Abrasive Audio 2020 – Special Edition; Part the Last (for now)

(Yet another collaborative effort with a few friends)

Abrasive Audio Special Ed 2020 part 2

This installment is the third in a Special Edition Series. And again, sees a collaborative effort with friends (whose opinions I respect) from as far afield as the releases featured within. But first a few words from a co-conspirator, the SixintheHeadZine editor and someone whom I bother with suggestions, recommendations and silliness on a more than frequent basis.

sixintheheadzine

The “Original”

I was honored to be asked to write the intro for this – the last installment in a truly epic collection of reviews – because ever since I discovered your man Cult and Abrasive Audio, I haven’t got my metal recommendations from anywhere else. I probably should read other metal blogs but I find so many good n brutal listens on this one that I barely have the time to listen to any of the other music I like, let alone more bloody metal.

In fact, I’ve been spending so much time recently investigating the releases on here that I’m completely out of touch with all the latest pop groups, jazz singers and contemporary composers. I normally pride myself on knowing what’s happening in all the main genres – pop, jazz, classical and blues. Metal as we know isn’t a genre. It’s a way of life, a religion. Very similar to vaporwave. (and what’s that, prey tell. – Ed*)

Anyway, I suppose if Cult wanted anything from this introduction it was for me to impart some of the valuable knowledge I have gained after a long and storied career in the music business. So, my advice to you is this – whatever you do, do it 110%. You can achieve your goals and dreams. You just have to believe in yourself.

I really hope that helps you on your way as we reach the end of this “Odyssean” Abrasive Audio feature together. If it doesn’t, oh well. Here’s the final three recommendations (one of which I happen to have written something on) to put into your headphones, turn up to max and drown the world out with. Keep it up Cult, your services to metal are very much appreciated.

Onward to this installment’s selections dedicated, yet again, to a few which apparently…

Slipped Through the Cracks
(Releases of 19′ which I have somehow missed)

Obviously, this isn’t all or even close to those I’ve failed to cover before but rather a handful which have fallen under most radars though still deserve attention.

Tyrmfar

Tyrmfar (Switzerland) – Renewal Through Purification

https://tyrmfar.bandcamp.com/album/renewal-through-purification

Release- June/22/19

MTAF Records

ARTWORK- 84

A malevolent sky is the backdrop to a godlike figure comprised of many (forms) scrambling to become a part of ‘the whole’. An interesting image with a myriad of intricate details and a meaning which will likely spark discussion.

FIRST TRACK- 90

The album starts with an introduction that’s likely to accompany a cinematic scene in which those on screen are recuperating, thriving and finally overcoming insurmountable odds to stand triumphant. Par for the course in this genre to be blunt, though this is better than most. A blast beat rhythm takes up the charge when the introduction dies. Add industrial precise drumming, a dual pronged vocal approach and rhythms dipped in both black and melodic death qualities and to album is off to a highly satisfying start. A fantastic introduction to the band for any yet to lay senses upon them, like myself.

INITIAL LISTEN- 88

Melodic, yet far from what many might visualize with the term in mind. This bleeds with blackened majesty and an atmosphere which brings to mind a giant of, and still a huge influence within, the melodic black scene (and undeniably a variety of others) Dissection. Melodies and tone channel a myriad of top tier influence (Eucharist, Necrophobic and Amon Amarth, among others) add depth, unmistakable catchiness and fit amazing well nestled with the prowess of the percussion and stunning vocal accompaniment. Overall, this held my interest from its start through its final notes but leaves me pondering upon what could possibly be in the Swiss water supply. I’ve heard a few releases from the region in the past few weeks and this is as good as the impressive standard the others have set, if not better. Discovering this a few months prior would have resulted in its inclusion in my Best of Years list, it’s too late for that but it’s not too late to preach the good word. Make room in your collection for this. You won’t be disappointed!

Favorite Tracks; Crank this up, it delivers from start to finish!

FFO; Dissection, Amon Amarth, Necrophobic, At the Gates, Stortregn, Eucharist.

