://proscritoyolvidado.bandcamp.com

Huge thanks to Proscrito for their godly patience, allowing me to pick their brains and letting me annoy them with my amateurish barrage of constant emails. Don’t forget to check out their newest release, and their first, on Bandcamp and at whatever fantastic establishments, some not so much, where great audio is exchanged for currency.

Cult

Supporting (Underground) Metal in the “Interweb” Part the Second

supporting underground metal

Occasionally I ponder upon what I can do help out those who take time out to toss me a few words. This sees the sites second collaboration with The Foehammer Podcast and yet another with its creator Derek C (otherwise known as @He11fire on Twitter). Without further ado and possible grammatical stumbling down a path which might lead many astray here are Derek’s words and the breakdown of The Foehammer Metal Podcast Take 60 (which apparently has somewhat of a theme).

Happy Thursday, Eternal Hails and the Utmost Thanks to CultMetalFlix for once again featuring Foehammer Metal Podcast in Abrasive Audio!

foehammer metal podcast

This week’s episode must have been a subconscious nudge made by the “drinky” thought tank that most people keep their smart thinking cells in. All 3 album reviews and intro song were something I had sitting in the “someday” pile just waiting for the right time to ramble about them. Thus, by the secret magics of black metal, they aligned to reign upon my inspiration.

These were albums I had binged and put back on the shelf, and through a swarm of new releases and recent purchases I was currently spinning, this was the stuff I needed more of. I had to sever from one of my only convictions with the podcast. “Try to talk about stuff other than just black metal”. Well, bad news Bitch, this is an “Oops, all Black Metals” episode and it just felt right.

oops black paint spill

Oops. there’s Darkness everywhere!

That’s not to say it went smoothly by any means. In fact, I messed up the first segment so many times the beer you hear me crack open in the beginning is actually my 10th, and yet I powered through the night leaving wreck and ruination for “Tomorrow Derek”.

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This week’s opening band:

thy dying light

But does “X” really mark the spot?

Thy Dying Light – Cold in Death EP

A raw and melodic Black Metal band from the UK that just released their first full length.

http://pestproductions.bandcamp.com/album/cold-in-death

This week’s featured albums:

Elegiac – Vampyric Odinism

A high energy release from one of my favorite heathen/pagan black metal bands.

http://elegiac.bandcamp.com/album/vampyric-odinism

Bihargam – Castaka

Grim Black Metal that makes some interesting riff choices.

http://bihargam.bandcamp.com/album/castaka

Steingrab - Mystik

It even comes in a handy dandy case

Steingrab – Mystik

Bleak Sorrowful Black Metal that still sounds like it’s got some muscle.

http://steingrab.bandcamp.com/album/mystik

You can hear the episode here:

https://youtu.be/CqpUT5Qs2Cs

Subscribe to the YouTube channel here:

https://www.youtube.com/channel/UCuP2tkAg3ABtFQUZFP5j3HQ

And that’s about it until Derek decodes to delight our ears again.                                              Cult

Abrasive Audio 2020- Part Four

black metal gif

As the year blossoms as too does the onslaught of extreme audio. At this point I’ve given up trying to keep track of it all, it’s a worthless endeavor (well it’s not worthless) lest all else; responsibilities, family and career, falls to the wayside. So rather than try I’ll merely report on that which I recently found to be entertaining and worthy of praise. Without further waffling on all manner of things which one doesn’t wish to be made aware of let’s just say we get started…

January Releases-

faidra

Faidra (Sweden) – Six Voices Inside

https://faidra-northernsilence.bandcamp.com/album/six-voices-inside

Release- January/26/2020

Northern Silence Productions.

ARTWORK- 83

A classic image which puts me in mind of Archaic Decapitator’s EP (I’m thinking a little research is in order here) wizened monks, Greek philosophers and bearded doomster peddlers. A bronzed effect only adds to its intrigue.

FIRST TRACK- 89

Atmosphere aplenty and an undeniable doom malevolence all topped by a hypnotic black metal majesty. I’m still a stranger to this realm but this is oddly comforting much like unexpectedly finding a blanket on a cold winters night when the heater has abruptly decided to go on strike.

