Archive for the ‘abrasive audio 2020 February releases’ Category

Abrasive Audio 2020 – Part Ten

fuk covid

…or listening to Metal!

At present these entries have transformed to a few and far between affair. And for that I apologize. It’s frustrating I’ll admit; not being able to scribble upon that which interests me and brings a spot of shining brilliance to an otherwise humdrum existence. But it’s become the norm as of late and I’m having to ‘steal’ time in order to correlate, compose and post anything. However, I’m dedicated and determined to keep this thing going, to get the word out to praise audio which, I believe, demands discovery.

Without further ado…

Plucked from Metal Past
Drontheim (Germany) Down Below

drontheim

https://wraithproductions.bandcamp.com/album/down-below

Release – February/22/2019

Wraith Productions

ARTWORK – 70

Shadows, more shadows and what could possibly be either water or an outcropping of rock. I’m not even sure. However, if the music is as dark as the image, we’re in for some gloomy, doomy audio.

FIRST TRACK – 90

This could well be the resulting mash up of Paradise Lost and Katatonia if only David Bowie were to take the vocal duties. Then add some 90’s Goth Pop, Abstract lyrics and you’re even closer to what this provides. This is miles from my usual wheelhouse of interests but I’m finding myself strangely drawn to its Alternative, Post, Progressive, Doom allure.

INITIAL LISTEN – 90

With no two Tracks here alike this (album) offers a great deal to discover and get excited about. Industrial tones, progressive arrangements and melancholy all filtered through a veil of a palpable ominous, cinematic, atmosphere. Far from harsh this provides quite the distraction from the norm and offers rhythms to sink within accompanied by a certain nostalgia whose origins only seems to escape from the tip of the tongue as the audio evolves from one track to the next. Simply put if you enjoy the unpredictable diversity of Faith No More and are open to the occasional dip into Industrial Goth and murky Doom waters this is a release you need between the ears. Keep the assumptions at bay and the mind open and this will serve excellently to break up the day’s woes adding a spark to the normalcy of the day’s playlist.

Favorite Tracks; Varied, exciting and hypnotic throughout.

FFO; Rammstein, The Prodigy, Seigmen, Zeromancer, Ljungblut, NIN, My Dying Bride, Ulver, Red Harvest, DHG, Faith No More, Peeping Tom, Anathema, Katatonia, Kent, Ved Buens Ende, 3rd & the Mortal, The Soundbyte, Calmcorder, KkoagulaA, Manes, Atrox. (This is cut and pasted from promotional materials as I fear I couldn’t quite nail its wide influence radius and promote it to the audience it deserves).

Degenerate

Degenerate (The Netherlands) Devastation Ahead

https://band-degenerate.bandcamp.com/

Release – November/15/2019

Independent

ARTWORK- 76

Simple, vivid and to the point. I like it!

FIRST TRACK- 91

It takes a few seconds to realize this is neither Grindcore, nor Tech Death, though it displays elements of both it soon finds its rhythm. This is Thrash, aggressive have no doubt of that, bordering on Melodic Death it has bite, a rabid intensity and a flow which will have the listener up and on their feet in no time. An awesome start!

INITIAL LISTEN- 86

I’m not normally a fan of thrash, unless it makes an instant impact. And this does just that! Razor wire vocals, searing riffs, amazing solos, heritage flavor and vertebrae snapping rhythms, this is just the start of the list which makes this album stand out. I cannot for the life of me wonder why this didn’t feature on a plethora of year end lists, it’s that impressive (and my neck hurts so good).

Favorite Tracks; Adrenaline spiking from start to finish!

FFO; Sepultura, (newer) Exodus, Machine Head.

Interrupting the Normally Scheduled Broadcast for Something Completely Different.

folian

Folian (USA) -Blue Mirror

https://folian.bandcamp.com/album/blue-mirror

Release- January/31/2020

Anima Recordings

ARTWORK – 72

A little artsy, but I get the point; someone has perished, possibly at sea. But is the kelp or seaweed (or is that hair?) to blame or something entirely more sinister still?

FIRST TRACK – 86

“Post Metal”, “Shoegaze”, “Doomgaze”, “Noise Rock”, “Drone”. I’m honestly not sure what either of these terms means but this has an undeniable appeal, a curious start if truth be told, and has somehow managed to capture me in its allure even though at first the track appears rather relaxed and unassuming it slowly builds into a magnificent cinematic arrangement seething with a grandiose nature.

INITIAL LISTEN – 89

Far from what I would normally place in my ear this still has an undeniable charm, a familiarity if you will which is distorted, slightly jaded, taken into Ambient and Drone realms then delivered, repackaged, slathered in each of the aforementioned elements to envelope the listener in (“spacey”) tones which effectively cover a wide radius of the emotional spectrum. There’s an aura here, a strangely relaxed one that wavers, which surpasses atmosphere, an all-encompassing vibe which transcends the typical listening experience transporting the albums audience across transcendental landscapes dotted with passion, intrigue, daunting lows and exhilarating heights. Admittedly, this is a release I had second thoughts about discovering (especially after reading the genres listed as descriptions) however after doing so I’m glad I took the plunge. This is quite simply brilliant, but keep those assumptions at bay, go into this blind without prejudices and make time for a complete listen without distraction. Guaranteed to make more of an impression the more it’s experienced.

Favorite Tracks; Enchanting throughout, this collection is downright hypnotic even though it’s far from “the usual”.