Need a Second Opinion?
six in the head zine iss 2

Issue the Second

 

Here are a “few words” from Six in the Head Zine creator Paul_PMZ (on Twitter) and if you haven’t already please check out the mag here; https://sixintheheadzine.com/ for general gaming silliness, recommendations and tips and tricks on painting, gaming and where’s the best location to hold the ‘event’ itself.  Currently on its second issue this publication is heading to heights scary for even the most rambunctious toddler to contemplate. Without further ado…

The Cult Himself has asked me to review an album for him. No doubt that will be a relentless, hellish racket. Just what I don’t need right now… Why can’t he ask me to review some Tibetan bowl music or whale song for once? Still, being a man of my word (most of the time), I opened Bandcamp, stuck the kettle on and the headphones in and pressed play on the album he’d suggested. There was a long blurb about it underneath the tracks but I didn’t read that. I never read stuff like that before doing a review. I don’t want to cloud my judgement with unnecessary facts and useful background information. I liked the title and I liked the cover art. I thought this might be up my street as far as metal goes, even if I wasn’t feeling particularly in the mood for someone screaming at me.

The album began, like all metal albums do nowadays, with an instrumental opening that immediately struck me as sounding very, “Warhammer”. As a big tabletop gaming and hobby fan this is always a positive for me. For the first 30 seconds I imagined a vast, planet-sized spacecraft slowly moving into view as opposing forces of the 41st Millennium engaged in fierce battle underneath. Then, disappointingly, I heard some piano. Oh FFS (Fer Fuck’s Sake – Ed*). Don’t tell me this is “piano metal” … I can’t listen to a whole album of piano metal Cult.

Thank the Emperor (not the band I think – Ed) though, when track two kicked in I was delighted by a barbarous and pummeling auditory assault without any trace of Rick Wakeman-like activity. Chunky, choppy riffs and fast fretwork, machine gun drumming and an abominable, interplaying combo of both low and mid-register vocals that I hoped would set the tone for the rest of the album.

Much to my delight, it did. So, by track four my head was enthusiastically bobbing along to the determined and merciless drumming that I refuse to believe it’s possible for an actual human being to perform. If there truly is a man (or woman – I didn’t read the blurb) behind the kit on this then perhaps humanity isn’t quite so worthless after all.

Overall, this is a quality piece of work from top to bottom. It never gives up, slows down or dips in quality and the actual sound of it is top-notch. I think it’s a perfectly balanced death metal record and that the man (or woman – I didn’t read the blurb) who is responsible for mixing it is quite clearly a genius. Then again, what do I know? I’m not a sound engineer or musician.

What I do know for sure is that “Renewal Through Purification” is fucking great and when came to an end and I had to write this review I put it straight back on again without hesitation. Then I listened to it again for a third time. Totally brilliant!

hellknife

Hellknife (Germany) – Dusk of Doom

https://hellknife.bandcamp.com/album/dusk-of-doom

Release -December/13/19

Phobia Records, Ecocentric Records and Wooaaargh

ARTWORK- 86

Skulls, maggots, a pentagram looking thingy and a masked kultist (for the record a dead ringer of the lead vocalist from Ghost) with Lovecraftian creations sprouting from his spine. And the whole concoction is in black and white. Does it get any better than this? Probably, but not by much.

FIRST TRACK- 82

No introduction, no soundbites and certainly not even the slightest indication of “frilly bits”. This leaps straight for the throat! Crust coupled with D-beat and sprinkles of hardcore showcasing bludgeoning riffs complete with sub-woofer annihilating bass. Keep a digit on the volume button when this puppy starts else something goes POP and your further enjoyment of the extreme audio arena is held at bay until the meds start to work.

INITIAL LISTEN- 85

This is unapologetic Crust (with the punk vibe often more pronounced than other elements) slathered with D-beat complete with angst-ridden hardcore vocals (I feel like I’ve said that before, but it needs repeating!) The similarities to Motorhead and WolfBrigade are unmistakable as well the indelible imprints the sheer amount of groove here will leave on the senses when this is through. To keep this short and sweet if the pulverizing nature of this and the ‘catchier than catchy’ aura doesn’t make you wanna’ get up and break shit odds are you might be missing a pulse. Jump on this at your next given opportunity! But be prepared to apologize to everyone beforehand for this will leave a mess as your torso unceremoniously jerks you around like a marionette at the whim of an inebriated puppet master. Need I mention this grew on me the more I listened? (Probably not, but I did anyway.)

Favorite Tracks; Dusk of Doom, Violence, Burn it Down, The End.

FFO; Wolfpack, No/Mas, Martyrdöd, Napalm Death, Disrupt, Terrorizer.

Need a Second Opinion?