INITIAL LISTEN- 92

Exquisitely crafted arrangements and hauntingly deep rhythms accompanied by atmospheric choruses, synth effects (in instances, and in part, described by “blips and bloops” which in fact isn’t that far off) and an undeniable (somewhat traditional) black metal aura. The description sounds somewhat odd, in fact as though all the ingredients shouldn’t interact, even in protest. But they do, and this is astoundingly impressive. Mesmeric is a good word but it doesn’t come close to what the all-encompassing experience here offers. An audio package complemented by commendable production values far from what fans of the mentioned influences (below) might expect, however this element only serves to heighten the experience resulting in an album which delivers each and every time its placed into the senses. More impressive still is that this is yet another example of what a single, solitary, mind can visualize, produce and bring to full realization. Do not miss out on this!

Favorite Tracks; Not a bad passage from start to finish, prepare to sink into atmospheric black depths which will result in the minutes passing and days woes dissipating.

FFO; Burzum, Hermodr, Mist of Misery.

proscrito

Proscrito (Spain) – Llagas Y Estigmas

https://proscritoyolvidado.bandcamp.com/album/llagas-y-estigmas

Release- January/27/2020

Momentous Mori

ARTWORK- 83

“Hey Mabel, would you look at this. Some silly bugga has flipped this cross over.”

– Yea, it was a bitch getting it to behave and stand up straight.

“…Mabel!!”

FIRST TRACK- 88

A melodic otherworldly doom introduction leads the listener into realms they might not expect. Throaty vocals, at times seeming to issue from more than a single orifice, somewhere between death and black metal (with an obvious similarity to a vocalist any fan of the roots of the genre will instantly be able to name), elevate this far and beyond traditional Doom territories and spiralling across what many perceive as the boundaries of death/doom. The music and vocals combined form a soundscape that’s both harrowing and nightmarish though is unique in that it strays from utilizing the more familiar vehicle in order to get there. An intriguing introduction to both the band and their ‘take’, their invocation, of a genre which has become stale as of late.

INITIAL LISTEN- 86

The cover might scream Black Sabbath (taken to the extreme) but this most definitely isn’t. Obviously, the influence is there. This is mammoth riddled riff Doom, though it’s what’s “added” that might not appeal to the traditional purists. Think plodding menace in a blender with Tardy throat issuances from Obituary. Add to that undeniable groove, a thick ominous nature occasionally traipsing into cinematic depths, nods to traditional heavy metal influences, distortion laden rhythms which touch upon sludge waters, atmosphere melodies to leave any old school fan of Paradise Lost in need of a new pair of pants and an overall infectious nature and you’ll be close. The vocals here aren’t for everyone; this is death /doom with an emphasis on vocals plucked from the cavernous death arena. Although for those with an appreciation for the slightly different, in effect audio which clings to familiar structures whilst adding/embellishing upon their dimensions, this will about hammer home all the nails! With that I’m mind stay tuned to the album’s final moments for the cherry on the proverbial cake. Huge thanks must be given to @gregorywjkelly on Twitter for reminding me of this (when I only remembered the covers image) He has an infinitely better memory than my own!

Favorite Tracks; Delivers throughout!

FFO; Obituary, Paradise Lost, Novembers Doom.

malignament

Malignament (Finland) -Demo I

https://malignament.bandcamp.com/releases

Re-release January/31/2020 (originally October/21/2019)

Purity Through Fire

ARTWORK- 80

Another image which panders to my weaknesses; the macabre and black and white inks. (Yea I know it’s not white but rather ‘open space’ and I also know the artist isn’t pandering to my whim, but this sounds good. I’m going with it!)

FIRST TRACK- 88

Majestic yet melodic with a splash of folk, discernable rhythms which are downright infectious all complete with surprising production values which showcase each instruments role. This is Black Metal I can subscribe to without even trying. A fantastic opener!

INITIAL LISTEN- 86

(Note; Originally released with the first two tracks, the third was added for the tape fornat and this unleashing). For a demo this shines with a wicked, undeniable, appeal. The production is surprisingly decent, it fits the genre perfectly, and the tracks highlighting the musician’s knowledge (of the scene) and stellar abilities both in the composition and talent department. Cold, somewhat traditional, riffs are complemented by atmosphere, groove (yes “groove”) to incite movement and lyrics which make one want to dive into the physical releases accompanying text/lyric sheet. All in all an outstanding offering which should leave fans eager, salivating for more. Admittedly, I’m not a fan of the scene but this made an impression instantly.