FFO; Somali Yacht Club, NIN, Oasis, Stone Roses, Nuerosis.

March Releases
Reccd by @LFCMFighter

raider

Raider (Canada) Guardian of the Fire

https://raiderofficial.bandcamp.com/album/guardian-of-the-fire

Release- March/20/2020

Independent

ARTWORK- 74

Am I about to plunge my ears into Power Metal, or audio with an Epic feel with a possible fantastical edge? Hitting play…

FIRST TRACK- 83

Well, this is hardly Power, or even Epic, metal. It’s definitely Thrash. The bang yer head wicked variety complete with breakdowns, solos and venom dripping vokills. Suffice it to say I’m diggin the shit outta this thus far.

INITIAL LISTEN – 85

Who says one can’t have a kick ass Thrash album sporting cover art which might hint at more melodic arenas, perhaps audio of a more Epic nature? But that’s not to say that this isn’t. It is most definitely guilty of having riffs (for days) and rhythms you can most certainly without any doubt lose the last vestiges of your sanity too. Also, surprisingly, leads and solos which inspire air guitar aplenty, the air of old school Heavy Metal influence is distinct yet never an element which is utilized too often. I guess what I’m trying to say is don’t let the cover steer you astray. Sure, this bears fantastical elements, lyrics hinting at conflict, menacing forces and the like. If truth be uttered this precariously teases jumping the boundary of the Death fence, though manages somehow to remain firmly rooted upon the Thrash side. This is inarguably audio which incites frenetic movement, sweat and exhaustion, for this makes one move and doesn’t let up till the digit moves against all restraint to hit the play button again.

Favorite Tracks; Blistering throughout!

FFO; Sodom, Annihilator, Crusadist.

Aodon

 Reccd by @uniquehifi
Aodon (France) – 11069

https://aodon.bandcamp.com/album/1-1-0-6-9

Release – March/27/2020

Willowtip Records

ARTWORK- 70

The onset of decay or time, I’m not sure which. This gives little away as to the audio within.

FIRST TRACK- 93

A dissonant nightmarish backbone complemented by evolving rhythms and ferocious vocals. A little different than most in the same arena but it certainly makes an impact.  This is rather hard to describe easier to enjoy. An unfathomable impressive commencement.

INITIAL LISTEN- 92

This is my first experience of these guys and just… wow! Honestly, I’m always a little put off by an album which might not make sense to me on first glance, seriously what’s up the title? But after a little proddin’ (thanks to @uniquehifi on Twitter) I allowed this entry into the ears. Fuck me (I never swear, just ask the Fn’ wife) this produced an instant reaction. It’s hardly traditional, actually rather hard to describe without making people shake their heads in confusion, but it works. The style is as equally as ferocious as one is lily to hear but the accompanying rhythms which set this apart from the pack, the feel, the atmosphere, the aura. This is different, you can be sure of that but it’s not so wildly obscure as to be totally out of left field (what, a baseball reference?) Give it a chance and feel free to thank @uniquehifi too.

Favorite Tracks; Astounding throughout!

FFO; Atmospheric Black Metal with a slight Avant Garde aura and a Post/Progressive edge.

Temple of Void

Temple of Void (USA) -The World that Was

https://templeofvoiddoom.bandcamp.com/album/the-world-that-was

Release- March/27/2020

Shadow Kingdom Records

ARTWORK- 94

Exquisite inks, oozing with detail and life, displaying an arcane location, a landscape painting which seethes with ominous atmosphere. I’m left to wonder is this the bands rehearsal space?

FIRST TRACK- 92

Slow, crushing, ritualistic with an atmosphere which is palpable. Albums don’t start any better than this. Death Doom of the highest order which makes me wonder why I haven’t laid ears on this band before now.

INITIAL LISTEN- 85

At times the audio sounds as if Grotesquery and Paradise Lost got together and decided to combine their most notable talents. The vocal approach is a brilliant narrative (ala Grotequery) whilst the melancholic aura and arrangements of Paradise Lost (“Shades of God”/”Icon” era) is undeniable. This combination works superbly for the first few tracks offering a depth and aura which is quite simply astounding, but the album somewhat peters out, trudging into Groove Death depths, losing some of the magic the first half exhibited (although to be fair the bar was set extremely high from the get go). Climaxing with the near ten-minute title track the album reaches near the brilliance it started with to leave the listener hungry for another listen. Overall, this is a stunning effort sure to widen the eyes of anyone unfamiliar with how the band tackle the genre they choose to manipulate. Fans of Death/Doom take note this traipses into territories, both rhythmic and arrangement, one might not predict whilst still managing to return to familiar realms without alienating the audience, only one of many reasons why this deserves a slot in the collection amidst other greats. Make room!

Favorite Tracks; The Beast Among Us, Self Schizm, The World that Was.

FFO; Paradise Lost, Grotesquery, Novembers Doom.

Razgate

Another Reccd by @LFCMFighter
Razgate (Italy) – After the Storm…the Fire

https://razgatethrash.bandcamp.com/album/after-the-storm-the-fire

Release – March/27/2020

Punishment 18 Records

ARTWORK – 89

I’m all about Fantasy. Fantasy and Horror. Combine the two, in this case a questing Barbarian confronting an enigmatic entity perched upon a mountain of skulks, and I’m a salivating fool. Such is the case here!

FIRST TRACK – 91

A classical, Baroque, introduction sets the scene for pummeling, domicile obliterating, rhythms and a vocal style which is…wait for it…eerily similar to a certain Tom Arayas. This is my introduction to the band admittedly; Consider me sold!