 

Here are a few words from synth maestro Werewolves in Siberia (who I can’t thank enough for putting up with my constant badgering and allowing me in this case to bent his ear). I highly recommend checking into his varied discography, especially if you have a soft spot for cult soundtracks with a Goblin or Carpenter-esque edge. His godly manipulation of electronic beats into an often suspense-laden soundscape can be found here; https://werewolvesinsiberia.bandcamp.com/

werewolves in Sioberia header

I hadn’t heard of Hellknife before this.  In all honesty, I’ve only recently started catching up with a bunch of metal bands I used to listen to.  I really haven’t paid much attention to the metal scene at all in the last 10 years or so; minus the few exceptions of those bands I absolutely have to listen to.

That said, my first thought was that if Hellknife is an American band, this is a terrible name.  If they’re from Europe or a Scandinavian country (anywhere English isn’t the primary language), somehow, it’s an awesome name, though.  Turns out they’re from Germany, so the name checks out and it sounds tough.

Werewolves In Siberia2

I’ll sum up the sound of the music to me; basically, they remind me of The Crown doing a d-beat record with a bunch of thrash meets Norwegian black metal influence in the guitar riffs.  I feel like there’s something missing from the songwriting to make it that standout it could be but this is still a killer record and I’m finding I like it more each time I listen.

Apparently, these guys even worked with a dude who has worked with Wolfbrigade for this album.  If you’re going to make d-beat music, working with people who have made some of the greats in the genre is always going to help you out.  They obviously had the same epiphany.

I’d be happy if the snare was louder in the mix but that might just be me nitpicking.  It’s kind of a crustcore staple to have that gritty guitar super loud in the mix and drowning out the drums, but I think that snare could cut through a little bit and really dive home how killer this band is.  Either way, I’m glad Cult sent this one along to me as I now have a new d-beat/crustcore band to listen to.  With how much it’s grown on me in just a couple listens, I’m sure I’ll be liking this one even more by next week.

novarupta

Novarupta (Sweden) – Disillusioned Fire

https://suiciderecordsswe.bandcamp.com/album/disillusioned-fire

Release- April/29/19

Suicide Records

ARTWORK- 76

Uh, oh, this image gives off a vibe as though the words “Post” (something or other) might appear in its description. It actually looks similar to an image on a couple of shirts I own when I went through a brief not wearing metal shirts all the time phase. Nevertheless, I’m intrigued.

FIRST TRACK- 83

Sludge sensibilities, mammoth riffs and angst fueled vocals. And something… else. Wicked pace transformations and a malevolent nature, a lurking, as if there’s something on the horizon which might soon pounce (but only when it’s good and ready to do so). A brilliant start seething with monstrous weight which leaves me eager for what’s to follow.

INITIAL LISTEN- 85

With a different vocalist highlighted in every track (with talents heard in bands such as Entombed, Dark Tranquility and The Moth Gatherer, to name but a few), the third track boasts three guest throats, this album boasts a smorgasbord of identities. Hard to describe without listing a diatribe-esque list of styles which often intertwine and or tumble over each other (in a surprisingly controlled manner), easier to enjoy, the styles herein are varied (feel like I’ve mentioned that before now) yet passages of a grandiose nature run rampant alongside riffs which could topple Godzilla and bring even the most wicked of dictator to his knees. The atmosphere here is undeniable, often overpowering, and adds a priceless quality to the album’s depth and aura. This truly is an album one can get lost in and to think that it’s not normally of a genre I often frequent makes me ponder upon that which I might be missing out on. Call this post, blackened sludge, atmospheric, doom, call it what you will but be sure to give it the time of day and I’m sure you’ll agree it far surpasses that which most might assume when faced with a description utilizing said genres. Place this between the ears post haste!

Favorite Tracks; Pyroclastic Flows, Mare Tranquillitatis, Only the Dirt Will Know Our Graves.

FFO; vintage Katatonia, October Tide, Tool, Nuerosis, My Dying Bride, Paradise Lost.

mix tape action

Scribbling like one possessed, but it’s still not fast enough, dammit!

This concludes the sites first foray into having invited guests take the reins. A huge thanks go out to all involved. If you wish to become featured in a future endeavor of the same type feel free to drop me a line. Otherwise, feel free to comment, share and spread the word as eye-opening, ear carnage audio is meant to be shared – #SupporttheScene

As always keep those ears open for audio which might normally be foreign to the senses.

Your slave to audio in many of its extreme forms,

Cult

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s