Favorite Tracks; Call to Arms, Wolf and the Moon.

FFO; Arctos, Dissection.

February Releases –

plague album

Plague (Greece) – Portraits of Mind

https://plague-gr.bandcamp.com/album/portraits-of-mind

Release – February/14/2020

Redefining Darkness

ARTWORK- 91

A wicked collage of skulls, eyeballs, bones and rot with exquisite colors to boot. An amazing image. If the audio is half as good as this, we’re in for a treat!

FIRST TRACK- 91

A typical introduction including Doom laden riffs, a little piano tinkering and a few bass chords leads into what I’d like to term “utter old school bliss”. Familiar yet fresh this channels riffs, phrasing and arrangements those of us who have a rabid hankering for the roots of the scene will instantly be able to appreciate. Melody, pacing, even the vocal cadence and delivery evokes the golden era of the genre – I’m hooked! Suffice it to mention if the remainder of the album plays out like this my headphones will most probably have to be forcefully pried from my head come days end.

INITIAL LISTEN- 93

Trust those (talented) Greeks to take something good and add upon its appeal. This does just that! Manipulating the familiar, twisting it and tossing in composition genius this album serves up an experience which might divide the camp. I for one appreciate its ability to make me reminisce upon that which brought me into the arena of extreme audio while others might comment that it’s too much like celebrated releases I can see part of this argument though I’ll also add that its becoming increasingly more difficult to be 100% original and or unique without the fear of acceptance.

With this release Plague have somehow managed to insert old school values, sensibilities and stylings into the foundation of a framework which might at first appear all too (instantly) recognizable but upon further inspection is a new take on a vintage design, utilizing talent, ingenuity and obviously undeniable homage as the mortar of said structure. Expect to see this mentioned again, multiple times, as the year draws to a close.

Favorite Tracks; An (old school) eargazm from start to finish!

FFO; mid era Death, mid era Napalm Death, Bolt Thrower, Pestilence, Immolation, early Gorguts.

invocation

(A last-minute entry)  Invocation (Chile) – Attunement to Death (EP)

 

https://ironboneheadproductions.bandcamp.com/album/invocation-attunement-to-death

Release – February/21/2020

Iron Bonehead Productions

ARTWORK – 80

An array of forms left to wither to dust. From this image one might wonder if the last vestiges of life are seeping away in the form of smoke. An interesting image which invokes bleakness and a dismay aura making great use of grays, black and white to highlight certain areas.

FIRST TRACK – 82

A bout of heavy breathing (a meditative concentration state deep in diabolical predicament I’m thinking) brings about the first riffs and the album begins offering a rolling suffocating dirge assault with a vocal accompaniment which seems distant thought equally as sinister as the musical style employed. There’s groove here too but it’s the aura which is impressive; cavernous and saturated in occult themes. An impressive start!

INITIAL LISTEN – 86

Hardly the typical chuggery many might think when the genre comes to mind this utilizes a constant pulverizing assault. Though not the type employed by either Origin or Nile but rather an aura which seethes with an underworld motif; a highly-effective cavernous saturation bringing about images of ancient locales forgotten by humanity at large, though still employed by robed denizens of the underworld for ritualistic purposes one would rather remain ignorant of. In short, an excellent representation of doom/death drenched in pitch darkness and slathered in an ominous nature that’s palpable. Hardly audio for the whole family but I’m over this like white on rice (does that sound right?)

Favorite Tracks; Impressive from first to last note!

FFO; Tomb Mold, Incantation, Krypts, Funebrarum.

theophagist

Theophagist (Luxembourg) – I Am Abyss

https://theophagist.bandcamp.com/album/i-am-abyss

Release – February/22/2020

Independent

ARTWORK- 87

A hand reaching for help. Look closer and you’ll soon discover this hand is much like a Siren bringing many to their doom. This image can be interpreted many ways to include several mental conditions and possibly the word “toxic” but seems as I don’t wish to write a dissertation, I’ll leave my thoughts brief.