INITIAL LISTEN – 94

This might ruffle a few feathers (keep in mind it’s my opinion) but experiencing this for the first time is akin to my virgin experience with Slayer audio. Daaammmmnnnn-! About covers it! This checks all the boxes I require checked to be able to enjoy a Thrash album (not all Thrash is the same, no matter what your parents tell ya). And then it rips the list from my hands and sets it on fire! This seethes with Ill-intent, with no consideration for the listeners well-being, seriously else why would those responsible make this so GD infectious. There’s even slivers of traditional metal and Speed influence in here and sufficient tempo changes to make one think for a brief moment that the punishment is through (but no-!) To make matters worse (just take my wallet!). Bastids the lot of em’, here I am spinnin’ this like one possessed and the day is just slipping away. You know, I’m sure I had things to do today. Ah, well. I can see my digits reaching for the Play button, again, I have zero control. Don’t get caught in the same trap. Save yourself!

Favorite Tracks; I’m going to burn this album before I lose my sanity, my job, my marriage and did I mention control of my appendages? I probably should have started with that, have a spotter when you listen to this and ear plugs for them so they might be about to hit Stop, every once in a while, but not too often.

FFO; Slayer, Nuclear Assault, Havok, Annihilator, Sodom, Three Inches of Blood.

April Releases

Carnal Savagery

Carnal Savagery (Sweden) – Grotesque Macabre

https://carnalsavagery-chaos-records.bandcamp.com/album/grotesque-macabre

Release- April/1/2020

Chaos Records

ARTWORK – 72

It’s as though someone ripped a page out of Seagraves book, blew up the image and added a Zombie, with a few scavenging companions, with his insides falling out. There’s little doubt as to what’s on offer here.

FIRST TRACK – 82

Filthy, mid paced madness with flourishes of abruptly inciteful rhythm (to send one into a moshtastic orgasmic salivating state) oozing with the trademarked genre’s HM2 menace, enough atmosphere to sate and unhurried commanding growls. All in all, a great combination with excellent delivery. A fantastic start to get one in the old school mood.

INITIAL LISTEN – 84

As the title of the album suggests the feel of the album is one of blood, bone, carnage and obliteration. Obviously, this concept isn’t fresh, new, or even ground-breaking but is delivered here in such a way as to make the listener sit up and take note (shit, it even comes complete with atmosphere). Carnal Savagery aren’t another dime a dozen copycat act, these guys have been around (since the scenes inception). Add to that the fact that a certain Dan Swano decided to ‘help out’ and it means be prepared, as he most definitely knows his stuff and the myriad depths of the genre itself. The album itself benefits from a fantastic tone, a dirge, an electric charged distortion which recalls the heyday of the scene and the audio itself? Well, it could well have been recorded in the same era as it reeks of professionalism, wisdom and a quality which will be instantly accepted. Hardly a parody of, and miles from plagiarist material but rather an addition to that which has already left its mark. Jump on this as I can only imagine if these guys stick around, they will stand alongside Entrails, LIK and Nocturnal Hollow to hold the standard for the scene into the new decade.

Favorite Tracks; Not a single one but the whole damn thing.

FFO; Bloodbath, Vomitory, Ribspreader, Dismember, LIK, Entrails.

 Grieve

 Grieve (Finland) – s/t (12″ MLP)

https://werewolfrecords.bandcamp.com/album/grieve

Release – April/3/2020

Werewolf

ARTWORK- 86

Black and white ink mastery. A form, a ghost, a wraith looks toward the storm laden distance for meaning, as He/She does so it parts welcoming his arrival. This is my take. I could be miles away but it’s impressive nevertheless.

FIRST TRACK- 92

Malicious blizzard riffs complementing a somewhat Folksy/Viking aura with slightly Cosmic undertones. Howls and snarls makeup up the vocal accompaniment. Blanketed in atmosphere the track makes for an amazing introduction to the band and their style.

INITIAL LISTEN- 91

Only two tracks on offer here, barely ten minutes but it’s more than enough to whet the appetite for more of the same. Blistering frigid riffs, snarled venom, epic narrative lyrics and melodic majesty. This is Black metal with bite, emotion, rhythm and a smidgen of D-beat combined to leave an undeniable mark.

Favorite Tracks; Both tracks are unfathomable impressive.

FFO; The Abyss, Dissection, Emperor.

Graveir

Graveir (Australia) – King of the Silent World

https://graveircult.bandcamp.com/album/king-of-the-silent-world

Release – April/17/2020

Impure Sounds/Brilliaint Emperor Records

ARTWORK – 78

I’m honestly not sure what to think of this. An excellent shadow heavy image with hidden meaning. Guessing I need to break out my thinking cap. A skull is front and center draped in a shroud of sorts with a plethora of crosses hanging from his/her(?) neck. Perhaps she skull is surveying its domain; “The silent kingdom”. And everyone is also of the not breathing variety, thus incapable of making a sound.

FIRST TRACK – 72

Grandiose Post meets Atmospheric Black metal with wailing vocals and a rumbling dirge nature. Not entirely what I was expecting but I remain intrigued.

INITIAL LISTEN – 76

Hardly tradition Black or even Death or the “assumed” combination of the two this relies more on ritualistic dirge and borders on an industrial tone. Rhythms are often an undercurrent rather than a driving factor and cavort playfully within the arrangements. Post and Progressive properties are dominant as too an undeniable ominous nature though overall this isn’t too far from the ‘norm’ as to alienate fans of either Black or Death, although as it stands  it should appeal to those more with Cavernous penchants perhaps even Grindcore and Crust tastes as this shows slight elements from each realm also, rather than that of the straightforward chuggery variety. This has grown on me over several listens, and has blossomed to show a wide swath of influences, so I don’t expect an instant downright appreciation.

Favorite Tracks; The Fetch of Crooked, Immacolata,

FFO; Akercocke, Aodon.

Kurnugia

Kurnugia (US) – Forlorn and Forsaken

www.reverbnation.com/kurnugia

Release -April/27/2020

Momento Mori

ARTWORK- 78

I can’t get over the fact that the face reminds me of the ‘witch’ creature from the “The Dark Crystal”. Otherwise a nice image with excellent colors and details.

FIRST TRACK- 82

With an intro with sounds like a soundtrack which accompanies the money shot scene to a later day Gothic shocker questions arise as to what might be on offer. But fear not, the first real track on offer displays melodies of a remarkable nature any fan will be able to instantly appreciate. Classic Death metal ripped from the 90’s playbook strangely somewhat both American and European in tone. Chuggery and atmosphere and a vocal approach akin to that of “Corpsegrinder”. I’m all ears; this is quite the opener!

INITIAL LISTEN- 86

Grinding, rumbling Death with enough movement in its arrangements to stray from the realm of boredom. A classic of all that works merging the old school ala Bolt Thrower with a dynamic approach, barely this side of technical bordering on at times Grindcore sensibilities, and plenty of groove to carve a grin on any fans chops and keep it there. This is quite the find for any bored with the plethora of acts sounding the same ole and bringing little to the scene. These fellas know how to play, compose and deliver an album which delights.

Favorite Tracks; Top notch Death metal throughout.

FFO; Angerot, Grave, Unleashed, Benediction, Vomitory, Bloodbath, Gorguts, Morgoth.

And a new segment, because I’m literally drowning in Metal (not time) I wish to promote. Introducing; The “WTF Lightning Review”.

TUUNBAQ

TUUNBAQ (Russia) – Graves of Ice

https://tuunbaq.bandcamp.com/album/graves-of-ice

Release – September/13/2019

Artwork – 74

Ferocity – 88

Groove – 87

Infectiousness – 88

Originality – 76

Genre – Grindcore/Crust

Will I Revisit? YES

Final Score/Remarks – 87

Atmosphere, Grind, Sludge and Groove…Hell to the yes!!

Legendry

Legendry (USA) – The Wizard and the Tower Keep

https://legendry.bandcamp.com/album/the-wizard-and-the-tower-keep

Release – November/1/2019

Artwork – 74

Ferocity – 24

Groove – 72

Infectiousness – 83

Originality – 76

Genre – Heavy Metal/NWOBHM/Folk/Prog/Doom/Epic Metal/

Will I Revisit? YES

Final Score/Remarks – 84

Exquisite fantastical themed Traditional Metal bursting with nostalgia, diverse styles and an undeniably fluid nature.

Embodiment

Embodiment (UK) – Palingenesis

https://embodimentofficial.bandcamp.com/album/palingenesis

Release – April/24/2020

Artwork – 86

Ferocity – 89

Groove – 83

Infectiousness – 92

Originality – 65

Genre – Tech/Prog Death

Will I Revisit? YES

Final Score/Remarks – 91

Ungodly impressive tech/prog death w. classical elements and a hypnotic allure which is unfathomable.

Divine Chaos

Divine Chaos (UK) – The Way to Oblivion

https://divinechaos.bandcamp.com/album/the-way-to-oblivion

Release – April/24/2020

Artwork – 84

Ferocity – 75

Groove – 78

Infectiousness – 84

Originality – 60

Genre – Aggressive Thrash/Melodeath

Will I Revisit? YES

Final Score/Remarks – 83

Insanely catchy, dynamic arrangements with wicked vocals topped off by impressive production.

Destroyed in Seconds

Destroyed in Seconds (USA) – Divide and Devour

https://destroyedinseconds.bandcamp.com/album/divide-and-devour

Release – April/24/2020

Artwork – 89

Ferocity – 86

Groove – 89

Infectiousness – 92

Originality – 70

Genre – D-beat/Crust/Hardcore/Thrash/Dirge-laden Death metal.

Will I Revisit? YES

Final Score/Remarks – 91

Top of the heap D-beat with varied influence which demands ears upon it!

It is impossible to sit still while listening to this!

exhausted animal Well shit, this turned into a Thrash lovefest, I didn’t intend for it to be the case but I just so happened upon a few Releases in the genre worthy of praise. I’m still hurting from Razgate (damn you @LFCMFighter!) And I suspect it might be the case for a great many others whom stumble upon its charm unsuspectingly. Again, this has taken a while, I only wish I could do more but alas thing while Covid thing has me working and babysitting (Can I call it that if it’s my child…?) rather than working and scribbling. Although I have inserted another segment in order that I might be able to promote more albums in a timely manner.

Until next time, don’t fear discovery of that which is normally foreign to the senses.