FIRST TRACK- 82

A fantastic build leads into pummeling riff territory and an intriguing introduction to the bands style. Providing many layers, multiple twists and turns and a variety of tempo changes, far from one trick pony/genre chuggery ville, this bodes well for the remainder of the album and certainly tips the hat to a smorgasbord of influence plucked from a wide radius of genres. An execution bolstered by top notch musianship and production values.

INITIAL LISTEN- 85

When I think of Luxembourg honestly nothing comes to mind.  But in experiencing this, that will now be brought to a screeching halt. For my virgin foray into what the country offers by way of extreme audio I left with a sizable smirk upon my chops. “I Am Abyss” provides a myriad of mixed styles, primarily melodic death sporting a decipherable vocal style (occasionally a twin pronged attack much like what Trevor from Black Dahlia Murder provides) but also other elements, exquisitely interwoven, plucked from genres as wide afield as Deathcore, thrash, melodic black and even groove with pinches of Djent tossed in for good measure. The addition of cellos and bass as an instrumental is a great touch putting me in mind of the brilliance supplied by Apocalyptica. I was left wondering if Ville Valo might add his trademarked sultry voice at any moment. Overall, this provides more than one might assume, boasts great production, plentiful riffs and terrific rhythms to make even the most stubborn of head bob in appreciation. A damn good debut, even if it did take four years to come to fruition but I’m glad it finally did and it only leaves me eager for more.

Favorite Tracks; Cannibal Preacher, The Awakening, Terrors from the Deep, R.I.S.E, Apocalypse (redux).

FFO; Black Dahlia Murder, Abysmal Dawn, Amon Amarth, Gojira.

But let us not forgot that which we may have missed (Huh?)

Short Sharp Bursts of 19′

Kharma

Kharma (Venezuela) – Chronicas Deletereas I (of 2!) EP

https://kharmagrind.bandcamp.com/album/cr-nicas-delet-reas-l

Release-July/13/2019

Independent

ARTWORK- 92

Lady Liberty, tentacles and a bunch of skeletons writhing in eternal torment. What’s not to like? But seriously, the tone and colors here are quite amazing. If you’re reading this guys, where can I pick up the shirt?

INITIAL LISTEN- 88

Grinding death, groove and lyrics I can’t understand one word of. But it works and this near twelve-minute slab of brutality is one I’ll gladly recommend to fans of grindcore mixed with brutally melodic death… and did I mention groove? There’s plenty of it and plenty of excellently orchestrated rhythms to move to. These guys need more attention!!

subservience

Subservience (UK) -Ascending from the Abyss (EP)

https://ukemrecords.bandcamp.com/album/ascending-from-the-abyss

Release- May/25/2019

UKEM Records

ARTWORK- 75

Something is making itself known, slowly but undeniably, but will it ever make it way to the shores of mankind? And of it does will it be mistaken for z loofah and sold by the thousands? This remains to be seen, until then I’m hitting play…

INITIAL LISTEN- 87

Clocking in at under nineteen minutes these Brits show us that, although they don’t add much to that which has gone before, they can still deliver audio of a caliber which shouldn’t be ignored. This EP provides rhythms, riffs and passages which take instant hold of the listener proving that you don’t have to reinvent the wheel, especially if your brand of the wheel is of such a high quality as this. Surprisingly there’s a slew of influence here at varying degrees which doesn’t in the slightest detract from the composition on offer, but rather adds to its appeal. Suffice it to say I’m eager for a full-length as too should fans of brutal melodic death which keeps the excitement of the genre alive.

infernal conjuration

Infernal Conjuration (Mexico)- Infernale Metallum Mortis

https://infernalconjuration.bandcamp.com/album/infernale-metallum-mortis

Release- June/6/2019

Iron Bonehead Productions

ARTWORK- 88

Grandiose and classical. I’m of the belief this is a depiction of the landscape of a birthday cake for a God, an entity for which the number of candles cannot equal the amount of years. It’s a losing battle, how about a gift card instead?