Cult

Abrasive Audio 2020 – February

black metal gif

Well, here we are again. My life is somewhat back on track following a three-week period of “ahh-fuck, my back!” However, during this time, I still put aside a few moments in which to discover fresh extreme audio and scribble upon its allure. Here’s hoping at least someone else, other than me, is actually reading this. This is a free service I’m offering here folks, all I ask is that you bathe your eyes in horrid grammar, my attempts at atrocious humor and that you support the scene. Metal is after all important to the mental well-being of millions, or am I just talking about myself again? As always feel free to comment, share and click whatever links provided so that you may listen as you investigate all the spelling errors I’ve also so lovingly provided. Onward to extreme audio as yet undiscovered (you’ll note I’m trying something new; a month by month theme in order, and hopes, that the releases covered herein are easier to lay ears upon in a timely manner and not forgotten).

Left over from January –

ceifador

Ceifador (Brazil) – All Hell Breaking Loose

https://ceifador.bandcamp.com/album/all-hell-breaking-loose-2020

Release – January/15/2020

Invincible Records

ARTWORK – 55

Honestly, I’m not even sure what this is. Is it an x-ray SNAFU? This gives little indication as to what to expect from the audio without, regardless I’m still curious.

FIRST TRACK – 86

Unlike that which I assumed this isn’t a play on the famous Venom track (it’s missing the “s”) however it is in the same vein; punk and speed with an underlying black metal vibe. And I’m please to say its raw nature has grabbed the attention.

INITIAL LISTEN – 79

Yet another one-person outfit, Clayton Maximinus other than in a live setting, bringing the blackened speed metal attack. I’m beginning to think there’s really no need for a full act to ‘create’. Do “many cooks spoilt the broth?” after all? This much like James McBain’s Hellripper incites uncontrollable limb movement and delivers the goods. Although this gets a little repetitive in instances, seems ‘recycled’ in others and the tracks could be shortened some with much the same result it still makes an impression and leaves a definite mark, demanding praise and an instant replay. If your penchants run to raw audio, punk and blistering blackened speed this requires attention! As an added bonus this guy creates like a possessed fiend so there’s plenty offered by way of a back catalogue to sift through until he chooses to release another. Dive in!

Favorite Tracks; All Hell Breaking Loose, Gods of Evil, Don’t Pray for the Dead.

FFO; Wraith, Hellripper, Bastardizer.

macabre demise

Macabre Demise (Germany) – Awakening

https://macabredemise.bandcamp.com/

Release – January/17/2020

Rebirth the Metal Productions

ARTWORK- 82

Hide the Paramedics, there’s a zombie invasion! Apparently, they’ve already eaten the kids in the short bus.

FIRST TRACK- 68

An atmospheric intro with synth horror undertones leads into short stabbing riffs, significant bass ‘bounce’, a slam edge and even a diabolical passage or two. I’m intrigued. I think I’ll stick with this till its through.

INITIAL LISTEN- 73

Brutal death, crust, slam, blunt riffs with abrupt pace transformations and occasional forays into djent ville is what’s to be find here. Coupled with an obsession with horror and carnage (as their moniker suggests) this makes for nothing that’s totally unexpected, or even new, in the genre. However, it’s the tight drumming and willingness to pull/pluck/yank/rip elements from a myriad of genres and the ability to pull it off which keeps this entertaining.

Favorite Tracks; Mirror, Darkness, Gore and Guts, Slush Brains,

FFO; Cannibal Corpse, Malevolent Creation, Vomitory.

Schizophrenia

Schizophrenia (Belgium) – Voices (EP)

https://www.facebook.com/Schizophrenia.Officialband/

Independent

Release – January/31/2020

ARTWORK – 88

Driven by shadowy forces out of his control a man is depicted with a knife to his throat by his own (manipulated) hand. Stunning art sporting fantastic light and dark play and vivid details make this image pop.

FIRST TRACK –88

Thrash bordering on death which boasts attention-grabbing pace transformations, a wicked vocal tone with plenty of dynamic movement and an aggression which is hard to ignore.

INITIAL LISTEN – 88

Displaying a style which is a delicate balance of Bay Area, European, old school and new school Schizophrenia have somehow managed to create five tracks which seethe with undeniable dynamic and exuberant presence. Lead and solo fretboard manipulations drip in diabolical qualities coupled with rhythms doused in adrenaline keep the eyes wide and the mouth agape while the body flails of its own accord. The intriguing vocal range in moments brings to mind a trademarked Tardy style and tone but this is hardly a complaint, rather another example of what makes this so damn listenable. Set your ears on this and rekindle your adoration of brutal aggressive thrash, but be warned you’ll want to play this again and again. Here’s eagerly awaiting the band’s first full-length.

Favorite Tracks; Structure of Death, Perpetual Perdition, Beyond Reality.

FFO; Exhorder, (vintage) Sepultura, Kreator, Slayer.

hazzerd

Hazzerd (Canada) – Delirium

https://hazzerdthrash.bandcamp.com/album/delirium

Release – January/24/2020

M Theory Audio

ARTWORK- 60

Not sure if that’s a crazy person or a zombie, or a crazy person in a zombie getup nowhere near the night when candy is handed out wilynily. Perhaps it’s the bands mascot and I’m looking at this all wrong? Regardless, something of interest is taking place in the background; riot gear, strait jackets and Billy clubs. Surprisingly, this still grabbed my attention enough to hit play.

FIRST TRACK- 88

Thrash with a huge dose of speed metal, traditional heavy metal leanings, crossover vocals sporting dazzling lead and solo work. A great start which puts me in mind of the thrash style dominant in the late 80’s/early 90’s.

INITIAL LISTEN- 90

This is a great example of “you can’t judge a book (in this case an album)” by its cover. Hardly aggressive the audio here is a stunning blend of speed metal traditional heavy metal, thrash crossover and old school thrash. Rhythms are criminally infectious; the lyrics are often drenched in humor (with an undeniable Destruction edge to the vocals) and the guitar work is a stunning and passionate mix of Dragonforce and Steve Vai which thankfully stays this side of OTT fretboard maniacal wizardry realms. Layered with a playful nature and doused in a vibe which harkens back to the golden age of thrash this tips the hat to a variety of influences whilst still imbuing an essence of its own. A dynamic, energetic affair which bursts with talent and creative know how. I’m not normally a fan of the genre but this is remarkable and deserves all the praise it gets and I can give.

Favorite Tracks; A Tormented Reality, Call of the Void, Dead in the Shed, The Decline.

FFO; Forbidden, vintage Flotsam and Jetsam, Coroner, vintage Annihilator, Exodus, Destruction.

 February Releases

goblinsmoker

Goblinsmoker (United Kingdom) – A Throne in Haze, A World Ablaze

https://goblinsmoker.bandcamp.com/album/a-throne-in-haze-a-world-ablaze

SludgeLord Records

Release – February/7/2020

ARTWORK – 85

Fantastical themes, conflict and smoking paraphernalia all encompassed within a delicious comic type setting. A I the only one who wishes to see as well hear more?

FIRST TRACK – 84

Atmosphere aplenty layered upon by a mammoth menacing build (ala monolith fuzz laden Doom riffs) as if seeing an army slowly appear on the horizon blocking the sun’s rays, eradicating all hope, gradually filling the sky with dread. An infrequent EyeHateGod shrieking vocal approach adds to the overall menace and enveloping aura. A plodding dirge, in effect the perfect soundtrack for evoking scenes of conflict disrupting the normal run of things in the swamps (does this even take place in that location? This remains to be seen).

INITIAL LISTEN – 86

There’s already a sludge/tech death band (give me a few I’ll find out their name… SLUGDGE) fixated on slug warfare and perhaps even a handful of others with the same approach but on all other manner of creepy crawlies. And now, Goblinsmoker. Apparently, this is “Part two in the ‘Toad King’ trilogy” and sees a narrative unfold (this isn’t the first time I’ve “watched” the sequel without watching the original first if truth be told). Here’s the story track by track direct from the band’s Twitter feed;

“1. Smoked in Darkness

This track picks up the story where ‘Toad King’ ended. Following the shamans warning, the Toad King has marched his goblin army to the city of his own kind. He delivers a battle cry before leading his goblin hordes in a charge on his ancestral home, burning anything and anyone in sight. “Death everywhere, none for the smoke. Death everywhere, just for the throne.”

  1. Let Them Rot

Set immediately after the city has fallen. The Toad King sits on his new throne in the city, the throne he never should have been granted. Still full of rage, he sits as the bodies of his own kind, as well as his fallen goblin subjects, smolder around him and he cries out to “let them rot”.

  1. The Forest Mourns

This track deals with feeling that change has come and the anxiety of the new, dark future. The world is not what is was and the goblins have come out from the shadows. It also hints at the third and final part of the trilogy, proclaiming the shaman has one final move to make. “True darkness awaits.”

goblinsmoker toad king

Toad King

A king who happens to be a Toad and more loyal goblin subjects than you can shake a stick at. I am intrigued, and you should be too as this is far from what I initially expected. In shirt this is Doom (of that there’s no doubt) captured in its natural lazy state, draped in ground shaking reverb, often doused with groove, which frolics with a cavernous death presence, occasionally a funeral doom epic nature, aided by blackened shriek vocal accompaniment. But let us not forget the effective bludgeoning drum accompaniment. This combination might sound odd. But it works! And somehow only allows the fantastical narrative; crimson splashing about, slime trails (wait, is that toads too or am I still thinking of slugs?), a bug catching tongue and myriads of squabbling spindly green fellows to blossom in the mind’s eye. The question remains; why isn’t there a graphic novel and/or a slew of animation videos (or even a board game) to help showcase the story (perhaps there is and I’m needing to hunker down to a spot of research?) Regardless as it progresses this puts me more and more in mind of the scene from the Hobbit whereupon our trusty heroes are being chased deep underground by a horde of goblins and their slothenly leader. But I digress, suffice it to say this is epic, transfixing and often suffocating. An experience which the listener will want to immediately dive back into in order to fully appreciate what’s on offer. The first dip may well have been slightly overwhelming which is to be expected but none the less highly enjoyable and infectious. I’m off to listen to the first entry, which is where I seriously should have started, I suggest you do the same.

Favorite Tracks; Let Them Rot.

FFO: Black Sabbath, My Dying Bride, Bolt Thrower, Cathedral, CHTHE’ILIST.

total annihilation

 Total Annihilation (Switzerland) – …on Chains of Doom

https://total-annihilation.bandcamp.com/album/on-chains-of-doom

Release – February/7/2020

Czar of Crickets Production

ARTWORK – 80

There’s little doubt what the listener is in for with this image on hand. You got it.! This is ‘hair rock’ draped in ballads, glitter and unicorn sprinkles. I jest, for there should be little confusion as to what to expect here with the inclusion of flames, a death machine, varied forms getting squished under tank treads and guns glowing red-hot in activity. But the question remains is this audio anything like another act obsessed with warfare and tanks (bonus points if your guess is correct).