INITIAL LISTEN- 94

Like the most wicked mashup of vintage Morbid Angel, Pestilence, Death (and to a lesser degree a few others) sans the all too frequently utilized and all too obvious copycat vibe. Executed with precision, diabolical flair, savage fury and undeniable revenance resulting in a slab of audio whose appeal should be akin to the ravenous onslaught of a populace devastating virus (sans the boils, general listlessness, hemorrhaging, seepage from every orifice, loss of life and grieving loved ones) if there’s any justice! Old school dipped in diabolical menace draped in homage to the chaotic black. Call it what you wish, but it’s best not to disagree on semantics rather enjoy the brilliance and talent on offer here. I’ve had this lined up for some time (since early 19′) but up until now haven’t hit the play button, I can’t for the life of me fathom why. Don’t be like me, leap upon this, ears first, at the next given opportunity, you can thank me later! This is a top of the year list addition for sure. Is it too late to perform a “last minute edit”?

allagash

Allagash (Canada) – Cryptic Visions

https://allagash.bandcamp.com/album/cryptic-visions-2

Release – May/6/2019

Independent

ARTWORK- 84

A fantastic image depicting a cave in which Neanderthals encounter aliens. It’s like a mashup of Nell and Close Encounters of the Third Kind. I only wonder who would stand victorious in a (best of three) game of Checkers.

INITIAL LISTEN- 91

The music on display here is fluid. Reminiscent of traditional heavy metal yet with more a speed metal approach putting me in mind of a slew of German acts under the Power/Speed genre umbrella. The vocals are a little harder to get into. Various online comments have likened them to those associated with Brocas Helm but not being a fan of their work, I can’t tell whether I fully agree with this. They do however take a little getting used to, but once ‘over the hurdle’ this develops into an album which puts the listener in an entrancing spell, whether it be through admiration of what’s on offer or the album’s nostalgic qualities, a slew of albums/acts/tracks, attached to names which might not quite reach the tip of the tongue, will pass through the memory banks as this plays out. Sound bites add to the albums intrigue (good old Ronny Reagan pulls in the listeners from the get go) and the theme interwoven throughout, (strangely Blood Incantation comes to mind during the albums more mystical passages) which the covers illustration covers sublimely. In conclusion this was a damn sight better than I expected, to be honest I was thinking black metal at first based on the bands moniker (explained much later in the album via a soundbite), it delivers throughout, supplies a great more than merely I can incoherently gush about and should not be missed especially for those of us with a soft spot for traditional Heavy Metal accompanied by pace (sans brutality) and atmosphere of remarkable scope. Do not let this pass you by undiscovered, I’m in awe even to the point of stating that the final track “Eagle Lake”, a fourteen-minute instrumental, is one of my fave tracks from 19′ (albeit belated).

warbound

Warbound (Brazil) -Behind the Unreal

https://thrashordeathrecords.bandcamp.com/album/behind-the-unreal

Release – September/21/2019

Thrash or Death Records

ARTWORK- 84

Raw black and white imagery depicting savagery and all manner of sin, suffice it to say I’m left curious as something that’s quite curious indeed!

INITIAL LISTEN- 85

Energetic old school thrash coupled with heavily accented vocals. If only it were that easy to summarize. Truth be told this has more to offer than just that as the riffs showcased here are both ferocious and melodic. The album’s atmosphere is surprising, a great addition, remember this is thrash and not death or black and the result; an album I’m surprised isn’t talked about more. This isn’t a ground-breaking feat but it does its job damn well and will spark interest in the vast majority of thrash fans where aggression reigns supreme in their listening habits! Add to this to your high energy playlist, alongside Whiplash, Destruction, Kreator and Sodom. But before hitting play put away all the breakables, this will make you move!

mix tape action

Keep it up Cult, at this pace you’ll drive yourself into an early grave!

And that brings another mammoth installment to its climax. I’ve barely managed to get this out in time. Hopefully I’ve succeeding in including diverse enough audio for most tastes, as always feel free to drop me a line with any comments, queries, suggestions or with any wishes to contribute. Seriously your grammar can’t get much worse than mine. And this is usually where I say “Don’t fear discovery” and there it is.

Your slave to audio (and celluloid) in many of its extreme guises,

Cult