FIRST TRACK – 79

A vintage war coverage newsreel and various news clip sound bites add intrigue to the introduction, leaving little left tom ponder upon as to what this might be about. Bouncing, groove laden, thrash rhythms take the lead as the clip intro disappear introducing the bands style to those, like myself, who have yet to experience what they have to offer.

INITIAL LISTEN – 77

Although one might assume this is merely run of the mill thrash/death there’s a variety of pace on offer throughout; mid-tempo groove switches places, and often transforms, into tear your head from your spine in intensity thrashin’ instances and also surprisingly a little something in between. Build up is commendable and rhythms are such that fans will have no choice but to reminisce upon standout thrash artists whose influence here, a mix of vintage European and American, is unmistakable. The rough vocal style adds to the albums level of aggression as too a” Troops of Doom” drum approach which helps propel the finished product into realms fans of the aggressive arena of thrash are sure to pounce upon. Although this sports really nothing new to the scene, the musicianship is on point and the arrangements top-notch and it remains entertaining throughout.

Favorite Tracks; Falling Fast, Reborn in Flesh, Experience the Terror, Tunnelratten, Black Blood.

FFO: Sodom, Nuclear Assault, Destruction, Kreator.

ironflame blood red victory

Ironflame (USA) – Blood Red Victory

https://ironflame.bandcamp.com/

Release – February/7/2020

Divebomb Records

ARTWORK- 78

Stepping away from what’s been showcased on albums before Ironflame have chosen to depict a warrior (I’m assuming) standing proud with a sword in hand and torn cape billowing in the wind. And, if I’m not mistaken, the sword has a certain glow as if its energized, perhaps following slaughter. Does it have a life of its own? Perhaps, it certainly looks wicked enough. Here’s to bloodshed, carnage and the caress of flashing steel upon an enemy’s flesh. Hitting play…

FIRST TRACK- 92

Foot tapping melodies, soaring passionate leads and powerful vocals (sans a falsetto element). If this is any indication of how the album is to continue, I’m shutting the outside world off, turning the headphones up and bathing in the absolute undeniable allure of exquisite heavy metal!

INITIAL LISTEN- 92

Feudal medieval themes, rhythms to promote air guitar silliness and drum tattoos to provoke limbs to twitch of their own accord. This is damn good audio and an amazing example of what makes heavy metal (with splashes of speed metal) so GD enjoyable and why its attraction continues to build. Excellent production aids the overall enjoyment here. If they haven’t already fans of mid era Maiden and Haunt have a new hero to add to their audio collection. I’m sure I’ll play this up until and mention it copiously come years end.

Favorite Tracks; Not a dull moment to be found, bathe in its glory.

FFO; Iron Maiden, Haunt, 3 Inches of Blood, Halloween, Dio, Saxon.

the spirit cosmic terror

The Spirit (Germany)- Cosmic Terror

https://thespiritmetal.bandcamp.com/album/cosmic-terror

Release – February/7/2020

AOP Records

ARTWORK- 73

A classic image offering an optical illusion/visual trickery of sorts (wrapped around a globe sporting either an eye or an explosion on one side) which is certainly up for discussion as it could mean many things ranging from inner struggles through glorified global turmoil.  Or, I could be miles off, it’s happened before now.

FIRST TRACK- 92

This is like “Storm” era Dissection but with a vintage Eucharist vibe. Melodies are wicked yet playful and the lyrics bear a fascinating narrative nature, which can be understood completely. But there’s something else…a tip of the hat to the traditional metal arena by way of galloping riffs and melodious leads which aren’t too brutal, but rather fluid. A fantastic start leaving me salivating for more.

INITIAL LISTEN- 91

Fluid rhythms, a definite, familiar, black metal (melody rather than raw primal power) vibe and distinct majesty and coldness within the riffs though this offers so much more. Influences from traditional metal arenas, melodic death and even a splash of symphonic accompaniment to dd depth to the album’s undeniable presence. Fans of both (‘Storm’ era) Dissection and classic Eucharist rejoice for this combines the two and then some. Enthralling from start to finish they is amazing but merely a stepping stone for the jaw dropping audio to follow for the act only appears to get better and better. Do not miss out on this, although if you do, I’m sure I’ll be there to remind you come years end! Did I mention two bands in particular enough during this review? Yes, I believe I did. I think you get the point!

Favorite Tracks; This is near hypnotic and delivers from start to finish!

FFO; Dissection, At the Gates, Necrophobic, Eucharist, Saramentum, Tribulation, Cloak.

skumstrike

Skumstrike (Canada)- Execution Void

https://caligarirecords.bandcamp.com/album/execution-void

Release – February/14/2020

Caligari Records

ARTWORK- 71

A raw image appearing to depict a face under extreme duress. This could well be a reflection from a witness’s eye or a look into a porthole upon one’s final moments.

FIRST TRACK- 89

Strap in tightly folks! A vintage Carcass– esque intro starts things off and leads into straight for the jugular audio. A primal seething raw beast draped in darkness exhibiting a ferocity which is typical of a terrified rabid critter backed into a corner. You will seriously have wished you lumbered up the neck muscles before you hit play.

INITIAL LISTEN- 92

I was not prepared for this!

Imagine, if you can, a crust outfit with black sensibilities and industrial leanings (especially in the vocal department) ala “The Mind is a Terrible Thing to Taste”/”Psalm 69” era Ministry. This hits hard, rarely leaves one enough time to breath before it assaults the senses again. This isn’t pretty. It’s raw if truth be told but it obliterates the yearning for hard, brutal fast and ornery.

This is a five track EP but it leaves me sweaty, exhausted, exhilarated and wanting more.

Favorite Tracks; The whole damn thing!

FFO; (Psalm 69 era) Ministry, No/Mas, Disrupt.

ithzmi

Izthmi (USA) – The Arrow of our Ways

https://izthmiseattle.bandcamp.com/album/the-arrows-of-our-ways

Release- February/14/2020

Within the Mind Records

ARTWORK- 80

Depicting a picturesque clearing this image also showcases a prone form in a small body of water. The beauty of nature scarred by the vicious nature of the creatures who roam upon it (how’s that for a spot of poetry?)

FIRST TRACK- 84

An apocalypse noise salvo paired with an “awakening” synth accompaniment. Little indication is given as to how the album will proceed from this point so when a mellow drum beat and majestic cresting riffs break the silence the ears immediately perk up. As the track progresses details become clear. This isn’t a typical black or even atmospheric black metal release, as this is oozing with a myriad of influence and styles. Acoustic guitar melodies weave in and around a malevolent mid pace, which doesn’t linger for too long in any one direction, supported by an often-frenetic drum salvo and a diverse vocal approach (encompassing shrieks, OSDM growls and grunts) making for a unique listening experience which makes an instant impression.

INITIAL LISTEN- 88

Both technical and intricate the melodies and arrangements here are varied, chaotic in instances. Touch upon folk sensibilities, yet still somehow flow in a cohesive, downright hypnotic, manner. Interludes serve to break up the album with bursts of cataclysmic intensity, in the case of (The Angels are Lost) bring about a contemplative nature but then it’s back to business. Multi-faceted, dynamic, busy and complex bearing cavernous qualities as well cosmic tones this release probably isn’t for everyone. But for those who relish in the process of dissecting audio like peeling back layers of an onion, rather than the instant gratification usually resulting from a release draped in a single genre blanket, this will provide hours of entertainment. A solitary listen will not suffice, this bears an odd familiarity about it and the intrigue is piqued, this requires several to get an understanding of the brilliance within. A striking debut sure to garner interest from far and wide across the metal spectrum.

Favorite Tracks; This is yet another example of an album which captivates from beginning to end.

FFO; vintage Katatonia, Opeth, Between the Buried and Me, Ne Oblivicaris, Swallow the Sun, Akercocke.

runescarred

Runescarred (USA) – The Distant Infinite

https://runescarred.bandcamp.com/

(album, or any of its tracks, isn’t “up” as of this publication)

Released – February/21/2020

Self-Released

ARTWORK- 86

The image here looks a little like one rendered by an artist Psycroptic has commissioned in the past (on their self-titled release). It really gives no indication as to the audio within but is vivid in detail and intricacy, which leave me quivering in anticipation.

FIRST TRACK- 84

The album commences as if it’s travelling along similar tracks as “South of Heaven” (do I really need mention the artist?) but then veers into Exodus adrenaline thrash realms. And boy does it ever deliver. Dramatic gruff vocals with a slightly unique edge add to the enjoyment. A great start!

INITIAL LISTEN- 88

Passionate and intricate not at all what I was expecting. Tons better in fact.  Overflowing with a smorgasbord of influence soaring leads are commonplace as too rhythms which will strike an instant chord. Surprising are progressive and folk instances although they don’t feel out of place but rather add significant depth to the album. To top the brilliance off (yes, I said ‘brilliance’) the vocal approach is striking often bringing to mind Dio, in other times Warren Dale and then again Bruce Dickinson but also the later ‘frontman’ for Exodus (whose name escapes me)

Favorite Tracks; The album doesn’t disappoint; delivering from start to finish.

FFO; Exodus, Nevermore, Hell, Iced Earth, Testament, Bruce Dickinson’s solo output.

kvaen

Kvaen (Sweden) – Funeral Pyre

https://kvaen.bandcamp.com/album/the-funeral-pyre

Release- February/28/2020

Black Lion Records

ARTWORK- 85

Black and white imagery. A robed hand holds a sword to consumed by licking flames. Ouch! This would make an amazing tattoo.

FIRST TRACK- 93

Containing quite possibly the most infectious black metal riff I’ve heard in some time this starts with a blistering jolt only to slide into epic and exquisite majestic realms though still boasting ungodly melodic qualities. A great fukn’ start, if I’m to be blunt!

INITIAL LISTEN- 92

Top notch melodic black metal with mischievous rhythms, surprising tempo transformations, blast beats aplenty (but thankfully not to the point of overkill), plenty of atmosphere and at times even an epic grandeur. Venomous vocals complete an intricately crafted package which is topped off with admirable production values. Part traditional yet bursting with an appeal which most new comers to the scene (me included) will instantly be able to appreciate. Do not be the last one on board the Kvaen train, these guys are gonna scorch the earth, mark my words!

Favorite Tracks; This doesn’t disappoint at any given moment.

FFO; Dissection, Arctos.

exhausted animal

And that concludes another installment of Abrasive Audio. Hopefully you’ve gotten this far down the ‘page’ and have found something to keep your senses occupied for at least a short while, I even attempted to keep this entry somewhat diverse. Here’s to discovering something which might normally be foreign to the senses.

Your exhausted slave to audio extreme, in a wide variety of its many guises,

Cult